Posts Tagged ‘color’

Notting Hill in colour – 1997 Part 2

Monday, November 2nd, 2020

Here are a few more from Ladbroke Grove in 1997, I think all from the first day of the event, the Children’s Day on the Sunday.

Notting Hill Carnival, 1997 97c8-nh-040_2400

I think all of these pictures were taken with a 28mm or 35mm lens, probably on a Minolta CLE (the improved successor to the Leica CL) using Fuji Super G 400 colour negative film.

Notting Hill Carnival, 1997 97c8-nh-047_2400
Notting Hill Carnival, 1997 97c8-nh-056_2400

I did take more photographs of the children, but while the costumes may be cute and sometimes very colourful (though not in this example) they generally lack the exhuberance of older revellers and I found them of less interest. There are more of the children in the album on Flickr.

Notting Hill Carnival, 1997 97c8-nh-058_2400
Notting Hill Carnival, 1997 97c8-nh-066_2400
Notting Hill Carnival, 1997 97c8-nh-072_2400

I took several pictures of this young woman holding a child as she danced beside one of the floats pumping out fairly deafening music, and this one I think shows her and the child both enjoying the moment.

Notting Hill Carnival, 1997 97c8-nh-073_2400

But the second frame puts her better into the whole siuation, part of the crowd moving down the street with the lorry.

All these pictures were taken within a few minutes of each other, and I made many more during the two days of carnival – and will post more another day. As usual you can see any of them larger in the album by clicking on them – and can then continue to view more if you wish.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill in colour – 1997

Thursday, October 29th, 2020
Notting Hill Carnival, 1997 97c8-nh-003_2400

I find it hard to believe I took no colour pictures at Notting Hill Carnival in 1996, but if I did I cannot find the negatives, though it is possible that they are somewhere in my loft, still in the envelope with the prints as they came back from the processing lab. I did go to carnival, and made some black and white images, but probably I had come to a decision not to work in colour.

Notting Hill Carnival, 1997 97c8-nh-005_2400

The following year, 1997, I’ve found no very few black and white negatives, perhaps just when I was finishing off a couple of films still in the cameras, and nothing of any real interest, but a note on the contact sheet tells me that I worked in colour that year. So here are some of the results.

Notting Hill Carnival, 1997 97c8-nh-008_2400
Notting Hill Carnival, 1997 97c8-nh-015_2400
Notting Hill Carnival, 1997 97c8-nh-019_2400
Notting Hill Carnival, 1997 97c8-nh-024_2400
Notting Hill Carnival, 1997 97c8-nh-028_2400
Notting Hill Carnival, 1997 97c8-nh-030_2400

I’ll post another set from 1997 shortly, but you can see them all in my album Notting Hill Carnival – the 1990s which has around 80 more pictures from that year. As usual, clicking on the images in this post will take you to the image in the album – much larger for the landscape format images.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill Colour – 1993

Saturday, October 17th, 2020
Notting Hill Carnival, London, 1993 93c8-nh-007-positive_2400

Although almost all the pictures I took at Notting Hill Carnival in 1993 were in black and white, I did make a few colour images, and here are a small selection.

Notting Hill Carnival, London, 1993 93c8-nh-008-positive_2400

Almost all of them were of the procession, and I think taken in a fairly short period of time, mainly on Ladbroke Grove.

Notting Hill Carnival, London, 1993 93c8-nh-019-positive_2400

I tried to cut my equipment to a minimum for carnival, partly to make it easier to move through the crowds, but also because I was just a little worried about taking what looked like camera bags full of expensive equipment to the event. And I wanted to be able to dance as I took pictures.

Notting Hill Carnival, London, 1993 93c8-nh-022-positive_2400

Instead of a normal camera bag, I took a small khaki canvas ex-army shoulder bag which I still use today when I want to travel light, issued in 1942 possibly for a gas mask, large enough to take a camera, one or two spare lenses, a decent supply of film, notebook, water bottle and a few oddments, which back in those days would usually include a Mars Bar for when my energy lagged, and sometimes a sandwich or two.

Notting Hill Carnival, London, 1993 93c8-nh-027-positive_2400

Probably when I saw some particularly attractive and colourful costumes and had finished a black and white film I picked a colour one to reload the camera – probably my Minolta CLE, a rather superior second version of the Leica CL which for some obscure reason Leitz decided not to put their name on, ending their collaboration with Minolta. I then took pictures quickly to finish the film so I could get back to my real work using black and white. I think that happened a couple of times on Children’s Day, but on the Monday I concentrated on more serious black and white work.

