My walk on Friday 4th August 1989 began at a bus stop on Battersea Bridge Road more or less opposite where I had caught a bus at the end of my previous walk
McCarthy Court is set just a few yards back from the road and I think this picture of it was possibly taken in Bridge Lane. Its two long blocks, one 4-storey and the other 2-storey were built for Wandsworth Council in 1978 with an inner garden between them and they contain 42 one bedroom flats and 36 two bedroom flats. The estate, now with a mix of council tenants, leaseholders and private tenants since 2005 has been managed by the McCarthy Court Co-operative whose board consists of estate residents with one council nominee. I assume McCarthy was the name of some local councillor or officer but perhaps someone in the area can tell me.
It had been planned, as the Survey of London recounted in 2013 as a part of a much larger development by the then Conservative government, but permission for much of this was denied by the Ministry of Housing and Wandsworth was told the houses over much of the site were sound and could be renovated. Writing about these pictures now I often wish that this survey had been available when I was photographing the area, as there were few published sources then.
The first Battersea Bridge was a toll bridge which replaced a ferry across the River Thames to Chelsea and was opened to pedestrians in 1771 and to horses and carts the following year. Designer Henry Holland had been forced to cut costs and the bridge was narrow and dangerous both to users and river traffic, but with some reinforcement it lasted until 1885, the last wooden bridge over the Thames. This bridge was painted by almost every significant British painter of the age including Turner and Whistler.
Presumably Bridge Lane used to lead to the bridge, though it now stops short, and may in earlier times have led the the ferry. These houses on Bridge Lane are presumably Victorian and may have been among those saved from demolition by the Minstry of Housing in 1968, though I think these are what is now number 1 and 2 on the north side of the road, despite the number 9 in my picture and 15 on one of the doors.
An interesting use of piles of bricks on top of both rectangular and cylindrical columns on the gate and steps to this house. I don’t think these have survived.
Back in the 1960s the Tate Gallery had paid Carl Andre a little over £2,000 for a pile of bricks, causing huge controversy over what many considered a waste of money. These seemed to me rather more interesting.
Bridge Lane ends at Surrey Lane and I turned west down it and then down Orbel Street. The estate here was built in the 1870s and 80s, and the northern side of Orbel Street is lined by semi-detached two storey houses with only vestigial front gardens.
You can stil see the short section of fencing between the two doorways of 70 and 72 on the street, unusually ornate for these houses, but the gate and the section fronting the pavement has gone. With the leaves from the shrub behind I felt I could almost be in the Palm House at Kew.
Not a medical establishment, The House Hospital at 64 Battersea High Street was for me symbol of the rapid and considerable gentrification of the area taking place as the industries were moving out. It offered replacement doors, at a price unspecified, fire places, baths, basins, taps etc. The site at 64-66 had built in 1975 for the factory of Allen and Ernest Lambert, who called themselves the Allen Brothers and made cigars. It later became a pipe factory for Imperial Tobacco until around 1930. According to the Survey of London “in the late 1950s they were occupied by the Ductube Company Ltd, makers of inflatable tubing for laying ducts in concrete.”
The building at right and the factory site behind has since been redeveloped as ‘Restoration Square‘. Number 64 and therather dull block at left, Powrie House, remain.
James Bennett was a linen draper, who named his business premises very visibly ‘London House’. Originally in a Georgian building on the right of this picture he added to this in a matching fashion across the middle and left of my picture in 1866. I think the ground-floor addition of Bennett’s Brasserie is rather later. The builidng is locally listed. I think ‘London’ was perhaps a suggestion that he sold fine fabrics, not the coarser ‘Manchester’ cloth, as Battersea was clearly back then not in London.
Gordon Ramsey took over the Brasserie in 2014 as a restaurant, but this closed in 2022.
Battersea Square had more or less disappeared off the maps by the 1970s, but the name was restored and considerable work carried out on the area after it was designated as a Conservation Area – the work was more or less complete when I made these pictures in 1989.
More from Battersea in a later post about this walk.
The passage was probably built around 1859-63 when the West London Extension Railway was built, disrupting a local route that links what is now Cabul Road with Sheepcote Lane on the eastern side of Latchmere Road.
The railway was an important route crossing the Thames and the three lines that cross Latchmere Passage, each on its own viaduct and bridge, link it to the lines into Waterloo, to the north platforms of Clapham Junction serving lines out of Waterloo and those on the south side for the lines out of Victoria. The latter two bridges are now used by Overground and Thameslink trains.
