Posts Tagged ‘peter Marshall’

Deep in the Olympic Area

Friday, January 8th, 2021

Footbridge, Carpenters Lock, Old River Lea, Stratford Marsh, Newham, 1983 35p-33_2400
Footbridge, Carpenters Lock, Old River Lea, Stratford Marsh, Newham, 1983

I titled my self-published book put together in 2010 on the Lee Valley ‘Before the Olympics‘ because many of the pictures in it were taken in an area that was then being largely destroyed for a few weeks of sporting activities in 2012.

Footbridge, Carpenters Lock, Old River Lea, Stratford Marsh, Newham, 1992 92-8e51_2400
Footbridge, Carpenters Lock, Old River Lea, Stratford Marsh, Newham, 1992

It was an area that over the previous 25 or so years had held a particular fascination for me as a post-industrial wilderness close to the centre of London, one of the world’s greatest cities. Within a few yards of busy major roads I could find myself struggling to walk along overgrown paths – and sometimes having to climb over or around fences to do so. For months a pair of secatuers were needed in my camera bag to cut through the brambles that barred my progress (though when I wrote earlier about this I slightly exagerrated them as a ‘machete’.)

Old River Lee, Waterworks River, Stratford Marsh, Newham, 1983 33x-24_2400
Old River Lee, Waterworks River, Stratford Marsh, Newham, 1983

At times I spent hours wandering the area without meeting or seeing another living soul, or only across rivers, perhaps working in one of the many small businesses still at work, often in ramshackle buildings with smoke or steam emerging though ventilators or cracks. Or I would emerge from under a bridge or around a corner to see large industrial structures such as oil storage tanks.

Old River Lea, Stratford Marsh, Newham, 1983 35p-34_2400
Old River Lea, Stratford Marsh, Newham, 1983

It was of course an area that was bound to change, but not in the way it has. And the old was in some respects dystopian. Many of the remaining businesses were the kind that we like to hide away on the fringes, perhaps necessary but best kept out of sight. The River Lea was during the worst years of the development of industry the outer boundary of London, inside which there was a long history of restrictions to curb the activities of the most noxious and polluting industries; across that boundary almost anything went and factories were set up to enjoy that licence to pollute.

Old River Lee, Waterworks River, Stratford Marsh, Newham, 1983 33x-36_2400
Old River Lee, Waterworks River, Stratford Marsh, Newham, 1983

Those years of largely unfettered industrial activity had left their toxic legacy in the soil, though some plants seemed to thrive on it. There were schemes to tidy up the area in the 1990s, with some streams and paths being cleared and the route beside the Waterworks River being decorated with art from junior schools in the area, but nature soon took it back , and a few years later I was again struggling through shoulder-high weeds.

Waterworks River, Marshgate Lane, Stratford Marsh, Newham, 1992 92-8e44_2400
Waterworks River, from Marshgate Lane, 1992

The Olympics were terra-forming, with tons of soil from the area being sterilised, tons being dumped elsewhere in landfill, and virgin soil brought in, in part from building work on the Channel Tunnel Rail Link. A new landscape emerged, retaining the watery outlines of the old, along with the Greenway and the major rail routes but with different land, and none of what was previously present on the rest of its surface, though with new white elephants fast being constructed.

Waterworks River, Marshgate Lane, Stratford Marsh, Newham, 1983 35p-43_2400
Waterworks River from Marshgate Lane, Stratford Marsh, Newham, 1983
Waterworks River, Marshgate Lane, Stratford Marsh, Newham, 1992 92-8e32_2400
Waterworks River, 1992
Footbridge, Stratford Marsh, Newham, 1983 35p-32_2400
Stratford Marsh, 1983
Marshgate Lane, Stratford Marsh, Newham, 1983 35p-36_2400
Marshgate Lane, 1983

My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


4000 Posts

Tuesday, January 5th, 2021

I’m not a big one for anniversaries and so on. But I’ve just noticed that today this is the 4000th post on >Re:PHOTO since I began this site on December 1st 2006. That first post has been edited since then to reflect the reason I began posting here, which was to provide an audience for my writing about photography (and also my photography.) I’d been writing professionally about photography on the web since 1999, and it was becoming clear that I was likely to lose my position before long – for the offence of writing too much about photography.

