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1995 Colour – Part 2 – Greenwich Meridian

1995 Colour – Greenwich Meridian: The second of a series of posts on my colour work, mainly in London, from 1995, 35 years ago and when I’d been working extensively with colour negative film for ten years, though still continuing to work with black and white.

*Obelisk, Trig Point, Pole Hill, Chingford, Waltham Forest, 1995, 95p03-841*

In 1992 I began making colour panoramas using a Japanese Widelux F8 swing lens panoramic camera – and later I used a Russian Horizon which gave similar results. Both worked with normal 35mm film but produced negatives that were a little under 60mm wide rather than the 36mm of normal cameras. Both use clockwork to swing the taking lens around a third of a circle exposing the film through a narrow slit behind the lens. The film was held in a curved path – again around a third of a circle – with the lens at the centre of the circle so that the lens to film distance remained constant.

Peacham Hall, King's Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411 — *Peacham Hall, King’s Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411*

This arrangement avoided the change in distance from the lens to film that gives some stretching of the subject towards the edges of the frame – and begins to become very noticeable in ultra-wide lenses, particularly wider than around 18mm focal length on a 35mm camera.

95p03-552-Edit — *Level Crossing, Highams Park*, *Waltham Forest, 95p03-552*

Using the curved film plane avoids this distortion and enables a much wider field of view, while using a fairly moderate focal length – the Widelux has a 26mm f2.8 lens and gives negatives 24x56mm with a horizontal angle of view of 123 degrees.

*Bridges, North Circular, Hale End Rd, Hale End, Waltham Forest, 1995, 95p03-463*

But there is a downside. Creating the image in this way gives a curvature to objects which is unlike our normal vision which is particularly noticeable on any straight lines, though lines parallel to the axis the lens rotates around remain straight – so if you hold the camera level, verticals will remain straight. But other lines become curved with the effect increasing away from the image centre, giving what is often called a “cigar effect“.

*Raglan Rd, Lea Bridge Rd, Whipps Cross, Waltham Forest, 1995, 95p4-373*

This is a constraint which makes composition far more difficult using a swing lens camera, and was not helped by a rather poor viewfinder on the Widelux. Usually for landscape work I tried to visualise the effect of the curvature and chose a suitable camera position, levelled the camera on a heavy Manfrotto tripod using the spirit level on the camera top plate, lining the camera up using two arrows on the top plate to show the extent of the view (more accurately than the viewfinder) and then pressing the cable release to make the picture.

Stratford Bus Station, Great Eastern Rd, Stratford,, 1995, 95p4-922 — *Stratford Bus Station, Great Eastern Rd, Stratford, Newham, 1995, 95p4-922*

For photographing events and some creative effects this is a camera you can use handheld, but you have to remember that even when using its fastest speed of 1/250 second the camera actually takes quite a lot longer to scan around the curved film.

Crowley's Wharf, River Thames, Greenwich, 1995, 95p4-672 — *Crowley’s Wharf, River Thames, Greenwich, 1995, 95p4-672*

These pictures are from a project I began in 1995 with the approaching Millennium in mind. It seemed to me to make sense to carry out a project based on the Greenwich Meridian.

*Greenwich Boating Pond, Park Vista, Greenwich, 1995, 95p4-1431*

So I set about walking the Meridian, photographing it at various points in London and used some of these pictures in an attempt to get public funding for a Meridian Walk with some markers in pavements and a web site and publication. Panoramic images seemed a very appropriate format for illustrating the line.

*Greenwich Meridian, Royal Observatory, Greenwich, 1995, 95p4-1242*

Unfortunately my grant application as usual was unsuccessful, but I did go on to take some more photographs. In 2009 others produced a Greenwich Meridian Long Distance Path covering all of the Meridian in England from Peacehaven to Sand La Mere which of course goes through London and we also have The Line Sculpture Trail. Quite a few more Meridian markers were also added in London since I made this walk.

Many more panoramas from my Meridian project and other colour images from 1995 in the album 1995 London Colour.

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Thames Path Panoramas – Vauxhall to Wandsworth 2014

Thames Path Panoramas: Back in January 2013 I had photographed and taken part in a rather less bloody re-enactment of the Epiphany bloody armed insurrection by Thomas Venner and fellow Fifth Monarchists against the re-imposition of the monarchy in 1661 being performed by Class War for film director Suzy Gillett. I’d tried hard to avoid getting in the way of the camera but do appear for a few seconds as the insurrection made its way to seize St Paul’s Cathedral.