Cabul Road is part of the estate here and to the west of Falcon Road developed as the Falcon Park estate by Alfred Heaver in 1879 – 1881, with street names taken from the battles of the Second Afghan War (1878–80) and the 1879 Zulu War. Almost all of the area was covered with small two-storey terraced houses, with the exception of this 1885 Milton Congregational Hall, designed by Searle & Hayes in a restrained Queen Anne style.
Congregationalists had worshipped at Milton Hall, Battersea since 1873, presumably in some earlier building and after its congregation combined with Battersea Congregational Church in the 1930s had various uses including as a film studio. It was recently redeveloped, retaining the facade, as residential properties.
A large part of the area was damaged by wartime bombing and after the war converted to open and rather featureless green spaces, Shillington Gardens and Falcon Park.
This is one of three semi-deatched pairs of houses on Falcon Road which date from around 1850 when the area began to be developed by William Willmer Pocock, an architect and prominent Methodist and Thomas Daniel Carter who owned much of the land. Carter had sold some of the land to Pocock as containing brick earth, and Pocock set up the Falcon Brick Works here. But the bricks were not too good and the area soon began to be built over.
Next door to the dentists was Grove End House, also built around 1850 and now rather altered as the Battersea Mosque.
I realised then that I had missed out the Poyntz Road triangle, a small triangle of roads between the railway lines to the east of Latchmere Road, and I retraced my steps to Latchmere Road, then crossed over into Knowsley Road.
The picture shows the end of the road just beyond its junction with Shellwood Road. The houses here were built in the 1870s and seem little changed now. The archway led through to a yard with buildings around it, I think workshops, though there is now a more recent block of flats. The Overground from Clapham Junction to Wandsworth Road runs on an embankment to the right of the houses here.
I took a couple of pictures on Latchmere Road, not on-line, and continued north up Battersea Bridge Road, where I made this picture of a doorway with a rather flimsy-looking railing and what appears to be a fairly subtantial tree. The house and doorway are still there and in rather better condition but there is no sign of the the tree and its hard to see where it could have been growing.
By now I was looking for a bus stop to take me back to Clapham Junction, just a few yards further up the street. This was the end of my walk in July 1989 though I returned to Battersea a few days later.
Harlesden, Willesden, Mary Seacole & a Wassail: Sunday 2nd February 2014, ten years ago today was a pleasant winter day, not too cold and with some sunshine and light clouds, perfect for panoramas, so I went early to have a walk around the area before going on to photograph the wassail in Willesden Green.
Harlesden, Willesden & Mary Seacole
It was long ago on one of the dirtiest trains imaginable, windows think with dust so I could hardly see outside that I first came to Willesden Junction Station from Richmond on the North London Line which ran to the City and Broad Street Station. Upgraded to run to North Woolwich in the 80s with new rolling stock the line became a key way for me to travel to photograph around north London. Nowadays the line is part of London’s Overground, since 2016 run by Arriva Rail London, a part of Deutsche Bahn and rather cleaner, with trains running to Stratford.
Willesden Junction, which links with the Bakerloo line and another Overground service from Euston to Watford Junction is not in Willesden but in Harlesden and has platforms at two levels, and also has mainline trains rushing past without stopping. Apparently, according to Wikipedia, in earlier years it was was nicknamed “Bewildering Junction” or “The Wilderness” because it contained such a maze of entrances, passages and platforms and it is still rather like that.
If you can find it, a footpath leads over the mainline tracks next to the line from Richmond and Clapham Junction through an industrial wasteland and eventually to Hythe Road. Google Maps even dignifies it with a name, Salter Street Alleyway. Turning left at into Hythe Road takes you to Scrubs Lane, but going right can take you to the Grand Union Canal, with a bridge leading across to the tow path. I did both.
The blue sky with clouds was perfect weather for panoramas, and I took a number going back and forth a little in the area, across the Scrubs Lane bridge and back. At the corner of this bridge is a memorial garden to Mary Seacole (1805-81) who nursed many British soldiers in the Crimean War as well as working in her native Jamaica and Panama and Cuba, funding her medical work from the proceeds of her general store and boarding house in Jamaica. The garden, on the canal bank next to Mitre bridge, on Scrubs Lane, not far from where she was buried in St Mary’s Catholic cemetery, Kensal Green, was begun in 2003, shortly before the 2005 bi-centenary celebration of her birth.
The garden, now rather overshadowed by a new development, was a pleasant place to sit in the sun and eat my sandwiches before making my way to Willesden Green for the Wassail. Pictures from the walk start here on My London Diary and include more panoramas as well as other pictures.
