Posts Tagged ‘panoramas’

Victoria Dock & the Old Town – Hull 2017

Sunday, February 16th, 2025

Victoria Dock & the Old Town: We arrived in Hull for a visit during the the city’s Year of Culture on Thursday 16th February 2017, 8 years ago.

Victoria Dock & the Old Town - Hull 2017

We had come partly because I was hoping to have a show in the city – it would have been my first there since 1983 when ‘Still Occupied – A View of Hull‘ was in the Ferens Gallery. This one would have been on a rather less grand scale and fell through when the bailiffs evicted the group who had been squatting another city centre property.

Victoria Dock & the Old Town - Hull 2017

But we had also come to celebrate Linda’s birthday in the city where she was born and grew up and for which we both have a particular affection, as well as to see some of the things that were happening for the special year.

Victoria Dock & the Old Town - Hull 2017
Victoria Dock Half Tide Basin. The black area in the distant dock wall was the entrance to Victoria Dock, now completly filled in.

And as always I had come to take photographs, in particular to revisit some of the many places around the city I had photographed back in the 1970s and 1980s. You can see many of those pictures on the Hull Photos web site where I posted a new photo every day throughout Hull’s year as City of Culture and beyond.

Victoria Dock & the Old Town - Hull 2017

I wasn’t bent on a “re-photography” project. These often seem to me a rather lazy way for people who haven’t any real photographic ideas of their own to capitalise on those of other people – or even their own earlier work. Parasitical. Though I do have to admire a few projects that have been really well carried out.

Victoria Dock & the Old Town - Hull 2017

For me photography has always been about my immediate response to the subject. If the scene has changed so too will I respond differently; and if it hasn’t why bother to photograph it again?

In particular I had moved over the years to seeing landscape and urban landscapes very much more in terms of panoramas. Forty or so years earlier had I worked almost entirely with tightly framed scenes using a 35mm shift lens. But now – with a few exceptions – I was working with the very different perspective of the wide sweeping view of a panorama. It forced me to think differently.

Victoria Dock, Hull’s timber dock had closed before I began making pictures there, although there were still a few small pockets of industry on and around the largely derelict site, as well as some remnants.

Now the dock has largely been filled in – the large timber ponds had already gone when I first visited. Much is now housing estates, leaving just the Outer Basin and Half Tide Basin and a slipway with water in them. And we were staying in a room of a house on one of the new estates. We arrived in early afternoon and after dumping our bags went out for a walk along the side of the Humber as the weather was fine for photography.

The mouth of the River Hull

I had walked along this footpath years before, going on past the still open Alexandra and King George V Docks more or less to the city boundary. Now the path is cut off by the Siemens wind turbine site on the former Alexandra Dock.

We turned around and walked back towards the Old Town where a new footbridge took us across the River Hull and on to a drink and an early dinner at the Minerva. After the dramatic skies earlier the sunset was rather disappointing.

After a long rest in the pub we decided to wander around the Old Town. In 2017 the area was still pretty empty on a Thursday night in winter, cut in half by the A63, the busy road to the docks (or rather dock), a reminder that Hull is still a significant port. But the footbridge I was then very sceptical about in my account on My London Diary was eventually built. Still something of a barrier, but far less frustrating.

We walked as far as the city centre to admire (and photograph) the turbine blade on display there before turning round to walk back over the River Hull – this time we took the now seldom-lifting North Bridge.

We walked south beside the river along the deserted riverside path to Drypool Bridge where the path was then closed off after the needless demolition of Rank’s Mill for a hotel that didn’t arrive and through the streets – another long wait to cross the A63 – and back to the house we were staying in.

You can read more details of the walk and see more of the panoramas I made on My London Diary.
Victoria Dock Promenade
Night in the Old Town


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1995 Colour Part 5 – Waltham Forest

Saturday, February 8th, 2025

1995 Colour Part 5 – Waltham Forest: My Greenwich Meridian project had taken me into North London as far as Pole Hill in Chingford, but I also wandered more widely in the London Borough of Waltham Forest and even strayed into its neighbouring borough of Redbridge, photographing both with a panoramic camera and my ”normal’ pair of Olympus OM4s on black and white and colour.

Pond, Epping Forest, Whipps Cross, Waltham Forest, 1995, 95p03-262
Pond, Epping Forest, Whipps Cross, Waltham Forest, 1995, 95p03-262

Most of the pictures taken with these OM4s were made with the Olympus 35mm shift lens which could slide vertically and horizontally in its mount, particularly useful for photographing tall buildings when it by shifting it up I could keep holding the camera level and place the horizon close to the bottom of the image, so avoiding converging verticals or including large foreground areas.