Notting Hill Carnival, London, 1993 93c8-nh-034-positive_2400

In crowds I always made sure to put the shoulder strap over my head and on one shoulder and hold the bag on my stomach so as not to get caught up behind me. I always kept the camera on a strap around my neck too. But generally the crowds were good-natured and in high spirits and I had no trouble taking pictures.

Notting Hill Carnival, London, 1993 93c8-nh-031-positive_2400

Just once, in the centre of a heaving crowd of dancers in front of a sound system I suddenly realised that someone had put their hand into my left trouser pocket. I grabbed it and held it there protesting, and slowly pulled it out to reveal it holding a wallet. But it wasn’t mine (I’d left that at home) and of course it had no money in it. I’m not sure why he was planting it on me, but pushed it back into the hand I was still firmly holding and told the guy to eff off and he ran off pushing through the crowd. It didn’t seem the place to investigate further.

More pictures on page 6 of my Notting Hill Carnival – the 1990s on Flickr.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Goole 1983

Thursday, July 23rd, 2020

When I told my mother-in-law, a life-long Hull resident, that I was taking a day trip to photograph Goole she shook her head in disbelief, asking me whyever I would want to do that. She wasn’t a great fan of my pictures of Hull either, thinking I dwelt far too much on its less salubrious areas and on those old and dilapidated warehouses and derelict docks.

Goole 83goole168_2400

My only regret looking back is that I didn’t visit Goole more often. True its name isn’t inspiring – but then neither is Hull, perhaps why its more prosperous residents like to remind you it is really called Kingston upon Hull. For some reason the name Goole on Ouse has never been considered, though perhaps it should be Goole upon Dutch River or Don, which was diverted to meet the Ouse here in 1629 by Cornelius Vermuyden, not for the benefit of the few villagers of Goole, but to improve the hunting at Hatfield Chase for King Charlea I. But Goole got a bridge over the new river and barges could carry coal along it from the South Yorkshire coalfield at it could then be transferred to sea-going vessels.

Goole  83goole148_2400

In the 1820s the Aire and Calder Navigation opened a connection to the Dutch River and began the construction of docks and a new town at Goole. The canal opened in 1826 and in 1827 Goole became an official port with custom facilities, its docks able to handle vessels up to 400 tons. It’s main export remained coal until Thatcher closed the mines, with a system of compartment boats – the ‘Tom Puddings’ and special hoists giving a very efficient means to transfer the coal into seagoing ships. Timber was the main import, in part for use as pit props.

Goole 83goole161_2400

Railways first came to Goole in 1848 with a line to Pontefract and Wakefield, but it after the North Eastern Railway line from Doncaster to Hull was built in 1870 that the railway really became important. It was this route from Doncaster that I travelled on many times from and to the south between 1970 and now through Goole; sometimes the train stopped there, but more often travelled through at a leisurely pace, giving time to appreciate its landmark ‘salt an pepper’ water towers before swinging east to cross the River Ouse. But I never got off there until my first day trip in 1983.

The Victorian ‘New Goole’ seemed to have survived reasonably well, and gave a remarkable access to the docks (in those days they were a little less fettered by health and safety), and I spent a full day wandering around and taking pictures, particularly in black and white, but with some in colour too. I’ve returned more recently and it is still an interesting place to visit, though a little less so.

More colour pictures of Goole on Page 3 of Hull Colour 1972-85.

More black and white pictures on Hull Photos.

Hull Colour – 9

Wednesday, July 22nd, 2020

Time for the last post on my series of colour pictures from Hull in my Flickr album which covers the period up to 1985. I didn’t stop photographing Hull then, but I did stop using slide film around the middle of that year, and some of the pictures in the album from 1985 were made using colour negative film. Although this made it easier to get good prints and allowed me to work with a wider range of subjects, it does make the images harder to digitise. I’ll write more about this at a later date. The first few images here are from slides and later ones from negatives.

Barge moored in River Hull, Hull 83-Hull-1-2-Edit_2400
Barge moored in River Hull, Hull 1983

As well as the colour I was attracted by the seemingly random numbers on the building and the ordered line of them on the prow of the barge, indicating the draught – the distance from the waterline to the lowest part of the hull. This barge, R38, is more or less empty and I think floating, its draught below the lowest mark of 4 (I think in feet), but when fully loaded would be at 9 or a little above. The slide mount crops the image rather more than I intended when making this picture.