On Sunday 5th January, a year less a day later I and others involved were invited to a private afternoon screening of the film at the Cinema Museum close to the Elephant & Castle. As it was a fine day I went up some hours earlier to walk and photograph a little nearby section of the Thames Path.

I’d been making panoramic photographs since the 1980s, at first by cutting and mounting together a few prints from black and white images. Back in 1991 I’d bought my first panoramic camera, a Japanese Widelux F8 with a lens that swings around while making a picture on 35mm film, held in a curve so that the centre of the lens remains at a constant distance from the film. Later I bought several more similar but much cheaper cameras made in Russia and a Chinese beast taking 120 film.

These cameras all produced a very wide angle of view – around 120 or 130 degrees – but with a different perspective to “normal” cameras, with some characteristic curvature of objects. The normal rectilinear view stretches out objects at the edges of the frame and is only really usable up to around a 90 degree angle of view. Later I did work with a Hassleblad X-Pan camera and with a 30mm lens which gives a 94 degree horizontal view – around the maximum usable for a rectilinear view.

Digital methods changed the game. At first I used a film scanner and software that enabled me to merge several scanned images. Then things became even easier when I shifted to a digital camera. For projects such as ‘The Secret Gardens of St John’s Wood‘ I combined up to around 8 different 12.3Mp digital images form a Nikon D300 to make very large prints with wide angles of view.

But by 2014 I was working with a Nikon D800E and it had occurred to me that there was a simpler solution with its 36.3Mp images. I could use the 16mm Nikon fisheye which gives 180 degree diagonal coverage filling the frame and then convert these images digitally from their fisheye projection to the more friendly cylindrical projection of my panoramic cameras.

I could now make panoramas almost as easily as taking any other images, capturing moving as well as static scenes with ease. For most panoramic images it is important to have the camera level, and the D800E had nice clear indicators that could be displayed in the viewfinder to ensure this, and with an f2.8 lens tripods became a thing of the past.

For these images I used the incredibly flexible PTGui software, but later found the simpler Fish-Eye Hemi plugin for Lightroom more convenient, though PTGui allows some interesting options. Unfortunately this plugin is no longer available, though I hope it or a similar plugin will be made available again. Using it you transform the images without any loss of image at the centres of both horizontal and vertical sides so you can visualise what will be in your final image when looking at the viewfinder while taking images.

Many more pictures at Thames Path Panoramas.

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Olympic Site & Budget Cuts – 2012

Olympic Site & Budget Cuts: Wednesday 5th December 2012 was a cold day in London, with the temperature just three or four degrees above freezing during the day, but there was plenty of blue sky with a few clouds and it seemed ideal weather to wrap up and go and see what progress had been made in restoring the Olympic site, still largely off-limits some months after the end of the games. And later in the early evening I returned to Westminster for a protest against the cuts which had been announced by Chancellor of the Exchequer George Osborne in his autumn budget statement.

Olympic Area Slightly Open – Stratford Marsh

Much of the area around the Olympic site had been closed to the public in May, including the Greenway, the elevated footpath on top of the Northern Outfall Sewer which runs close to the Olympic stadium, but this was now re-opened in part.

The section between Stratford High Street and the main railway lines which run from Liverpool Street station to Stratford and on further east was however still closed and would remain closed for years as work was now taking place for Crossrail – opened as the Elizabeth Line in 2022.

I started my walk in the early afternoon around the Bow flyover where the Bow Back rivers were still closed to traffic with a yellow floating barrier, but the footpath along the Lea Navigation had been re-opened. One improvement made presumably for the Olympics was a pathway and footbridge taking walkers under the busy road junction and across the canal.

Finding the new entrance to the Greenway meant walking between fences on the Crossrail site down Pudding Mill Lane, and probably I would have abandoned the route had it not been for signs put up by the View Tube café – though when I finally reached this I found I was the only person to have done so and the cafe was deserted.

There were still fences everywhere as you can see from my photographs but I was able to walk along the Greenway to Hackney Wick and then along the towpath beside the navigation. But the footpath beside the Old River Lea was still blocked off.

By then the light was beginning to fade and the Olympic stadium was gaining a golden glow. I walked a little further along the towpath and photographed the Eton boathouse as the sun was setting setting before crossing the canal and making my way to Hackney Wick station.

