Tag: Streatham

Streatham, Spain and Guantanamo – 2006

Streatham, Spain and Guantanamo: Three events in London on Saturday 15th July 2006, a festival, a commemoration and a protest.

Streatham Festival Children’s Parade – Streatham

Streatham, Spain and Guantanamo

Streatham Festival held it’s first ever Children’s Parade, children working with artists from Arts Community Exchange and Kids’ City to create sculptures, banners and puppets for all to see.

Streatham, Spain and Guantanamo

The parade was led by drummers Ancestral Hands and a cycling stilt-walker brought up the rear as it went along Streatham High Road to St Leonard’s Church.

Streatham, Spain and Guantanamo

One of my pictures from this parade was used in the remarkable The Streatham Sketchbook by Jiro Osuga and Mireille Galinou with photography by Torla Evans which was published in 2017 by Your London Publishing. Still available, this was described by Graham Gower of The Streatham Society as “superb and one the best books to be published on Streatham as a place – if not the best.”

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International Brigade Commemoration – Jubilee Gardens, Waterloo

Streatham, Spain and Guantanamo

I’ve attended and photographed a number of the annual commemorations of those who went to fight the fascists in Spain in 1936-9, but this 2006 event was the most memorable. Here’s what I wrote about it in 2006.

Jack Jones

Several hundred people attended the annual commemoration at the International Brigade Memorial in Jubilee Gardens London Organised by the International Brigade Memorial Trust on Saturday 15 July.

Bob Doyle

Between 1936 and 1939 over 35,000 men and women, from more than 50 countries, volunteered for the Republican forces. Of the 2,300 who came from Britain, Ireland and the Commonwealth, over 500 were killed.

Sam Lesser

Volunteers came largely from working class areas across the country. most were members of communist organisations or otherwise active in the trade unions and other socialist bodies, and their average age was 29.

Jack Edwards

Seventy years later there are relatively few still alive and active enough to attend the commemoration, but it was good to see seven there. They were Jack Jones who chaired the event, Sam Lesser who spoke and read, as well as Bob Doyle, Paddy Cochrane, Lou Kenton, Jack Edwards and a surprisingly spry Penny Feiwel. As usual there was a reading of the names of those known to have died since the previous year’s meeting.

Penny Feiwel

Rodney Bickerstaff’s address raised the problem of keeping alive the memory of those who responded to the call to help the Spanish republic, but attendances at this annual event seem to have increased over recent years.

Lou Kenton

There was certainly more media interest than on previous occasions, in part because of the attendance of the Spanish Ambassador and his wife, reflecting the increasing interest from Spain; he also gave a brief speech. As was pointed out, it would have been nice to have a representative of the UK government also present.

Paddy Cochrane

As usual, the event concluded with the singing of the ‘Internationale’.

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Shut Guantanamo now!

The National Guantanamo Coalition had called for a national demonstration in London to protest the deaths of three Guantanamo detainees earlier in the month.

A group of protesters, mainly from the ‘Save Omar Deghayes’ campaign, but also representing other organisations, walked across London from Marble Arch to the new Home Office building in Marsham Street to hand in the petition calling for an independent enquiry into the three recent deaths at Guantanamo. The petition also calls for the immediate sending of all detainees to countries where their basic human rights would not be abused, an immediate closure of Guantanamo and other prisons where those held were denied proper legal process and for proper access to detainees by family and medical personnel.

It was a long, hot and dusty trek across London, particularly tricky for those with pushchairs as we navigated the Hyde Park subways, and we were all glad to arrive (thanks to helpful directions from the police) at the Home Office. The front of the building was like an oasis, shade, green grass, water and trees.

The police did make us get off the grass and also made some effort to stop the display of placards and banners, but most of these remained visible. They had also attracted some attention from the crowds around Buckingham Palace as we passed by.

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TQ30

Shop, Brixton Hill, Brixton, 1991TQ3074-001

Back in 1986 I began a serious attempt to photograph London. Serious but not entirely credible I set out the photograph the whole of the city. Of course I never thought I could photograph everything, but set out a number of principles or themes that would govern my project, or rather a series of projects that I continued to work on for the next ten or 15 years.

Streatham High Rd, 1990 TQ3071-002

The larger part of this work was in black and white, and concentrated on buildings and streets, the physical infrastructure of London, with the goal of photographing every built structure I thought significant, as well as representatives of the typical across the city. You can see a little of this on Flickr in the album 1986 London Photographs, which contains over 1300 photographs, perhaps a third of those I took in the first six or seven months of the project.

Heads & Dummy, Shop,Streatham High Rd, Streatham, 1990TQ3072-010

In colour I was largely concerned with a more intimate level, or how individuals arranged their surroundings and how this reflected their differing social and cultural values. Some of the more obvious reflections of this came in small businesses with the face they displayed toward the public, particularly in shop windows and interiors, which feature strongly in this work.

Bedford Rd, Clapham, 1992 TQ3075-025

The previous year I had abandoned colour transparency and moved to working with colour negative film which provided much greater flexibility. For some years this was entirely trade-processed, and to cut costs (I had a young family to support) I used cheap processing companies aimed for the amateur market. Technically these were rather variable (even from the same company) and the prints I received back, usually 6×4″ ‘enprints’, were extremely variable in quality.

Shop, South Lambeth Rd, South Lambeth, 1989 TQ3077-005

As the stack of fat envelopes containing the negative strips and prints grew I wondered how to make some order of them, and came up with the idea of a traverse of the city with pictures filed together representing a number of ‘vertical’ north-south 1km wide strips of London based around the National Grid.

Cafe, Plato Rd, Brixton, 1989 TQ3077-009

Prints from negatives that interested me were then filed in a series of A4 files, labelled with the first 4 digits of the six figure grid reference which I had begun to mark on the prints. The pictures in this post are all from ‘TQ30’, and the 1km wide strip starts at Streatham and goes north from there. I started scrap book style, pasting the prints onto cartridge paper, but soon moved to using plastic file pages which held four prints on each side, arranging the prints roughly in order of their ‘northings’ in kilometre squares.

From these albums – a longish row of A4 files on my shelves – I was able to select images that were worth printing larger, keeping costs down by printing and processing in my own home darkroom. I’d discovered that Fuji colour paper not only gave cleaner looking prints but enabled the kind of dodging and burning that I’d become used to in black and white without the unwelcome colour shifts of other papers. I’ve had one set of prints from a show in the mid-80s framed on the wall beside the stairs since that show. They are out of direct sun and 35 years later show little of no sign of fading.

Bicycle, Shop, Kennington Lane, Vauxhall, 1989 TQ3078-005

I began putting images from this project on Flickr several months ago, and at the start tried to replicate the layout of the albums – and the vagaries of the prints in terms of colour balance, exposure, saturation etc. Having done several 1km strips like this I’ve decided it doesn’t really work to well, and although I’m still scanning the prints in their sheets of four have separated them into individual images – still roughly in the same order – for TQ30. And while some of the defects of those trade-processed prints are still evident (and occasionally rather a lot of dust on the plastic sleeves) I’ve tried to improve the colour balance etc where necessary. But they are still showing enprints enlarged on screen and this makes some problems more visible.

So far I’ve put just over 100 prints into the album TQ30, from Streatham to Westminster, with another 250 or more to follow, taking the ‘slice’ north to Hornsey. You can view them on Flickr.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.