Archive for the ‘LondonPhotos’ Category

More Chelsea

Saturday, September 25th, 2021

Sir Thomas More, St Thomas More Gardens, Chelsea Embankment, Chelsea, Kensington & Chelsea, 1988 88-5g-25-positive_2400
Sir Thomas More, St Thomas More Gardens, Chelsea Embankment, Chelsea, Kensington & Chelsea, 1988 88-5g-25

My Chelsea walk continued with a little wandering close to the Thames where I found two elderly people contemplating the statue of Sir Thomas More. More (1478-1535) opposed the Reformation and wrote polemics against Luther, Zwingli, Calvin and Tyndale, although he is better known now as the author of ‘Utopia’, published in 1516. But it was his opposition to the politics of a real island, refusing to accept Henry VIII rather than the Pope as supreme head of the Church of England that led to him losing his head at Tower Hill and eventually to his being made a Catholic saint in 1935.

Cheyne Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-15-positive_2400
Cheyne Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-15

It was the elegant iron work supporting the balcony that particularly attracted me to 48 Cheyne Walk, though I didn’t think it was particularly improved by the lamp post outside, awkwardly in the pavement, which though of relatively elegant design seemed out of place.

Cheyne Row,  Chelsea, Kensington & Chelsea, 1988 88-5g-16-positive_2400
Cheyne Row, Chelsea, Kensington & Chelsea, 1988 88-5g-16

Cheyne Row leads north away from the river between no 49 and 50 Cheyne Walk and I get confused between the two similarly named streets. This house, known for obvious reasons as Old Sun House at No 2 is the first on its east side.

Boy with a Dolphin, David Wynne, sculpture, Cheyne Walk, Oakley St, Kensington & Chelsea, 1988 88-5h-62-positive_2400
Boy with a Dolphin, David Wynne, sculpture, Cheyne Walk, Oakley St, Kensington & Chelsea, 1988 88-5h-62

One of several variations on a theme by Sir David Wynne including his Girl with a Dolphin close to St Katherines Dock, this is perhaps the most interesting. I have to admit of not being a great fan. At least two other casts of this sculpture exist, both in the USA.

The model for the boy was Wynne’s son Roland David Amadeus Wynne, then 11. After Roly committed suicide aged 35 in 1999 a plate was added to the statue dedicating it to him.

Cheyne Walk, Kensington & Chelsea, 1988
Cheyne Walk, Kensington & Chelsea, 1988 88-8h-63

Perhaps the only distinctive later building on Cheyne Walk, this Grade II listed house at 38 was designed by Charles Robert Ashbee (1863-1942) one of the leading figures in the Arts and Crafts movements and built around 1900. C R Ashbee like Moore wrote utopias, though his two, like much of his work was very much inspired by William Morris, whose ‘News from Nowhere’ appeared in 1890. He was a prominent homosexual, but he married in 1898 and some years later the couple had four daughters.

Cheyne Walk, Kensington & Chelsea, 1988 88-5h-64-positive_2400
Cheyne Walk, Kensington & Chelsea, 1988 88-5h-64

C R Ashbee, like More, wrote utopias, though his two, like much of his work was very much inspired by William Morris, whose ‘News from Nowhere’ appeared in 1890. He was a prominent homosexual, but he married in 1898 and some years later the couple had four daughters, one of whom wrote a frank ‘novel’ about the family relationships in which only the names are thought to be fictional.

Thomas Carlyle, Chelsea Embankment Gardens, Chelsea, Kensington & Chelsea, 1988  88-5h-55-positive_2400
Thomas Carlyle, Chelsea Embankment Gardens, Chelsea, Kensington & Chelsea, 1988 88-5h-55

I took another picture of Thomas Carlyle sitting on his chair as well as the two in a previous post. I think this perhaps better describes both the statue by Sir Edgar Boehm, erected in 1882, the year after his death and also the surroundings.

Click on any of the pictures to go to a larger version in my album 1988 London Photos. They appear in a different order in the album but in this post are in the order I took them on my walk.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Sculpture and more – Battersea &Chelsea 1988

Wednesday, September 22nd, 2021

Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-12-positive_2400
Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-12

My next walk in London on the following Friday started where I had finished the previous Sunday. I think I’d finished my teaching for the week at midday and jumped on a train to Clapham Junction then a bus to Battersea Bridge. I got off on the south side of the bridge to photograph a couple of pieces of sculpture and to enjoy the walk across the river.

Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-15-positive_2400
Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-15

The first piece, just the the west of the bridge was the sculpture In Town by John Ravera (1941-2006), commissioned by Wates Built Homes Ltd who developed the area around it and dates from 1983. Ravera was born in Surrey and went to Camberwell School of Art and created many public sculptures still on display. This one was cast at the Meridian Foundry in Peckham, where two of Britain’s leading art foundries were located in the railway arches between Consort Road and Brayards Road.

Sadly this sculpture is no longer intact, and the dove for which the young child is reaching – the real climax of the piece – has gone.

Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-62-positive_2400
Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-62

On the Thames Path on the other side of Battersea Bridge Road in front of an office block is Two swans, by Catherine Marr-Johnson, born in Crickhowell in Wales in 1945. The two piece sculpture dates from 1984 and the swans taking flight reflected the formation of the new company in front of which it stood.

Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-65-positive_2400
Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-65

I think on this visit I didn’t have a lens with a wide enough angle of view to take the picture I wanted with the pair of swans taking off across the river, though I returned at a later date to do so. It was rather easier to show both from the front, but not so satisfying as you can see if you browse the album.

Old Church St, Kensington & Chelsea, 1988 88-5g-56-positive_2400
Former Dairy, Old Church St, Kensington & Chelsea, 1988 88-5g-56

I walked across the bridge and began taking pictures in Chelsea, including one of a house decorated with tiles at 46 Old Church St and, between the second floor windows a cows head, with another cows head on the building down the alley by its side, which is dated 1908, though it could be the date a much older building was restored.

Wrights Diary was first set up in 1796 with around 50 cows and a goat, though it moved slightly west to this site in the 1800s. Cows were kept here into the 20th century but eventually milk production moved completely out of London. The company was eventually bought by United Dairies probably in the 1950s. Their properties on Old Church St became shops but the courtyard building was converted into a recording studio, Sound Techniques which was in business from 1964-74, where, according to Metro Girl, “Among the acts to record at Sound Techniques Ltd included Sir Elton John, The Who, Jethro Tull, Judy Collins, Tyrannosaurus Rex and John Cale.” as well as Pink Floyd and Nick Drake.

Justice Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-41-positive_2400
Justice Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-41

The picture looks up from Justice Walk into Lawrence St, and was probably named as the home of John Gregory, a Justice of the Peace, who possibly lived in the house which now has the name Judges House. An imposing building on the street, named The Court House has had many stories told about it by estate agents and others about trying highway robbers and other criminals is a former Wesleyan Methodist Chapel built in 1841 and used as a church until 1903.

This corner is the former site from 1750-84 of the Chelsea china works, demolished at the end of the 18th century. It was the first factory outside of Japan and China to produce high quality porcelain. Should you wish to walk around this area I recommend Adam Yamey’s Where A Judge Once Walked In Chelsea from which much of the information above comes. Nothing like this was available to me when I was walking around in 1988 before the days of the World Wide Web.

Lawrence St, Cheyne Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-42-positive_2400
Lawrence St, Cheyne Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-42

Lawrence St took me back to Cheyne Walk, and on the corner was this side of Carlyle Mansions, No 54 Cheyne Walk, dated 1886 and named after Thomas Carlyle who lived nearby. The white-painted stone relief panels with cranes and flowers date from 1888.

The block is nicknamed the “Writers’ Block” and has been home to authors including Henry James, Somerset Maugham (briefly), Erskine Childers and Ian Fleming who wrote Casino Royal here. Henry James who lived and died in Flat 19 described his flat as his “Chelsea Perch…the haunt of the sage and the seagull“.

Untitled, bas-relief, Jacob Epstein, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, 88-5g-45-positive_2400
Untitled, bas-relief, Jacob Epstein, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, 88-5g-45

More sculpture close to the riverside in Ropers Gardens – this by Jacob Epstein.

Awakening, Gilbert Ledward, nude, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, Kensington & Chelsea, 1988 88-5g-33-positive_2400
Awakening, Gilbert Ledward, nude, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, Kensington & Chelsea, 1988 88-5g-33

And a rather more realistic nude by Gilbert Ledward in this very artistic area of London. Ledward (1888-1960), born in Chelsea, trained at the Royal College of Art (where he was later a professor) and the Royal Academy Schools and became one of the best-known of British sculptors. His works included many war memorials.


