Notting Hill Carnival – On Sunday 27th August 2006 I went to Childrens’ Day of the Notting Hill Carnival, returning on Monday 28th for the main Carnival Day.
By then I’d photographed carnival over more than a dozen years and was getting to feel I had little more to say about the event, though I was still enjoying the atmosphere. I’d had to miss the 2005 event and this year was determined to do my best.
Looking at the pictures I think I concentrated more on the actual parade than in previous years, though I think the black and white images probably show more of those of us following the performers. Below I’ll include – with the usual corrections – what I wrote about the two days back in 2006.
“The big event of August is always Notting Hill Carnival, and I was there both on the Sunday afternoon for Children’s Day and for the main event on the Monday, shooting both black and white film and colour digital (though when I’ll get round to processing the film is anyone’s guess.) [By 2006 I had largely abandoned film and I think a few months later I finally decided rather than process it myself to send it to a lab.]
“Perhaps it’s because I’m getting older, but I didn’t get the same buzz from this year’s event as in previous years, though most of the same things seemed to be around.
“Perhaps there lies the problem; most of them did seem to be the same, two years on from when I last photographed the event.
“Last year I tried to go, dragging myself to the station with a knee injury, but the pain was too much to continue. This year my knee held out, though I was glad to sink into a seat on the Underground at Latimer Road at the end of the day.”
There are many photographers at Carnival, and only a few of these pictures have ever got published. Among those that have is the one apparently showing a well-known football manager (who I didn’t recognise and whose name I’ve forgotten) in a line of women in costume.
Gunnersbury Park & Brentford: Another family outing on Friday 24th August 2018 took us to Gunnersbury House Museum, a free museum jointly owned by the London Borough of Hounslow and the London Borough of Ealing. It turned out to be considerably more interesting than I expected.
Lionel Road – now the site of Brentford Community Stadium
The 200 acre Gunnersbury estate was bought in 1925 from the Rothschild family by Ealing Borough Council and Acton Borough Council for £130,000, although it was all actually just outside their areas and in Brentford Urban District. They wanted to build over it, but the Rothschilds stipulated that all except a small part of it it was only to be used for leisure and recreation and it was opened to the public as a park by Neville Chamberlainn, then Minister of Health, in 1926.
The elevated section of the M4 above the Great West Rd
Development of the site as a ‘country estate’ on the outskirts of London had begun in the late 17th century when the first large mansion, Gunnersbury House was built around 1663. The estate passed through various hands including wealthy merchant and MP Henry Furnese who had noted landscape designer William Kent give the park a makeover. Next Princess Amelia, favourite daughter of George II, had further changes made to the grounds for her famous parties there, including building a bathhouse.
The temple is the only 18th century building remaining on site
The first mansion was demolished in 1801 and the estate was split into two adjoining estates each with a new mansion.
A long series of rooms faces the garden in the ‘Large mansion’
The Grade II* listing for the ‘Large Mansion’ states it was built in “1801-28 by and for Alexander Copland; remodelled 1836 by Sydney Smirke for Nathan Mayer Rothschild, the City financier and Frankfurt-born founder of the British branch of this famous international Jewish banking dynasty.”
The ‘Small Mansion’ still in rather poor condition
Next door the “Small Mansion”, on the site of the former mansion was built in 1801-1802 for Stephen Cosser according its Grade II listing, though other sources place it a few years later. It was extended with a service wing in 1837-44 by eccentric “Rogue Gothic” architect Joseph Peacock (1821–1893).
The Rothschilds had two French chefs who shared this office
The Rothschilds bought the Large Mansion (now the museum) and its gardens and park in 1835, adding the Small Mansion and its grounds in 1889 to recreate the now Grade II* listed Gunnersbury Park.
Large prints from Leopold de Rothschild’s Autochromes show the place as it was over a hundred years ago – with flamingos
I walked with Linda to the park from Kew Bridge Station along Lionel Road “with some difficulty as it is now a building site and crossed the Great West Road under the overhead M4, a Ballardian trek past the old and closed castellated gate to the park to enter into a sylvan wilderness, walking past the Potomac lake and its gothic folly.”
The garden slopes down from the house to a lake
Older members of our party took a shorter walk from the underground at Acton Central. Lionel Road is now overlooked by Brentford Community Stadium opened in 2020.