Leisure Centre, New Road, Chingford, Waltham Forest, 1995, 95p03-441
Leisure Centre, New Road, Chingford, Waltham Forest, 1995, 95p03-441
Leisure Centre, New Road, Chingford, Waltham Forest, 1995, 95-3o-23, 1995, 95c03-335
Leisure Centre, New Road, Chingford, Waltham Forest, 1995, 95-3o-23, 1995, 95c03-335

But often I had the shift on a camera loaded with black and white film, with the 28mm on the OM4 with colour in it. I also carried an ultra-wide 21mm, a 50mm and a short telephoto lens for use when needed.

Houses, Sunset Ave, Woodford Green, Redbridge, 1995, 95p03-142
Houses, Sunset Ave, Woodford Green, Redbridge, 1995, 95p03-142

And just occasionally I photographed the same subject both with the swing lens panoramic and with one or other of the Olympus cameras – and I’ll include a couple of examples in this post. All of these pictures were made in February or March 1995.

Lee Valley Viaduct, North Circular Rd, South Chingford, Waltham Forest, 1995, 95p02-251
Lee Valley Viaduct, North Circular Rd, South Chingford, Waltham Forest, 1995, 95p02-251
Southend Rd, North Circular Rd, South Chingford, Waltham Forest, 1995, 95p01-233
Southend Rd, North Circular Rd, South Chingford, Waltham Forest, 1995, 95p01-233
Recreation Ground, Higham Hill, Waltham Forest, 1995, 95p01-263
Recreation Ground, Higham Hill, Waltham Forest, 1995, 95p01-263
Sandpiper Close, Higham Hill, Waltham Forest, 1995, 95p02-122
Sandpiper Close, Higham Hill, Waltham Forest, 1995, 95p02-122
Sandpiper Close, Higham Hill, Waltham Forest, 1995, 95c02-352
Sandpiper Close, Higham Hill, Waltham Forest, 1995, 95c02-352

For these Sandpiper Close pictures I think the added angle of view of the panoramic greatly improves the image and gives for me a much more powerful impression of what I saw and felt standing there and looking down into the Lea Valley.

Riverhead Close, Higham Hill, Waltham Forestm 1995, 95p02-113
Riverhead Close, Higham Hill, Waltham Forest, 1995, 95p02-113

Although the two pictures of the Leisure Centre where only taken a few feet apart, they are very different images. Standing further back for the panoramic gives a better overall view of the site, but moving closer concentrates on the foreground. The slight colour difference between the two images – neither of them quite right – also complicates the issue. Colour balancing many of these old negatives is often very tricky.

Clicking on any of the images above will take you to a larger version on Flickr. You can also find some of the black and white pictures I took on the same walks in my album 1995 London Photos beginning at this picture. My next post in this series will look at more of the non-panoramic images from Waltham Forest.


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1995 Colour – Part 2 – Greenwich Meridian

Saturday, January 18th, 2025

1995 Colour – Greenwich Meridian: The second of a series of posts on my colour work, mainly in London, from 1995, 35 years ago and when I’d been working extensively with colour negative film for ten years, though still continuing to work with black and white.

Obelisk, Trig Point, Pole Hill, Chingford, Waltham Forest, 1995, 95p03-841
Obelisk, Trig Point, Pole Hill, Chingford, Waltham Forest, 1995, 95p03-841

In 1992 I began making colour panoramas using a Japanese Widelux F8 swing lens panoramic camera – and later I used a Russian Horizon which gave similar results. Both worked with normal 35mm film but produced negatives that were a little under 60mm wide rather than the 36mm of normal cameras. Both use clockwork to swing the taking lens around a third of a circle exposing the film through a narrow slit behind the lens. The film was held in a curved path – again around a third of a circle – with the lens at the centre of the circle so that the lens to film distance remained constant.

Peacham Hall, King's Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411
Peacham Hall, King’s Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411

This arrangement avoided the change in distance from the lens to film that gives some stretching of the subject towards the edges of the frame – and begins to become very noticeable in ultra-wide lenses, particularly wider than around 18mm focal length on a 35mm camera.

95p03-552-Edit
Level Crossing, Highams Park, Waltham Forest, 95p03-552

Using the curved film plane avoids this distortion and enables a much wider field of view, while using a fairly moderate focal length – the Widelux has a 26mm f2.8 lens and gives negatives 24x56mm with a horizontal angle of view of 123 degrees.

Bridges, North Circular, Hale End Rd, Hale End, Waltham Forest, 1995, 95p03-463
Bridges, North Circular, Hale End Rd, Hale End, Waltham Forest, 1995, 95p03-463

But there is a downside. Creating the image in this way gives a curvature to objects which is unlike our normal vision which is particularly noticeable on any straight lines, though lines parallel to the axis the lens rotates around remain straight – so if you hold the camera level, verticals will remain straight. But other lines become curved with the effect increasing away from the image centre, giving what is often called a “cigar effect“.

