1995 Colour Part 5 – Waltham Forest: My Greenwich Meridian project had taken me into North London as far as Pole Hill in Chingford, but I also wandered more widely in the London Borough of Waltham Forest and even strayed into its neighbouring borough of Redbridge, photographing both with a panoramic camera and my ”normal’ pair of Olympus OM4s on black and white and colour.
Most of the pictures taken with these OM4s were made with the Olympus 35mm shift lens which could slide vertically and horizontally in its mount, particularly useful for photographing tall buildings when it by shifting it up I could keep holding the camera level and place the horizon close to the bottom of the image, so avoiding converging verticals or including large foreground areas.
Leisure Centre, New Road, Chingford, Waltham Forest, 1995, 95p03-441
Leisure Centre, New Road, Chingford, Waltham Forest, 1995, 95-3o-23, 1995, 95c03-335
But often I had the shift on a camera loaded with black and white film, with the 28mm on the OM4 with colour in it. I also carried an ultra-wide 21mm, a 50mm and a short telephoto lens for use when needed.
And just occasionally I photographed the same subject both with the swing lens panoramic and with one or other of the Olympus cameras – and I’ll include a couple of examples in this post. All of these pictures were made in February or March 1995.
Lee Valley Viaduct, North Circular Rd, South Chingford, Waltham Forest, 1995, 95p02-251
Southend Rd, North Circular Rd, South Chingford, Waltham Forest, 1995, 95p01-233
Recreation Ground, Higham Hill, Waltham Forest, 1995, 95p01-263
Sandpiper Close, Higham Hill, Waltham Forest, 1995, 95p02-122
Sandpiper Close, Higham Hill, Waltham Forest, 1995, 95c02-352
For these Sandpiper Close pictures I think the added angle of view of the panoramic greatly improves the image and gives for me a much more powerful impression of what I saw and felt standing there and looking down into the Lea Valley.
Riverhead Close, Higham Hill, Waltham Forest, 1995, 95p02-113
Although the two pictures of the Leisure Centre where only taken a few feet apart, they are very different images. Standing further back for the panoramic gives a better overall view of the site, but moving closer concentrates on the foreground. The slight colour difference between the two images – neither of them quite right – also complicates the issue. Colour balancing many of these old negatives is often very tricky.
Clicking on any of the images above will take you to a larger version on Flickr. You can also find some of the black and white pictures I took on the same walks in my album 1995 London Photosbeginning at this picture. My next post in this series will look at more of the non-panoramic images from Waltham Forest.
Crackers & Paper Hats: A Happy Christmas to you all.
Perhaps this is not the most obvious of Christmas pictures, but if you’ve pulled a cracker and put on a paper hat you have enjoyed the legacy of Tom Smith, whose wife and company are remembered in this memorial.
Martha Smith Memorial Water Fountain, Finsbury Square, Finsbury, Islington, 1992, 92-10e-33
This water fountain states it was ‘Erected and presented to the Parish of St Luke by Thomas and Walter Smith (Tom Smith and Co) to commemorate the life of their mother, Martha Smith, 1826 – 1898.’
Thomas J Smith (1823-1869) invented the Christmas Cracker in 1847 and the company made enough from their sales and the paper crowns introduced into them by his son Walter to move to premises in Finsbury Square where they remained until 1953. The fountain dedicated to their mother was erected by Thomas’s sons Tom and Walter in 1898.
You can still buy Tom Smith crackers both in the UK and the USA and the company has “been the proud holder of a Royal Warrant to The Monarch since 1906” – including our current king, and you can view their catalogue online which also includes gift wrap, display units and tags, gift bags and cards. You can get some of them from various charities in boxes of six at around a pound a cracker as well as in various shops. However I suspect those they produce to be pulled around the royal Christmas dinner table are considerably more expensive.
On another site you can read a fairly detailed story of how the cracker came about – and my short summary based on this and Wikipedia.
Tom Smith began work as a small boy in a “a bakers and ornamental confectioners shop in London, selling sweets such as fondants, pralines and gum pastilles” and enjoyed making new “new, more exciting and less crude designs in his spare time.“
In his teens he set up his own shop in Goswell Road, Clerkenwell selling wedding cake ornaments and confectionery and on a trip to Paris in search of novel ideas in 1840 found the ‘bonbon‘, a sugared almond wrapper in a twist of tissue paper, and he began making and selling these in London. He had the idea of increasing sales by adding love messages in the wrappers.