Princess Amelia’s Bath House
The park is certainly worth a visit and on My London Diary you can read more about what were for me the two highlights.These were the huge Rothschild’s kitchens where meals, not generally kosher, were prepared under the supervision of two French chefs, and a display of large prints from the Autochromes taken by Leopold de Rothschild using the first practical colour photography process patented by the Lumiere brothers in 1903 and sold to the public from 1907.
We ate, not from those kitchens but from the modern park café, “tasty but rather insubstantial, and if you visit and are hungry, I’d advise a side order of chips” – or a short walk to a cheaper place near Acton Town station.
The Thames and Brentford Ait from under Kew Bridge
After the meal we said goodbye to the others and took a longer walk around the park before walking back to Kew Bridge station. With almost half and hour to wait for the next train we took a short walk by the River Thames to Brentford High Street and back.
Mooring on The Hollows
You can read more about our trip to the park and the museum and see many more pictures from the day on My London Diary at Gunnersbury Park & Brentford.
A Day in London: I spent Sunday August 22nd 2004 wandering around London looking for things that didn’t seem to happen and finding other things that hardly seemed worth taking pictures of. But I did take some pictures. A few at Speakers Corner, Fast Forward a BBC Radio London event in Trafalgar Square, Gymnasts in Olympic Rings and some dancers in a dystopian vision in ‘Forward To Da Future’. Finally I went over the river back to Viva South Africa in the Coin Street Festival I’d visited the previous day.
Sunday was disappointing. Two demonstrations I’d been told about either didn’t happen at all or were so late I’d given up and gone away by the time they did. There are quite a few things like this, people publicise events, then change their mind, or sometimes they simply get the day wrong in the announcements.
I wandered into Speakers Corner to find the usual guys there, mainly religious nutters, but at least a couple with a sense of humour. My vote goes to the Olive Oil Party; we are superior to the Americans because we don’t need Viagra, we have olive oil, though I wasn’t quite clear what you need to do with it.
Then I went to Trafalgar Square, to see ‘Fast Forward’,but it seemed to be run by BBC Radio London, and was bad news, too much agitated media-hype like silly kids TV programmes on Saturday mornings. Fast Forward really was a washout, and failed to live up to the billing. Shoreditch parade the previous day had shown what people and communities can do and the real excitement and involvement it can generate; this was more about a few people on the make, exploiting the arts establishment’s guilt about race.
There were some rather clever gymnasts performing in five hoops – ‘Olympic Rings’ – hung from a frame in front of the National Gallery, but there are only so many things you can do with a hoop.
‘Forward To Da Future’ was more interesting, with lots of kids in a dance performance, the result of a dance summer school. But the woman dancer going on about meeting a man who didn’t turn up and texting on mobile phones was ultimate trivia; wasting her dance talent with inadequate material.
I made for some real music at the second day of the Viva South Africa festival on the south bank.
The name was Gold and the building was in a kind of pale gold colour and blue. The company was an independent wholesaler particularly in the music business, distributing records, CDs and videos as well as confectionery. It moved to larger premises at Uplands Business Estate on Blackhorse Road Walthamstow in 2001 and closed down suddenly in 2008 putting its 200 employees out of work.
It was a family business which began outside Sidney Gold’s delicatessen in Ilford in 1955 when his two sons began selling records from racks in front of the shop. From there the moved to a stall in Petticoat Lane before deciding to set up as wholesalers in Leyton.
Just an ordinary house in a long residential terrace but enlivened by decoration by a rather idiosyncratic resident. All the houses in this part of the street have tablets between the upper and lower bays, but this one has its name, Lytham House and decoration pointed out in red and green paint.
Probably the name was chosen by the first residents when this street was built in 1894-7, but the paintwork was rather more recent, and to me suggested a Caribbean influence. The house and wall have now faded to a rather duller appearance in keeping with its neighbours but still has its decorated windows.
Shandar is a Hini and Urdu adjective for something. It is Hindi and Urdu to describe something very impressive, excellent, grand, magnificent or beautiful, and used for this high quality takeaway. The render was scraped off the wall in 2008 and the wall re-covered and is now blank.
A mural on the wall of Dyke Court shows different colour youngsters many with very odd hairstyles lamenting the loss of their Markhouse Youth Club.