83-Hull-8-Edit_2400
Factory, River Hull, 1983

There are new industries on land adjoining the River Hull, particularly on the northern outskirts of the city, around Stockholm Rd, Malmo Rd and Bergen Way, names reflecting the traditional trade, still continuing across the North Sea into the port of Hull. I think this picture was probably made just to the north of Sutton Road bridge.

For me the bank of reeds expressed that these new industries have turned their backs to the river, while traditionally Hull’s industries had been on wharves and dependent on the River Hull for the transport in of raw materials – whale oil, agricultural products and later petroleum products and sometimes the export of bulk products such as edible oils. Now everything moves by lorry.

Lee Shore, River Hull, Hull 83hull159_2400

It is just possible still to recognise this as the view looking upstream from Chapman St Bridge, as the low sheds at left are still standing (or at least were in 2019) but I think most of the rest of the buildings in this view have disappeared and ships such as the Lee Shore and the other vessel upstream on the left bank no longer moor here.

The cocoa works on the right bank was razed to the ground around 10 years ago, and is now Energy Works, a renewable energy site built with the aid of a grant of almost £20 million from the European Regional Development Fund which will power 43,000 homes from waste and develop innovative technologies together with the University of Hull.

S Low, Laundry, Spring Bank, Hull 85-10c1-43_2400

S Low’s laundry had long amused me as I regularly travelled along Spring Bank either on foot or more often on the top deck of a Hull Corporation Bus, and I photographed it a number of times. This was the first I had taken on colour negative film and I’m not sure that the colour is as accurate as on the two different versions on slide film you can also see in the album.

This building is still there on Spring Bank, now painted very drably grey and no longer a shop.

Blanket Row, Hull 85-10c3-61_2400
Humber Dock Side/Blanket Row, Hull 1985

I apologise for the green cast in this image which I should really correct, but it is perhaps appropriate given that this location, now the Humber Dock Bar and Grill overlooking the marina, describes itself as “Formerly the Green Bricks”.

The picture shows that before becoming a pub and restaurant the area was home to Charles Batte and the Kingston Fruit Co and along the street a number of other businesses, and the green glazed bricks of the pub, opened in 1806 as the New Dock Tavern and around 1838 renamed as the Humber Dock Tavern, taller than the rest of the row, are only just visible above the parked blue van. The green bricks by the Leeds Fireclay Co. Ltd probably date from 1907 and the pub was locally listed in 2006.

This was the final picture from Hull in the album Hull Colour 1972-85 (though I may add more later) which ends with some pictures from Goole.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Hull Colour – 8

Sunday, July 19th, 2020
Barges in River Hull, Stoneferry, Hull 81-04-Hull-051_2400

More barges on the River Hull, moored around the bend just north of the Isis Oil Mills. Here’s that same bend in 2018:

All of the barges are in the green and yellow colour scheme of Hull’s Gillyott and Scott, formed in 1964 by amalgamation of the five companies of William Gilyott, John A. Scott, T.F. Wood, Furleys and John Deheer.

Some of the barges had the names of birds – such as No 129 Ring Plover at the centre of the group above. Others had to make do with just a simple number or a letter and number such as R50 here. Perhaps it depended on which company they had come from.

Warehouse, River Hull, 83-01-Hull-061_2400
Warehouse, River Hull, 1983

This warehouse on the bank of the River Hull had its frontage on High St, immediately upstream from Drypool Bridge. The narrow passage of Blaides Staithe separates it from Blaydes House, the rear of which can be seen at the right of the picture.

Not long after I photographed it, the warehouse was demolished, its site remaining undeveloped when I last visited it 35 years later, though then said to be ‘Under Offer’. In London it would almost certainly have been preserved, probably listed and converted into luxury flats, but Hull’s low property prices signed its death warrant.

Kenfig, dredger, River Hull, Hull 83-01-Hull-062_2400
Kenfig, dredger, River Hull, 1983

I took quite a few photographs of the Kenfig, which seemed to be moored and quietly rusting in the River Hull for several years, though I think it had previously been responsible for some of the dredging of Humber Dock for the new marina.

I wrote the following when I was commenting daily on a picture of Hull during the 2017 year as City of Culture:

The Kenfig, a grab hopper dredger built in 1954 by Henry Scarr Ltd of Hessle for the British Transport Docks Board at Port Talbot. It was one of the dredgers used to clear the passage into Humber Dock for the Marina, and in 1983 was bought by Jones & Bailey Contractors Ltd of Hull who renamed her Hedon Sand in 1984. Around 5 years later she was scrapped at New Holland.