Click on any of the images to go to a larger version in the my album 1988 London photos from where you can browse other images.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Camera Place and the Grosvenor Canal 1988

Saturday, September 4th, 2021

Camera Place, Chelsea, Kensington and Chelsea, 1988 88-5c-64-positive_2400
Camera Place, Chelsea, Kensington and Chelsea, 1988 88-5c-64

Having found there was a street in Chelsea named Camera Place I had to photograph it. It’s a short street and my picture shows around half of it, looking roughly west towards Limerston St. Chelsea used to have a Camera Square, Camera Street and Little Camera Street which have since disappeared, but as they were built in the 1820s they almost certainly have little to do with photography. By 1918 Camera Square had become something of a slum and the area was demolished, rebuilt as Chelsea Park Gardens with up-market housing in suburban garden village fashion, though retaining a rigidly square layout without the typical sinously curving streets.

The view in Camera Place has changed little; some new railings and the small tree is now rather large.

Elm Park Mansions, Park Walk, Chelsea, Kensington and Chelsea, 1988 88-5c-62-positive_2400
Elm Park Mansions, Park Walk, Chelsea, Kensington and Chelsea, 1988 88-5c-62

Elm Park Mansions has five large blocks around a courtyard, with one of the blocks (flats 25-54) occuping half the length of the north side of Camera Place, behind and to my right as I took the previous picture. The mansions with 189 mostly one and two bedroom flats were built by the Metropolitan Industrial Dwellings Company on land leased to them by Major Sloane Stanley in 1900. The Freehold for the property was taken over by the leaseholders in 1986 and since then the state of the properties has been improved. Two bed flats have sold in recent years for around £800,000.

Elm Park Rd, Chelsea, Kensington and Chelsea, 1988 88-5b-15-positive_2400
Elm Park Rd, Chelsea, Kensington and Chelsea, 1988 88-5b-15

Elm Park Road dates from 1875 when Chelsea Park House was demolished and the houses, many designed by George Godwin, were built between then and 1882. The central house in this picture, at 76 Elm Park Road for built for Paul Naftel, (1817-91) a Guernsey born watercolour painter and his wife and family who came to London in 1870. He moved here in around 1884 and the adjoining houses were also homes to landscape artists. Naftel later moved out to Strawberry Hill, Twickenham where he died.

Grosvenor Canal, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-12-positive_2400
Grosvenor Canal, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-12

The Grosvenor Canal was began by the Chelsea Waterworks Company who had leased the land from Sir Richard Grosvenor in 1722, and enlarged a creek there to supply drinking water and also to create a tide mill used to pump the water. When their lease expired in 1823, the then Earl of Grosvenor decide to put in a lock and turn the creek into a canal, extending it to a basin where Victoria Station now stands, around half a mile from the Thames. It opened in 1824 carrying coal, wood and stone into the centre of a rapidly growing area of London.

Grosvenor Canal, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-13-positive_2400
Grosvenor Canal, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-14

Victoria Station was built over the canal basin, and more of the canal closed in 1899 for a station extension. Westminster City Council bought what was left of it in 1905, then filled in more of it in 1927 for the Ebury Bridge estate.

Grosvenor Canal, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-14-positive_2400
Grosvenor Canal, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-14

The canal continued in use by the council taking refuse in barges from Westminster and other local authorities downriver to be dumped until 1995, making this vestigial canal the last in London in commercial use. In 2000 it began to be developed as an expensive waterside development, with the lock being retained but a boom across the entrance from the Thames prevents access for boats despite mooring pontoons inside the development.

Western Pumping Station, Bazalgette, Thames Water, Grosvenor Rd, Pimlico, Westminster, 198888-5e-15-positive_2400
Western Pumping Station, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-15

The Chelsea Water Works continued to extract water from the Grosvenor Canal until an Act of Parliament prevented extraction of water from the Thames in London in 1852 and they moved up-river to Surbiton. Sewage was increasingly becoming a problem as London grew and the ‘Great Stink’ of 1858 prompted Parliament into action, passing a bill in 18 days to construct a new sewerage system for London.

The solution by Joseph William Bazalgette was a system of sewers that delivered the sewage around 8 miles downriver to Beckton on the north bank and Crossness on the south, through main high level middle and low level sewers through North London and main and high level sewers in South London. The plans included stone embankments beside the river – the Victoria, Chelsea and Albert embankments which he designed.