Jimmy’s Fish Bar, Walthamstow, Waltham Forest, 1994, 94-101-36
You could get a steak and kidney pie for £1 and 60p of chips for a filling meal at Jimmy’s back in 1994, though I think you paid a little extra to sit at the solid wooden table to eat it in rather than take it away. But the colour scheme made me feel a little queasy.
Café, London, 1994, 94-101-22
A traditional English café with a wide range of puddings listed for 55p and a little more. Every table with an ashtray. This could well have been in Walthamstow but might have been elsewhere on my journeys around London.
Café, London, 1994, 94-101-24
A much more limited menu for this smaller cafe located somewhere in London – and again it could be Walthamstow. Two lists give the prices for TAKE AWAY and TO EAT IN CAFE.
Maggie’s Hugs & Fortnum & Mason: On Friday 19 August 2011 I stopped briefly on the Queen’s Walk outside City Hall on the south bank of the Thames close to Tower Bridge to photograph the ‘Hug London‘ event by cancer charity Maggie’s, before going on to a protest outside Westminster Magistrates Court where protesters arrested during a peaceful protest in luxury food shop Fortnum & Mason were facing charges of aggravated trespass.
Maggie’s Charity Hugs London
City Hall
Keep calm after the riots and join Maggie’s fund-raising Night Hike was the message
Maggie’s Centres offer support for anyone affected by cancer and to their family and friends from the time of diagnosis, during and after treatment, to recurrence, end of life or in bereavement.
The cancer care charity was set up by Maggie Jencks after the recurrence of her breast cancer in 1993 and opened the first Maggie’s Centre in Edinburgh shortly after her death in 1995.
There are now in 2026 around 30 centres across the UK and four international centres – considerably more than in 2011. The main fundraising events for the charity are various challenges and the largest of these in 2011 was a London Night Hike, a a 10 or 20 mile adventure held in partnership with Open House London, with hikers getting to visit inside a number of iconic buildings on the route for food and entertainment.
Unfortunately registration for the Night Hike had opened on the day when London’s 2011 riots were taking place and this had led to a great drop in registration – although London would almost certainly be peaceful when the actual event was to take place in September.
Volunteers had come to London to try to get more people to take part , walking around London offering Londoners free hugs and handing out invitations to sign up for the Night Hike.
UK Uncut were one of a number of groups taking action during the massive TUC ‘March For The Alternative‘ on Saturday 26th March 2011. They came to Oxford Street to hold peaceful protests at tax dodging shops and banks around Oxford St and to party at Oxford Circus.
Getting ready outside the court
I had photographed some of their protests earlier in the day but went home to change clothes before they got to Fortnum and Mason, having been hit by a paintball from a black bloc protester, possibly aimed at police. Otherwise I would probably have probably have been with them when the went into the luxury shop and might well have been arrested despite having a Press Card.
Half the protesters went into the public gallery, though they had to change out of white suits to be allowed in
Fortnum and Mason was occupied because it is ‘a symbol of wealth and greed‘ and made use of a tax avoidance scheme to save £10 million a year. During the protest police praised the protesters for their cooperation with the police in not attempting to leave the premises.
Chief inspector Claire Clark, the senior officer present can be seen and heard on video promising them that they would be free to leave, but apparently she already knew that they would be arrested as they left.
Police held the protesters in the store as there were battles taking place between the black block and police in the area around and the police were unable to control the situation – and there would probably have been unable to make mass arrests. Police also needed time to had made arrangements for a large number of arrests. So officers – in best police tradition – lied to the protesters.
All 145 UK Uncut protesters were arrested as they left the store and charged with the serious offence of aggravated trespass with intent to intimidate. They were then taken to various police stations and held for many hours. Some were turned out in the early hours of the morning only partly dressed, in flimsy white part transparent suits over their underclothes, often many miles from their homes
A mother of one of those arrested in a plastic suit over underwear as her daughter was turned out by police
Eventually charges against most were dropped, but 30 were brought to court, divided alphabetically into three groups, A, B and C. All ten in trial A were found guilty but given a conditional discharge and told to pay £1,000 each towards costs, with the judge telling them “History often vindicates those involved in such acts.” Those in Trial B were initially found guilty but five of the nine were acquitted on appeal. All in Trial C were acquitted.