That first post was just an introduction to me, though a second post that same day was a short opinion about Paris Photo, which I’d attended the previous month. Here is its in full:


Paris Photo

Paris was full of photographs in November, and there were some great ones at Paris Photo. But there were things that were hard to take too. Large empty wastes of dollar-rich nothingness covering the walls of some galleries. Vintage prints pulled from some photographers waste-bins and awarded stupendous price-tags. I found it hard not to burst out laughing when a dealer came up to the person next to me and told her the price of one rather ordinary ’60s fashion print was 20,000 euros. A couple of years ago we would have though 200 rather steep, and 2000 definitely well over the top.

Still, all good news for investors, and for the minority of photographers who have a place on the gravy train. There were a few other photographers around, trying to talk to dealers, but this wasn’t the place for it. “Best if you e-mail us” they were politely brushed off.

The first day I had a panic attack of sorts as the place got more and more full of people, all there for the free opening party, and had to rush out and up from the bunker into the fresh air above. The next day things were better, less crowded, but still more a place for millionaires than photographers.

But fortunately, there was much more in Paris than Paris Photo.


Then there was a long gap, with my next post not appearing until May 2007, around the time I finally got the push. Most of those early posts were about things I would not have put on the commercial site I wrote for. >Re:PHOTO was and is my own personal site and I can say and write what I like without having to worry about upsetting editors or readers or maintaining the broad church approach which I had originally been hired to pursue.

Being entirely my own site also freed me from some other restraints. Although my articles and notes had ranged widely over photography across the world (another crime in my new editors’ views) I was unable to write about and promote my own work or that of my friends. Occasionally I did use one of my pictures, but mainly to illustrate some technical point, and these were very seldom of any real interest. The pictures in this post are all ones I took in the month >Re:PHOTO began at a protest in Dagenham against the racist BNP, none of which could be posted on the commercial site.

Politics was another area where I often had to restrain or moderate my views, though I think sometimes they were fairly apparent. But most of my photography at the time was highly political. And certainly at times I’ve treated readers here to something of a political rant.

Jeremy Corbyn photographer

>Re:PHOTO has changed over the years, and back in its early years I was still very constrained by the fact that most of those accessing it were doing so with relatively low bandwidth. So images were few and far between in those early posts, while today most have at least half a dozen.

Jeremy Corbyn speaking at Dagenham

There are also many more photography sites and photography blogs than 13 or 14 years ago, and I feel less need for me to discuss wider photographic issues here. I’ve also come to a stage in my own work where I’m increasingly re-evaluating my own photography from the previous century and thinking about its future as my own is drawing closer to a close. That virus has sharpened my own thinking, particularly as I’m in groups designated as vulnerable both from age and illness and has given me time to think and to scan old work. I’ve had to give up taking new photographs (except for a few during exercise bike rides and the odd walk close to home) and stay at home – and have put over 11,000 old pictures onto Flickr, a few of which I’ve shared here.

All of those 4000 posts are still available on this site – and you can find them by month in the archive list at right or by a search for particular topics. This feature has taken longer to write than it should have, as I spent some time reading my several posts about important photographers who were omitted from what I felt was a rather disappointing 2007 V&A show,  ‘How We Are: Photographing Britain, along with some other things I came across.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Hackney Wick (1)

Friday, January 1st, 2021

Waterden Rd, Hackney Wick, Hackney, 1982 32z-65_2400

Thinking about the New Year – or about the past one – simply makes me feel angry and depressed, and though I started to write something I couldn’t finish it. There is plenty of stuff already on the web and in print about it. So I decided to continue writing and posting pictures about my project from the 1980s on the Lea Valley. And so to Hackney Wick.

Eastway/Waterden Rd, Hackney Wick, Hackney, 1982 32z-66_2400

Not that Hackney Wick presented an encouraging face back in 1982. It had been an important industrial area in previous years, but now industry was in terminal decline, with Thatcher abandoning the idea of manufacturing in favour of services, accelerating its decay, driving to a post-industrial future.

Hackney Wick, Hackney, 1982 32k-31_2400

There was a bleakness too in the Greater London Council’s Trowbridge Estate, with its seven 21 storey blocks completed between 1965 and 1969. It provided much-needed housing but by the 1980s was showing evidence of neglect, but there was still considerable local opposition to the series of demolitions which began in 1985 three years after I took this picture in 1982. By 1987 three blocks had been demolished, and they were all gone by 1996, with some spectacular pictures and video being taken of some of them being blown up – not always very effectively.