Kenfig was moored just a little upstream of Drypool Bridge on the River Hull for most of the 1980s, seldom if ever moving.

Hook Sand, Dry Dock, Hull 83-01-Hull-067_2400

There are still several dry docks on the lower part of the River Hull, though I think none currently in use, with one scheduled in 2023 to be the centre of a new maritime museum, where it will house Hull’s last sidewinder trawler the Arctic Corsair.

This one is on the opposite side of the river, north of Drypool Bridge and my picture is taken from its road entrance on Great Union St.

The Old Harbour, River Hull, evening. 83-01-Hull-077_2400
The Old Harbour, River Hull, evening. 1983

My apologies for the poor technical quality of this image, which reflects the difference between colour films and the quality we now get from digital images. I think this was probably taken on an ISO400 colour film, while with my current digital camera I would happily work at ISO6400 and get considerably superior results. Photographers will understand this is a difference of five stops. I couldn’t use a very slow shutter speed as the small tanker was moving up river at some speed with the tide.

The view here is looking towards the mouth of the River Hull. The sand and gravel works have now gone and there is a rather ugly hotel on that side of the river. Further down, past the Myton Bridge, built in 1979 and the tidal barrier, the land at Sammy’s Point is now occupied by The Deep.

More pictures at Hull Colour 1972-85 on Flickr.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Hull Colour – 6

Friday, July 17th, 2020
Barges on River Hull and Croda works, Hull 81-04-Hull-030_2400
Barges on River Hull and Croda works, Hull 1981

A busy scene on the River Hull, probably taken in 1981, though the dates on these images come from the album they are filed in and are sometimes not the exact year, and this could possibly have been made earlier.

The slide mount crops the image slightly and I’m sure that the actual transparency will have included the top of the water tank on the Croda silo at the Isis Oil Mills, but it would have greatly slowed down the photographing of this and the other slides to have removed the slides from their mounts – and would have made handling them much more tricky. And the macro lens and bellows combination I was using with the older Nikon slide holder was fine for mounted slides but could not give proper coverage of the full 24x36mm.

Perhaps because of the problem of slide mounts, many SLR cameras, though marketing on the benefits of actually viewing through the taking lens rather than the separate optics of the rangefinder Leica or twin-lens Rolleiflex had viewfinders that cropped the images and were actually less accurate in their framing than the Leica. Though even the Leica white line frames never quite exactly represented the area that would appear on film (though some lenses came very close) making something of a nonsense the insistence of many photographers of printing the edges of the negative to give a black frame because this represented how they had seen the picture when they pressed the button. It was always more an aesthetic decision.

The silo was still there last time I walked along Bankside, but the location from where I took this picture was behind a locked gate and the buildings to the right of the silo had gone and there was only one vessel, Cargill’s edible oil tanker Swinderby, moored along this reach of the river.

Works, River Hull 81-04-Hull-032_2400
Works, River Hull 1981

I can’t remember now where I took this picture of a wharf across the RIver Hull, somewhere in Hull. But I do remember being attracted by what appears to have been built as an incredibly tall doorway, though it does now appear to have been blocked by a pipe that emerges through it at a little under half its height.

Was it, I mused, made for giraffes?

542 Hessle Rd and phone box, Hull 81-04-Hull-034_2400
542 Hessle Rd and phone box, Hull 1981

Hull Corporation was one of 55 local authorities to bid for a licence to provide telephone services in their local area in 1902 and opened its first telephone exchange in a former public baths two years later. While other local authorities who had been granted licences soon abandoned or failed, Hull continued its service after the Postmaster General had gained a monopoly elsewhere across the country.

And when in 1936 the Post Office launched a new red phone box designed by Sir Giles Gilbert Scott to commemorate the Silver Jubilee of King George V and decided that all phone boxes across the country should be red, Hull decided while adopting the new design to keep their traditional colour of cream and green, eventually moving to all cream. Hull City Telephone Department continued to innovate – and introduced a message from Santa in 1952. The council hived off the service into a fully owned separate company, Kingston Communications (HULL) PLC in 1987, which was floated on the Stock Exchange in 1999. In 2007 Hull Council sold its remaining stake in the business which changed its name to KCOM Group PLC.

The scene on Hessle Rd is still recognisable, but the shop has changed and no longer has the colour scheme and awning that attracted my attention, and although there is still a phone box I think it may have moved a few feet.