I still find it hard to believe that the CPS decided it was in the public interests to bring these prosecutions having seen the videos and heard much of the evidence. There was little damage in the shop, although some people trapped in there for two and a half hours by the police may have sampled a little food. The main loss to the shop was caused by police as the protesters would have left peacefully after a few minutes of occupation had the police allowed them to do so – and there would have been little loss of business.
Clearly these arrests and trials were politically motivated. It was a peaceful protest and it was the police who closed the shop, not the protesters.
Church Path, Town Hall & West Reservoir: The third and final post from my walk on April 1st 1990. The previous post was Reservoir, Castle & Lordship Lane
Church path, The Old Church, St Mary’s, Church, Stoke Newington, Hackney, 1990, 90-4b-61
The Old Church is the only remaining Elizabethan church in London, built in 1563 when the then Lord of the Manor decided to rebuild the near-derelict parish church, including a private chapel for him and his family. The Church was extensively restored in 1827-9 by Charles Barry who almost doubled its seating and replaced its wooden spire – not visible in my picture. But although much has changed it has retained its Tudor character.
The Old Church was heavily damaged in wartime bombing in October 1940, but repairs were made quickly and it was back in use only a couple of months later. Later there were more repairs and most of the box pews were removed. In 2013 the interior was remodelled to make it a flexible arts and community space.
The Old Church is on the right of my picture, rather overshadowed by its successor; there was a call by the end of the eighteenth century for a larger building to cope with the growing population of the area, but the new and much larger church was only opened in 1858. The new St Mary’s Stoke Newington was designed by George Gilbert Scott but its spire was completed by his son, J O Scott, in 1890. The building is in the Decorated style of the late C13/early C14 made popular by Pugin and the Ecclesiologist Movement. The Old Church became a ‘chapel of ease’ and has never been deconsecrated. Both churches are Grade II* listed.
Monument, Church path, The Old Church, Stoke Newington, Hackney, 1990, 90-4b-63
One of the several impressive monuments in the churchyard around the Old Church, but I cannot make out the names of those buried here – though one of them died in 1789.
Several people prominent in the abolition of the slave trade have their graves here including James Stephen (William Wilberforce’s brother-in-law, a lawyer and chief adviser on the anti-slavery bill) and Wilberforce’s sister and daughter. He also asked to be buried here but when he died it was decided he should be in Westminster Abbey.
Two tombs in the cemetery are Grade II listed, that of James Stephen and of the Romantic woman poet and abolitionist Anna Laetitia Barbauld (1743-1825) and her ‘beloved brother’, John Aikin (1747-1822)
Stoke Newington Town Hall, Stoke Newington Church St, Stoke Newington, Hackney, 1990, 90-4b-65
Stoke Newington Town Hall is an impressive municipal building, designed by J Reginald Truelove as the Town Hall for the Metropolitan Borough of Stoke Newington and built in 1935-7 and still in use as council offices.
On its noticeboards are fly-posters from the TKiH, the Türkiye Komünist isci Hareketi, Communist Workers’ Movement of Turkey, illegal in Turkey. Founded in 1984 it merged with other Turkish groups in 1994 to form the Marxist-Leninist Communist Party, MLKP who still appear in force in London’s May Day March.
West Reservoir, Lordship Rd, Stoke Newington, Hackney, 1990, 90-4b-55
I returned to the West Reservoir and took a walk around it – I think this picture shows the New River at right and was taken from a bridge over it. There appears to be a channel with a sluice gate joining the reservoir and the river just beyond the skip in the centre of the picture.
West Reservoir, Lordship Rd, Stoke Newington, Hackney, 1990, 90-4b-31
And I think this view was from more or less the same place but looking in the opposite direction, with the New River now in the foreground and council estates and solid blocks of council flats at Woodberry Down, a huge LCC estate built immediately after the war and now redeveloped.
This wasn’t quite the end of my walk, as I made my way back to Manor House station from here, and I took my final picture of the day going down the escalator there – but it was not worth digitising. For my next walk I returned to south London.
Reservoir, Castle & Lordship Lane: My walk on April 1st 1990 began at Finsbury Park Station and the first post, Brownswood Park Finsbury Park – 1990, ended on Green Lanes where this post begins.
Reservoir, Green Lanes, Stoke Newington, Hackney, 1990, 90-4a-45
The New River Path leads from Green Lanes immediately north of the ‘Castle’ and I think I walked from this path to the bank of the West reservoir to make this picture. There have been considerable changes in the area and I can no longer identify the trees or buildings in my view.