Many more pictures, both normal and panoramic views on My London Diary:
Olympic Area Slightly Open.

Osborne’s Budget Cuts – Strand to Whitehall

Several hundred students, trade unionists, socialists and others marched with UCU London Region down the Strand and into Whitehall shouting slogans against public service cuts, the rich, David Cameron and George Osborne in particular.

Opposite Downing Street they joined with others already protesting there including CND and Stop the War who were calling for the government to stop wasting money on the war in Afghanistan and vanity projects supporting the arms industry such as Trident and its planned replacement.

“The Afghanistan war — which everyone knows is futile and lost — is costing around £6 billion a year. The yearly maintenance costs for Trident are £2.2 billion a year. The cost of renewing the Trident system — which this government is committed to do — would cost up to £130 billion. Two aircraft carriers are being built at a cost of £7 billion. Then there’s the £15 billion to be spent buying 150 F-35 jets from the US, each of which will cost £85 million plus an extra £16 million for the engine.”

The rally began shortly after the marchers arrived. By now it was only just above freezing and speakers were asked to keep their contributions short because of the temperature.

Among the speakers were John McDonnell MP, Kate Hudson of CND, author Owen Jones, Andy Greene of DPAC, Green Party leader Natalie Bennett and others including a nurse from Lewisham Hospital threatened with closures, from the NUT, UK Uncut and other trade unionists.

*Kate Hudson CND and Romaine Phoenix Coalition of Resistance/Green Party*

Many of the speakers called on trade unions to take effective action against the cuts. calling for union leaders to stop simply speaking against them and take the lead from their members and start organising strike action. But of course few did and the cuts continued unabated.

More at Osborne’s Budget Cuts.

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A Day Out in Deptford – 2018

A Day Out in Deptford: On Saturday 29th September I had decided to go on the Deptford Art & Gentrification Walk, part of the Deptford X Festival, and Deptford Aint Avinnit, an art crawl organised by ART&CRITIQUE. This was the second such walk, following on from an earlier event in May 2018.

Over the afternoon we visited community spaces, galleries, studios, landmarks, waterways, green spaces and new developments on a guided walk through the street with a series of discussions on the relationship between art and gentrification and the huge changes that are currently sweeping through Deptford.

As I wrote in My London Diary in 2018, “The walk took place because of the continuing struggle with Lewisham Council over their plans to build on the 20-year old community run Old Tidemill Garden, the adjoining council flats, Reginald House, and Tidemill Primary School, which closed in 2012.”

“Local residents, including those whose homes in Reginald House are threatened with demolition have opposed the plans, and at the end of August a group of them had occupied the Old Tidemill Garden.”

The development would mean the loss of environmentally valuable green space but more importantly would be a part of the social cleansing of London which Lewisham, like other London Labour dominated councils are taking part in, demolishing council housing at social rents largely by private housing.

“The site was to be developed by Peabody with 209 housing units, 51 for sale at market prices, 41 in shared ownership schemes (which require relatively high incomes) and 109 to be let at London Mayor Sadiq Khan’s London Affordable Rent, something like 65% higher than current Lewisham council rents. As well as paying much higher rents, tenants under this scheme will have for less security of tenure.“

The residents group had put forward alternative plans which suggested retaining the Tidemill Garden and council flats and building at higher density on the redundant school site to create a similar number of housing units, but the council refused to consider these and terminated the community lease on the gardens on 29th August – when residents squatted them.

“The garden was established in 1997 with the aid of Groundwork, the London Development Agency, the Foundation for Sport & Arts, Mowlem plc, Lewisham College and Lewisham Council, and much of the work on it was carried out by parents and children from Tideway Primary. It now includes 74 well-established trees and has been shown to improve air quality in the local area.”

The garden was where we had the longest discussion on the tour, but there were plenty of other places where we stopped to discuss what was happening, making it an interesting afternoon.

It was a fine day and I decided to go to Deptford a couple of hours early to take a walk around some of the parts that were not included on the tour. I’d first photographed Deptford in 1979 and took with me a copy of my book Deptford to Woolwich 1979-85.

Back in the early 1980s much of Deptford was a very different place, with industry around the Creek and Deptford Power Station. Almost all of that has now gone, replaced by tall flats including much student housing and the Laban Dance Centre. On the tour we visited some of the former industrial buildings which are now artists studios and galleries. On part of the tour I was able to show pictures of what some parts of Deptford looked like before the changes.

