Posts Tagged ‘bridges’

Limehouse, Pimlico & the City

Thursday, February 25th, 2021
DLR, Limehouse Dock, Limehouse, 1992 92-3d-36-7a_2400
Panorama, DLR & Limehouse Dock, Limehouse, 1992

My walk down the Lea Valley from the source to the Thames took a long time on my posts here, and there are still many pictures in the Flickr album that have not featured here, including those around the other outlet from the Lea Navigation to the River Thames via the Limehouse Cut and Limehouse Basin by which barges could avoid the winding and rather treacherous Bow Creek. There are over 500 pictures in the album, including a number of colour images and they come from various visits over around ten years when I probably made several thousands of exposures. And I continued to make occasional visits there after 1992, the latest I think in 2018 or 2019. So here are just a couple of final images before I return to my wider explorations of London, back in 1987.

Heavy Rain, LimehouseBasin, entrance, River Thames, Limehouse, Tower Hamlets, 1983 33f-45_2400
Heavy Rain, Limehouse Basin entrance, River Thames, Limehouse, Tower Hamlets, 1983

1987 continued

St George's Drive, Pimlico, Westminster, 1987 87-10a-15-positive_2400
St George’s Drive, Pimlico, Westminster, 1987 87-10a-15-positive_2400

My last post about my pictures around London several months ago ended with two pictures from Pimlico taken in early October, and that’s where I will take up the story. The long streets of the area lined with Cubitt’s impressive stucco were developed from 1825, St George’s Drive, along with Belgrave Road were the two principla streets, with these opulent five storey town houses, were built (as Wikipedia quotes) for “professional men… not rich enough to luxuriate in Belgravia proper, but rich enough to live in private houses”.

By the 1980s many houses in the area were beginning to show their age; some had been converted to hotels and others offices, while others were in multiple occupation, often rather crudely converted. Developers were busy buying up properties to convert them into flats, as this picture with its estate agent’s boards and scaffolding illustrates.

Churton Place, Pimlico, Westminster, 1987 87-10a-02-positive_2400
Churton Place, Pimlico, Westminster, 1987

The side streets were also a part of Cubitt’s development, but here the houses were less grand and typically of three storeys.

River Thames, foreshore, Blackfriars, downstream, City, 1987 87-10o-63-positive_2400
River Thames, view downstream from Blackfriars, City of London, 1987

My next visit to London, later in the month took me further east, walking from Waterloo Station to the City meant I had to cross the River Thames and this picture shows a rather misty view downstream, with Southwark Bridge, Cannon St Rail Bridge, London Bridge and Tower Bridge. At the left is a tall warehouse on the upstream side of Queenhithe, London’s earliest dock. Now there would be another bridge, the Millennium footbridge, in the foreground.

White Lion Hill, City, 1987 87-10o-52-positive_2400
White Lion Hill, City of London, 1987

White Lion Hill leads up from the river to Queen Victoria St, where a rather dull office building, the Faraday Building, seems to have the dome of St Paul’s Cathedral on its roof. This part of the building was built in 1890 as a post office sorting office, which in 1905 became the GPO’s first London telephone exchange. A taller extension to the west (to the left of this view) was added in 1933, with the whole complex becoming known as Faraday House. This held the international telephone exchange and in its first years virtually all the world’s international telephone conversations were routed through here.

As this picture shows, Faraday House partly blocked the view of St Paul’s Cathedral from the Thames riverside and this led to the introduction of regulations restricting the height of new buildings in various locations giving a number of protected views from around London – including a well known one from Richmond Park. But the regulations only came in after Faraday House was built and were not retrospective. The photograph also shows another of Wren’s churches, St. Benet Paul’s Wharf, rebuilt after the Great Fire and reopened in 1683. Queen Victoria granted the church to Welsh Anglicans in 1879 and services are still conducted there in Welsh.

Knightrider St, City, 1987 87-10o-43-positive_2400
Knightrider St, City of London, 1987

Redevelopment was in full swing in the Knightrider St area as you can see from these pictures. I think the building at right is is the back of the building on Queen Victoria St now home to the Church of Scientology, and to the left is probably Faraday House. So many of what see like older buildings in the city are now just facades to more recent developments.

Knightrider St, City, 198787-10o-42-positive_2400

The web has many references to Knightrider St, but none that give useful information about its post-war past. Most are about its name, suggesting that Stow’s suggestion it came from being a handy route for knights riding to St Paul’s and Smithfield is unlikely (though there are no positive suggestions), or list buildings along the street which were demolished in the nineteenth century or earlier, and exactly the same information is in those reference books I’ve consulted which mention the street.

Knightrider St, City, 1987 87-10o-41-positive_2400

Addle Hill which runs down to the western end of Knightrider St, which continues west as Wardrobe Terrace. In between taking these pictures I photographed The Bell pub, on the corner of Addle Hill and Wardrobe Terrace which closed in 1989 and was demolished in 1998, one of many pictures not on-line. Further east on Knightrider St is The Horn Tavern, which was renamed The Centre Page in 2002 and is newspaper-themed.