Lamp post, Western Pumping Station, Thames Water, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-16-positive_2400
Lamp post, Western Pumping Station, Thames Water, Grosvenor Rd, Pimlico, Westminster, 1988 88-5e-16

Bazalgette didn’t do everything himself, but he kept a very close eye on every aspect of his great project, and some of the specifications he laid down – such as the use of Portland Cement – have kept the system running despite increasing demands since it was completed in 1875. Now it is being augmented by the new ‘Super Sewer’ running underneath the river, the Thames Tideway.

As well as engineering considerations, Bazalgette was also a stickler for the aesthetics and there are some fine examples of Victorian design in his works. The Pumping Station which housed the powerful steam engines needed to send the sewage on its way, as well as its chimney (in a picture above) and the Superintendents House here are all Grade II listed.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More Around the King’s Road 1988

Friday, September 3rd, 2021

London House, Fulham Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-45-positive_2400
London House, Fulham Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-45

My walk around the streets to the north of the King’s Road took me as far as the Fulham Road where I found London House at No 266 and joined to it a Servite Catholic Church. Our Lady of Dolours was started by two Servite priests, missionaries from Florence who arrived in London in 1864. Building the church here, designed by Joseph Hansom began in 1874 and it was opened the following year by Cardinal Manning. The church is Grade II listed. London House is currently being refurbished and extended, returning the exterior to something more similar to its Victorian original.

Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-44-positive_2400
Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-44

V K Patel is still listed as having a dental surgery on the King’s Road, and, allowing for the various London number changes has retained the same phone number, but is now in a very different building to this rather run-down looking and overgrown house, which I think has probably been demolished.

Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-42-positive_2400
Langton St,, Chelsea, Kensington and Chelsea, 1988 88-5c-42

Flavio looks like an Italian restaurant and although my contact sheet suggests it was on the King’s Road, was actually a few yards from it in Langton St. I think it is now an Irish restaurant with a different shopfront.

Kings Rd area, Chelsea, Kensington and Chelsea, 1988 88-5c-54-positive_2400
Kings Rd area, Chelsea, Kensington and Chelsea, 1988 88-5c-54

I’m unable to remember where I took these two decorative bowls on window ledges, but think it might have been on Lamont Road or one of the adjoining roads.

Kings Rd area, Chelsea, Kensington and Chelsea, 1988 88-5c-56-positive_2400
Hobury St, Chelsea, Kensington and Chelsea, 1988 88-5c-56

31 Gertrude St is on the corner with Hobury St and the door is actually in the latter street. It retains the simple elegance that attracted me to photograph it back in 1988. Poet and novelist George Meredith (1828-1909) has a blue plaque on the next house down Hobury St. It was his poem ‘The Lark Ascending’ that inspired the well-known composition by Ralph Vaughan Williams and elsewhere Meredith was the first to publish the word ‘tweets’ as a verb, though his twittering was avian.

Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-52-positive_2400
Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-52

Chamberlin, Powell & Bon designed 355 Kings R for Kensington and Chelsea council and this 15 storey 152 ft high tower was built in 1968-71. The council sold it off in the 1980s when the brickwork was begining to need repair and it was reclad and converted to private flats. At the right is an office of Roy Brooks, the estate agent who became a legend in the 1960s (he died in 1971) and made a fortune through his adverts in the Sunday Times and Observer desribed the houses he was selling in vivid terms as hardly fit for human habitation, exagerating any defects and making them up where none existed.

Lamont Road Passage, Park Walk, Chelsea, Kensington and Chelsea, 1988  88-5c-53-positive_2400
Lamont Road Passage, Park Walk, Chelsea, Kensington and Chelsea, 1988 88-5c-53

A handy passage for those living in Lamont Road to get to the shops in Park Walk and the King’s Road. The picture is of its corner with Park Walk and at left you can see Roy Brooks Estate Agents, a tree in the Milman’s Street Moravian Burial Ground and the house on the corner of Milmans St and the King’s Road. There is of course another tree in the shop window.

Clicking on any of the pictures will take you to a larger version in my album 1988 London Photos from where you can browse the other images in the album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Around the King’s Road 1988

Thursday, September 2nd, 2021

I took a stroll along the King’s Road, looking at some of the shop windows, then explored some of the streets to the north.

Shop window, Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5b-52-positive_2400
Shop window, Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5b-52

There was something very strange about this view, and looking at when I made a print made me think that somehow it had turned into a negative. The contrast between the two mannequins, one white and one black had attracted me and I think the lighting and my treatment almost makes the right hand figure dissolve.