Hackney Stadium, Waterden Rd, Hackney Wick, Hackney, 1982 32z-52_2400

Hackney Greyhound Stadium only finally closed in 1997, but was struggling for some years. Going to the dogs had gone out of fashion. It had begun in the UK in the late 1920s, an import from the USA where it had started in California in 1919, and its heyday was in the 1930s, with the Hackney Wick Stadium having its first race meeting on April 8th 1932. Later the stadium was also used for Speedway and Midget Car racing. I never went to Hackney Stadium and my only visit to dog racing was by mistake at Wimbledon Stadium around 1960 where I went on several occasions with a friend who was a speedway fan, and one week he got the dates mixed. I didn’t enjoy it.

BRONCO, British Patent Perforated Paper Co, Atlas Works, Berkshire Road, Hackney Wick, Hackney, 1982 32k-46_2400

Among the many products which previous generations relied on Hackney Wick for was toilet paper, which for many years was made at the Atlas Works by the British Patent Perforated Company, better known as Bronco. We now live in softer times and their less porous and more hygenic product went out of favour. This was first patented in the USA in 1870, but Hackney Wick can claim to be the source of many inventions.

Wallis Rd, Hackney Wick, Hackney, 1983 36n-44_2400

Before Bronco, the Atlas Works were home to dyestuffs company Brooke Simpson Spiller who had taken over the company set up by the founder of the synthetic dyestuff industry William Henry Perkin. There they employed several of the leading organic chemists of the late 19th century who developed a number of new dyes. My own very brief and much less illustrious career as an industrial chemist also began (and very soon ended) in dyestuffs, but at a west London company – and the lab there was still using some samples signed on the bottle by Perkin himself.

Queens Yard, Whitepost Lane, Hackney Wick, Tower Hamlets, 1992 92-8d26_2400

It was in Hackney Wick that the first synthetic plastic, Parkesine was manufactured, and where oil distillers Carless, Capel & Leonard marketed the first product to be given the name Petrol, and also where dry-cleaning came to the UK thanks to Achille Serre. But the largest and best-known of the Wick’s industries was Clarnico (until 1946 Clarke, Nickolls,Coombs until 1946) who opened a jam factory here in 1879 and went on to produce many well-known sweets – a total of over 700 varieties – in what became the largest sugar confectionary factory in Britain, but closed in 1973. You can read about it at the Wick Curiousity Shop site, which also has a photograph of me and a few from my web site.

Kings Yard, Carpenters Road, Hackney Wick, Hackney, 1992 92-8d15_2400

Other products from the Wick you may have eaten include Fray Bentos pies, produced here by a part of the huge Vestey meat company from 1958. The pie business was sold on to Brooke Bond, acquired by Unilever and finally sold to Campbell’s Soup in 1993, when they promptly moved production away from Hackney.

More from Hackney Wick in another post.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Clapton – Lea Valley 1982

Thursday, December 31st, 2020

2020 is a year I don’t think I want to look back on, so I’ll eschew that traditional filler and instead look back rather further to continue my series on walks in the Lea valley in the 1980s.

Works, Upper Clapton or South Tottenham, Hackney or Haringey,1982 32c-42_2400

This time of year it has been a tradition for at least some of my family to get together to go on sometimes fairly lengthy walks, usually somewhere in the country. It’s something that has rather tailed off over the years, with both my sons now having young children, and also as my own legs getting old and tired, making anything over six or seven miles something of an ordeal.

Flats, Anchor & Hope, High Hill Ferry, Clapton, Hackney, 1982 32c-41_2400

This year things have become even more difficult, with us all under Tier 4 restrictions on travel etc and in different parts of the country, so our meetings have only been virtual. And although Linda and I have managed some short walks – around 5 miles on Boxing Day – these have all started and finished at our home. But at least I can take a digital walk in the Lea Valley.

Playing Field, Leyton, Waltham Forest, 1982 32c-44_2400

These pictures were not all taken on the same walk, which is one I did several times when working on my Lea Valley project and have repeated parts of rather more times since, sometimes riding on my Brompton folder. Parts of it have changed dramatically over the years, and wherever in these pictures you see a timber yard, factory or power station there is probably now several blocks of flats.

Clapton, Hackney, 1982 32u-64_2400

So many changes make it difficult for me to pinpoint the exact locations of some of these pictures, though others have very recognisable landmarks – such as the railway viaduct in the background above, now with a blue plaque celebrating the work of Alliott Verdon Roe, the first man to build and fly an entirely British aeroplane, built here in one of its arches, back in 1909.

