Posts Tagged ‘greenhithe’

Darent Valley Path & Thames

Tuesday, July 4th, 2023

Darent Valley Path & Thames, Dartford, Kent. On Saturday 4th July 2015 I went by train with my wife and elder son to Dartford for a day’s walking mainly beside the River Darent and River Thames.

Darent Valley Path & Thames

It was a hot summer day and the sky was blue with just a few small patches of white cloud. It probably wasn’t the best day to have chosen, as this was a walk with relatively little shade, but as usual there was a little breeze by the rivers to cool us slightly.

Darent Valley Path & Thames

I’d walked (and cycled) along the paths we took several times before, first in the 1980s, but they were new to my companions. After taking a short look at the Darent in Dartford we made our way to Hythe Street. Its name means a landing place or small port, and the Darent was once an important navigation at least as far as the mills in the centre of Dartford. The has been a pub here since 1764 and the Hufflers Arms gets its name from the men who guided and pulled the barges up the river to here.

Darent Valley Path & Thames

A footbridge takes the path across the Darent here, and past the backs of some industrial sites on towards the half-lock which stopped the river above it drying out at low tide, long derelict. It was something of a surprise to see a narrow boat moored close to it.

Darent Valley Path & Thames

There has been a huge change here since 2015, with volunteers working on and around the lock and the river. You can read more about the work of the Dartford and Crayford Creek Restoration Trust on the Facebook page of the Friends of Dartford and Crayford Creek, and see some of the changes in the pictures there.

Darent Valley Path & Thames

Later in the day I photographed a yacht making its way through the flood barrier from the Thames and going upriver. I heard afterwards that it had reached the recent bridge under the Bob Dunn Way bypass when the tide was just a fraction too high for it to creep underneath with its mast lowered.

The Thames is pretty wide here and the channel deep enough to take fairly large ships, with the ferries including the ship in the picture operating regular contianer services to Rotterdam and Zeebrugge.

I made a few panoramic images, but the sky was a little empty and blue for it really to be a good day for that. This one which shows my two companions walking on ahead is interesting to me as I have managed to make use of the curvature inherent in these very wide angle views. The path on which I was standing to make the image was more or less straight, though in the picture it seems to bend at roughly a right angle.

The Littlebrook Power Station had only recently ceased operation, and we walked past some interesting structures there before making our way under the Dartford Bridge.

I was pleased that the ferry was leaving and I was able to take a series of photographs of it going under the bridge and sailing on downriver. Some of the pictures give a better impression of the relative heights of ship and bridge with an enormous amount of headroom for the passage.

By now I was getting tired, mainly from the heat and the lack of any shade, and I took few pictures on the rest of the walk to the station at Greenhithe. We didn’t see any sign of the path marked on the map which would have taken us up to the church at Stone as I had planned, but I think I was releived not to have had to climb up the hill, and perhaps didn’t look too hard. After all I’d been there and taken pictures on various occasions before. And if you are walking this way it’s worth the detour.

More about the walk and more pictures at Darent Valley Path & Thames.


Estuary

Tuesday, May 16th, 2023

Ten years ago on Thursday 16th May 2013 I was pleased to attend the opening of the exhibition Estuary, held to mark the 10th anniversary of the Museum of London Docklands at West India Quay, a short walk from Canary Wharf. I was delighted to be one of the dozen artists in various media to be included, with ten of my panoramic images from my work on the north and south banks of the Thames.

Estuary opening

I’d begun photographing the lower reaches of the Thames back in the 1980s, then working largely in black and white and my work concentrated on the then fast disappearing industrial sites along the river. At first I worked on the Kent bank on the south of the river, having a particular interest in the cement industry that occupied and had radically changed much of area between Dartford and Gravesend. Later I also worked along the north bank.

Estuary
Cement works, Northfleet, 2000

Estuary is a term that has various definitions, and both its upstream and downstream limits have, as Wikipedia states, “been defined differently at different times and for different purposes.” For my own purposes it has been rather elastic, usually beginning at the Thames Barrier and going east as far as it was convenient to travel by public transport, on foot or by bicycle from convenient stations. In earlier years I went further along the Kent bank by car in some outings with friends including Terry King as far as Sheppey.

Estuary
Cement works, Northfleet, 2000

The exhibition had come as a surprise. The ten picture in it were from around a hundred images the Museum of London had bought from various of my projects for its collection a few years earlier and I think the first I knew about it was when I received the invitation to the opening, or perhaps by an email a couple of weeks before that.