The many pictures on My London Diary are in three posts, links below. Deptford Walk contains pictures from my own unaccompanied walk before the art crawl. Deptford Art & Gentrification Walk has my pictures taken during the walk. A third post, Deptford Panoramas, has extreme wide-angle views taken during both walks. These have the normal aspect ration of 1.5:1, but an extreme angle of both horizontal and vertical view.

The pictures show many aspects of Deptford, still a vibrant area of London, though rapidly changing. The Tidemill Garden is now built on, Deptford Cinema closed in 2020 but has a number of ongoing projects, the High Street market was still busy last time I was there, and the Dog and Bell serves a fine pint.

Deptford Panoramas
Deptford Art & Gentrification Walk
Deptford Walk

Walking the Olympic Area – 2012

Walking the Olympic Area – Unless my memory has failed me (which it often does these days) the two day course I ran on Saturday 21st April 2012 and Sunday 22nd was my last formal teaching session. I think I have turned down a few requests to run workshops since as they are rather tiring.

I can’t remember exactly how the course came about, but the venue was the View Tube, now run by Poplar HARCA for the local community, which had opened on the Greenway overlooking the London Olympic site in 2010, as a cafe and education centre. A set of bright yellow boxes it then had an upper floor viewing area overlooking the building site.

I’d been photographing the area on and off since 1982 – and you can see many of the pictures I took on a web site, The Lea Valley. I think the course will have begun with me showing some of those pictures and talking about them before taking the participants out for some fairly short walks around Stratford and Stratford Marsh, or at least those areas still open to the public. The pictures here are all from the two days of the course.

Travelling across London to the area I had to give myself plenty of time in case there were any travel delays, so I arrived well before the course was due to start on both days and was able to walk around and make a few pictures then.

While leading the students around the area I was mainly involved with facilitating them making images, but did manage to make a few for myself, and I think I also stayed on a little after the day finished for some more.

On the Saturday we went along the southern edge of the site and into Stratford Westfield and up to the John Lewis viewing area before returning for a lunch break for the students when I made some panoramas close to the View Tube while eating my sandwiches. Parts of the area were quite crowded with others who had come to view the site. Fortunately there were considerably fewer on the workshop than in this picture.

After lunch I took everyone along the Greenway, into Fish Island, across Old Ford lock, down the towpath to Bow Flyover and then to Pudding Mill Lane station.

We met again on Sunday morning at Pudding Mill Lane station. Again I’d arrived early and had already made some pictures before the walk began up the Greenway to Hackney Wick, through Fish Island to White Posts Lane before returning over Old Ford Lock to the View Tube.

I had requested those taking part to work with digital images – and I think almost all had done so. Lunchtime gave them a chance to review the pictures they had made and we then were able to see and discuss the work, though unfortunately we could only see the pictures rather dimly as the teaching area, although it had a nice large touch screen, had no blinds on its windows.

You can see more of the pictures I made on the two days on My London Diary, including some of the panoramic images. All my pictures were taken on a Nikon D700 camera, I think all with the laser-sharp Nikon 16-35 f4.0 lens. The panoramas were made with the same lens, taking a series of 5-10 exposures and digitally stitching these together using PTGui software, probably the most powerful and flexible photo stitching application available. Photoshop now does a decent job with simple panoramas but has fewer options.

Panoramic images don’t display well on this blog, so apart from the one at the top of the post showing the View Tube you will need to go to My London Diary to see more. Most of those I took showing the actual Olympic site on these two days are panoramic.
Olympic Course Day 1
Olympic Course Day 2

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Riverside Brentford – 2016

Riverside Brentford – Saturday 26th March 2016

As a child I grew up in Middlesex, by then a rather truncated county on the north and west of London, though once it had included the cities of London and Westminster and many of London’s Metropolitan boroughs north of the Thames and west of the River Lea. Brentford, a couple of miles from where I was born, was the nearest thing the county had to a county town, though it had few if any of the normal attributes of one, with no town-hall or other public building.

Often on Bank Holidays our father would take us on a 237 bus from Hounslow to Kew Bridge Station, the route going through Brentford High Street where it was often held up as we gazed through the top deck windows at the sites. Under the railway bridge leading to Brentford Docks where we might see a steam hauled goods train, over the canal bridge where the locks and dock area were normally busy with barges,past the Beehive on the corner of Half Acre with its tower topped by a giant beehive and on through the noisy, smelly gas works to Kew Bridge.