Lincoln Castle, Hessle Forshore, Hessle 81-04-Hull-039_2400
Lincoln Castle, Hessle Forshore, Hessle 1981

The paddle steamer Lincoln Castle was now beached on the Humber foreshore at Hessle, close to the Humber Bridge, and was now a restaurant where we went for afternoon tea. I made it into a rather strange landscape of distant jagged hills in this picture.

Humber Bridge, from Barton on Humber82hull135_2400
Humber Bridge, from Barton on Humber 1982

And of course we went across the Humber Bridge which took us to Barton-on-Humber. Where we walked around a bit and found there wasn’t a great deal there. I took a few photographs, mainly of the Humber Bridge, and I rather like this almost monochrome view.

More pictures on Flickr in Hull Colour 1972-85.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Hull Colour – 5

Thursday, July 16th, 2020
Wilmington Bridge, Hull 80hull102
Wilmington Bridge, Hull 19802

I’ve photographed this listed railway swing bridge across the River Hull many times, but I like this particular detail image not just because it gets away from a more standard view and for its colour, but because of the way it puts the bridge into its now largely gone industrial context.

The bridge was built to carry the lines from Hull east to the two North Sea seaside towns of Hornsea and Withernsea. Coming out from Hull Paragon the line turned north to a level crossing at the end of Spring Bank, close to the junction of Princes Avenue. Next to this was Botanic Station, where my wife in her youth would catch a train to Hornsea for the family’s annual week at the seaside. The line then swung east to Stepney Station, close to Stepney Lane on Beverley Road and then on to this bridge across the RIver Hull. The lines to Withernsea and Hornsea diverged on the other side of the river.

Sadly, Dr Beeching, an firm evangelist for the car and the motor trade, put an end to all that and both lines closed to passenger services in October 1964, a few months before my first trip to Hull. Goods services continued to use the bridge and track as far as Hedon until 1968, and all too often I found myself sitting on the top of a bus waiting for the crossing gates to open. In front of me during the evening rush hour then would be hundreds of men on bicycles on their way home.

Nowadays the bridge seldom swings for traffic along the river, though it remains in working order and will do so when necessary. And although there are no trains, the bridge is still in use for cyclists and pedestrians.

Sculcoates, Hull 80hull132
Sculcoates, Hull 1980

An evening glow lights up this view of Sculcoates, with the cabin of the Wilmington Bridge at its right-hand edge and the tall silo of the British Extracting Company Ltd at its left. I’ve not been able to find out why the water tank on its roof has a logo with a crown on top of a stylised letter R – please let me know if you know.

I think this view is from the embankment of another disused railway line which took the Hull, Barnsley and West Riding Junction Railway and Dock Company line to its Hull terminus at Cannon St. This had been intended simply as a goods station, but the company (later more simply known as the Hull and Barnsley railway) ran out of money to construct a passenger station closer to the city centre. The line which ran here on the west side of the Beverley and Barmston Drain was a short spur down from Beverley Road Junction on the line still in use for traffic to the eastern docks.

Barges in Old Harbour, Hull 81-04-Hull-020_2400
Barges in Old Harbour, Hull 1981

Another view of barges moored in the Old Harbour of the River Hull, secured to each other by some bright orange ropes. I’m sure that some of my more imaginative psychogeographic friends would see it as some kind of weird psychic circuitry.

Red Doors, Pattern Store, Hull 81-04-Hull-022_2400
Red Doors, Pattern Store, Hull 1981

I like the idea of a ‘pattern store’. If you ‘Google’ it you will mainly get sewing patterns, but I think this one will have been at some kind of engineering works. Patternmakers were particularly important in shipbuilding, railway works and foundries, and the patterns they made were usually wooden cut-out shapes which recorded the exact size and shape to which metal had to be cut or cast for a particular purpose. Pattern stores might also be used to hold plans and drawings.

McGrath Bros, Fish Curers, St Mark's Sq, St James Street, 1981 81-04-Hull-023_2400
McGrath Bros, Fish Curers, St Mark’s Sq, St James Street, 1981

Unlike the previous picture which I have no idea of where I took it, I can locate this painted gate fairly precisely to St Mark’s Square. Off St James’s St, which is off the Hessle Rd, this bears little resemblance to its Venetian namesake, but is rather more accurately a square, though only two sides carry its name.