Raglan Rd, Lea Bridge Rd, Whipps Cross, Waltham Forest, 1995, 95p4-373
Raglan Rd, Lea Bridge Rd, Whipps Cross, Waltham Forest, 1995, 95p4-373

This is a constraint which makes composition far more difficult using a swing lens camera, and was not helped by a rather poor viewfinder on the Widelux. Usually for landscape work I tried to visualise the effect of the curvature and chose a suitable camera position, levelled the camera on a heavy Manfrotto tripod using the spirit level on the camera top plate, lining the camera up using two arrows on the top plate to show the extent of the view (more accurately than the viewfinder) and then pressing the cable release to make the picture.

Stratford Bus Station, Great Eastern Rd, Stratford,, 1995, 95p4-922
Stratford Bus Station, Great Eastern Rd, Stratford, Newham, 1995, 95p4-922

For photographing events and some creative effects this is a camera you can use handheld, but you have to remember that even when using its fastest speed of 1/250 second the camera actually takes quite a lot longer to scan around the curved film.

Crowley's Wharf, River Thames, Greenwich, 1995, 95p4-672
Crowley’s Wharf, River Thames, Greenwich, 1995, 95p4-672

These pictures are from a project I began in 1995 with the approaching Millennium in mind. It seemed to me to make sense to carry out a project based on the Greenwich Meridian.

Greenwich Boating Pond, Park Vista, Greenwich, 1995, 95p4-1431
Greenwich Boating Pond, Park Vista, Greenwich, 1995, 95p4-1431

So I set about walking the Meridian, photographing it at various points in London and used some of these pictures in an attempt to get public funding for a Meridian Walk with some markers in pavements and a web site and publication. Panoramic images seemed a very appropriate format for illustrating the line.

Greenwich Meridian, Royal Observatory, Greenwich, 1995, 95p4-1242
Greenwich Meridian, Royal Observatory, Greenwich, 1995, 95p4-1242

Unfortunately my grant application as usual was unsuccessful, but I did go on to take some more photographs. In 2009 others produced a Greenwich Meridian Long Distance Path covering all of the Meridian in England from Peacehaven to Sand La Mere which of course goes through London and we also have The Line Sculpture Trail. Quite a few more Meridian markers were also added in London since I made this walk.

Many more panoramas from my Meridian project and other colour images from 1995 in the album 1995 London Colour.


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Thames Path Panoramas – Vauxhall to Wandsworth 2014

Sunday, January 5th, 2025

Thames Path Panoramas: Back in January 2013 I had photographed and taken part in a rather less bloody re-enactment of the Epiphany bloody armed insurrection by Thomas Venner and fellow Fifth Monarchists against the re-imposition of the monarchy in 1661 being performed by Class War for film director Suzy Gillett. I’d tried hard to avoid getting in the way of the camera but do appear for a few seconds as the insurrection made its way to seize St Paul’s Cathedral.

Thames Path Panoramas

On Sunday 5th January, a year less a day later I and others involved were invited to a private afternoon screening of the film at the Cinema Museum close to the Elephant & Castle. As it was a fine day I went up some hours earlier to walk and photograph a little nearby section of the Thames Path.

Thames Path Panoramas

I’d been making panoramic photographs since the 1980s, at first by cutting and mounting together a few prints from black and white images. Back in 1991 I’d bought my first panoramic camera, a Japanese Widelux F8 with a lens that swings around while making a picture on 35mm film, held in a curve so that the centre of the lens remains at a constant distance from the film. Later I bought several more similar but much cheaper cameras made in Russia and a Chinese beast taking 120 film.

Thames Path Panoramas

These cameras all produced a very wide angle of view – around 120 or 130 degrees – but with a different perspective to “normal” cameras, with some characteristic curvature of objects. The normal rectilinear view stretches out objects at the edges of the frame and is only really usable up to around a 90 degree angle of view. Later I did work with a Hassleblad X-Pan camera and with a 30mm lens which gives a 94 degree horizontal view – around the maximum usable for a rectilinear view.

Thames Path Panoramas

Digital methods changed the game. At first I used a film scanner and software that enabled me to merge several scanned images. Then things became even easier when I shifted to a digital camera. For projects such as ‘The Secret Gardens of St John’s Wood‘ I combined up to around 8 different 12.3Mp digital images form a Nikon D300 to make very large prints with wide angles of view.