Willesden Wassail – Willesden Green
This was the fifth Urban Wassail in Willesden High Street organised by Rachel Rose Reid to celebrate local shopkeepers who give Willesden Green its character and help to create a vibrant community.
The wassail is described as a “small free festival run by and for people from Willesden Green” and also celebrates the work of all who live there and create the neighbourhood and brought together artists and volunteers from the area including James Mcdonald, Berakah Multi Faith Choir, Poetcurious, Errol Mcglashan and several others, with more performing later after the wassail.
The group met at Willesden Green Station, though unfortunately this was closed for engineering works on the day. Here there was a performance from ParkLife singers, a local community choir run as a not-for-profit co-operatvie and led by Charlotte Eaton, before Rachel Rose Reid introduced us to the first shopkeeper who told us a little abor her shop, Daisychain Florist, with all of the 70 or so people present repeating her words in Occupy ‘mike-check’ style.
Then everyone sang a Wassail Song, borrowed from the Carhampton Wassail, with the shop name in place of its “Old Apple Tree”. You can read this on My London Diary.
The same pattern was repeated at a number of shops along the High Stret including Hamada supermarket, Khan Halal Butchers, Pound.com, Corner Barber Shop, Red Pig, Fornetti, Mezzoroma and Buy Wise.
There were other stops on the route for poetry and songs, including one in the yard at the front of Sainsbury’s, one of relatively few chains in the area.
Here we were also told about the campaign to save the Queensbury Pub on Walm Lane from demolition, with a petition of over 4,000 signatures to Brent Council against the demolition of this ‘Asset of Community Value’ and its replacement by a 10 storey block of flats. The pub had been open since 1895 but was bought by developer Fairview New Homes (North London) Ltd in 2012. Brent turned down the development, but the developer, now called Redbourne (Queensbury) Ltd put forward new plans in 2018. Again these were refused by the council but the developer’s appeal succeeded. The pub vlosed in 2022-3 and was demolished in October 2023 to build 48 flats. The development is supposed to include a new pub.
The Wassail ended with a number of poetry performances opposite the Willesden Green Library building site, after which we moved to the neighbouring cherry tree for a final wassail after which everyone let off the party poppers and decorated the tree with ribbons. It was slightly less noisy version of the traditional banging pans and firing guns in order to wake up the apple trees.
The wassailers then moved to the Bar Gallery in Queens Parade on the corner of Walm Lane, where refreshments were available and there were to be more performances. I went along but then realised it was time for me to start my journey home and left.
This truly grand scale building facing Clapham Common is at the western edge of the London Borough of Lambeth and the road in the foreground is Cedars Road. A terrace of five mansions at 48-52 Clapham Common North side, it was built by J T Knowles in 1860 with the two ends as pavilions with roofs like those of French Renaissance chateaux. It was Grade II listed in 1969 as Knowles Terrace.
Earlier the road had been lined with villas built for rich City merchants in the mid-eighteenth century.
Wix’s Lane is the boundary between Lambeth and Wandsworth, although the street sign is from the Borough of Battersea which was became a part of Wandsworth in 1965 and my map shows the boundary as running along this wall.
Charles Wix was a builder and he built a villa for himself on Clapham Common North Side on the west corner of Wix’s Lane around 1780, living there until his death in 1820. Not long after this was rebuilt as Cedars Cottage but it and its neighbours were later replaced by a rather bland red-brick terrace.
The view here gives a better view of the rather heavy ornamental work on the 1860s Knowles Terrace.
The London School Board built Wix’s Lane School, which opened on 27th April 1903. It later became Wix County Primary School. It is now still in use as Belleville Wix Academy and also houses a Lycée Francais.
Wix’s Lane had been a field path from Clapham Common to Lavender Hill but when villas were built along this section of Clapham Common North Side they were given back entrances from it for stabling their horses and carriages. The school was the first building on its west side, taking a large section of the gardens of one of these houses, Byram House.
The Belleville Wix Academy history page includes a quote from a 1937 school inspector ‘”in the early years it was not uncommon to see twenty or thirty children being led to and from Wix’s Lane School by maidservants“. However, it goes on to say: “now the larger houses are divided into flats, and these, as well as the smaller houses in the neighbourhood, are occupied mainly by clerical workers in the City, by local tradesman and shop keepers, and by artisans and labourers of the better type“. “Poverty exists“, it states, “although it is mainly courageously hidden“‘ .
I walked back to Cedars Road and walked up it past some rather more modern flats on my way to Wandsworth Road. Much of both sides of this tree-lined road are now covered by similar modern flats, and few of the trees are cedars. A few older houses remain but although I photographed a couple of them I’ve not put these pictures on-line.