McGraths, later ‘Shears (McGraths)’ was a member of the HULL Fish Merchants Protection Association, and although the Cod Wars had more or less killed Hull’s fishing industry, when I took this picture the auctions at the fish dock were still the largest fresh fish auctions in the country, handling over two thirds of our Icelandic fish imports as well as the smaller amounts landed by trawlers still operating from Hull and fish brought by lorry from other ports. Hull got a new state-of-the-art fish fishmarket in 2001, but in 2011 Icelandic fish agent Atlantic Fresh abandoned Hull’s Fishgate for Grimsby.

I love the pointing hand with its flourish directing the reader to the company’s Office.

Barge Torcha and River Hull, Bankside, Hull 81-04-Hull-028_2400
Barge Torcha and River Hull, Bankside, Hull 1981

I read the name of the barge incorrectly from a black and white version of this picture as it is TORCHA and not TORCH , but here is what I wrote about it.

A little downstream from the Hull Exhaust Centre, visible at left was another viewpoint, I think from a derelict wharf on the River Hull. This image, looking upstream, shows barge Torch, with number 22, owned by Hull’s Gillyott and Scott, a major tug and lighter owner formed in 1964 by amalgamation of the five companies of William Gilyott, John A. Scott, T.F. Wood, Furleys and John Deheer. Gilyott and Scott (Transport) Ltd also owned lorries. The barges are said to have been sold to Dave Hornshaw of Hornshaw Water Transport in Goole.
 
The buildings on the East bank are some of those on the Morley Street ultramarine works, then still part of Reckitt’s – with Hull’s tallest chimney a little out of the frame to the right. Most or all have now been demolished.

Torcha is Spanish for torch, and according to one dictionary in English is a mixture of mud with straw and cob used for roofing. It’s not a word I’ve heard used but the connection with mud would certainly be appropriate for a barge the the River Hull or Humber. Cob is a more usual term of the the mix of clay, sand and straw used in building, the daub in wattle and daub which often also contained cow dung.

More pictures at Hull Colour 1972-85.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Hull Colour – 4

Tuesday, July 14th, 2020
Humber Bridge, Hull 80hull065
Humber Bridge, Hull ca.1980

I’m not sure from exactly where I took this view of the Humber Bridge under construction, but I was fortunate enough to go on a tour of the construction organised for a group of science teachers, and it could have been made during that visit, though I don’t remember taking any colour pictures then. The bridge took around 9 years to build and was completed and opened in 1981.

The mill visible on Hessle foreshore was built around 1810 to grind the chalk that was being quarried here into whiting, finely powdered chalk used as a filler in paint and, together with linseed oil to make putty, in whitewash, gesso and ceramic glazes etc. The windmill went out of use about a hundred years ago, losing its cap and sails and the quarry closed in 1970. The area is now a country park.

Humber Bridge, Hull 80shull062
Humber Bridge, Hull ca.1980

After the cables were spun the box-girder sections of bridge decking were added, beginning in November 1979 and this picture must have been made shortly after this. Wikipedia states “the Humber Bridge was the longest single-span suspension bridge in the world for 17 years.”

When our family was travelling to Hull by train in the 1980s we would look out for the Humber Bridge in the distance to know we were getting close to our destination. I always offered a small cash prize for the first of our party to spot it through the train window, but think I never had to pay it out as I always saw it before the others.

River Humber, Hull 80hull110
River Humber, Hull 1980

The Humber has always seemed more mud in motion than a river, always a dirty brown colour, and it is only the small waves that differentiate between the river and the shore in this view. The mud and sandbanks in the estuary are always moving, and for many years ships travelling up the river to Hull or Goole needed the services of the Trinity House pilots, who started offering their services in 1512 and in 1581 were granted a charter authorising them to examine and licence pilots and take charge of ships. Various Acts of Parliament followed to endorse and regulate their activities, but the 1984 Pilotage Act transferred responsibility to the ports. In 2002 Associated British Ports terminated the authorisations of all Humber Pilots and employed their own pilots directly.

You can now walk along an esplanade along what had been the river frontage of Victoria Dock and various ship-building and other related businesses but only as far as what was the Alexandra Dock and is now ‘Green Port Hull’, a a wind energy manufacturing plant and riverside quay. I think this picture was probably taken just a little further downriver than the path now takes you.

Humber Dock Side, Hull 80hull113
Humber Dock Side, Hull 1980

There were some blue sheds on the dock side of Humber Dock that were demolished when the dock was dredged and converted into Hull Marina, and these had painted steel columns and wooden sides. The marine air had over the years produced this incredible rusting, lifting up the thick painted layers.