We walked across Kew Bridge and then turned down the side of Kew Green to the gate of Kew Gardens, where a penny – an old penny, 240 to the pound led us into the extensive gardens where we could wander all day. This was before the days of garden centres and my father would always have a small pair of scissors in his pocket to take the odd cutting or pick up a seed or two on our walks.

Later, in the early and mid 1950’s I would ride my bicycle around much of Middlesex and Surrey – and that included Brentford, but I think it was only much later when I became a photographer that I really explored the area and found out what an important communication link it had been. Brentford is where the inland waterways system with the busy Grand Union Canal joined the River Thames, just a few miles upriver from the great Port of London.

In 1978 three of my photographs from Brentford were published in Creative Camera Collection: No. 5, a prestigious collection of contemporary photography published by Coo Press, the publishers of the monthly magazine Creative Camera and edited by Colin Osman and Peter Turner. It wasn’t the first time my work had been published but was great to be on the pages with some very well known photographers, including one who much later became a friend, John Benton-Harris.

Brentford has changed greatly since then, with much of the riverside now lined with expensive flats rather than commerce and industry. The gasworks site became a riverside park and an arts centre, where I took part in and helped organise a number of exhibitions. But there is still enough of the old Brentford untouched, though less each time I go there.

I first returned in the 1990s, when I was teaching a few miles down the road, bringing students to see shows there and to wander around the area taking pictures. Later I came back for walks on my own or with friends, such as this one on Saturday 26th March 2016 with my elder son. Brentford hadn’t been my first choice by railway engineering works that week end made travelling out further to the east of London impossible.

As well as making ‘normal’ pictures with lenses giving a horizontal angle of view of between 10 and 84 degrees (focal lengths 20 to 200mm) there were some pictures where I felt an even wider view was needed and I made some panoramss with a roughly 145 degree angle of view. The pictures above and below illustrate the difference.

We didn’t end our walk in Brentford, but continued on past Syon House to Isleworth where we ate our sandwiches in a relatively sheltered square before following the Duke of Northumberland’s River through Mogden Sewage Works to Kneller Park and then Whitton Station for the train home. You can see a much wider range of pictures online on My London Diary at these three links:
Syon, Isleworth & Mogden
Riverside Brentford Panoramas
Riverside Brentford

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Harlesden, Willesden, Mary Seacole & a Wassail

Harlesden, Willesden, Mary Seacole & a Wassail: Sunday 2nd February 2014, ten years ago today was a pleasant winter day, not too cold and with some sunshine and light clouds, perfect for panoramas, so I went early to have a walk around the area before going on to photograph the wassail in Willesden Green.

Harlesden, Willesden & Mary Seacole

It was long ago on one of the dirtiest trains imaginable, windows think with dust so I could hardly see outside that I first came to Willesden Junction Station from Richmond on the North London Line which ran to the City and Broad Street Station. Upgraded to run to North Woolwich in the 80s with new rolling stock the line became a key way for me to travel to photograph around north London. Nowadays the line is part of London’s Overground, since 2016 run by Arriva Rail London, a part of Deutsche Bahn and rather cleaner, with trains running to Stratford.

Willesden Junction, which links with the Bakerloo line and another Overground service from Euston to Watford Junction is not in Willesden but in Harlesden and has platforms at two levels, and also has mainline trains rushing past without stopping. Apparently, according to Wikipedia, in earlier years it was was nicknamed “Bewildering Junction” or “The Wilderness” because it contained such a maze of entrances, passages and platforms and it is still rather like that.

If you can find it, a footpath leads over the mainline tracks next to the line from Richmond and Clapham Junction through an industrial wasteland and eventually to Hythe Road. Google Maps even dignifies it with a name, Salter Street Alleyway. Turning left at into Hythe Road takes you to Scrubs Lane, but going right can take you to the Grand Union Canal, with a bridge leading across to the tow path. I did both.