But by 2014 I was working with a Nikon D800E and it had occurred to me that there was a simpler solution with its 36.3Mp images. I could use the 16mm Nikon fisheye which gives 180 degree diagonal coverage filling the frame and then convert these images digitally from their fisheye projection to the more friendly cylindrical projection of my panoramic cameras.

I could now make panoramas almost as easily as taking any other images, capturing moving as well as static scenes with ease. For most panoramic images it is important to have the camera level, and the D800E had nice clear indicators that could be displayed in the viewfinder to ensure this, and with an f2.8 lens tripods became a thing of the past.

For these images I used the incredibly flexible PTGui software, but later found the simpler Fish-Eye Hemi plugin for Lightroom more convenient, though PTGui allows some interesting options. Unfortunately this plugin is no longer available, though I hope it or a similar plugin will be made available again. Using it you transform the images without any loss of image at the centres of both horizontal and vertical sides so you can visualise what will be in your final image when looking at the viewfinder while taking images.

Many more pictures at Thames Path Panoramas.


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Olympic Site & Budget Cuts – 2012

Thursday, December 5th, 2024

Olympic Site & Budget Cuts: Wednesday 5th December 2012 was a cold day in London, with the temperature just three or four degrees above freezing during the day, but there was plenty of blue sky with a few clouds and it seemed ideal weather to wrap up and go and see what progress had been made in restoring the Olympic site, still largely off-limits some months after the end of the games. And later in the early evening I returned to Westminster for a protest against the cuts which had been announced by Chancellor of the Exchequer George Osborne in his autumn budget statement.


Olympic Area Slightly Open – Stratford Marsh

Olympic Site & Budget Cuts - 2012

Much of the area around the Olympic site had been closed to the public in May, including the Greenway, the elevated footpath on top of the Northern Outfall Sewer which runs close to the Olympic stadium, but this was now re-opened in part.

Olympic Site & Budget Cuts - 2012

The section between Stratford High Street and the main railway lines which run from Liverpool Street station to Stratford and on further east was however still closed and would remain closed for years as work was now taking place for Crossrail – opened as the Elizabeth Line in 2022.

Olympic Site & Budget Cuts - 2012

I started my walk in the early afternoon around the Bow flyover where the Bow Back rivers were still closed to traffic with a yellow floating barrier, but the footpath along the Lea Navigation had been re-opened. One improvement made presumably for the Olympics was a pathway and footbridge taking walkers under the busy road junction and across the canal.

Olympic Site & Budget Cuts - 2012

Finding the new entrance to the Greenway meant walking between fences on the Crossrail site down Pudding Mill Lane, and probably I would have abandoned the route had it not been for signs put up by the View Tube café – though when I finally reached this I found I was the only person to have done so and the cafe was deserted.

Olympic Site & Budget Cuts - 2012

There were still fences everywhere as you can see from my photographs but I was able to walk along the Greenway to Hackney Wick and then along the towpath beside the navigation. But the footpath beside the Old River Lea was still blocked off.

By then the light was beginning to fade and the Olympic stadium was gaining a golden glow. I walked a little further along the towpath and photographed the Eton boathouse as the sun was setting setting before crossing the canal and making my way to Hackney Wick station.

Many more pictures, both normal and panoramic views on My London Diary:
Olympic Area Slightly Open.


Osborne’s Budget Cuts – Strand to Whitehall

Several hundred students, trade unionists, socialists and others marched with UCU London Region down the Strand and into Whitehall shouting slogans against public service cuts, the rich, David Cameron and George Osborne in particular.

Opposite Downing Street they joined with others already protesting there including CND and Stop the War who were calling for the government to stop wasting money on the war in Afghanistan and vanity projects supporting the arms industry such as Trident and its planned replacement.

The Afghanistan war — which everyone knows is futile and lost — is costing around £6 billion a year. The yearly maintenance costs for Trident are £2.2 billion a year. The cost of renewing the Trident system — which this government is committed to do — would cost up to £130 billion. Two aircraft carriers are being built at a cost of £7 billion. Then there’s the £15 billion to be spent buying 150 F-35 jets from the US, each of which will cost £85 million plus an extra £16 million for the engine.”

The rally began shortly after the marchers arrived. By now it was only just above freezing and speakers were asked to keep their contributions short because of the temperature.

Among the speakers were John McDonnell MP, Kate Hudson of CND, author Owen Jones, Andy Greene of DPAC, Green Party leader Natalie Bennett and others including a nurse from Lewisham Hospital threatened with closures, from the NUT, UK Uncut and other trade unionists.

Kate Hudson CND and Romaine Phoenix Coalition of Resistance/Green Party

Many of the speakers called on trade unions to take effective action against the cuts. calling for union leaders to stop simply speaking against them and take the lead from their members and start organising strike action. But of course few did and the cuts continued unabated.