The buildings at the right of the picture are still there, though considerably altered on Humber Place at its junction with Wellington St, and are now Francis House, the offices of an accountancy firm, though the Wellington St building at extreme right has been demolished.

Railway Dock, Hull 80hull114
Railway Dock, Hull 1980

Although Hull lost some of its most impressive warehouses to a road scheme which split the Old Town from the city centre to take the heavy traffic for the King George Dock to the east of the city, some of those beside Railway Dock were retained, with the three gables shown here still visible, though the mass at the extreme right has been demolished.

KIng Billy, Market Place, Hull 80hull115a
Railway warning, Hull 1980

King Billy, King William III or William of Orange, successfully invaded Britain in 1688 in what is sometimes called the ‘Glorious Revolution’. James II was unpopular, largely because he was a Catholic and was seen to be changing Britain to a Catholic country, suspending anti-Catholic measures by decree when Parliament refused to do so and prosecuting Anglican bishops for seditious libel. His actions prompted anti-Catholic riots and many leading political figures of the day invited William to come and take over the country. But there were also leading Catholic members of the aristocracy who defended James and the ‘divine right of kings’ to overule all others, including Parliament. One of them was the governor of Hull, Lord Langdale, who took the military to occupy the city of Hull, fearing that William of Orange might try and land there. But instead of coming across the North Sea, William’s fleet went down the Channel and landed at Brixham on Novermber 5th, marching from there to London. The army deserted James and he fled to France on December 11th.

Hull had remained under Catholic control until December 3rd, when Protestant officers, hearing of a plot to imprison them, got together and arrested Langdale and his Catholic supporters. The day was celebrated in Hull for many years as ‘Town Taking Day’ when many wore orange sashes and celebrated with a procession, church service and fireworks in the Market Square – and around the statue of King Billy after it had been erected there in 1734.

Market Place is very much a backwater in the Old Town now, on the edge of the busy A63 and with one side occupied by some of the city’s most tedious buildings, as well as the rear end of Holy Trinity. Since the listed public toilets under King Billy closed there are few reasons to go there.

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Re-used Railway warning notice, Hull. 1980

A dockside building with a doorway closed with boards from a notice that was once beside one of the swing bridges, probably that taking Wellington St across the Humber Dock lock, warning people it is an offence to pass the warning lights onto the bridge or be on it while it is moving.

A public footpath crosses the swing bridge into Albert Dock, and some time in the early 1980s while I was out walking with my family I notice that my wife and younger son in a push-chair were no longer following me. I turned around an looked for them, eventually spotting them on the bridge which was turning around to admit a ship to the dock. They had walked past the warning lights before they had been activated and the bridge operator, do doubt thinking only of the lorries which went across, had failed to spot a young woman already on the bridge with a baby buggy. She got a free ride and profuse apologies rather than a fine.

One of Hull’s minor tourist attractions, perhaps inspired by notices such as these, is now a footbridge across the River Hull on which people are allowed to ride. Unfortunately ship movements up the Hull are now extremely rare and the bridge almost never operates in anger, but there are scheduled tests most if not all weekends on which I’ve taken a couple of rides.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Hull Colour – 3

Sunday, July 12th, 2020
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PS Lincoln Castle – Humber Ferry, 1972

Before the Humber Bridge was opened in 1981, ferries transported passengers and cars across the Humber from the pier in Hull to New Holland in Lincolnshire, where a train service took passengers on to Grimsby and other stations. For drivers it avoided the journey to Boothferry Bridge near Goole, 28 miles away up river – and a similar journey back on the opposite bank. By the mid-70s an alternative route for many journeys had been provided by the M62 viaduct a mile or so east of the Boothferry Bridge – which largely removed the necessity for the Humber Bridge.

The Lincoln Castle was a great improvement on the other paddle steamers when she came into service in 1941, and was much loved by the time she was replaced by a more economical diesel-powered ferry in 1978. For a short time she was grounded on the beach at Hessle as a restaurant – where I went for afternoon tea – and later in the same role in Grimsby. By 2009 her condition had deteriorated and after attempts to preserve the ship failed was scrapped in 2010.

I travelled across on the ferry a couple of times, took a few pictures in New Holland and took the ferry back. It was a good family outing, particularly for our two young boys as the ship had been constructed to give passengers a good view of the engine room and steam engine.

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Old Harbour, Hull 1977

You can still walk beside the River Hull in the Old Town, and it remains an interesting walk, but back in the 1970s there was still some commercial activity, and at the right times of the tide vessels would pass up or down past these largely redundant barges, moored here three deep.