I turned west on Wandsworth Road and then went up Acanthus Road, on my way to Brassey Square.. Acanthus Road becomes Grayshott Road, and this house is on the corner of that and Glycena Road.
This and a similar house opposite act as a gateway to the Shaftesbury Park Estate built between 1872 and 1877 by the Artizans’, Labourers’, & General Dwellings Company, about which I’ve written in previous posts. These houses and their short terraces are one of only two listed parts of the estate. It was just a little further up the road at what are now Nos 65-7 that Lord Shaftesbury formally began the estate with a memorial stone in 1872. It is still in place but I didn’t photograph it.
I turned east down Sabine Road, another of the first streets to be built after that stone was laid with its message ‘Healthy homes, first condition of social progress’ in 1872. Supposedly the main figure in the 1951 Ealing comedy The Lavender Hill Mob lived in a seedy boarding house here, though none of the film was shot in the area. In just a few yards I was in Brassey Square, intended to be the centre of the estate which is now the Shaftesbury Park Estate Conservation Area.
Brassey Square which took its name from contractor Thomas Brassey and his three sons who all became MPs and had shares and it was meant to have a garden at its centre, but this was built over in 1879. This building with its frontage on Sabine Road has doors numbered 78 and 1 presumably for that road and Brassey Square respectively. The building is locally listed and is presumed to have been a part of the never-completed plan to build a library, central hall and co-operative shops fronting Brassey Square.
My account of the walk will continue in a later post.
Battersea was one of the most progressive areas of the country in the late nineteenth century and in 1886 Battersea Vestry came to the decision that the parish should itself erect working class dwelling on the site of the Latchmere allotments, themselves enclosed from Latchmere common in 1832 to provide allotments for the poor.
But, as the Survey of London which recounts the development of the area in some depth states, the Local Government Board told them that they did not have the power to build houses. The Vestry put forward a bill in parliament to enable them to go ahead but it met wide opposition and had to be withdrawn.
Things began to move again in 1898 when Fred Knee, a member of the UK’s first organised socialist party, the Social Democratic Federation and of the Co-operative Society, moved to Battersea and founded the Workmen’s Housing Council to campaign for better housing for workers to be built by public authorities on a non-profit basis. He tried to get the London County Council involved as they had the powers to build homes. But this shortly became unnecessary as the 1899 London Government Act replaced the Vestry with the Metropolitan Borough of Battersea which under the 1900 Housing Act was able to apply for the power to build housing itself. Knee continued to play an important role in the development by the council.
In 1901 Battersea Council set up a competition for plans asking for designs for five house and flat types, and prizes were eventually awarded to five of the 58 entries, and work began by Borough Surveyor, J. T. Pilditch and his architectural assistant William Eaton on finalising the designs and estate plan.
The Survey of London states that the final plans included “eight five-room houses, 69 houses with a three-room flat on each floor, 73 houses with a four-room flat on each floor and six odd houses of four or five rooms“. The competition-winning designs were simplified with their more picturesque features “expunged in the interests of economy” which perhaps makes them more aesthetically pleasing to modern eyes.
Where expense was not spared was in the internal facilities for the new tenants, with electric lighting (and slot meters), unusual at the time and “patent combined kitchen range, boiler and bath … fitted in all the houses at the high cost of £18 10s apiece.”
Battersea is cut through by the railway lines from two of London’s major termini, Waterloo and Victoria with junctions, goods yards, engineering works and a number of branches creating an incredible maze of tracks, viaducts, and bridges, now only slightly simplified.
Culvert Road predates the Shaftestbury Estate and was important as an entrance to Poupart’s market garden on which that estate was built. It originally had a level crossing over the railway line here – four tracks leading from Clapham Junction and from the rail bridge over the Thames at Battersea to Wandsworth Road – but this was closed and a narrow footbridge reached by slopes on each side provided in 1880. This footbridge provided may vantage point for this picture.
Culvert Road continues to the north in a tunnel out of picture to the left under around 13 more tracks leading to Victoria or Waterloo. Over the railway viaduct you can see the blocks of the Doddington Estate.
The history of the Shaftesbury Park Estate, developed by the the Artizans, Labourers and General Dwelling Company between between 1873 and 1877 was roughly based on workers cities (cités ouvrières) built earlier in France.
Its development was overshadowed by one of the era’s largest scandals which resulted in the entire board of directors being replaced in 1877 and its secretary/manager William Swindlehurst and chairman Baxter being jailed for conspiracy and fraud, and another director fleeing the country. You can read more of the details on the Survey of London.