More at Osborne’s Budget Cuts.


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A Day Out in Deptford – 2018

Sunday, September 29th, 2024

A Day Out in Deptford: On Saturday 29th September I had decided to go on the Deptford Art & Gentrification Walk, part of the Deptford X Festival, and Deptford Aint Avinnit, an art crawl organised by ART&CRITIQUE. This was the second such walk, following on from an earlier event in May 2018.

A Day Out in Deptford

Over the afternoon we visited community spaces, galleries, studios, landmarks, waterways, green spaces and new developments on a guided walk through the street with a series of discussions on the relationship between art and gentrification and the huge changes that are currently sweeping through Deptford.

A Day Out in Deptford

As I wrote in My London Diary in 2018, “The walk took place because of the continuing struggle with Lewisham Council over their plans to build on the 20-year old community run Old Tidemill Garden, the adjoining council flats, Reginald House, and Tidemill Primary School, which closed in 2012.”

A Day Out in Deptford

“Local residents, including those whose homes in Reginald House are threatened with demolition have opposed the plans, and at the end of August a group of them had occupied the Old Tidemill Garden.”

A Day Out in Deptford

The development would mean the loss of environmentally valuable green space but more importantly would be a part of the social cleansing of London which Lewisham, like other London Labour dominated councils are taking part in, demolishing council housing at social rents largely by private housing.

The site was to be developed by Peabody with 209 housing units, 51 for sale at market prices, 41 in shared ownership schemes (which require relatively high incomes) and 109 to be let at London Mayor Sadiq Khan’s London Affordable Rent, something like 65% higher than current Lewisham council rents. As well as paying much higher rents, tenants under this scheme will have for less security of tenure.

The residents group had put forward alternative plans which suggested retaining the Tidemill Garden and council flats and building at higher density on the redundant school site to create a similar number of housing units, but the council refused to consider these and terminated the community lease on the gardens on 29th August – when residents squatted them.

“The garden was established in 1997 with the aid of Groundwork, the London Development Agency, the Foundation for Sport & Arts, Mowlem plc, Lewisham College and Lewisham Council, and much of the work on it was carried out by parents and children from Tideway Primary. It now includes 74 well-established trees and has been shown to improve air quality in the local area.”

The garden was where we had the longest discussion on the tour, but there were plenty of other places where we stopped to discuss what was happening, making it an interesting afternoon.

It was a fine day and I decided to go to Deptford a couple of hours early to take a walk around some of the parts that were not included on the tour. I’d first photographed Deptford in 1979 and took with me a copy of my book Deptford to Woolwich 1979-85.

Back in the early 1980s much of Deptford was a very different place, with industry around the Creek and Deptford Power Station. Almost all of that has now gone, replaced by tall flats including much student housing and the Laban Dance Centre. On the tour we visited some of the former industrial buildings which are now artists studios and galleries. On part of the tour I was able to show pictures of what some parts of Deptford looked like before the changes.

The many pictures on My London Diary are in three posts, links below. Deptford Walk contains pictures from my own unaccompanied walk before the art crawl. Deptford Art & Gentrification Walk has my pictures taken during the walk. A third post, Deptford Panoramas, has extreme wide-angle views taken during both walks. These have the normal aspect ration of 1.5:1, but an extreme angle of both horizontal and vertical view.

The pictures show many aspects of Deptford, still a vibrant area of London, though rapidly changing. The Tidemill Garden is now built on, Deptford Cinema closed in 2020 but has a number of ongoing projects, the High Street market was still busy last time I was there, and the Dog and Bell serves a fine pint.

Deptford Panoramas
Deptford Art & Gentrification Walk
Deptford Walk

Walking the Olympic Area – 2012

Sunday, April 21st, 2024

Walking the Olympic Area – Unless my memory has failed me (which it often does these days) the two day course I ran on Saturday 21st April 2012 and Sunday 22nd was my last formal teaching session. I think I have turned down a few requests to run workshops since as they are rather tiring.

Walking the Olympic Area - 2012

I can’t remember exactly how the course came about, but the venue was the View Tube, now run by Poplar HARCA for the local community, which had opened on the Greenway overlooking the London Olympic site in 2010, as a cafe and education centre. A set of bright yellow boxes it then had an upper floor viewing area overlooking the building site.

Walking the Olympic Area - 2012

I’d been photographing the area on and off since 1982 – and you can see many of the pictures I took on a web site, The Lea Valley. I think the course will have begun with me showing some of those pictures and talking about them before taking the participants out for some fairly short walks around Stratford and Stratford Marsh, or at least those areas still open to the public. The pictures here are all from the two days of the course.