Latham TImber, Clapton, Hackney, 1982 32c-31p (2)_2400

But Latham Timber is long gone, along with its neighbouring yard and the fences on which ‘The Gruesome’ staked their territorial claim and on which P & R pledged their ‘Forever True’ love in white paint on 16-8-82. Where are they now I wonder as I look at these pictures? Though so far as I’m aware I never saw any of them back in 1982 either.

33a-54_2400

The Gruesome Clapton, Hackney, 1982 33a-65_2400

The Gruesome Clapton, Hackney, 1982 33a-63_2400

Latham TImber, Clapton, Hackney, 1982 32c-56_2400

Middlesex Wharf, Clapton, Hackney, 1982 33a-52_2400

More pictures at River Lea – Lea Navigation 1981-1992. My next post in this series will look a little downstream.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Lea Valley 1993 – Around Tottenham Hale

Tuesday, December 29th, 2020

Stonebridge Lock, Northumberland Park, 1983 37c-22_2400

Continuing my pictures from walks along the River Lea and Lea Navigation in 1983 which are in my Flickr album River Lea – Lea Navigation 1981-1992.

Tottenham Hale station on the Victoria Line was a convenient starting point for walks both north and south along the Lea navigatiion, which is crossed by Ferry Lane around 200 metres from the station.

Stonebridge Lock is around 3/4 miles north up the path from Ferry Lane, where steps lead down to the towpath immediately after you cross Pymmes Brook. The view above is looking south back towards Tottenham Hale.

Lea Navigation, Tottenham, 1983 34l-51_2400

Thames Water Sludge Mains Bridge No 3 crosses the Navigation closer to Ferry Lane, and as well as a crudely painted landscape also carried racist graffiti from the National Party, a splinter group of the National Front which was active from 1976-83.

Ferry Lane, Tottenham, 1983 34l-64_2400

A lone tree behind a gate somewhere on Ferry Lane (or its eastern continuation, Forest Road.)

Flood Channel, Leyton, Waltham Forest, 1982 32d-46_2400

The Lee Flood Relief Channel at Forest Rd. There are now tall recently built blocks of flats replacing the inustrial units and garage in this picture.

Ferry Lane Wharf, Tottenham Hale, Hackney, 1982 32d-56_2400

This extensive range of warehouses fronting the navigation immediately south of Ferry Lane has now been demolished and replaced by housing.

Ferry Lane Wharf, Tottenham Hale, Hackney, 1982 32d-55_2400

There is a channel here from the River Lee Diversion which takes excess water from the river and navigation north of Enfield, though usually most of the flow in this rejoins the navigation around half a mile further south.

Ferry Lane Wharf, Tottenham Hale, Hackney, 1982 32d-53_2400

The pattern of waterways it the Lea Valley is difficult to understand and as well as the diversion there are also various flood channels, as well of course as tributaries such as the Pymmes Brook and Dagenham Brook. In the old days there were various man-made channels to feed water mills, while more recently, particularly in the twentieth century various projects to control flooding in the area.

Flickr album River Lea – Lea Navigation 1981-1992.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Brasilia 2007

Tuesday, December 22nd, 2020

Cyclists protest. Critical Mass 10th anniversary, South Bank, London, April 2004.

Thirteen years ago in 2007 I was not in London but in Brasilia, where I had gone for the opening of my show on environmental protests in London, part of Foto Arte 2007, a huge photography event that stretches on for 3 months with over 20 international shows and more than a hundred individual and group shows from Brazil, apparently in 57 locations across the city. The theme of the festival was ‘Natureza, Meio Ambiente e Sustentabilidade‘ or in English, ‘Nature, The Environment and Sustainability’ and my contribution representing the UK was a set of 24 colour pictures of environmental protests in London – including a picture of Brazilians leading the last mile of a 1000 mile Christian Aid ‘Cut the Carbon’ march past Tower Bridge.

My work was in show in a local community centre in one of the ‘Quadra’ which make up the living quarters of the city around its central core. My show was backed by the British Embassy and they had also arranged for me to give a lecture – and provided simultaneous translation for my Portuguese speaking audience.

‘No Fumes Here’. World Naked Bike Ride, London, June 2006.

Because I was very aware of the planned nature of Brasilia, a new capital city built from scratch, which I described as “really the ultimate flowering of the modern movement in architecture and planning, planned by Lúcio Costa (1902-98) and with many buildings by the famous architect Oscar Niemeyer, 100 on December 15, 2007 and still working” I had decided my talk would be about my own photographs around London and more generally about “the photography of the urban environment and some of the changing ideas in planning, and how the invention of the car had completely altered our cities. Ideas about Garden Cities at the end of the nineteenth century had been overtaken by urban sprawl.”

