Posts Tagged ‘2006’

Asylum and Vauxhall to Battersea, 2006

Wednesday, April 10th, 2024

Asylum and Vauxhall to Battersea: I don’t often look back at posts from the early years of My London Diary for several reasons. Before I redesigned the site some time in 2008 there were no links to individual stories which makes linking to them trickier, and the stories and pictures come at different positions down the monthly page. Also in the early years I wrote entirely in lower case, something I now find an annoying affection. And back them the software for converting raw digital images wasn’t quite as good and the images are sometimes a little lacking in colour quality.

Asylum and Vauxhall to Battersea

So here I re-present my post for Monday 10th April 2006 in a more convenient fashion. I’ve updated the text to conventional capitalisation, corrected a few spellings (back then I wrote in software without a spell-checker) and made a few minor changes to make the text easier to follow. The pictures – both those in this post and the larger number I link to on My London Diary are exactly as posted in 2006. Communications House was demolished in 2013-4 and new offices erected on the site which is now home to a number of businesses but no longer used by the Home Office.


Against Detention and Deportation – Communications House, Old Street

Asylum and Vauxhall to Battersea

If you are an asylum seeker in Britain you have to sign on regularly at one of the Home Office locations. When you enter the doors of Communications House next to Old Street station (or any of the other locations) you cannot be sure that you will ever come out. Despite the regulations, some asylum seekers have been bundled onto planes and flown back to the country from which they have fled, others have found themselves banged up in detention centres such as Harmondsworth for years with no trial or appeal.

Asylum and Vauxhall to Battersea

On Monday 10th April 2006, various groups including the All African Women’s Group, African Liberation Support Campaign Network, Payday Men’s Network and Women Of Colour formed a line along the front of the building over the lunch hour to protest and hand out flyers about the unfair treatment of refugees and asylum seekers.

Asylum and Vauxhall to Battersea

This was a part of a global action demanding justice and proper legal rights for asylum seekers and others without proper legal documentation, calling for an end to racist discrimination and inhumane policies.

more pictures


New Flats Along the Thames – Vauxhall to Battersea

I had to leave for a little business elsewhere, then took advantage of the decent weather to take a walk along the Thames from Vauxhall to Battersea on my way home. As you can see I walked a little along the south bank, then back to Vauxhall Bridge to go along the north bank. Later I went on both banks between Chelsea Bridge and Battersea Bridge.

What was not long ago a totally industrial reach of the river is now largely lined by expensive riverside blocks of flats. St Georges Wharf is on the site of the Nine Elms Cold Store, and is now largely finished except for a tower whose slim 181 metre cylinder will soar far above the 72 m of the existing flats.

Along Grosvenor Road on the north bank are Rivermill House, the Panoramic, Crown Reach, and a survivor from the past, Tyburn House, followed by Eagle Wharf, with Eagle House and 138.

One minor gain for the public from this is increased access to the riverside, with new developments having a public footpath on the bank. But when soon all you will be able to see is the flats on the other bank, this perhaps isn’t a great gain.

In Pimlico there are often great contrasts between council or Peabody estates and millionaire apartments across the road on the river side, and some pricey stuff in some of the squares. A few yards makes a huge difference in price – and the newer buildings have often blocked the views some council tenants used to have of the river.

William Huskisson, Statesman 1770-1830. The main claim to fame of this MP for Liverpool was the he was the first to be killed in a railway accident, when knocked down by ‘Rocket’ during the opening ceremony of the Liverpool & Manchester railway on 15th September, 1830. Pimlico Gardens

Across the river are views of Battersea Power Station, gutted and largely left to decay by various developers over the years, roofless. Despite their efforts it still stands, its brickwork and four tall chimneys dominating the area.

The waterworks building on the north bank is also still there, and next to it around the canal a new Grosvenor Waterside is nearing completion.

Across Chelsea Bridge, between it and the power station is Chelsea Bridge Wharf, another huge development. Its a relief to be able to walk across the new bridge under Chelsea Bridge into the peace of Battersea Park with its Peace Pagoda. Next to Albert Bridge is a small wild area that looked very spring-like in some dramatic light under grey clouds.