Walking the Olympic Area - 2012

Travelling across London to the area I had to give myself plenty of time in case there were any travel delays, so I arrived well before the course was due to start on both days and was able to walk around and make a few pictures then.

Walking the Olympic Area - 2012

While leading the students around the area I was mainly involved with facilitating them making images, but did manage to make a few for myself, and I think I also stayed on a little after the day finished for some more.

On the Saturday we went along the southern edge of the site and into Stratford Westfield and up to the John Lewis viewing area before returning for a lunch break for the students when I made some panoramas close to the View Tube while eating my sandwiches. Parts of the area were quite crowded with others who had come to view the site. Fortunately there were considerably fewer on the workshop than in this picture.

After lunch I took everyone along the Greenway, into Fish Island, across Old Ford lock, down the towpath to Bow Flyover and then to Pudding Mill Lane station.

We met again on Sunday morning at Pudding Mill Lane station. Again I’d arrived early and had already made some pictures before the walk began up the Greenway to Hackney Wick, through Fish Island to White Posts Lane before returning over Old Ford Lock to the View Tube.

I had requested those taking part to work with digital images – and I think almost all had done so. Lunchtime gave them a chance to review the pictures they had made and we then were able to see and discuss the work, though unfortunately we could only see the pictures rather dimly as the teaching area, although it had a nice large touch screen, had no blinds on its windows.

You can see more of the pictures I made on the two days on My London Diary, including some of the panoramic images. All my pictures were taken on a Nikon D700 camera, I think all with the laser-sharp Nikon 16-35 f4.0 lens. The panoramas were made with the same lens, taking a series of 5-10 exposures and digitally stitching these together using PTGui software, probably the most powerful and flexible photo stitching application available. Photoshop now does a decent job with simple panoramas but has fewer options.

Panoramic images don’t display well on this blog, so apart from the one at the top of the post showing the View Tube you will need to go to My London Diary to see more. Most of those I took showing the actual Olympic site on these two days are panoramic.
Olympic Course Day 1
Olympic Course Day 2


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Riverside Brentford – 2016

Tuesday, March 26th, 2024

Riverside Brentford – Saturday 26th March 2016

Riverside Brentford - 2016

As a child I grew up in Middlesex, by then a rather truncated county on the north and west of London, though once it had included the cities of London and Westminster and many of London’s Metropolitan boroughs north of the Thames and west of the River Lea. Brentford, a couple of miles from where I was born, was the nearest thing the county had to a county town, though it had few if any of the normal attributes of one, with no town-hall or other public building.

Riverside Brentford - 2016

Often on Bank Holidays our father would take us on a 237 bus from Hounslow to Kew Bridge Station, the route going through Brentford High Street where it was often held up as we gazed through the top deck windows at the sites. Under the railway bridge leading to Brentford Docks where we might see a steam hauled goods train, over the canal bridge where the locks and dock area were normally busy with barges,past the Beehive on the corner of Half Acre with its tower topped by a giant beehive and on through the noisy, smelly gas works to Kew Bridge.

Riverside Brentford - 2016

We walked across Kew Bridge and then turned down the side of Kew Green to the gate of Kew Gardens, where a penny – an old penny, 240 to the pound led us into the extensive gardens where we could wander all day. This was before the days of garden centres and my father would always have a small pair of scissors in his pocket to take the odd cutting or pick up a seed or two on our walks.

Riverside Brentford - 2016

Later, in the early and mid 1950’s I would ride my bicycle around much of Middlesex and Surrey – and that included Brentford, but I think it was only much later when I became a photographer that I really explored the area and found out what an important communication link it had been. Brentford is where the inland waterways system with the busy Grand Union Canal joined the River Thames, just a few miles upriver from the great Port of London.

In 1978 three of my photographs from Brentford were published in Creative Camera Collection: No. 5, a prestigious collection of contemporary photography published by Coo Press, the publishers of the monthly magazine Creative Camera and edited by Colin Osman and Peter Turner. It wasn’t the first time my work had been published but was great to be on the pages with some very well known photographers, including one who much later became a friend, John Benton-Harris.

Brentford has changed greatly since then, with much of the riverside now lined with expensive flats rather than commerce and industry. The gasworks site became a riverside park and an arts centre, where I took part in and helped organise a number of exhibitions. But there is still enough of the old Brentford untouched, though less each time I go there.

I first returned in the 1990s, when I was teaching a few miles down the road, bringing students to see shows there and to wander around the area taking pictures. Later I came back for walks on my own or with friends, such as this one on Saturday 26th March 2016 with my elder son. Brentford hadn’t been my first choice by railway engineering works that week end made travelling out further to the east of London impossible.