‘London Underwater 2050 Tour of the G8 Climate Criminals’, European Social Forum, London, October 2004.

During my stay I also got to see all the other shows then taking place, and also was treated to several of the finest restaurants in the city (including a lunch with the Ambassador and the director of the festival) and was taken around the various sites of the city – including the many Niemeyer buildings by a daughter of one of Costa’s team of planners. It was an exciting few days, though very stressful at times.

One of Niemeyer’s most famous buildings, the cathedral in Brasilia – Fuji FinePix F31fd

I’d known I would have a busy time with little chance for any serious photography and had taken with me just a small pocketable digital camera, a 6Mp Fuji FinePix F31fd, and used it as a notebook during my stay. A few of the almost a thousand pictures I took are on My London Diary, but there are many more which I now find of some interest, and perhaps I’ll upload more onto Flikr shortly.

Uncle Sam’ as the Grim Reaper in Trafalgar Square, Kyoto Climate March, London, February 2005

I wrote quite a few posts about the visit here on >Re:PHOTO, including brief review of some of the other exhibitions in Foto Arte 2007, starting with one just before I caught the plane, Foto Arte 2007 Brasilia with my full set of 24 pictures and continuing after I arrived home and into January 2008.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


City Walk 2004

Wednesday, December 16th, 2020

I can’t remember exactly why I went up to London on 16th December 2004, but my pictures taken that day tell me fairly clearly the route that I took, taking me in a rather roundabout fashion from London Bridge to a meeting with someone at the Museum of London.

It was a fine day, and I’d obviously decided to take an early train to give me time to wander and take a few photographs before the meeting, arriving at London Bridge Station over an hour before. I can tell this because I was using a digital camera, my first interchangeable lens digital camera, a Nikon D100 and can read the times the images were made from the Exif data embedded in the files – such as the example below.

1/200s, f/7.1, ISO 400
Mode: P, Meter: Matrix, No Flash, Auto WB
Focal: 52mm, 16/12/2004 14:49:27, Adobe RGB (1998)
6.1MP (3,030×2,021) NIKON D100

I only used one lens, the very versatile 18-125mm f3.5-f5.6 Sigma lens, a relatively light and compact zoom that really showed the advantage of the DX system over the later bulkier full-frame lenses. I imagine its test results wouldn’t quite match those of more expensive Nikon glass, but the images seem fine and sharp looking at them now.

Although the D100 was only a 6 Mp camera, this provided images at 3030 x 2021 that were large enough for most repro purposes and gave me excellent prints at 12×8″ and even larger – one picture from it – taken with another Sigma lens – went on exhibition 2.3m wide and paid well.

I think I will have taken these pictures using RAW files, though it would take me a while to locate these on a backup disk, and I only have jpegs and some tiff files to view on my current system. Software for converting from RAW has improved significantly since 2004 and I would almost certainly be able to produce some improvements, in particular reducing the little colour noise present in some. But I think they are fine as they stand.

I arrived at the meeting presumably on time but can tell you nothing about it other than it probably lasted for a little over an hour and came out to make my way home a little after 4.30pm, by which time it was dark. I took a picture of Shakespeare’s bust using the D100’s built-in flash – which came out as badly as you would expect, one in the interior of No 1 Poultry you see here, and then stood still for a final picture on the moving walkway taking me down to the ‘drain’ (Waterloo & City line) to Waterloo for the train home.

A few more pictures from the walk and others from December 2004 on My London Diary. It was a month I also visited Mucking (its in Essex) and photographed ‘Fathers For Justice’ protesting in Santa suits and took a couple of walks close to where I live. All have something of a sepia quality – thanks to the raw conversion – which I find quite appealing and perhaps nostalgically appropriate.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Santa time

Sunday, December 6th, 2020

I’m still rather in denial over Christmas, kind of hoping it will go away. Not that I don’t enjoy most of the things we won’t be doing this year, meeting up with friends, visiting distant family and so on, but somehow I never manage to get myself organised over things like Christmas Cards and presents until the last minute.

This year I did try, and a few weeks ago pored over the many Christmas catalogues that I’d been sent, and then went on line to make some orders – only to find that everything I had chosen was already sold out. It rubbed salt into the wound to then get e-mails from a couple of the companies promoting items that I’d already tried to order without success.