Estuary
Greenhithe, 2000

These pictures all dated from the early years of this century, those from Kent in 2000 and from Essex in 2004 and all were in panoramic format. In 2000 I was working with two swing lens cameras, a Japanese Widelux F8 and a much cheaper Russian Horizon 202. Both work with rotating lens and a curved film plane, invented by give Friedrich von Martens in his Megaskop-Kamera in 1844, but instead of the daguerrotype plates he worked with use standard 35mm film, producing negatives around 56x24mm.

Chafford Hundred, 2004

The two cameras have a similar field of view horizontally around 130 degrees and have a cylindrical perspective which renders lines parallel to the film edges straight but gives an increasing curvature to horizontal lines away from the centre of the image. The image quality of the two is very similar but the cheaper camera has a rather more useful viewfinder.

Dagenham, 2004

By 2004 I had two further pieces of equipment which extended my panoramic photography. One was a new camera, the Hassleblad X-Pan, which had generally received rave reviews. I found it rather disappointing at first and it was only after I added the 30mm wideangle lens that it became useful for me. The X-Pan is a standard rectilinear camera design but gives negatives 65x24mm rather than the normal full-frame 36x24mm. The horizontal angle of view it produces with the 30mm is at the limits of rectilinear perspective, before stretching at the edges becomes too apparent, and is considerably less than the swing lens cameras at 94 degrees. The lens comes with a separate viewfinder that fits on the top of the camera, but does make operation a little less convenient.

West Thurrock, 2005

The second, and very important for working along the north bank was a Brompton folding bicycle, which enabled me to travel the greater distances needed there. Of course I also used this and the X-Pan for later pictures elsewhere.

Mucking, 2005

You can see more of these pictures in two sections of the Urban Landscapes web site, which also includes work by other photgraphers, both British and overseas. Some of the pictures I’ve chosen for today’s post were in the Estuary show, but others were not – I have a rather larger body of work to select from than the Museum, some of which appears in my book Thamesgate Panoramas.

Northfleet, 2000

The site has separate sections on the Thames Gateway in Essex and Kent, as well as from my Greenwich Meridian project in 1994-6 and a wider selection of panoramic work from around London from 1996-2005, though there is much more that I still have to put on-line. Some is also now on Flickr.


Brompton around Swanscombe 2015

Monday, June 6th, 2022

Brompton around Swanscombe 2015 – Late in 2002 I bought a Brompton folding bicycle, something I’d been considering for years, but the cost had put me off. I can’t remember exactly what it cost me then, but with a few essential bits and pieces it was around £700 – allowing for inflation now equivalent to around £1200. Bromptons (hereafter just B’s) now start at £850, even better value. In an interview a year or two later with a photographic magazine I was asked “What is your favourite photographic accessory?” and my answer, “My B” wasn’t what was expected.

I wasn’t new to cycling – I’d got my first two-wheeler back in 1951 and had owned and used bikes since then, but this was my first folding bike and was bought as a photographic accessory to enable me to explore areas in outer London and the outskirts where public transport was often in scarce supply.

I’d hoped also it would be a convenient way to get around when photographing various events in the centre of London, but soon gave up on that idea as finding safe places to leave it appeared impossible. Bs are idea for bike thieves. Relatively high value and much in demand, they can be stowed away in a car boot in seconds. And even the sturdiest bike lock can only hold up the well-equipped criminal for less than a minute.

Locking and leaving isn’t really an option unless you can keep it in sight or in a secure place. Office workers can keep them in cloakrooms or under their desks, but when your place of work is the street you have a problem.

For cycling close to home I still had the full-size Cinelli that my eldest brother had given me as a birthday present back in 1958, and despite being dirty, dilapidated and having suffered much downgraded with more robust and heavier wheels and tyres still rolling well. But the huge advantage of the B was that it could be folded and taken on trains, underground and even buses at any time, enabling me to make rides from places which were too far away for me to cycle to.

I made my first such journey back in January 2003, taking the train to Erith, a little over 30 miles away, and then spent a few hours cycling “around the town and along the Thames, Darent and Cray before braving the Dartford bypass and striking off along Joyce Green Lane before returning to catch the train home from Slade Green.” Much of that cycling was along footpaths and other poor surfaces and tiring enough – and at one point I almost collapsed trying to lift the B over a stile. I couldn’t understand why, as even with my photographic gear in the front bag it was probably less than 15kg. A week or two later I found out the reason, having a relatively mild heart attack at home which required some minor surgery to put a stent into a blocked artery.