Kings Rd, Chelsea, Kensington and Chelsea, 1988  88-5b-64-positive_2400
Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5b-64

Light fittings for sale in a shop window give some interesting shapes.

Chelsea Town Hall, Kings Rd, Chelsea, Kensington and Chelsea, 1988  88-5b-65-positive_2400
Boy, Kings Rd, Chelsea, Kensington and Chelsea, 1988 88-5b-65

Stephane Raynor opened BOY on the King’s Road in 1976, and it became “the epicentre of a new dawn in both fashion and music, defining the spirit of punk and birthing the New Romantic scene that appeared in its wake.”

Elm Park Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-01-positive_2400
Elm Park Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-01

72 Elm Park Road is one of a row of individually designed late Victorian houses that make this an interesting street. Since I took this picture it has been extended with an extra storey at both top and bottom, but still looks much the same from the street. The house is now valued at around £12m and was named in 2015 as the address of one of the many people exposed in the The Panama Papers exposure of the rogue offshore finance industry

The Vale, Chelsea, Kensington and Chelsea, 1988 88-5c-03-positive_2400
The Vale, Chelsea, Kensington and Chelsea, 1988 88-5c-03

I’m unsure why this property at 26 The Vale required such an elaborate security camera, something rather unusual back in 1988. I’m sure my framing, although I was mainly interested in the doorway was deliberately to include this. The building is a part of a corner site including joined properties in Elm Park Road, and plans were made in 2012 which would have involved the removal of this doorway. It was still there in 2020.

Fernshaw Rd, Chelsea, Kensington and Chelsea, 198888-5c-34-positive_2400
Fernshaw Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-34

Taken from the corner of Edith Terrace and looking north up Fernshaw Rd (late Maude Grove). The taller block on the right in the distance is Fernshaw Mansions. an Edwardian block in this largely late Victorian street. The houses and garden walls are generally in rather better decorative state now than in 1988.

Gunter Grove, Chelsea, Kensington and Chelsea, 1988 88-5c-46-positive_2400
Fernshaw Rd, Chelsea, Kensington and Chelsea, 1988 88-5c-46

This unmodernised freehold house in Fernshaw Road was for sale in 1988 and if I had been able to afford it I should have bought it. It’s one of a terrace from 1-11 and would probably now sell for around £4m. I suspect the price in 1988 was around a hundreth of that.

Click on any of the pictures abouve to go to a larger version in my album 1988 London Photos, from where you can browse through all the pictures in the album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1990 Colour

Sunday, August 29th, 2021

I’d forgotten when I wrote yesterday’s post that I had actually taken some colour pictures as well as the black and white of Notting Hill Carnival in 1990. I was then working in colour with colour negative film and I think the colour in some of these images is a little on the drab side. I think I found them less interesting than the black and white.

Notting Hill Carnival, Notting HIll, 1990 90c8-04-96-positive_2400
Notting Hill 1990
Notting Hill Carnival, Notting HIll, 1990 90c8-04-5-positive_2400
Notting Hill 1990
Notting Hill Carnival, Notting HIll, 1990 90c8-04-84-positive_2400
Notting Hill 1990
Notting Hill Carnival, Notting HIll, 1990 90c8-04-4-positive_2400
Notting Hill 1990
Notting Hill Carnival, Notting HIll, 1990 90c8-04-10-positive_2400
Notting Hill 1990
Notting Hill Carnival, Notting HIll, 1990 90c8-04-1-positive_2400
Notting Hill 1990
Notting Hill Carnival, Notting HIll, 1990 90c8-04-43-positive_2400
Notting Hill 1990
Notting Hill Carnival, Notting HIll, 1990 90c8-04-28-positive_2400
Notting Hill 1990

As usual, clicking on any of the images will take you to a larger version in the album, and you can also browse the other images in it. You can find colour from other years in the album as well, though in a rather strange order as I found them.

Notting Hill 1990

Saturday, August 28th, 2021

This weekend should have been Notting Hill Carnival. But not this year thanks to Covid. I’ll post instead a few pictures from earlier years over the next few days. The first time I photographed there was in 1990, and I was only taking pictures in black and white.