There are more new flats and offices past Albert Bridge, including Foster and Partners building. It’s stunning close to, but seen from across the river is rather disappointing. Their Albion Riverside next door is a futuristic structure, like some vast mothership landed on the riverside, a fungus from which spores are doubtless emerging to colonise the country.

Many more pictures from the walk spread over a number of pages starting here.


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All photographs on this page are copyright © Peter Marshall.
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Notting Hill Carnival 2006

Monday, August 28th, 2023

Notting Hill Carnival 2006: On Monday 28th Aug 2006 I went to photograph Notting Hill Carnival, working with both black and white film and digital colour. In most of my carnival pictures I’ve concentrated on the people attending the event rather than the costumes and I did so on this occasion with the black and white, but for the colour I decided to mainly photograph those taking part in the carnival as the pictures here show.

Notting Hill Carnival 2006

Rather unusually my August 2006 page only starts on Friday 25th, when I went to Greenhithe & Swanscombe Marsh. I’d been away from London most of the month, holidaying with friends in Kent, visiting Paris and staying with family in Beeston and decided it wasn’t appropriate to post pictures from these locations on My London Diary.

Notting Hill Carnival 2006

In 2006 I went on both Sunday 17th, the Children’s Day and the main carnival event on the Monday, but the pictures here are all from the Monday. You can see those from Children’s Day on a link from the August Page of My London Diary.

Notting Hill Carnival 2006

I’ve always had a fairly elastic definition of London, and it stretched some way out along the River Thames both upstream and down, and also taking in the London Loop, a section of which I walked with family the following day.

Notting Hill Carnival 2006

Sunday had been a busy day too. Notting Hill only really gets going after lunch, so I had time to go to East Ham in the morning for the Sri Mahalakshmi Temple Chariot Festival and then call in at Bromley-by-Bow and walk to Stratford and photograph again the Bow Back Rivers before going to Children’s Day.

So I think I was probably fairly tired by the time Monday came around, having done rather a lot of cycling and walking over the past three days, as well as taking a great many pictures.

As I pointed out, it was “two years on from when I last photographed the event.” The previous year I had “tried to go, dragging myself to the station with a knee injury, but the pain was too much to continue. This year my knee held out, though I was glad to sink into a seat on the Underground at Latimer Road at the end of the day.

I also wrote “when I’ll get round to processing the film is anyone’s guess” and the answer was not for a very long time – and then I sent it away for processing rather than do it myself. By 2006 I had almost completely committed to digital for its many advantages and this was one of my final flings with film. The “more pictures soon” with which the piece ends was an aspiration never fulfilled online and I’ve yet to print any of the black and white pictures.

Perhaps the reason for this – and why I probably won’t get to Carnival this afternoon – is “because I’m getting older … I didn’t get the same buzz from this year’s event as in previous years, though most of the same things seemed to be around. perhaps there lies the problem; most of them did seem to be the same.”

But Notting Hill Carnival is still one of London’s great spectacles – and a great fashion show on the street. If you’ve never been it’s very much worth attending.

More pictures on My London Diary.



Notting Hill Carnival 2006

Tuesday, August 31st, 2021

Children’s Day 2006

I’d missed Carnival in 2005 for the first year since 1990. I’d tried to get there despite a painful knee injury a few days earlier, but had had to abandon the journey; the quarter mile walk from home to railway station ending with me collapsing in pain and deciding it just wasn’t possible.

Children’s Day 2006

By 2006 I had a considerably improved camera, the Nikon D200, still DX APS-C format (Nikon were still adamant it was all you needed) but with a hugely improved viewfinder and 10.2Mp. And a rather wider range of lenses, though for carnival I only took the remarkably versatile Nikon 18-200mm zoom (equivalent to 27-300mm). Looking at the full-size images its hard to fault the lens quality, though it had more distortion than prime lenses, but this was of no consequence for these pictures.

Notting Hill Carnival 2006

The other big change was in processing software. Pixmantec had brought out its ‘Raw Shooter’ software and it was streets ahead of anything else. So good that Adobe had just bought out the company as it couldn’t face the competition. Even though this gave them the Pixmantec raw processing engine it was some years and several versions of Lightroom later that reached a similar level.