This was the original harbour of Hull, before the docks were built, though there were many wharves upstream both in Hull and further north to Beverley and beyond, and the river remains navigable. Although traffic had dropped markedly there were still a number of industrial sites still using the river in the 1970s and into the present century.

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Old Town, Hull 1977

Wooden crates were being burnt in a bin down an alley and producing an almost comic book head of flame, a beacon in the shadow of the alley. Flames are always something of a challenge for photography, generally resulting in burned out highlights that have nothing to do with their temperature but simply their intensity. I was surprised that transparency film with its very limited exposure range handled this so well, more I think a matter of luck than expertise.

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Terrace, Hull 1981

Widely publicised as a “fairytale wedding” and the “wedding of the century”, the marriage Prince Charles and Lady Diana Spencer on Wednesday 29 July 1981 clearly caught the imagination of many in Hull, and I photographed some of the decorations painted on derelict buildings and here on a typical Hull “terrace’, though I cannot remember its location.

Many of Hull’s roads have these short pedestrian terraces at right angles to the main street to pack more houses into a small area. Not all have such neatly maintained fences and gardens, but almost all are too narrow for them to have been converted to take cars.

The black cat halfway down the street didn’t bring the unhappy couple much luck.

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Wincolmlee, Hull 1980

Wincolmlee runs roughly parallel to the River Hull, on the road side of the wharves along its west bank, from the north of the Old Town up to Air St, a little over a mile. Lime St, runs in the same way on the east side of the river a little less than half the distance.

Much of Hull’s industry involved agricultural oils and there were storage tanks on both sides of the river. I think these colour-coded pipes probably linked some of them, but what attracted me as well as their colours were the clouds of steam.

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Scott warehouse, Hull 1980

Hull’s unlisted riverside properties have largely been demolished with some notable losses. But John A Scott’s warehouse in Alfred Gelder St was converted to flats around 1980, the work going on while I took this picture involving making windows in what had been a largely or entirely blank wall.

It isn’t in itself a very exciting building, but it’s river frontage now fits better with the listed building immediately downstream than a new build.

Quite a few buildings in the industrial area around Wincolmlee which in areas of higher property values – such as London – would have been converted to luxury flats have simply been demolished or are still largely derelict. But the area has perhaps been given a boost by the ‘Bankside Gallery’ of graffiti which sprang up following the intervention by Banksy.

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Mud, Hull 1980

I’m unsure as the the actual location or date of this picture – one of the great majority of my slides which lack any captioning. But it is certainly one of Hull’s docks, almost certainly Humber Dock, Railway Dock or Humber Dock Basin. The reflections in the wet mud give some clues, but not enough for me to be sure.

These docks close to the centre of the city had been unused for some years and were all heavily silted with Humber mud. Considerable dredging was required to make Humber Dock usable as Hull Marina, which opened in 1983.

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S Not W, Hull 1980

I deliberately cropped the message which I think was written on the wooden side of a dockside shed to give the rather enigmatic message ‘S NOT W’. Unfortunately I can no longer remember the entire text, though the letter after W is clearly E, and not as I hoped A for an anti-war slogan.

The saturated red which attracted me, at least in part because it matched the colour of the painted letters, was the roof of a car.

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British Extracting Co Ltd, Hull 1980

This former British Extracting Company silo on the side of the River Hull was built in 1919 and one of a number of similar buildings in Hull and elsewhere designed by Gelder & Kitchen of Hull. It has regularly been visited and photographed in recent years by urban explorers.

Sir Alfred Gelder (1855-1941) was born in North Cave and became a Hull councillor in 1895, serving five terms in a row as Mayor from 1898-1903 and overseeing the extensive redevelopment of the city after which he was knighted. He was Liberal MP for Brigg from 1910-1918. A Methodist, he founded his architectural practice in Hull in 1878 and designed a wide range of buildings including several Methodist chapels in the city and elsewhere as well as many flour and oilseed crushing mills, including the first roller mill for fellow Methodist Joseph Rank and other buildings for Ranks’s son, J Arthur Rank.

Llewellyn Kitchen, (1869-1948) from Manchester joined Gelder as chief assistant in 1892 after having worked for a number of architects elsewhere and soon became the junior partner in the practice, although he appears to have been the more interesting architect of the pair. Kitchen was also a leading freemason in the area.

Gelder and Kitchen LLP is still in business, the second oldest firm of architects in the UK today.