On My Brompton in Essex: On Thursday 26th August 2004 I went for a ride on my Brompton in Essex on the north bank of the Thames, in an area sometimes known as the Thames Gateway. If anyone doesn’t know, the Brompton is one of the best folding bikes around, with 16 inch wheels, folding quickly to a fairly small package which can be carried onto trains and buses. I don’t ride it so much now, as I find it rather heavy to carry, particularly when loaded with my camera gear.
Chafford Hundred, Grays, Essex
I bought the Brompton at the end of 2002, and spent a lot of time riding it for exercise on doctor’s orders during recovery from a minor heart problem at the start of 2003. It coincided with the purchase of my first digital camera capable of professional results, the 6.1Mp Nikon D100 DSLR.
Royal Victoria Dock
For a year or two I worked with both digital and film, particularly because at the start I had only one Nikon lens, a 24-85mm zoom, giving an equivalent on the DX format camera to 36-128mm on full-frame, but I used a range of wider lenses on film. By 2004 I had added the remarkable Sigma 12-24mm (18-36mm equiv) to my bag, and many of the pictures I made that day were taken with that lens. I think it was the first affordable ultra-wide zoom, and certainly the results on DX format were very usable.
Channel Tunnel Rail link under construction at Purfleet
As well as the Nikon I also had a film camera, a Russian Horizon 202 swing lens panoramic camera. You can see some of the pictures I made with this among those on the Thames Gateway (Essex) section on the Urban Landscapes site.
Dartford Bridge and Channel Tunnel rail link, Thurrock
I began taking pictures that day at Victoria Dock in Canning Town, having taken the Brompton on the train to Waterloo and then the Jubilee Line there, before cycling to West Ham station to catch the C2C rail service to Rainham, all on a Travelcard. It’s something of a blow that TfL now intends to discontinue the Travelcard, which provided relatively cheap and simple travel for most of my photography.
Here is what I wrote about the day back in August 2004 – with minor corrections, particularly changing to normal capitalisation.
I like to make good use of my Travelcards, so Rainham, the last station out of Fenchurch St in zone 6 is a good destination. I pointed the Brompton first to Purfleet, to take a look at the state of play on the high-speed rail link, and also a new development in the old chalkpits, then on towards the Dartford bridge.
The Bridge Act obliges the operators to transport cycles and pedestrians across free of charge, and I cycled up the path towards it to claim this right, before changing my mind and deciding i didn’t want to go to the other side. Instead I took the new road through the West Thurrock Marshes industrial area and on to St Clements church, now a nature sanctuary, in the middle of a detergent factory.
It’s a quiet and pleasant place to eat sandwiches, though the smell of the perfuming agent is pervasive. There I planned a route largely along side roads, cycle paths and footpaths to Upminster, taking in Chafford Hundred, South Ockenden and Belhus Park and woods. It made a pleasant ride, though I had to make a few detours, and the B isn’t too stable on slimy mud, so some paths made for interesting riding, with the added pleasures of bramble thorns and nettles.
My London Diary
All of the pictures on this post were taken on the Nikon D100. There are a quite a lot more on My London Diary.
Ten years ago on Thursday 16th May 2013 I was pleased to attend the opening of the exhibition Estuary, held to mark the 10th anniversary of the Museum of London Docklands at West India Quay, a short walk from Canary Wharf. I was delighted to be one of the dozen artists in various media to be included, with ten of my panoramic images from my work on the north and south banks of the Thames.
I’d begun photographing the lower reaches of the Thames back in the 1980s, then working largely in black and white and my work concentrated on the then fast disappearing industrial sites along the river. At first I worked on the Kent bank on the south of the river, having a particular interest in the cement industry that occupied and had radically changed much of area between Dartford and Gravesend. Later I also worked along the north bank.
Cement works, Northfleet, 2000
Estuary is a term that has various definitions, and both its upstream and downstream limits have, as Wikipedia states, “been defined differently at different times and for different purposes.” For my own purposes it has been rather elastic, usually beginning at the Thames Barrier and going east as far as it was convenient to travel by public transport, on foot or by bicycle from convenient stations. In earlier years I went further along the Kent bank by car in some outings with friends including Terry King as far as Sheppey.
Cement works, Northfleet, 2000
The exhibition had come as a surprise. The ten picture in it were from around a hundred images the Museum of London had bought from various of my projects for its collection a few years earlier and I think the first I knew about it was when I received the invitation to the opening, or perhaps by an email a couple of weeks before that.
Greenhithe, 2000
These pictures all dated from the early years of this century, those from Kent in 2000 and from Essex in 2004 and all were in panoramic format. In 2000 I was working with two swing lens cameras, a Japanese Widelux F8 and a much cheaper Russian Horizon 202. Both work with rotating lens and a curved film plane, invented by give Friedrich von Martens in his Megaskop-Kamera in 1844, but instead of the daguerrotype plates he worked with use standard 35mm film, producing negatives around 56x24mm.
Chafford Hundred, 2004
The two cameras have a similar field of view horizontally around 130 degrees and have a cylindrical perspective which renders lines parallel to the film edges straight but gives an increasing curvature to horizontal lines away from the centre of the image. The image quality of the two is very similar but the cheaper camera has a rather more useful viewfinder.
Dagenham, 2004
By 2004 I had two further pieces of equipment which extended my panoramic photography. One was a new camera, the Hassleblad X-Pan, which had generally received rave reviews. I found it rather disappointing at first and it was only after I added the 30mm wideangle lens that it became useful for me. The X-Pan is a standard rectilinear camera design but gives negatives 65x24mm rather than the normal full-frame 36x24mm. The horizontal angle of view it produces with the 30mm is at the limits of rectilinear perspective, before stretching at the edges becomes too apparent, and is considerably less than the swing lens cameras at 94 degrees. The lens comes with a separate viewfinder that fits on the top of the camera, but does make operation a little less convenient.
West Thurrock, 2005
The second, and very important for working along the north bank was a Brompton folding bicycle, which enabled me to travel the greater distances needed there. Of course I also used this and the X-Pan for later pictures elsewhere.
Mucking, 2005
You can see more of these pictures in two sections of the Urban Landscapes web site, which also includes work by other photgraphers, both British and overseas. Some of the pictures I’ve chosen for today’s post were in the Estuary show, but others were not – I have a rather larger body of work to select from than the Museum, some of which appears in my book Thamesgate Panoramas.
Northfleet, 2000
The site has separate sections on the Thames Gateway in Essex and Kent, as well as from my Greenwich Meridian project in 1994-6 and a wider selection of panoramic work from around London from 1996-2005, though there is much more that I still have to put on-line. Some is also now on Flickr.