Notting Hill Carnival 2006

As in most years I went to Notting Hill on both the Sunday – Children’s Day – and the Bank Holiday Monday for the Carnival proper. I’d photographed the Sri Mahalakshmi Temple Chariot Festival earlier on Sunday, as well as taking a few pictures around Stratford, so I didn’t arrive until after 2pm on the first day, and for some reason I only put a few of the pictures on My London Diary. But there are rather more from Monday, and I’d decided to concentrate more on the actual procession than in most earlier years.

Notting Hill Carnival 2006
Notting Hill Carnival 2006

More pictures on My London Diary.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


4000 Posts

Tuesday, January 5th, 2021

I’m not a big one for anniversaries and so on. But I’ve just noticed that today this is the 4000th post on >Re:PHOTO since I began this site on December 1st 2006. That first post has been edited since then to reflect the reason I began posting here, which was to provide an audience for my writing about photography (and also my photography.) I’d been writing professionally about photography on the web since 1999, and it was becoming clear that I was likely to lose my position before long – for the offence of writing too much about photography.

That first post was just an introduction to me, though a second post that same day was a short opinion about Paris Photo, which I’d attended the previous month. Here is its in full:


Paris Photo

Paris was full of photographs in November, and there were some great ones at Paris Photo. But there were things that were hard to take too. Large empty wastes of dollar-rich nothingness covering the walls of some galleries. Vintage prints pulled from some photographers waste-bins and awarded stupendous price-tags. I found it hard not to burst out laughing when a dealer came up to the person next to me and told her the price of one rather ordinary ’60s fashion print was 20,000 euros. A couple of years ago we would have though 200 rather steep, and 2000 definitely well over the top.

Still, all good news for investors, and for the minority of photographers who have a place on the gravy train. There were a few other photographers around, trying to talk to dealers, but this wasn’t the place for it. “Best if you e-mail us” they were politely brushed off.

The first day I had a panic attack of sorts as the place got more and more full of people, all there for the free opening party, and had to rush out and up from the bunker into the fresh air above. The next day things were better, less crowded, but still more a place for millionaires than photographers.

But fortunately, there was much more in Paris than Paris Photo.


Then there was a long gap, with my next post not appearing until May 2007, around the time I finally got the push. Most of those early posts were about things I would not have put on the commercial site I wrote for. >Re:PHOTO was and is my own personal site and I can say and write what I like without having to worry about upsetting editors or readers or maintaining the broad church approach which I had originally been hired to pursue.

Being entirely my own site also freed me from some other restraints. Although my articles and notes had ranged widely over photography across the world (another crime in my new editors’ views) I was unable to write about and promote my own work or that of my friends. Occasionally I did use one of my pictures, but mainly to illustrate some technical point, and these were very seldom of any real interest. The pictures in this post are all ones I took in the month >Re:PHOTO began at a protest in Dagenham against the racist BNP, none of which could be posted on the commercial site.

Politics was another area where I often had to restrain or moderate my views, though I think sometimes they were fairly apparent. But most of my photography at the time was highly political. And certainly at times I’ve treated readers here to something of a political rant.

Jeremy Corbyn photographer

>Re:PHOTO has changed over the years, and back in its early years I was still very constrained by the fact that most of those accessing it were doing so with relatively low bandwidth. So images were few and far between in those early posts, while today most have at least half a dozen.

Jeremy Corbyn speaking at Dagenham

There are also many more photography sites and photography blogs than 13 or 14 years ago, and I feel less need for me to discuss wider photographic issues here. I’ve also come to a stage in my own work where I’m increasingly re-evaluating my own photography from the previous century and thinking about its future as my own is drawing closer to a close. That virus has sharpened my own thinking, particularly as I’m in groups designated as vulnerable both from age and illness and has given me time to think and to scan old work. I’ve had to give up taking new photographs (except for a few during exercise bike rides and the odd walk close to home) and stay at home – and have put over 11,000 old pictures onto Flickr, a few of which I’ve shared here.

All of those 4000 posts are still available on this site – and you can find them by month in the archive list at right or by a search for particular topics. This feature has taken longer to write than it should have, as I spent some time reading my several posts about important photographers who were omitted from what I felt was a rather disappointing 2007 V&A show,  ‘How We Are: Photographing Britain, along with some other things I came across.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.