Chemist Edward Charles Howard had discovered silver fulminate in 1800 and in 1802 Luigi Valentino Brugnatelli found a “a safe way of using it in amusements and for practical jokes.” I think schoolboys made use of it ever since (as I did) to put a trace on schoolmasters chalks to make a small explosion when they write on the board. I imagine whiteboard markers have made this obsolete.
Again according to Wikipedia, Smith bought the design and formula for the “snap” in his crackers from a chemist called Tom Brown who had worked for the Brocks Fireworks company. Smith added these to the now rather larger bonbons and sold them first as ‘Bangs of Expectation‘, later as “Cosaque (French for Cossack)”, but they became known popularly as ‘crackers’.
It was his son Walter, who took over the business after his father’s death in 1869 who first produced the cracker as we know it now, adding trinkets and paper hats, and these enjoyed a huge success, enabling him to move the business to much larger premises near this monument in Finsbury Square. In the 1890s it had 2000 employees and it remained there until 1953 when the company merged with Caley Crackers, then owned by toffee manufacturer John Mackintosh & Sons Ltd. The new joint company operated under the name of Tom Smith’s.
The picture to the memorial which celebrates both Walter’s mother and father is one of over 35,000 pictures, mainly of London, though also some of Paris, Hull and elsewhere. You can search the collection to find pictures of particular interest or browse the albums. As always, comments there are welcome on any of my pictures.
25 Years Ago – April 1999. When I began posting on my web site My London Diary I decided that the posts would begin from the start of 1999, and there are still image files I created in January of that year on line, though I think they probably only went live on the web a few months later.
The Millennium Dome seen across the River Thames from Blackwall DLR station, one of a series of medium format urban landscape images.
In those early days of the site there was very little writing on it (and relatively few pictures) with most pictures just posted with minimal captions if any.
Burnt out cars at Feltham on the edge of London, stolen and wrecked on waste land by youths.
A single text on the introductory page for the year 1999 explained my rather diffuse intentions for the site as follows (I’ve updated the layout and capitalisation.)
What is My London Diary? A record of my day to day wanderings in and around London, camera in hand and some of my comments which may be related to these – or not
Things I’ve found and perhaps things people tell me. If I really knew what this site was I wouldn’t bother to write it. It’s London, it’s part of my life, but mainly pictures, arranged day by day, ordered by month and year.
Cardinal Cormac Murphy-O’Connor, Archbishop of Westminster (left) takes part with Anglican and Methodist clergy in the annual Good Friday Procession of Witness on Victoria St, Westminster.
In the years following My London Diary expanded considerably, gradually adding more text about the events I was covering but retaining the same basic structure. Had I begun it a few years later it would have used a blogging platform – such as WordPress on which this blog runs, but in 1999 blogging was still in its infancy and My London Diary was handcoded html – with help from Dreamweaver and more recently BlueGriffon, now sadly no longer.
Man holding a placard at a protest against Monsanto’s genetically modified crops.
My London Diary continued until Covid brought much of my new photography to a standstill and stuttered briefly back to life after we came out of purdah. But by then my priorities had changed, and although I am still taking some new photographs and covering rather more carefully selected events my emphasis has switched to bringing to light the many thousands of largely unseen pictures taken on film in my archives, particularly through posting on Flickr. Since March 2020 I’ve uploaded around 32,000 pictures and have had over 12 million views there, mainly of pictures I made between 1975 and 1994. The images are at higher resolution than those on my various web sites.
121 Street Party, Railton Rd, Brixton. 10th April 1999 121 was a squatted self-managed anarchist social centre on Railton Road in Brixton from 1981 until 1999.
Since I moved to digital photography My London Diary has put much of my work online, though more recent work goes into Facebook albums (and much onto Alamy.) My London Diary remains online as a low resolution archive of my work.
Sikhs celebrate 300 Years of Khalsa – Southall. 11th April 1999
April 1999 was an interesting month and all the pictures in this post come from it. I’ve added some brief captions to the pictures.