As well as making ‘normal’ pictures with lenses giving a horizontal angle of view of between 10 and 84 degrees (focal lengths 20 to 200mm) there were some pictures where I felt an even wider view was needed and I made some panoramss with a roughly 145 degree angle of view. The pictures above and below illustrate the difference.

We didn’t end our walk in Brentford, but continued on past Syon House to Isleworth where we ate our sandwiches in a relatively sheltered square before following the Duke of Northumberland’s River through Mogden Sewage Works to Kneller Park and then Whitton Station for the train home. You can see a much wider range of pictures online on My London Diary at these three links:
Syon, Isleworth & Mogden
Riverside Brentford Panoramas
Riverside Brentford


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Harlesden, Willesden, Mary Seacole & a Wassail

Friday, February 2nd, 2024

Harlesden, Willesden, Mary Seacole & a Wassail: Sunday 2nd February 2014, ten years ago today was a pleasant winter day, not too cold and with some sunshine and light clouds, perfect for panoramas, so I went early to have a walk around the area before going on to photograph the wassail in Willesden Green.


Harlesden, Willesden & Mary Seacole

Harlesden, Willesden, Mary Seacole & a Wassail

It was long ago on one of the dirtiest trains imaginable, windows think with dust so I could hardly see outside that I first came to Willesden Junction Station from Richmond on the North London Line which ran to the City and Broad Street Station. Upgraded to run to North Woolwich in the 80s with new rolling stock the line became a key way for me to travel to photograph around north London. Nowadays the line is part of London’s Overground, since 2016 run by Arriva Rail London, a part of Deutsche Bahn and rather cleaner, with trains running to Stratford.

Harlesden, Willesden, Mary Seacole & a Wassail

Willesden Junction, which links with the Bakerloo line and another Overground service from Euston to Watford Junction is not in Willesden but in Harlesden and has platforms at two levels, and also has mainline trains rushing past without stopping. Apparently, according to Wikipedia, in earlier years it was was nicknamed “Bewildering Junction” or “The Wilderness” because it contained such a maze of entrances, passages and platforms and it is still rather like that.

Harlesden, Willesden, Mary Seacole & a Wassail

If you can find it, a footpath leads over the mainline tracks next to the line from Richmond and Clapham Junction through an industrial wasteland and eventually to Hythe Road. Google Maps even dignifies it with a name, Salter Street Alleyway. Turning left at into Hythe Road takes you to Scrubs Lane, but going right can take you to the Grand Union Canal, with a bridge leading across to the tow path. I did both.

Harlesden, Willesden, Mary Seacole & a Wassail

The blue sky with clouds was perfect weather for panoramas, and I took a number going back and forth a little in the area, across the Scrubs Lane bridge and back. At the corner of this bridge is a memorial garden to Mary Seacole (1805-81) who nursed many British soldiers in the Crimean War as well as working in her native Jamaica and Panama and Cuba, funding her medical work from the proceeds of her general store and boarding house in Jamaica. The garden, on the canal bank next to Mitre bridge, on Scrubs Lane, not far from where she was buried in St Mary’s Catholic cemetery, Kensal Green, was begun in 2003, shortly before the 2005 bi-centenary celebration of her birth.

The garden, now rather overshadowed by a new development, was a pleasant place to sit in the sun and eat my sandwiches before making my way to Willesden Green for the Wassail. Pictures from the walk start here on My London Diary and include more panoramas as well as other pictures.


Willesden Wassail – Willesden Green

This was the fifth Urban Wassail in Willesden High Street organised by Rachel Rose Reid to celebrate local shopkeepers who give Willesden Green its character and help to create a vibrant community.

The wassail is described as a “small free festival run by and for people from Willesden Green” and also celebrates the work of all who live there and create the neighbourhood and brought together artists and volunteers from the area including James Mcdonald, Berakah Multi Faith Choir, Poetcurious, Errol Mcglashan and several others, with more performing later after the wassail.

The group met at Willesden Green Station, though unfortunately this was closed for engineering works on the day. Here there was a performance from ParkLife singers, a local community choir run as a not-for-profit co-operatvie and led by Charlotte Eaton, before Rachel Rose Reid introduced us to the first shopkeeper who told us a little abor her shop, Daisychain Florist, with all of the 70 or so people present repeating her words in Occupy ‘mike-check’ style.

Then everyone sang a Wassail Song, borrowed from the Carhampton Wassail, with the shop name in place of its “Old Apple Tree”. You can read this on My London Diary.