When the disgraced board of the Artizans, Labourers and General Dwelling Company was replaced in 1877 their architect, the self-taught Robert Austin was sacked. His more conventionally qualified assistant was also dismissed the following year to save money. But the work of the pair has stood the test of time with a remarkable overall unity about the estate, planned on a grid system, enlivened with some minor and varied decorative features.
Despite its board’s fraud, the estate was generally well-built and houses provided with good ventilation and an improved system of drainage, though this was a cause of arguments with the local authority which favoured traditional methods. There were also various community buildings, but the estate is best-known for not including a single pub, influenced by the temperance movement of the times. William Austin, usually thought of as the founder of the company, was a poor and illiterate navvy before taking ‘the pledge’ and becoming a successful drainage contractor and builder. He set up the company as largely a business enterprise, aimed at making an annual profit of 6% rather than for any great philanthropic intent. He was voted off the board before the scandal with The Survey of London quoting him as later explaining ‘I was too honest for them’.
Broughton Street runs from the end of Eversleigh St east parallel to the railway lines before turning to cross Queenstown Rd and ending on Silverthorne Road. I think I was probably standing on the end of Eversleigh Street to photograph this long terrace on the north side which according to the Survey of London were built by partners Robert Lacy and James Flexman shortly after an agreement they made in 1867.
This block of over 20 virtually identical houses (that nearest the camera has a carriage entrance, as No 1 still does) is followed past a narrow entrance road leading to a tunnel to the London Stone Business Estate between railway lines by another long block much the same. The houses here along this side of the road are numbered consecutively from 1-52.
The houses in these terraces are quite substantial, three floors each with two main rooms and rather than their front doors opening directly onto the pavement all except the two end houses have vestigial front gardens.
I walked down Prairie Street to Queenstown Road taking a couple of pictures there before turning down Lavender Hill where I made another three, only this one on-line. I’d photographed this row of shops earlier but took this second picture showing the multiplicity of signs – a cinema poster with dinosaurs, Ice Cream, the two posts with signs for the off licence and vegetarian food. the shop fronts and a large JEANS up one of the curved ends of the houses. The area in front of the shops looks very different now.
This was the end of my walk on Friday 28th July but I returned to Clapham the following day to take more pictures – in a later post.
London Loop – Enfield Lock to Chigwell – If you want a good walk on the outskirts of London to walk off a little of the excesses of Christmas I can recommend this section of the London Loop. In the book guide we – myself my wife and my elder son – used on 28th December 2006 it was section 13, but now appears to be split into two parts as Sections 18 and 19. You can download excellent walk guides from Inner London Ramblers. Bits can be muddy so you need walking boots.
It’s not a particularly long walk and starts and ends at stations. Photographers always add a little by wandering around a bit and running up slopes to get a better view. But back in 2006 a little under 9 miles was fine for me, though now I might prefer to split it into the two sections.
The rail journey to Enfield Lock takes around an hour and a half for us, changing from the Victoria Line to Greater Anglia at Tottenham Hale, and coming home from Chigwell which is on the Central Line just a little longer. The walk itself at a moderate pace with a stop to eat our sandwiches a little over 4 hours, and in December to finish in daylight means starting walking around noon, though we made it a little earlier and arrived at Enfield Lock just after 11am.
My first picture online came not long after, although the rather decorative length of piping in the top picture may not appeal to all. I think it was over the Turkey Brook, though I can’t exactly remember the location. But soon we were walking past the 1907 Lee Conservancy Offices at Enfield Lock and then a short distance beside the Lea Navigation.
Then we crossed the navigation taking the footpath to Sewardstone walking to the north of King George’s Reservoir and following one of the branches of the River Lea and then crossing another wide flood relief channel and then coming to something that looks rather more like a proper river.
The route from here is uphill for some way. Somewhere we passed two horses heads and and on the Sewardstone Road a nursing home.
A few yards along the busy road (its the A12) we left and continued uphill, pausing at times to admire the view across the Lea Valley.
Here we got another view of the rather mysterious structure that had loomed above the Lea Navigation which is Enfield Power Station, built in 1997-9, a gas-fired power station built partly on the site of the decommissioned Brimsdown Power Station.
A little further on there were more views, across the reservoirs to Ponders End. But soon we came to more rural scenes including the pond and houses of Carrolls Farm.
The next section of the walk involved a lot of woods and is part of Epping Forest and also includes the Scout camp at Gilwell. The IL Ramblers notes recommend an alternative route which gives better views, but we only had the book and I made few pictures on this section – none of which are on the web.