No War on Iraq protest – Hyde Park, 17 April 1999 President Bill Clinton was threatening to attack Iraq to destroy its capability to produce nuclear weapons. Operation Desert Fox, a four day air attack, came in December 1999Southall Remembers Blair Peach – Southall. 24th April 1999. Blair Peach, a teacher in East London was murdered by police while protesting a National Front meeting in Southall in 1979.Stockley Park – one of a series of panoramic landscapes of developments in London – this is a major office park with some outstanding architecture
A Visit To Hull: On Thursday 26th July 2018 I took the train to Hull with my wife. She had been born there and I had visited the city many times over the years, at first staying at her family home and since that was sold around 2000 at first with a friend and more recently in hotels.
From the train – somewhere in Lincolnshire
Hull was the place where I really cut my photographic teeth, producing my first extended photographic project which was exhibited at the Ferens Art Gallery there in 1983. You can see many of the pictures from the project on my web site Still Occupied… a View of Hull which I produced to celebrate Hull’s 2017 year as UK City of Culture, as well as in my earlier book of the same name, still available on Blurb where there is an extensive preview.
Hull from our hotel window
Rather more of my pictures are also in a couple of albums on Flickr, one of black and white and a second of colour images and there is also some more recent work, including from the 2018 visit on My London Diary.
Heaven & Hell Club (closed down) Anne St
After booking in to our city centre hotel we had time for a walk before dinner around the city centre and into the Old Town.
Hull claims to have England’s smallest window – the crack between the two stones was a lookout for coaches, and of course the Land of Green Ginger, where there is also the Second Star on the Right and Straight on ’til morning.
Hull used to mean fish, but the Cod Wars put paid to that, though there are still some reminders of the past, and still former docks in the city, though this one is now a marina. And out to the east are more modern docks, with Hull remaining a major port though now much eclipsed by Immingham and Grimsby.
Fruitful Harvest III was moored in the marina, but was built for fishing from Peterhead and later moved to Buckie. By 2018 the ship was registered in Grimsby but no longer registered for fishing, now a just a pleasure craft.
Hull has changed radically since I first visited in 1965, and this area, now called Humber Quays, was then a derelict dockland area and lorry park. Now it has modern office blocks and a memorial to the many emigrants who landed in Hull from Europe and were then mostly entrained to Liverpool to continue their journey to the USA.
Across the mouth of the River Hull is Hull’s biggest tourist attraction, the Deep, opened in 2022. It was built on Sammy’s Point which in my pictures from the 1980s was a storage area for navigation buoys, but had much earlier been a shipbuilding site. In the foreground is a recent footpath bridging across a dry dock, now full of water, still in use until fairly recently.
Our walk had been vaguely following the Larkin Trail, based around the life and work of Hull’s most famous poet – though born in Coventry he became Librarian at the University of Hull in 1955 and remained in the city until his death in 1985, writing most of his best-known poems there. After dinner in a city pub we took a bus to rejoin the trail at Pearson Park when he lived in a flat from 1956-74 – the blue plaque is just visible in the picture.
From the park we walked back into the city centre towards our hotel as light was beginning to fall along Beverley Road, passing several closed pubs, including The Rose and the Bull Hotels.
You can see more pictures from this walk and from the next few days before we left for a a short stay at one of Hull’s seaside resorts, Hornsea, in the Hull Supplement to July 2018’s My London Diary.
I stopped putting new photographs on my ‘MY LONDON DIARY’ web site at the start of Covid, because there was little of much interest to add. But also for technical reasons, as I was getting rather close to the limit of number of files for the site of 262, 144 which is a restriction imposed by Linux.
Black Livew Matter, Staines, June 2006
I was ill in March 2020, and although my symptoms didn’t match those then listed on the NHS site they did accord with some accounts by confirmed Covid victims. Fortunately they were not too serious, though I felt pretty poor for a week or so, and months later was still having problems going up hills. As a journalist I could have continued working during the lockdown, but since both my age and diabetes both increased my risks and I decided to keep away from London, crowds of any kind and meeting people indoors.