The same pattern was repeated at a number of shops along the High Stret including Hamada supermarket, Khan Halal Butchers, Pound.com, Corner Barber Shop, Red Pig, Fornetti, Mezzoroma and Buy Wise.

There were other stops on the route for poetry and songs, including one in the yard at the front of Sainsbury’s, one of relatively few chains in the area.

Here we were also told about the campaign to save the Queensbury Pub on Walm Lane from demolition, with a petition of over 4,000 signatures to Brent Council against the demolition of this ‘Asset of Community Value’ and its replacement by a 10 storey block of flats. The pub had been open since 1895 but was bought by developer Fairview New Homes (North London) Ltd in 2012. Brent turned down the development, but the developer, now called Redbourne (Queensbury) Ltd put forward new plans in 2018. Again these were refused by the council but the developer’s appeal succeeded. The pub vlosed in 2022-3 and was demolished in October 2023 to build 48 flats. The development is supposed to include a new pub.

The Wassail ended with a number of poetry performances opposite the Willesden Green Library building site, after which we moved to the neighbouring cherry tree for a final wassail after which everyone let off the party poppers and decorated the tree with ribbons. It was slightly less noisy version of the traditional banging pans and firing guns in order to wake up the apple trees.

The wassailers then moved to the Bar Gallery in Queens Parade on the corner of Walm Lane, where refreshments were available and there were to be more performances. I went along but then realised it was time for me to start my journey home and left.

More pictures on My London Diary at Willesden Wassail.



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All photographs on this page are copyright © Peter Marshall.
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Roma, Olympic Park and Mind – 2016

Tuesday, October 31st, 2023

Roma, Olympic Park and Mind: After a morning protest by Roma at the Czech Embassy in Kensington I took a walk around the Olympic Park in Stratford before joining the Mental Health Resistance Network (MHRN) and Disabled People Against Cuts (DPAC) who were holding a Halloween Demo at the national office of Mind.


Roma protest Czech Murder – Czech embassy, Kensington

Roma, Olympic Park and Mind

Ladislav Balaz, Chair of the Roma Labour Group and Europe Roma Network and others had come to hand in a letter calling for the murder of a young Romani man by neo-Nazi skinheads in Žatec to be properly investigated.

Roma, Olympic Park and Mind

The man who had lived in the UK until a year ago was a second cousin of Balaz. He was set upon as he went to buy cigarettes at a pizzeria.

Roma, Olympic Park and Mind

Most cases of murders of Roma in the Czech Republic are dismissed by police as accidents and they have already issued false stories about the victim, claiming he was mentally ill and attacked people. The Roma demand justice and equality for everyone in Czech Republic and the elimination of any double standards of justice. Several of the protesters made speeches in Czech as the letter was presented.

Roma protest Czech Murder


A Walk in the Olympic Park – Stratford

Roma, Olympic Park and Mind

I had several hours between the protest outside the Czech Embassy and a protest in Stratford High Street and decided it was a good occasion to take another walk in the park at Stratford which had been the site of the 2012 London olympic games and to make some more panoramic images.

It was a year since I had been there, and four years since the Olympics and I had hoped to see the park in much better condition than I found it. Considerable progress had been made in the buildings which are shooting up around it and many of the ways into the park are still closed.

I walked around much of the southern area of the park and found it still “largely an arid and alienating space composed mainly of wide empty walkways rather than a park.”

I took rather a lot of pictures, both panoramic and more normal views before it was time to make my way back through the Westfield shopping centre into the centre of Stratford.

Many more pictures at A Walk in the Olympic Park.


Against Mind’s collusion with the DWP – Stratford

Paul Farmer, Mind’s chief executive came out and spoke to the protesters

The Mental Health Resistance Network (MHRN) and Disabled People Against Cuts (DPAC) came for a Halloween Demo at the national office of mental health charity Mind in Stratford.

They complain that Mind failed to mention the effects of welfare reform, sanctions, or benefit-related deaths in its latest five-year strategy and has dropped its support for the long-running court case aimed at forcing the government to make WCA safer for people with mental health conditions.

Mind’s policy and campaigns manager Tom Pollard had been seconded to work as a senior policy adviser to the DWP and was to start the following day and they demanded the resignation of Mind’s chief executive, Paul Farmer.

Farmer came out to meet the protesters on the pavement and told them that Mind was still working for people with mental health problems and not for the DWP, and that Pollard’s decision had been entirely a personal one in order to gain more insight into the workings of government rather than to assist them in the any discrimination against the disabled.

The protesters were unconvinced and after he had finished speaking several spoke about how local Mind groups were working against the interests of those with mental health problems. They claimed the local managers were often more interested in empire building than in the welfare of benefit claimants.

More pictures at Mind’s collusion with the DWP.