As soon as I could walk, my doctor told me I had to exercise, and soon I was taking a series of rides from home on the B over much of the nearby country. It was much easier to mount and dismount than a normal men’s bike, having no crossbar. Scattered through My London Diary are pictures from a number of bike rides, mainly made on the B. On a bike you can stop almost anywhere and don’t need a place to park, and the ease of getting on and off makes a B ideal. At times I’ve also used it, parked against a wall to stand on, one foot on the saddle and the other on the handlebars, but it can roll away and leave you unsupported.

My trip around Swanscombe on Saturday 6th June was one such ride, taken while the area was under threat from development as the Paramount London theme park (and it still is though this now seems less likely.) It was an area I’d photographed on a number of occasions since the 1980s and knew reasonably well. In the 1970s, together with neighbouring Stone, Greenhithe, Swanscombe and Northfleet was the largest cement producing area in Europe, mainly run by Blue Circle. But by the time I first visited that production was centred at Northfleet, and the works at the other sites had largely disappeared or were very run down, and the Swanscombe works had ceased production although the site only finally closed in 1990. Northfleet continued for some years into this century, but nothing now remains – except of course the huge quarry areas with their chalk cliffs.

The post Swanscombe on My London Diary gives more of the history of the area, and also includes a fairly complete description of the route I took on Saturday 6th June 2015, so I won’t repeat that information here. The B isn’t a great off-road bike – and impossible in muddy conditions – but is fine on reasonable footpaths but I might had had to get off an push in some places. One of the paths I mention, Lovers Lane, is now a wide road beside a new housing estate but otherwise the area is much the same as it was in 2015 except there are now notices that some of the areas are private property.

The area is also well described in the many pictures, many of which were made with a very wide horizontal and vertical angle of view. Although not panoramic in format they are panoramic in their scope.

Swanscombe

South of the River 1985

Tuesday, April 21st, 2020
Container ship, biker, Shornemead Fort, Shorne, Gravesend, Gravesham 85-6c-43_2400

In 1984, I more or less came to an end of my work on the River Lea (though I returned to it later) and the major focus of my photography shifted to London’s Docklands, and I’d photographed the West India and Millwall Docks as well as the Royal Docks, pictures from which I’m currently posting daily on Facebook. And later in that year I also went to the Surrey Docks, where work by the London Docklands Development Corporation was well advanced.

I was very aware of the political dimensions of the redevelopment, with the LDDC taking over from the elected local authorities and imposing its own largely business-led priorities which although accelerating the development distorted it away from the needs of the local area, and particularly away from the still pressing need for more social housing and for better employment opportunities for local people.

Northfleet, Gravesham 85-8e-35_2400

In those years I read every book in my local library on the history and geography of London, and began to build up my own collection of older works bought from secondhand bookshops and by post. Before the days of on-line listings I used to receive a monthly duplicated list of books on offer from a dealer I think in Brighton, and found many topographic and photographic items of interest, often very cheaply, and would look forward to receiving heavy parcels wrapped in several layers of newspaper. Yes, there was mail order before Amazon, and it was rather more exciting.

Cement Works, Northfleet, Gravesham 85-8e-53_2400

It was reading one of the books, Donald Maxwells ‘A pilgrimage of The Thames’, published in 1932 with his imaginative text and evocative drawings (some originally printed in the Church Times) that prompted me to walk in 1985 as he did from Gravesend west through Northfleet and Greenhithe exploring what he christened ‘the Switzerland of England’. As a rather more down-to-earth guide I also had the more academic ‘Lower Thameside’ picked up for pennies in a secondhand bookshop, which included a chapter on its 1971 cement industry by geographers Roy Millward and Adrian Robinson.

Crossness Marshes, Belvedere Power Station, Belvedere, Erith 85-9j-53_2400

My series of walks traversed what was an incredible industrial and post-industrial landscape, altered on a huge scale by quarrying and industry, continuing past Gravesend along the riverside path past Erith and Woolwich to Greenwich and Deptford (areas also covered in my 1985 London Pictures), as well as walking further east to Cliffe and Cooling.

Cement Works, Manor Way, Swanscombe, Dartford 85-9g-36_2400

It was a project that I returned to for several years – and I went back to the area more recently when the Channel Tunnel Rail Link was being built as will as the occasional walk or bike ride over the years.

You can see 280 of my pictures from 1984 now on Flickr in the album
1985: South of the River: Deptford to Cliffe


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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