The blue sky with clouds was perfect weather for panoramas, and I took a number going back and forth a little in the area, across the Scrubs Lane bridge and back. At the corner of this bridge is a memorial garden to Mary Seacole (1805-81) who nursed many British soldiers in the Crimean War as well as working in her native Jamaica and Panama and Cuba, funding her medical work from the proceeds of her general store and boarding house in Jamaica. The garden, on the canal bank next to Mitre bridge, on Scrubs Lane, not far from where she was buried in St Mary’s Catholic cemetery, Kensal Green, was begun in 2003, shortly before the 2005 bi-centenary celebration of her birth.

The garden, now rather overshadowed by a new development, was a pleasant place to sit in the sun and eat my sandwiches before making my way to Willesden Green for the Wassail. Pictures from the walk start here on My London Diary and include more panoramas as well as other pictures.

Willesden Wassail – Willesden Green

This was the fifth Urban Wassail in Willesden High Street organised by Rachel Rose Reid to celebrate local shopkeepers who give Willesden Green its character and help to create a vibrant community.

The wassail is described as a “small free festival run by and for people from Willesden Green” and also celebrates the work of all who live there and create the neighbourhood and brought together artists and volunteers from the area including James Mcdonald, Berakah Multi Faith Choir, Poetcurious, Errol Mcglashan and several others, with more performing later after the wassail.

The group met at Willesden Green Station, though unfortunately this was closed for engineering works on the day. Here there was a performance from ParkLife singers, a local community choir run as a not-for-profit co-operatvie and led by Charlotte Eaton, before Rachel Rose Reid introduced us to the first shopkeeper who told us a little abor her shop, Daisychain Florist, with all of the 70 or so people present repeating her words in Occupy ‘mike-check’ style.

Then everyone sang a Wassail Song, borrowed from the Carhampton Wassail, with the shop name in place of its “Old Apple Tree”. You can read this on My London Diary.

The same pattern was repeated at a number of shops along the High Stret including Hamada supermarket, Khan Halal Butchers, Pound.com, Corner Barber Shop, Red Pig, Fornetti, Mezzoroma and Buy Wise.

There were other stops on the route for poetry and songs, including one in the yard at the front of Sainsbury’s, one of relatively few chains in the area.

Here we were also told about the campaign to save the Queensbury Pub on Walm Lane from demolition, with a petition of over 4,000 signatures to Brent Council against the demolition of this ‘Asset of Community Value’ and its replacement by a 10 storey block of flats. The pub had been open since 1895 but was bought by developer Fairview New Homes (North London) Ltd in 2012. Brent turned down the development, but the developer, now called Redbourne (Queensbury) Ltd put forward new plans in 2018. Again these were refused by the council but the developer’s appeal succeeded. The pub vlosed in 2022-3 and was demolished in October 2023 to build 48 flats. The development is supposed to include a new pub.

The Wassail ended with a number of poetry performances opposite the Willesden Green Library building site, after which we moved to the neighbouring cherry tree for a final wassail after which everyone let off the party poppers and decorated the tree with ribbons. It was slightly less noisy version of the traditional banging pans and firing guns in order to wake up the apple trees.

The wassailers then moved to the Bar Gallery in Queens Parade on the corner of Walm Lane, where refreshments were available and there were to be more performances. I went along but then realised it was time for me to start my journey home and left.

More pictures on My London Diary at Willesden Wassail.

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Roma, Olympic Park and Mind – 2016

Roma, Olympic Park and Mind: After a morning protest by Roma at the Czech Embassy in Kensington I took a walk around the Olympic Park in Stratford before joining the Mental Health Resistance Network (MHRN) and Disabled People Against Cuts (DPAC) who were holding a Halloween Demo at the national office of Mind.

Roma protest Czech Murder – Czech embassy, Kensington

Ladislav Balaz, Chair of the Roma Labour Group and Europe Roma Network and others had come to hand in a letter calling for the murder of a young Romani man by neo-Nazi skinheads in Žatec to be properly investigated.

The man who had lived in the UK until a year ago was a second cousin of Balaz. He was set upon as he went to buy cigarettes at a pizzeria.

Most cases of murders of Roma in the Czech Republic are dismissed by police as accidents and they have already issued false stories about the victim, claiming he was mentally ill and attacked people. The Roma demand justice and equality for everyone in Czech Republic and the elimination of any double standards of justice. Several of the protesters made speeches in Czech as the letter was presented.

Roma protest Czech Murder

A Walk in the Olympic Park – Stratford

I had several hours between the protest outside the Czech Embassy and a protest in Stratford High Street and decided it was a good occasion to take another walk in the park at Stratford which had been the site of the 2012 London olympic games and to make some more panoramic images.