We stopped to eat our sandwiches beside Queen Elizabeth’s Hunting Lodge on Chingford Plain where we also bought crisps and soft drinks to go with them, and sat around rather too long before taking a look at the building and then continuing.
Here we got a little lost in Epping Forest as the directions in the book were perhaps rather less clear than those online, so I think our route was just a little different to that intended. We found the Butler’s Lodge, but despite the promise in the book it was not serving tea.
There were some views on our way, but the suburbs here are not really picturesque. I think the river in the picture below is the Roding rather than the Ching which was more of a small ditch where we crossed it.
Parts of the route led along roads and perhaps the best that can be said for them are that they were downhill – and by this time I was getting tired. Eventually we came to the station and sat down and waited for a train.
There are a few more pictures as well as those above on My London Diary.
More from Nine Elms Riverside: My walk on Saturday 29th July continued from yesterday’s post.
At the end of the William Henry Walk I photographed a small coastal vessel, the Libation, moored at a short pier.
As a took a few photographs the skipper of the vessel came up to talk with me. He told me that he and his mate brought the ship up on the tide every day with a load of gravel dredged from the estuary, where it was unloaded by the crane with a grab into the hopper at left of the picture. As soon as I ended the conversation and moved on I regretted I had not asked him if I could take his picture, but it was too late to go back.
The Battersea Barge is at the west end of this section of walk, immediately west of the Heathwall pumping station. And although the area around has changed completely the Battersea Barge is still there, a 1930s Dutch barge converted to a floating bar and restaurant, much in demand for private parties, though it now seems only to offer a bar to which people are welcome to bring their own food – and there are many local outlets which have now opened. And it now has a sister ship nearby, another converted Dutch barge, the Tamesis, a “walk-on neighbourhood bar, live music & events space” moored nearby.
Until around 2008 the path here was reached by an fairly narrow alley beside a warehouse, but the commercial properties along this side of Nine Elms Lane were replace from 2012 on by tall residential blocks, part of the immense development that has taken place in the Nine Elms area.
The dock here was originally Manor House Wharf and a dock ran into the gas works on the other side of Nine Elms Lane. The jetty at Imperial Wharf allowed larger ships to unload coal here.
The jetty for the Nine Elms Gas Works was rebuilt in 1952 to handle the flatiron coastal colliers which brought coal to the works. The gas works had begun here in 1858 and were taken over by the Gas Light and Coke Company in 1883 who ran them until nationalisation in 1949. The gas works closed in 1970 when the UK changed to natural gas.
There are now more houseboats moored here in what is now called Nine Elms Pier.
At the west end of the Tideway Walk I used the steps up to the jetty to take this and a landscape format image from the same position – below. Both are looking upstream towards Battersea Power Station at left and its jetties and cranes, and on the other side of the river the 1875 chimney for the Western Pumping Station on Grosvenor Road.
The Tideway Walk ends here, turning south to Kirtling Street, which leads back to the main road. The riverside here is still in industrial use as the Cringle Dock Solid Waste Transfer Station. Back in 1989 there was a long walk before you could access the river at Chelsea Bridge and Battersea Park, but now you can go down Cringle Street to the Battersea Power Station development.
My description of this walk continues in a later post towards Battersea.
Our Pre-Chistmas City Walk – On Thursday 7th November 2017 I met up old friends, all photographers, for the early Christmas social event we’ve organised most years. It had proved difficult to find a date everyone could make and several of the group were missing and we were down to five of us.
It’s a sobering thought that six years on only three of the five are still in the land of the living, with first Alex and more recently John having died. I’ve several times written about John Benton-Harris on this site over the years and he also years ago contributed two guest posts, as well as featuring his surprise 70th birthday party in 2009.
I’d worked with John in recent years on producing a number of books, including a few for the Café Royal Books series, including his Saint Patrick’s People, though his major work, ‘Mad Hatters’ on the English sadly remains unpublished. And I’d gone with him taking pictures to St Patrick’s Day events in London and elsewhere. Although he had some health problems and was in his 80s, his death still came as a great shock to us all.
We met at St Paul’s Underground Station and our first visit was to the Guildhall Art Gallery, where we went “down into its depths where a few years ago the remains of the Roman Coliseum were discovered and are now rather well displayed, before looking at the City of London’s art collection on display. It’s a rather mixed bunch with some fine works ancient and modern along with some rather tedious municipal records of great occasions that would have looked fine in the Illustrated London News but don’t really cut it as vast canvasses on the gallery wall.” (Quotes her are from my article written here in December 2017)
Some years earlier in 2005 I had been to the opening of a show at the gallery featuring works by some of London’s best-known living painters curated by Mireille Gailinou for a now defunct organisation I was then the treasurer of, London Arts Café, ‘London Now – CITY OF HEAVEN CITY OF HELL’ and had given my opinion on the gallery’s collection to the then curator who was very shocked when I’d said I would quite happily burn one of the largest canvases. Fortunately that had not resulted in me being banned from the gallery!