These pictures are from Page 7 of my album 1987 London Photos.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


London Protests: 17 November 2018

Tuesday, November 17th, 2020

Saturday November 17th 2018 saw the start of Extinction Rebellion’s beidge blocade in central London, bringing the city to a standstill by blocking Lambeth, Westminster, Waterloo, Blackfriars and Southwark bridges. I joined them for the first couple of hours on Westminster Bridge.

From there I went to pay brief visits to three of the other four bridges that XR had blocked, choosing those downstream which were relatively easy to reach on foot.

I didn’t go to Lambeth Bridge, upstream from Westminster, as I ran out of time before another event I wanted to cover. It would have meant too long a walk as the nearest tube station is some distance away and there were no buses able to run. Later I found that it was at Lambeth that the police had been more active in making arrests and attempting to clear the bridge.

I arrived too late for the start of the march organised by Stand Up To Racism, co-sponsored by Unite Against Fascism and Love Music Hate Racism, and supported by many other groups and individuals including Diane Abbott MP and John McDonnell MP against the against the rising threat of Islamophobia and Antisemitism by far-right groups in the UK.

It was a large march and had gathered outside the BBC in Portland Place because the organisers wanted to point to the failure of the BBC to recognise the threat of these extremist groups with a level of support for fascism not seen since the 1930s.

The BBC does appear to have a policy limiting reporting on issues such as this, and of ignoring or minimising protests in the UK against failures of government. When they have reported, they have often talked of ‘hundreds’ of protesters when a more objective view would have said ‘thousands’ or perhaps even ‘tens of thousands.’ They do a far better job in reporting protests in foreign cities than in London.

Half an hour after I began taking pictures the marchers were still walking past me, but I thought that it was nearing the end and I left, not to go to the rally in Whitehall but to return to Westminster Bridge for the Exctinction Rebellion protest where there were speakers from around the country and around the world, some of whom travelled to speak on several of the five blocked bridges. After the speeches there was a Citizen’s Assembly but by then I was tired and left to go home, edit and file my pictures – more hours of work.

Protests by XR have done a little to shake the complacency of our government and others around the world and move them to action to avoid the rapidly approaching climate disaster, but it remains a case of too little, too late. Certainly so for many countries in the global South already suffering dire consequences, but probably also for us in the wealthier countries. Covid-19 has shown that governments can take drastic actions, (if ours cost many thousands of lives by making decisions too late and avoiding basic precautions) but it will need a similar upending of priorities and changes in our way of life to avoid the worst effects of climate change – and there can be no vaccine to end climate change.

More about the events and more pictures on My London Diary:

Extinction Rebellion Bridge blockade starts
Extinction Rebellion: Southwark, Blackfriars, Waterloo
Unity Against Fascism and Racism
Extinction Rebellion form Citizens’ Assembly


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More Canal Pans

Friday, September 27th, 2019

Photographing protests and other events generally keeps me pretty busy and for some years I’ve had little time for anything else, along of course putting some of my earlier work online and writing this blog and keeping My London Diary almost up-to-date. But one project that I’ve managed to do a little work now and then on is making panoramic images of London’s canals – and I hope to use a few of these in a show next year.

My first panoramic project, back in 1992 when I bought my first panoramic camera was on the DLR extension then being built from Poplar to Beckton. Prints from this were shown at the Museum of London back then, and a few are now in their collection – and one is in the current show, Secret Rivers at the Museum of London Docklands.

I’d chosen to work in panorama (using a Japanese Widelux camera) because I thought that the essentially linear nature of the railway was particularly suited to the panoramic format, and it seems to me that the same applies to photographing the canals. I’m now working of course with digital, and the pictures I’m making don’t natively come in a panoramic format as the camera sensor is either 3:2 (with the Nikons) or 4:3 in the pictures I’ve made with the Olympus EM5 MkII.

The character of the cylindrical perspective that I’m currently working with (others are possible) means that the image curvature required to give the wide angle of view (around 145°) increases towards the top and bottom of the image, and using a 4:3 or similar format makes it more noticeable than a more normal panoramic format such as 2.5:1. So I often crop the images to a more panoramic aspect, often 1.9:1 which can give a more natural look.

Cropping the image also has another advantage. In making these images it is important to keep the camera level – aided by indicators in the viewfinder at bottom and left of the image. Doing so means that the horizon will always be a horizontal line splitting the image into two equal halves, and this can make a set of images a little monotonous. When cropping the images, it is possible to move this above or below the centre line. In days largely long past, landscape photographers used cameras with a rising or falling front to acheive the same goal, and for much of my black and white work on film I used a 35mm shift lens which could do the same.

These pictures were taken between the end of a protest in Hackney and my visit to an Open Studio event at the Chisenhale Studios in Bethnal Green to which I walked. I began the walk along the canal in one of my favourite spots where Mare St becomes Cambridge Heath Road and goes over the canal and then walked east along the Regent’s Canal towpath to the junction with the Hertford Union Canal. I had time to go a little beyond the studios before turning around and returning to leave the canal and make my way to the studios. By the time I got there the rain was beginning to come down fairly steadily and I’d walked around a mile and a half.

More pictures at Bethnal Green Canal Walk


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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