I didn’t just stay indoors, but took advantage during the lockdown to explore the area around where I live, taking bike rides of around 10 miles most mornings at a moderate speed. It was great for the first few months when there was little traffic, and our area was unusually quiet with few drivers on the three motorways and few jets taking off and landing at Heathrow. I spent a lot of time walking and cycling along the course of one of our smaller local rivers, finding places where I could photograph it. And I wore out the chainwheel of my vintage bicycle – for which I’ve only yesterday found a replacement in rather less used condition. And I’ve also put around 20,000 of my older images, mainly of London, onto Flickr.
National Demonstration for Palestine, May 2021
Later came vaccinations, and a few weeks after my second jab decided I could stay home no longer, and I resumed work, though at a limited level on May Day 2021. But I still had not solved the problem about the file limit, so while I continued to upload pictures to the agency, I shared them with friends on Facebook rather than My London Diary.
Hiroshima Day, August 2021
I had another problem too. I had been writing My London Diary on a Windows 7 computer and had now moved to Windows 10. I’d been using the same version of Dreamweaver for around 20 years for writing this and other sites, as it worked for what I needed. But to get a new version for Windows 10 would mean doubling my Adobe subscription – and giving me something far more complex than I need. I hunted for the setup disks thinking I might be able to get the old software working on my new computer, but couldn’t find them – then realised I had installed it from floppy disks which would have been thrown away when I no longer had a drive to read them.
Trans+ Pride March, June 2021
I woke up in the middle of the night a few months ago and realised a part solution to my problems. Which was to make My London Diary a front end for those albums which I had posted on Facebook but which then rapidly disappear into its extensive bowels and are seldom if ever seen again. When I’m writing pieces for >Re:PHOTO I make many searches on Google, and pictures I’ve put on Flickr (with captions and keywords) often turn up, but I don’t recall ever having seen one from FB. But I can find them by scrolling down my many albums and they do have a URL. One advantage is that the images are much larger before, though you will only see this if you right-click on them and open them in a separate tab or downlad them.
Reclaim Pride, July 2021
So far I’ve only put a few month’s work on line, and it still isn’t fully integrated with the rest of My London Diary. Here’s the page for June 2020, and then for when I restarted in May 2021. The free (and open source) web editor BlueGriffon is a little clunky compared to my ancient Dreamweaver and lacks its library elements so I can no longer automatically update elements in a large number of files. I’m also having problems finding the images for some events – and had to make new albums for a few events for a year ago.
For some years around this time of year I would be in Paris, visiting one of my favourite cities in November because of the huge ferment of photography across the city around the huge trade show of Paris Photo.
Paris 1984
I first visited Paris in 1965 for a week in July staying at a student hostel on the outskirts with my future wife, and since then we returned every few years for a week or two in the summer, usually in August when most Parisians are on holiday away from the city. Two of my books on Blurb came out of these visits, In Search Of Atget and Photo Paris, with black and white images from 1984 and colour work from 1988 respectively.
Paris 1984
You can see more of the work from Paris in several albums on Flickr – where there are a couple of albums from 1984 and another from 1988 as well as another small set from 2007. But you can see more on my own Paris Photos web site.
I think the first time I went to Paris Photo in November was in 2006, and you can see a set of pictures from my visit on line, but the accounts I wrote for a commercial web site of my visit and the shows I saw there is no longer available.
In 2007 I wrote about my visit for Paris Photo on My London Diary. It was the first time I had been in Paris on my own, though I did meet up with a few people, including my brother-in-law and quite a few photographers also there for Paris Photo. I arrived on the 13th November, just in time for the start of a transport strike, and my first full day there was November 14th 2007.
Paris was a little more difficult on my own, as my O Level French is more than rusty, but I did manage to buy myself breakfast at a café close to my hotel and read a newspaper, which told me there was a trade union protest by the transport workers taking place that afternoon.
I spent the morning walking around Paris before having a lunch at a self-service salad bar and then walking to Montparnasse where the protest was starting. It was a little different from protests in London as I commented in My London Diary, and there were times when my poor French made things difficult. The Leica M8 I was then using was not a great camera, and in particular had problems with colour because Leica had failed to realise its extreme infrared sensitivity needed cutting with a suitable filter on the sensor. Some of the images suffer from this and my failure to process them as well as I now could.
I left the protest as it appeared to be about to march off, and made my way to the opening session of Paris Photo, then at the Carrousel du Louvre, a venue “in the bowels of the earth under the Louvre.” As I commented, “It’s hard to contemplate a more depressing location, although relatively spacious outside the show. It would make a good location for some nasty shoot-em-up video game, sort of half-way between underground car park and shopping mall, a slightly cooler version of hell.”