It was a year since I had been there, and four years since the Olympics and I had hoped to see the park in much better condition than I found it. Considerable progress had been made in the buildings which are shooting up around it and many of the ways into the park are still closed.

I walked around much of the southern area of the park and found it still “largely an arid and alienating space composed mainly of wide empty walkways rather than a park.”

I took rather a lot of pictures, both panoramic and more normal views before it was time to make my way back through the Westfield shopping centre into the centre of Stratford.

Many more pictures at A Walk in the Olympic Park.

Against Mind’s collusion with the DWP – Stratford

*Paul Farmer, Mind’s chief executive came out and spoke to the protesters*

The Mental Health Resistance Network (MHRN) and Disabled People Against Cuts (DPAC) came for a Halloween Demo at the national office of mental health charity Mind in Stratford.

They complain that Mind failed to mention the effects of welfare reform, sanctions, or benefit-related deaths in its latest five-year strategy and has dropped its support for the long-running court case aimed at forcing the government to make WCA safer for people with mental health conditions.

Mind’s policy and campaigns manager Tom Pollard had been seconded to work as a senior policy adviser to the DWP and was to start the following day and they demanded the resignation of Mind’s chief executive, Paul Farmer.

Farmer came out to meet the protesters on the pavement and told them that Mind was still working for people with mental health problems and not for the DWP, and that Pollard’s decision had been entirely a personal one in order to gain more insight into the workings of government rather than to assist them in the any discrimination against the disabled.

The protesters were unconvinced and after he had finished speaking several spoke about how local Mind groups were working against the interests of those with mental health problems. They claimed the local managers were often more interested in empire building than in the welfare of benefit claimants.

More pictures at Mind’s collusion with the DWP.

Greenwich Walk – 2018

Greenwich Walk: On Thursday 18th October 2018 I walked with two or three other photographers from North Greenwich Station to the centre of Greenwich and made the pictures in this post. You can see many more of them in a post on My London Diary, Greenwich Walk.

Recently on >Re:PHOTO I’ve published a series of posts about my walks in London back in the 1980s, along with some of the pictures I took then which are now in my albums on Flickr. The most recent walk I’ve featured has been in Brixton and Stockwell and began with Stockwell Park, Bus Garage, Tower and Mason, and I’ve still to finish the posts on this, and will do so shortly.

But I’ve continued to walk around London, if less frequently than before in recent years. My walks now are rather shorter in length and duration and are mostly together with a few friends, other photographers who sometimes lure me into pubs on the way (I’m easily tempted.) And we almost always end up with a meal together in one.

Photographically things are rather different too. I don’t even always take any photographs and am no longer working on the kind of extended projects which I had back in those earlier days, recording the fabric of the city and in particular those areas undergoing substantial change – such as the whole of London’s docklands.

Back in the 80s and 90s I always worked with at least two cameras, one with black and white film and the other with colour. So far I’ve included very little of the colour work in those posts here, in part because I was working on a different project with the colour. You can see more of the colour work in the online project initially put together as a dummy for an as yet unpublished book in the early 1990s, ‘Café Ideal, Cool Blondes & Paradise‘.

More recently several web sites have published features using mainly these colour pictures from my Flickr albums sometimes along with some of the black and white. The most recent of these is on Flashbak, ‘34 Photos From A Walk Around Tooting, South London In 1990‘. It puts together images from several visits to the area and includes a few black and white images of people on the streets, In the introduction Paul Sorene comments “What we love about Peter’s pictures is that he shows us the everyday things we saw but didn’t much notice. Now that we get to look again, things looks strangely familiar.” I think this is about the 12th set of my pictures on that site.

But now I only take one camera on my walks, and always work in colour as the camera is digital. I could easily switch the images to black and white, but have only done so extremely rarely.

The other large change for me is the ease with which I can now make panoramic views, no longer needing to carry a separate camera for these, just the right lens. Many of the images from my walk on Thursday 18th October 2018 are panoramic with a horizontal angle of view of around 145 degrees even though they have a ‘normal’ aspect ratio of 3:2 as they also have a large vertical angle of view. Just a few are cropped to a more panoramic format.