Christmas decorations outside houses began going up early this year – already some were twinkling away in mid-November. Linda brought home a tree a week ago, and I should have photographed her coming home with the pot at its base wedged tightly in her cycle pannier, but couldn’t summon up the energy. I did help her in the difficult task of extracting it from the pannier, and for the moment it is sitting outside in our back garden. We always buy growing trees, and usually they last a couple of Christmases before getting too large to bring inside. We have two specimens now at over 50ft in our smallish back garden, and I’ve had to cut down a couple more over the years when it was beginning to get too crowded.

Although I’ve never myself dressed up as Santa (though I have the beard if I let it grow a bit) in past years I’ve often enjoyed photographing Santacon in London around this time of years. It began as a gloriously anarchic event with hundreds or thousands of Father and Mother Christmases, elves and reindeer spilling rather drunkenly across the city streets, but then the police stepped in as it was disrupting the spending festival on one of the busiest shopping days before Christmas.

These pictures of Santacon come from Dec 6th 2014 and I probably went as far as wearing a Santa hat to join in the festivities for an hour or so before retiring to a small pub a little off their route where a couple of friends were waiting for a rather quieter celebration.

Here’s my text from My London Diary where there are more pictures from Santacon:

Thousands in Santa suits and other Xmas deviations, police trying hard to keep smiling, cans of beer, doubtfully soft drinks, just a few Brussel sprouts in the air, crowded bars, sprawling mass of mainly young people having fun on the streets of London. Santacon

http://mylondondiary.co.uk/2014/12/dec.htm#santas

Of course this – and the extreme shopping were not the only things happening in London that day. After photographing the Santas at one of their three starting points I then joined the South London March for Free Education against tuition fees which was also starting just a few yards away on Clapham Common.

After marching with them through Clapham on their way to Brixton I took the tube to Westminster where there was a rather more Christmassy event taking place, a Fossil Free Nativity Play by Christian Climate Action, before leaving to join the North London Santas on the Euston Road.

More at:
Santacon North London
Fossil Free Nativity – Churches Divest!
South London March for Free Education
Santacon Start in Clapham


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More from the Lea: Enfield

Saturday, December 5th, 2020

Enfield, 1983 34y-16_2400
Enfield, 1983

I’ve now put more photographs in my Flickr album River Lea – Lea Navigation 1981-1992 to add pictures from Broxbourne to the River Thames to my earlier uploads.

Enfield Lock, 1983 34y-35 (2)_2400
Enfield Lock

I’ve gone through the contact sheets from 1981-3 and selected and digitised a few more pictures I found of interest to add to those I’d scanned preparing for earlier shows, but I think there are pictures from some of the later years in that period I may add later.

Lea Navigation, Brimsdown, Ponders End, 1983 34n-52_2400

But for the moment this album is complete – with 418 pictures. Because I made these on a number of different visits to the area, it was difficult to put them into sensible order – and a few are still obviously in the wrong place. But I’ve tried to put them at least largely in order as the valley leads down to the River Thames at Leamouth.

Lea Navigation, Brimsdown, Ponders End, 1983 34n-41_2400

Back in 1981-3 I was not too concerned with the exact locations of the pictures, and my contact sheets seldom have little indication except for the contents of the pictures. I can no longer find the notebooks in which I wrote about the project, though a few of the vintage prints have locations on them and a couple even grid references. I’ve tried to give locations on Flickr, and already a few viewers have been able to help me on this, and correcting a few mistakes I made. Corrections and comments are always welcome, and clicking on any of the images in this post will take you to a larger version where you can post comments.

Broxbourne, 1983 37d-55_2400

So, for example, this picture I’ve captioned simply ‘Broxbourne, Herts, 1983‘ but I could be quite wrong. It could be Cheshunt or somewhere else. And I’d be happy to be told exactly where it is. It’s easier to remember pictures further south as I’m more familiar with the area, though thanks to some who have already corrected a few of my confusions such as mistaking the Clapham Park flats for the Trowbridge Estate.

Lea Navigation, Brimsdown, Ponders End, 1983 34n-42_2400

Most of the pictures in today’s post are from Enfield, Ponders End or Brimsdown, in the London Borough of Enfield, where a large industrial area is located to the west of the canal. I think most of the structures I photographed back then have since been replaced.

Lea Navigation, Brimsdown, Ponders End, 1983 34m-14_2400

In a later post I’l post more selected pictures from Ponders End and Edmonton and then further south. But you can see them already at Flickr album River Lea – Lea Navigation 1981-1992.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.