The West Reservoir next to the New River dates from 1833, and I think this section of fencing probably dates from when it was enlarged in the 1850s or a little later. The associated filter beds have been built on, but a vigorous local ‘Save the Reservoirs’ campaign in the 1980s saved the reservoirs, with the West used for water sports and the East as a nature reserve.
Reservoir, Green Lanes, Stoke Newington, Hackney, 1990, 90-4a-46
I think this was a part of the filter beds which have now gone. I liked the shadow of the fence and the wheel which presumably operated a valve to control the flow of water, perhaps to the pumping station.
Sand in the filter beds was first used to effectively removed most particles from the water but it was later realised that the slime which grew on top of the sand was very effective in killing bacteria to increase the safety of the water and sand filtration still plays an important role in producing our clean drinking water.
Reservoir, Green Lanes, Stoke Newington, Hackney, 1990, 90-4a-32
I think the man in the picture is a bird-watcher rather than a photographer and is holding up binoculars to his eyes. Many migrating species take a rest at our reservoirs and birders flock to watch them.
The Castle, Waterworks, Green Lanes, Stoke Newington, Hackney, 1990, 90-4a-21
The gothic fantasy waterworks, built to house massive steam-powered beam engines in 1854–1856 seen from close by – I needed a very wide lens to include the whole height of the tower. According to Industrial History Online “The original six beam engines, two by Watt & Co and 4 by Simpson were removed in 1953.” I think these were then scrapped. You can see similar beam engines in the highly recommended London Museum of Water & Steam in Brentford.
House, Waterworks, Lordship Park, Stoke Newington, Hackney, 1990, 90-4a-24
On Green Lanes I walked south and turned down Lordship Park. Here I got a view of the Castle. I think the tower at right is a disguised chimney and the square section on top of that at the left may have held the tank that water was pumped into to give the pressure for supply to customers.
Man Reading, House, Lordship Park, Stoke Newington, Hackney, 1990, 90-4a-13
Another picture in Lordship Park shows the very solid looking houses built there dating from around 1865. These are three storeys with a basement, the steps rising to an elevated ground floor, built in a Victorian Gothic style with the entrances recessed with a side window giving a somewhat clerical look; they have is some nice ornamental brickwork but in a fairly restrained fashion.
There are quite a few of these houses on both sides of thee street and I picked this view because of the man sitting reading the Sunday Mirror on the steps.
Lion, Brothers of Islam, Lordship Park, Stoke Newington, Hackney, 1990, 90-4a-16
A final picture on this street shows the passageway between two houses with a small flowerbed looked over by a lion, and on the post at right in the freely written message ‘Brothers of ISLAM’.
My walk, now in Stoke Newington, continued – more later.
Brownswood Park Finsbury Park: My walk on April 1st 1990 began at Finsbury Park Station. I walked a short distance past the gates to the park and then turned right down Queens Drive.
Queen’s Drive, Finsbury Park, Hackney, 1990, 90-3m-13
Queen’s Drive was laid out and developed from 1869, the same year that the park, misleadingly named Finsbury Park despite being a couple of miles from Finsbury, was opened, just a few years after the opening of Seven Sister Road station in 1861. In 1870 the station was renamed Finsbury Park. Most of the street was built up by the 1871 census, largely with substantial and well decorated four-storey terraces.
Queen’s Road – later renamed Queen’s Drive – was built as the ‘best road’ in a new select suburb then known as Brownswood Park, developed at first by John Brookes Porter in 1862. You can read more of its history in the Brownswood Conservation Area Appraisal.
Like many such areas it went downhill over the years. Wartime bombing including a V2 rocket damaged and destroyed a number of houses in it and nearby streets. By the 1950s most of the houses were in multiple occupation by “students, migrants, and the working class.”
This picture is of the rear of the Pembury Hotel which is on the corner of Queen’s Drive and Seven Sisters Road, just a few yards down the road and is a post war addition.
Houses, Princess Crescent, Finsbury Park, Hackney, 1990, 90-3m-15
Princess Crescent, also in Browsnwood Park, is not a crescent but two straight lengths of road at an angle joining Queen’s Drive and Gloucester Drive. The houses here were rather smaller than those in Queen’s Road. The other section of road has a two large blocks of council flats, St John’s Court on one side and a primary school on the other. From 1934 until 1960 the Finsbury Park Synagogue was there.