Finally, here is the paragraph I wrote about the area in 2018:

I first walked along here back in 1980, and have done so a number of times since, though in recent years much of the riverside path has been closed as the old wharves are being replaced by luxury flats. It is still an interesting walk, though it has lost virtually all of the industrial interest it once had. A River Thames that is rapidly becoming lined by new and largely characterless buildings is at times a sad state, but there still remain some liminal landscapes and surprising vistas.
Greenwich Walk on My London Diary

Whitechapel & Illegal Dates

Whitechapel & Illegal Dates; On Saturday 27th September 2014 I went to Whitechapel early to photograph campaigners who were to protest against Sainsbury’s who were selling dates and other goods from illegal Israeli settlements, in defiance of international law. Around two years earlier I had made a panoramic image of part of the new Royal London Hospital which interested me but I felt was not quite what I wanted.

Going back to re-take photographs is often disappointing, with key features having changed, but I think this time I did at least come up with an improvement. This was a more complex panorama than most of those I now make, and needed me to stitch together three separate exposures. It would perhaps be a little better with some slight cropping on the botton edge.

The Royal London Hospital has much great problems, all arising from the poor PFI deal that was used to finance its construction. All PFI schemes have turned out to be a mistake, but this was worse than most and I think has left the hospital group in financial trouble while providing excessive profits to the investors, with payments continuing for many, many years. The contract means they can charge silly prices for necessary services,

After several attempts at producing the picture I wanted I went for a short stroll around the area making a few more panoramic images before it was time to join th protest.

More pictures at By the Royal London.

Sainsbury’s told Stop Selling Illegal Goods – Whitechapel High St

Campaigners from the Tower Hamlets & Jenin Friendship Association held a protest on the high Street close to Sainsbury’s, calling on the store to end selling dates and other goods from illegal Israeli settlements, in defiance of international law.

The protes was part of the international BDS campaign calling for a Boycott of Israeli goods, divestment from Israeli firms and sanctions against Israel until it ends the persecution of Palestinians and comes into line with international law and UN resolutions.

Similar protests earlier outside Co-op stores had led to the company in 2013 stating they would ‘no longer engage with any supplier of produce known to be sourcing from the Israeli settlements’.

The BDS campaign was given added impetus early in 2014 by the disproportionate use of force against the people of Gaza. During the recent Israeli attacks on Gaza over 2,100 Palestinians were killed, roughly 1500 of them civilians, among them over 500 children. 66 Israeli soldiers died, along with 5 Israeli civilians (including one child.) Over 500,000 people – roughly 30% of the population of the Gaza strip were displaced from their homes, and over 17,000 homes made uninhabitable, with over twice that number suffering less severe damage.

The raids also destoryed much of Gaza’s industry, including factories making biscuits, ice cream factory, plastics, sponges, cardboard boxes and plastic bags as well as the main electricity plant. Two sewage pumping stations were damaged, as were the main offices of the largest diary product importer and distributor.

The protesters had several tables on the pavement outside the library on Whitechapel High St ,one selling Palestinian olive oil, almonds and a range of decorated purses etc. Some handed out leaflets and a postcard ‘Sainsbury’s: Taste the Indifference’, while others held banners or collecting signatures for petitions. At intervals people made short speeches about the Palestinian situation and the campaign to get Sainsbury’s to stop selling illegal Israeli goods.

After an hour or so on the busy street, some of the protesters decided it was time to visit Sainsbury’s, just a couple of hundred yards away down a side-street. They folded up their banners and walked down to the store, where Sainsbury’s were ready and waiting for them with extra security on duty, and they were stopped in the very spacious lobby area in front to the store.

Here they opened up their banners and protested for a little over 10 minutes. There were a few moments of some tension, when store employees or security tried to grab one of the banners, but the whole protest and Sainsbury’s response was pretty civilised.

After 12 minutes, a man in casual dress arrived, and after asking the store manager to request the protesters to leave came across and talked with the the protesters, showing them his poolice warrant card and apologising that the police station didn’t have anyone in uniform available to send at the moment.

Having made their point by their protest, they decided to go quietly and a little exultantly back to the High Street, where others had been continuing the protest. Shortly after I decided it was time for me to leave.

Sainsbury’s appears still to refuse to follow its own ethical guidelines and still apparently sells some products from the occupied West Bank and to deal with suppliers who source goods from there, although probably rather less than in 2014. They have claimed not to source goods from the occupied territories but do still deal with wholesalers who deliberately mislable such produce.

Sainsbury’s told Stop Selling Illegal Goods