Notting Hill Carnival, 1990. Peter Marshall 90-822-44_2400
Notting Hill Carnival 1990
Notting Hill Carnival, 1990. Peter Marshall 90-822-63_2400
Notting Hill Carnival 1990
Notting Hill Carnival, 1990. Peter Marshall 90-825-52_2400
Notting Hill Carnival 1990
Notting Hill Carnival, 1990. Peter Marshall 90-826-24_2400
Notting Hill Carnival 1990
Notting Hill Carnival, 1990. Peter Marshall 90-822-35_2400
Notting Hill Carnival 1990
Notting Hill Carnival, 1990. Peter Marshall 90-828-45_2400
Notting Hill Carnival 1990
Notting Hill Carnival, 1990. Peter Marshall 90-818-46_2400
Notting Hill Carnival 1990

These and more are from my album ‘Notting Hill Carnival – the 1990s’ and clicking on any of the images above will take you to a larger version in the album, from where you can browse the rest of the collection.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Old Church St, Chelsea, 1988

Monday, August 23rd, 2021

Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-21-positive_2400
Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-21

Old Church St is, as its name suggests a rather old street in Chelsea, running north from Chelsea Old Church by the river up to the Fulham Road. It is thought to be the oldest street in Chelsea but it contains two of Chelsea’s most significant modern buildings. No 66 at the left was designed in 1935–1936 by Walter Gropius and Maxwell Fry for the scriptwriter Benn Levy and his actress wife Constance Cummings. They had bought a large site – perviously the garden of a large house – here together with publisher Denis Cohen, and shared it to build a house each, with a communal garden.

Gropius, the founder of the Bauhaus, came to England in 1934 and was fortunate to get a flat in the Isokon building in Lawn Road, Belsize Park, where he met many leading left-wing intellectuals of the age including modernist architects, among them the designer of the flats, Jack Pritchard. Pritchard and Gropius worked on several projects together, few of which were ever built.

Gropius also worked with Maxwell Fry, and this house they designed together was his most significant domestic work during the 3 years before he left to take up a professorship in the USA. My photograph doesn’t show it well, as it was built to face the private garden to which I did not have access, but for those interested there are plenty of pictures on-line. It was offered for sale in 2013 for £45 million, but I couldn’t afford it. Surprisingly the house is only Grade II listed.

Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-34-positive_2400
Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-34

Cohen House on the other half of the site, also completed in 1936 was designed by Erich Mendelsohn and Serge Chermayeff for the publisher Denis Cohen and is more visible from the road. Like Gropius, Mendelsohn was also fleeing from Nazi Germany and went on the the USA; Chermayeff, born to a Jewish family in Russia had come here as a young boy, was educated here and became a British citizen in 1928 and emigrated to the USA in 1940 . This building is Grade II* listed. The partnership between Mendelsohn and Chermayeff only lasted a few years but produced some of the country’s outstanding modernist buildings.

Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-24-positive_2400
Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-24

153 Old Church St. The gate at right I think leads to 153a. THe house at the right which you cannot see much of has a blue plaque for John Francis Sartorius (fl. 1775-1831), an English painter of horses, horse-racing and hunting scenes. Accord to Mark Keble in Chelsea The Resident, 153 Old Church Street was built between 1956-57 on the former site of the studio of the renowned Welsh portrait painter Augustus John (1878-1961).

Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-32-positive_2400
Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-32

This house is on the corner of Carlyle Square and Old Church St and the gatepost gives its address as 26 Carlyle Square. The land here which contained a number of buildings was sold to Lord Cadogan in 1835, who quickly had the existing houses and cottages cleared and building of a new square, Oakley Square, began in 1836-7. But progress was slow and there were only a few houses completed by 1851. The square was renamed Carlyle Square in honour of the historian and writer Thomas Carlyle in 1872.

Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-33-positive_2400
Old Church St, Chelsea, Kensington and Chelsea, 1988 88-5b-33

This house is on the corner of Old Church St and Elm Park Rd at 125-127. The plaque records the fact that William De Morgan Ceramic Artist And Novelist (1839-1917) And His Wife Evelyn De Morgan Artist (1855-1919) Lived & Died Here. The house was specially adapted for their work – and you can just see the bottom of a large studio window in this picture.

Queen's Elm Square, Chelsea, Kensington and Chelsea, 1988 88-5b-26-positive_2400
Queen’s Elm Square, Chelsea, Kensington and Chelsea, 1988 88-5b-26

Queen’s Elm Square is on the west side of Old Church St close to the Fulham Rd. It was built in 1904-6 for the Sloane Stanley Estate, just behind the Queen’s Elm pub on the corner of Fulham Rd and Old Church St. This famous pub closed in the 1990s and the ground floor is now shops. The site was earlier a field known as the Queen’s Elm Field and began to be developed – including an earlier pub – in 1792.