That show is now long gone, as too is the London Arts Café, but its web site with more about this and other shows and events we organised remains currently on-line. And despite my opinions the Guildhall Art Gallery is still worth visiting both for the artworks and certainly for its Roman remains and entry is free.
From there we walked “on past the Bank of England we walked into Adams Court and walked around in a circle before driven by thirst to the Crosse Keys, where I failed to resist the temptation of a pint of Smokestack Lightnin’, a beer from the Dorking Brewery, named after my favourite Howling Wolf track – I still somewhere have the 45rpm record. It was the first time I’ve come across the idea of a ‘smoked’ beer, and while interesting I think it would be best drunk around a bonfire.”
John had left us when we went into the pub, saying there was still light to take photographs and he wanted to make the most of it, but he seemed seldom to enjoy coming with us into pubs. The Crosse Keys is one of many interesting buildings – old pubs, theatres, cinemas, banks etc – around the country that Wetherspoons have taken over and preserved and though their owner has terrible politics and the chain poor conditions of service they offer cheap and generally well-kept beer and plain good-value food. Obviously their staff should unionise and fight for better terms.
We didn’t stay long in the pub, just a quick pint on the balcony and a short visit to the toilets in the depths, before leaving. Alex said goodbye here, seeing a bus that would take him back home to Hackney rather than go west with us, and I led the remaining two “down to the river, where we turned upstream along the Thames path. The light was fading a little, but perhaps becoming more interesting, but when we left the river at Queenhithe it was time to make our way back to St Paul’s to catch a bus and get a table for our meal together before the city workers crowded in.”
All the pictures accompanying this post were made with a Fuji X-E1 and 18mm Fuji lens, an almost pocketable combination. The 18mm f2 is probably my favourite Fuji lens, though often I prefer the added flexibility of the slightly slower but still fairly compact 18-55mm zoom. Later I moved up to the X-E3, which has better auto-focus and a significantly larger sensor and is slightly smaller, but both are still very usable cameras, and the X-E1 is now available secondhand pretty cheaply. It’s still a great camera for street photography and as an introduction to the Fuji range.
Founded in 1845 with German staff to provide medical services to German-speaking immigrants who had settled in parts of North London. English staff took over when the German staff were interned in 1940. It became a part of the NHS in 1948, and only closed in 1987. The Grade II listed buildings survive and were converted into affordable flats.
I wandered up into Ridley Road where business was beginning to slack off in the market for the day. This man having a cigarette sitting on the bonnet of a van saw my camera and asked me why I was taking photographs. We had a short talk and he insisted I take his photograph, so here he is.
I continued north to Shacklewell Lane and took this picture of the Public Washing Baths, built by the Metropolitan Borough of Hackney in 1931 when many houses in the area were without bathrooms. Many poorer families and single people lived in one or two rooms sometimes without any running water or gas supply in their rooms and shared lavatories and kitchens with other tenants of the buildings.
This bath house provided 24 baths for men, 16 for women and they will have been well used in the early years before slum clearance provided better housing for many in the area. They were damaged by bombing in 1940 and reopened in 1942 and only closed some time in the 1960s. It is now occupied by the Bath House Children’s Community Centre who bought it from Hackney Council in 2002. This is now part of the St Mark’s Conservation Area, designated in 2008.
Built in 1932 as the Albert Works for the printers Henry Hildesley by architects Hobden & Porri, it later became the Rona Fashions House of George Gowns Ltd, but by 1989 their name had been removed from the facade leaving the marks you can see on the horizontals of the building. I think it was then still in use for the rag trade but my picture has the end of the names ‘RONA ROON… and Bab… hidden by the trees of Shacklewell Green.
Robert William Hobden who died in 1921 and Arthur George Porri (1877-1962) whose practice was based in Finsbury Square were responsible for many commercial and public buildings across London in first third of the twentieth century but seem suprisingly little known – perhaps a good subject for some academic research.
Henry Hildesley the printers are best known for the many posters they produced, including some for London Transport and HMSO, with many produced to help the war effort in the 1940s. The building, now called Cotton Lofts is in the Shacklewell Green conservation area designated in 2018 and is now flats.