I walked back onto Queen’s Drive and continued to Brownswood Road, turning east and crossing Green Lanes into Lordship Park – not a park but a street.
Lordship Park, Stoke Newington, Hackney, 90-4a-01
Taken on Lordship Park and looking up Allerton Road towards the ‘castle’ designed by architect William Chadwell Mylne for the New River Company on Green Lanes, to house steam engines to pump water which had been cleaned in the adjoining reservoirs and filter beds to consumers.
The water was pumped to a large tank at the top of the main structure and then gravity fed to consumers. The towers and turrets disguise the huge industrial engines inside, initially giant single cylinder steam engines linked to pumps. These were later replaced in the 1930s by diesel and electric pumps. The gothic fantasy was felt to be more acceptable in this then select suburb than an industrial-looking building.
When the water board closed down this facility in 1971 it was saved from demolition by Grade II* listing and three years later converted into a climbing centre.
House, Tree, Lordship Park, Stoke Newington, Hackney, 1990, 90-4a-03
A pollarded tree in front of semi-detached houses on Lordship Park. The two story houses have some fine decoration on their doorways and windows. There are larger houses close to Green Lanes.
House, Cars, Green Lanes, Brownswood Park, Hackney, 1990, 90-4a-61
Notices on the house say ‘NO BALL GAMES; and NO PARKING’ but there seems to be some kind of car scrap business running here in front of once fine derelict houses.
House, Cars, Green Lanes, Brownswood Park, Hackney, 1990,, 1990, 90-4a-64
I think these houses were just to the north of Portland Rise on the west side of Green Lanes and have since been demolished and replaced by to modern blocks of flats at 291 and 293 Green Lanes. The building at extreme left is still there.
House, Cars, Green Lanes, Brownswood Park, Hackney, 1990,, 1990, 90-4a-54
Unusually I took 11 frames here and there are six of them on Flickr – but I’ll only post three here.
These houses were a short walk from the West Reservoir where my my next post from this walk will begin.
South Africa Crime & I Love Peckham: On Saturday 11 August 2007 I photographed a march against crime in South Africa and then went to Peckham for the third ‘I Love Peckham’ festival. I wrote at some length about both events on My London Diary and reproduce that text in full (capitalised and spelling corrected etc) below with links to more pictures on that site.
ACT4SA March Against Crime in South Africa
Westminster
The march paused in front of South Africa House
On Sat 11th there was a march organised by ‘Against Crime Together for South Africa’ through London from Temple Gardens next to Temple Underground Station to Whitehall Place. Most of those taking part were young and white, but there were just a few darker and older faces.
A quote from Mandela led the march through London
ACT4SA is a ‘Facebook’ group of expatriate South Africans living in London, and their aim is to be a non-political group actively working for a safer South Africa. Their attempt, particularly this march, has attracted both praise and criticism from both other expats in Britain and people back home.
Some in South Africa have suggested they should either come back to the country to help in the fight against crime or keep a decent silence about it abroad. A stated aim of the march was to support the South African Police, but at least one police superintendent there has spoken out against it.
After Mark Joubert was murdered in a Durban restuarant in May this year, around 15 of his friends living in London decided they would get together and do something to oppose the violence in their home country. Shannon Joubert, Mark’s sister, addressed marchers briefly at the start of the march, and a minutes silence was observed by the over 600 marchers at the end of the route in Whitehall Place in honour of mark and the “the 50 other South Africans murdered on average every day” in the country.
‘I Love Peckham’ is a festival backed by Southwark Council and based around the centre of Peckham. Although Peckham has had a bad press – particularly over the murder of young Damilola Taylor in November 2000, and more recent violence on the streets, many parts of it are pleasant streets and vibrant shopping areas. Recent investment – particularly since that murder – has led to a number of improvements.
Sitting on an already rather full sofa in front of the beach
One of the more successful regeneration projects has been in the Bellenden Road area which is home to a number of artists including Tom Phillips and Antony Gormley, both of whom have been involved in brightening up the streets.
One of the more bizarre sofas
But there are still estates with corners that can hide dangers, and times when its wise to cross the road to avoid the dealers in their cars. It’s an area where it pays to be streetwise.
As well as the activities in the square by the Library and at the top of Rye Lane there were also other events, including a series of shop window displays.