The Vale, Chelsea, Kensington and Chelsea, 1988 88-5b-42-positive_2400
The Vale, Chelsea, Kensington and Chelsea, 1988 88-5b-42

The Vale is a short street running parallel to Old Church St north from the King’s Rd about 200 yards to its west. The unusual Russian House, at 27 The Vale, was built in 1914 just before the start of the First World War by architect F.E. Williams and incorporates at in the frontage of the substantial property a Russian Dacha that had formed a part of an exhibition at the Crystal Palace in the 1890s. The house was occupied by the British Red Cross during the war and later became the home of members of the Sainsbury family. It was then converted into flats, but in the 1990s converted back into a single house. It sold in 2018 for 12.75m

Click on any of the above images to see a larger version in my album 1988 London Photos and to browse other pictures in the album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Chelsea – Social Cleansing

Sunday, August 22nd, 2021

The Gateways, Sprimont Place, College Place,  Chelsea, Kensington and Chelsea, 1988 88-5a-43-positive_2400
The Gateways, Sprimont Place, College Place, Chelsea, Kensington and Chelsea, 1988 88-5a-43

The Gateways is a block of houses with a difference and though it may look ancient, was built in 1934 in a Tudor Revival style to designs by Herbert Winkler Wills (1864-1937) and William Kaula. Certainly unusual but not greatly to my liking the whole block was Grade II listed in 1993, some under the address Whitehead’s Grove.

Chelsea Green, Chelsea, Kensington and Chelsea, 1988 88-5a-45-positive_2400
Chelsea Green, Chelsea, Kensington and Chelsea, 1988 88-5a-45

All that remains of the old Chelsea Common is a small triangle at this road junction with two small fenced plots of grass, each with a small tree, separated by a footpath through its centre, room on both sides for a couple of park benches and a rubbish bin or two.

Chelsea Green, Chelsea, Kensington and Chelsea, 1988 88-5a-46-positive_2400
Chelsea Green, Chelsea, Kensington and Chelsea, 1988 88-5a-46

Stepping a few feet gave a clearer view of the pub, still now open but called The Wild Tavern, and the buildings down Elystan Place which are a part of The Gateways, with some good brickwork.

Bray Place, Draycott Ave, Chelsea, Kensington and Chelsea, 1988 88-5a-51-positive_2400
Bray Place, Draycott Ave, Chelsea, Kensington and Chelsea, 1988

The ornate ironwork around and in the door of 5 Bray Place finds an echo in the window opposite. This doorway has now been converted into a rather plain window and there are other changes to the exterior of the building. It remains a restaurant but with a different name under different management.

Blacklands Terrace, Chelsea, Kensington and Chelsea, 1988 88-5a-52-positive_2400
Blacklands Terrace, Chelsea, Kensington and Chelsea, 1988 88-5a-52

This building is on Blacklands Terrace, but confusingly has the address 18 Culford Gardens, which it and the building to its right stand on the corner of. I don’t know when it was built – or perhaps when this frontage was added, but it was very different from the properties around. The ground floor has since been altered and is now less starkly geometrical.

Avenue Court, Draycott Avenue, Knightsbridge, Kensington and Chelsea, 1988 88-5a-61-positive_2400
Avenue Court, Draycott Avenue, Knightsbridge, Kensington and Chelsea, 1988 88-5a-61

Draycott Avenue is lined with large and rather boring appartment blocks, mainly in red brick, which are slightly enlivened by some impressive doorways – and I think this is the most impressive. Most of these large blocks of flats were built in the 1930s, replacing streets of smaller houses. In Pevsner’s The Buildings of England London NW it describes them as “enormous and forbidding blocks of flats, either cautiously Art Deco or approximately neoGeorgian in style.”