I can no longer remember the route I took to make the three final images in this post, but they were all made on 27th July 1989.
This terrace was built in 1882 and the conservation area statement calls it and other similar buildings in nearby streets “attractive and architecturally interesting”.
Founded in 1910, this Strictly Orthodox Ashkenazi synagogue owned by the Federation of Synagogues was closed and the membership merged with the West Hackney Synagogue in 1981. Used for some years by Roots Pool Community Association and Dalston Community Centre it was eventually converted into flats as Montague Court.
Possibly I may have taken a bus to pay a visit to Abney Park Cemetery, close to where this final image was made though if so I took no pictures on this occasion, or perhaps just to make this picture.
Shops were added in the front gardens of these houses built in 1878, and that now housing the artist’s house Madame Lillie was initially a carpentry workshop owned by the Wright family. In 1917, when Mrs Wright was a widow, her daughter Lillie opened a corsetry shop, which continued in business until she retired in 1970. In 1973 she sold the shop and house to her young artist nephew Paul David Wright. He converted the premises into studios for artists and a gallery space.
Dalston Doorcases to Marie Lloyd – On Thursday 27th July 1989 I took the North London Line to Dalston Kingsland and crossed the road into Ridley Market and walked along Colvestone Crescent and on to Montague Rd. I can’t now remember what had brought me to North London for this brief interruption to my series of walks south of the river.
Here there are four houses on both sides of the street with similar doorways to the pair in my photograph with these odd decorative figures supporting the lintel. Those further down the street have simpler largely geometrical designs.
I was unsure what to call these muscular male figures, hand on hips staring down at the ground with what appear to be victory wreaths of laurel leaves around their heads and a pair of rather fishy looking tails. A long and detailed study published by the Hackney Society, The Victorian Villas of Hackney by Michael Hunter tells me they are mermen, and provides other examples of ‘bizarre doorcases’ in the Victorian villas of the 1850s and 1860s in Dalston. These date from 1861-6.
There are several houses close to Dalston Lane at the south end of Cecilia Road that have converted shopfronts with consoles matching that at the top right of this shop and this was one of these.
Although the advertising for the News of the World and Silk Cut suggests this was once a newsagent and tobacconist, it looks as if it was by 1989 a junk shop.
This building on the corner of Stanford Mews is still there and has kept its decorative iron balcony railing though not the Eagle Shipping Services advertising and graphics. Its upper floor is now simply painted white while the ground floor has been converted into a ‘rustic health food cafe & shop‘, Healthy Stuff.
James Elves was a marble mason and called his premises at 164 Dalston Lane Carrara House, after the area in Italy famous for its marble. Born in Shoreditch he lived and worked here with his family from around 1900 at least until 1930.
The house is still there and also its porch, but the tiles – presumably marble – of the front path have been replaced with duller slabs.
A few yards south of Dalston Lane, these houses in Greenwood Road were looking a little the worse for wear in 1989 but are considerably smarter now. With three stories and a basement these houses are now largely converted into four flats.
I continued south to Graham Road where I found more of Hackney’s remarkable doorcases. The left hand door is 98B as I think there will he a separate door in the area below to the basement flat.
Michael Hunter has a picture of a similar pair a few doors down where he states that the Roman standards are based on pattern books of classical architecture, “but the extraordinary swags of solidified shells over the doors of… Graham Road defy analysis.“
The unfortunate door at right has since been replaced, but with another design that while preferable is still not in keeping with the building.
A closer view of one of the swags showing more clearly the shells and at the centre a lion’s head.
Finally for today, a rather simpler doorway in Graham Road with the GLC plaque recording that Marie Lloyd, Music Hall Artiste lived here. The dates are those of her life, 1870-1922.
Born in Hoxton in 1870 as Matilda Wood, she made her first appearances on stage when she was 14, taking the stage name Marie Lloyd the following year. So many of the old music hall songs we now know were made famous by here, not least for her remarkable use of nuance and double-entendre as well as displaying her undergarments in a way that respectable Victorians found deplorable but music hall audiences loved.
She moved into this house after her marriage in 1887 – but the marriage was not happy for long. After a disastrous bust-up she moved out from Graham Road in 1894.
As she sang ‘A little of what you fancy, does you good‘ but in her life she certainly became ‘one of the Ruins That Cromwell Knocked About a Bit‘ and at her funeral, thousands took the advice of ‘My Old Man‘ and followed the van to her burial from Woodstock Road in Golders Green to Hampstead Cemetery. Train journeys recently have often left me wondering ‘Oh Mr. Porter, what shall I do?