Like the other folks carrying built-in cameras on their latest mobile phones I did photograph some of these, but often felt that some of the other windows which had their normal displays were more interesting. But then I’ve always had an interest in shop windows, which feature strongly in my projects such as ‘Café Ideal , Cool Blondes and Paradise‘.
Samba on the stage
On the main stage by Peckham Library were performances by Indian musicians, a samba group and some young dancers from Peckham. Around the square were a number of sofas specially decorated for the occasion, many of which were greatly appreciated.
Local Radio in Rye Lane, Peckham
This was the third annual I Love Peckham festival, but the previous ones had been blighted by British weather; today the sun shone on us at least most of the time, and the beach at times looked almost tropical.
I stopped off on the way home at the South London Gallery, where the installation of Isa Suarez’s Human Rights Jukebox was coming to an end with a party. I was pleased I’d stopped by to watch the video of the event and to have a beer and talk to a few of those involved with the project, including Isa herself. I still find it mildly amusing to see myself on film, and there were glimpses of me (mainly my back) taking pictures, walking in the march, generally scurrying around and rather too lengthy a shot as I munched on a wholemeal sandwich.
Despite these few moments, it was interesting to see the event again and from a different viewpoint. I was sorry I had to rush off to be home with friends.
Many more pictures on My London Diary at i love peckham.
Pictures from the first dozen or so frames of a film taken as I moved around London near the start of October 1994, working on other things. I only recorded locations for two of these but perhaps someone may recognise where the others were taken.
Chinese, Fish & Chips, London Rd, Norbury, Croydon, 1994, 94-101-63
I think this is perhaps a Chinese takeaway rather than a fish and chip shop, though this counter could be a fish fryer and there does seem to be vinegar and salt on the counter. This is one of the few images in this section of the film that gives a location. Probably this was a corner shop as I seem to have taken the picture through a side window.
Re-Upholstery, Furniture, London, 1994, 94-101-65
A workshop in shop premises facing thee street which provides an advert for the re-upholstery service and a convenient location to bring in your chairs to be re-upholstered.
We have had some of our chairs re-upholstered in recent years at a rather more orderly workshop than this and it made them as good as new. Good chair frames on older chairs were made to last, though re-upholstering them cost us more than buying cheap new chairs. Two frames after the previous image this could too have been in Norbury – but I could also have been on the other side of London. Please comment if you recognise it.
Greengrocers, London, 1994, 94-101-66
Perhaps had I taken this on medium or large format instead of 35mm I would be able to find more about the location from the local newspaper at right or the lable on the wheelie-bin. But all I can tell you is that it was somewhere in London.
It looks rather crudely fitted out as a shop, perhaps converted from some other use. At right is a blurred image of my hand, held to largely avoid reflections as I took this though a glass front window.
Blue Pallets London, 1994, 94-101-51
A side street, perhaps a market area off a high street somewhere in London. The blue palletsd look more substantial than some and are marked with the letter C as well as a short message illegible in my photo. The building they are in front of has a metal shutter, probably hiding a shopfront, and has some bright green paint which contrasts with the brown above that, as well as the oddly sloping straight drainpipes from its roof.
Thee very next frame after the blue pallets is of a street corner in Erith with a small parade of shops, probably built in the 1920s or 30s. Most were derelict by 2008 though only demolished in 2014. Three shops at the Pembroke Road end of the terrace were still there in 2025 but nothing had been built to replace those demolished.
Reflections, Café Window, London, 1994, 94-101-56
An image where I liked the reflection and the ambiguity it introduces into the image. I think there may be two sets of reflections here. My focus was on the shel which ruans across the middle of the image with bottles – the leftmost is opf Table Salt, the next probably vinegar. Under it some pies are keeping warm but apparently also in a passing car while to their right are some kind of controls on equipment I don’t recognise and a boy riding a bike, given a red cap perhaps by a bottle label. I can see no trace of myself reflected in the image, susggesting I made it at an angle to the glass.
Shop Window, London, 1994, 94-101-41
And for a final mystery (at least for today) a shop window with Chinese items in it as well as a fluorescent fitting without its tube. At the top I think is a parasol and hanging below it a short-sleeved top. I wonder now if this picture was taken through tinted glass as I cannot really find a convincing colour balance. My shadow taking the image appears at bottom right.