Avenue Court, Draycott Avenue, Knightsbridge, Kensington and Chelsea, 1988 88-5a-01-positive_2400
Avenue Court, Draycott Avenue, Knightsbridge, Kensington and Chelsea, 1988 88-5a-01
Sloane Avenue Mansions, Sloane Avenue, Chelsea, Kensington and Chelsea, 1988 88-5a-62-positive_2400
Sloane Avenue Mansions, Sloane Avenue, Chelsea, Kensington and Chelsea, 1988 88-5a-62

Sloane Avenue Mansions also dates from the 1930s, redeveloping an area of smaller houses but was designed by G. Kay Green in a more modern style with touches of Art Deco. Built in 1931-3, it towers 11 stories above the street, though appears slightly less massive as the top two are set back slightly. Around 20,000 working class people had lived in homes around here that were cleared after the company decided to redevelop the area in 1908, though much of the area remained empty or full of part-demolished slums until the 1930s. The large blocks of flats were usually provided with underground garages for the wealthy flat-dweller.

Click on any of the images to go to a larger version in my album 1988 London Photos, where you can browse through the rest of the images in the album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Kings Road & Chelsea Common 1988

Thursday, August 19th, 2021

Anderson St, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-21-positive_2400
Anderson St, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-21

It was the eye on the billboard that particulalry caught my attention on the corner of this long block of rather distressed looking shops and accomodation on the Kings Road, though I now have no idea what it was advertising and rather doubt if I did then. The long terrace has been considerably smartened now, with both advertising hoardings gone and the building has a smooth unblemised finish.

Royal Ave, Chelsea, Kensington and Chelsea, 1988 88-5a-22-positive_2400
Royal Ave, Chelsea, Kensington and Chelsea, 1988 88-5a-22

Royal Avenue was first laid out as a part of a scheme connecting the Royal Hospital Chelsea with Kensington Palace which was apparently approved by Sir Christopher Wren in 1681, but only ever got as far as the King’s Road. At first it was planted with two rows of horse chestnut trees and grass and was known as Chestnut Walk, then it got white ladder stiles over the walls at each ends and became known as White Stiles. The terraces on each side date from around 1840 and are Grade II listed. The chestnuts were replaced by lime and plane trees and the grass by gravel around the same time, and it was renamed Royal Avenue in 1875. In 1970 the road access to King’s Road was replaced by a broad area of pavement. It still looks much the same as when I made this picture in 1988.

Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-23-positive_2400
Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-23

Another view of the King’s Road that is relatively unchanged, although there is now a florists stall which would have obscured this view. Strangely the council have replaces the plain but elegant bollards here with rather more ornate versions which seem rather less in keeping with the elegant white stucco architecture of Wellington Square, behind me as I made this image. The square was developed around the time of the death of the Duke of Wellington in 1852 and was named for him.

The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-13-positive_2400
The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-13

The Pheasantry got its name from Samuel Baker who bred new breeds of pheasants and other species there in the nineteenth century, though the present building is thought largely to have been built and embellished after the building was bought in 1880 by Amédée Joubert & Son, upholsterers and sellers of furniture, tapestry and carpets. In the early 20th century it also housed artists and a ballet school, and from 1932 when Felix Joubert retired the basement became a bohemian restaurant and drinking club with a host of famous actors and artists among its patrons. The club closed in 1966, the basement becoming a nightclub and the rest of the building flats. Now it houses a branch of Pizza Express and a cabaret club. Wikipedia has more.

The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-24-positive_2400
The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-24

The listing text describes this as “Central entrance with split segmental pediment supported by 2 male caryatids.”

Shop window, Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-33-positive_2400
Shop window, Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-33

Elystan Street runs from the miniscule remains of Chelsea Common and was originally called College St. Here in 1913 the William Sutton Trust built 14 red-brick blocks of model dwellings, designed by E C P Monson, with 674 dwellings for around 2,000 working-class residents of Chelsea. Another large estate was also begun close to this in 1913 by the Samuel Lewis Housing Trust, with eight blocks of model dwellings completed after the First World War to house 1,390 people. (British History Online.)

Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-35-positive_2400
Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-35

Elystan St is better known now as the name adopted by a restaurant at No 43 with a Michelin star.

Monkeys, Restaurant, Cale St, Chelsea, Kensington and Chelsea, 1988 88-5a-36-positive_2400
Monkeys, Restaurant, Cale St, Chelsea, Kensington and Chelsea, 1988 88-5a-36

Monkeys in Cale St, also leading from the residual Chelsea Common, a small triangle of grass in a road junction looks more my kind of restaurant. It faces that triangle and still looks very similar, but now claims to be “London’s best Neapolitan pizzeria”.

Click on any of the pictures to see a larger version and to browse other images in my album 1988 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.