There was much in the show I found unexciting – or worse, but as I commented, “Its a great opportunity to see almost the whole history of photography in a few days, a collection with much more depth than even the richest of museums – although with some great gaps, as many photographers produced very few prints and their work seldom comes up for sale.”
I went back in the following two days to visit Paris Photo again to see the whole of the show, but after a couple of hours there on the opening day, went with some photographer friends for a meal before walking back to my hotel. You can read more about the rest of my visit on My London Diary.
Paris Photo 2012
Elsewhere on My London Diary you can read a more lengthy account of my visit to Paris for Paris Photo in November 2008, November 2010 and November 2012. I’d chosen those even-numbered years because there were more photographic events happening in Paris outside the trade show on alternate years.
Paris 2008– in the steps of Willy Ronis
Looking back I’d astonished by the energy I appear to have had – and I think in one of them I went to see 87 other shows outside of Photo Paris in the few days I was there. But I was getting increasingly unhappy about Photo Paris itself, partly because so many of the dealers were showing much the same photographs every year and there seemed less and less new work of interest.
The Tropical Palace Theatre in Chamberlayne Road, close to the junction with Kilburn Lane was in the 1980s a major reggae venue. It had begun as The Acme Picture Theatre in October 1913, but with a change of management became Kings Picture Palace three months later. In 1931 a new company greatly enlarged and remodelled the building in an Art Deco style with architects John Stanley Beard and A. Douglas Clare and decorative work by by W.R. Bennett to seat 1600 – over 5 times its original capacity – with the old theatre forming the foyer of the renamed ‘New Palace Theatre’, and the rear of the building stretched to Kilburn Lane. Taken over by ABC in 1935 it became simply the Palace Theatre, and in 1970 it became the ABC and was converted into a bingo hall in 1974, but closed soon after to become a nightclub. It was completely demolished and replaced by housing shortly after I made this picture. The building on the left has also been replaced, but Chamberlayne Mansions at right are still there
The distinctive frontages of the shops at the extreme right of this picture enable me to positively identify this washing machine advert as being on the side of the shop on the corner of Felixstowe Rd and Harrow Road in College Park at the west of Kensal Green, close to St Mary’s Cemetery.
Kensal Green Cemetery Works, 758 Harrow Rd, Brent, 1988
Kensal Green Cemetery, which is immediately to the east of St Mary’s Cemetery is rather better known and is worth visiting for some of its fine Victorian monuments. There are plenty to choose from, with over 65,000 burials there since the cemetery was opened in 1833 by the The General Cemetery Company, who were inspired by Paris’s Père Lachaise Cemetery. The Grade I listed cemetery is still in use and well worth a visit and there are often guided tours – and on another occasion I visited the catacombs
Gate, Kensal Green Cemetery, Harrow Rd, Kensington & Chelsea, 1988
Three London Boroughs meet around here, and Kensal Green Cemetery and its gates are in Kensington & Chelsea, while the opposite side of the road is in Brent, and the neighbouring Roman Catholic St Mary’s is in Hammersmith & Fulham. Kensal Green. Kensal Green was the first of London’s ‘Magnificent Seven’ private cemeteries around the city’s then outskirts and was, as Wikipedia points out, ‘immortalised in the lines of G. K. Chesterton’s poem “The Rolling English Road” from his book The Flying Inn: “For there is good news yet to hear and fine things to be seen; Before we go to Paradise by way of Kensal Green.” ‘Paradise by way of Kensal Green’ is now the name of a pub on Kilburn Lane.
J S Farley, Kensal Green Cemetery Works, 758 Harrow Rd, Brent, 1988
I don’t know what proportion of the monuments in Kensal Green Cemetery were produced in these works opposite the entrance gates, and set up in the same year, but they works now been demolished and replaced. There is still another monumental masons just a short walk away.
Waldo Rd, College Park, Hammersmith & Fulham, 1988
Further west along the Harrow Rd just before Scrubs Lane was a small industrial area in Waldo Rd and Trenmar Gardens. Rather to my surprise this small industrial building and its similar neighbour at Waldo Works have survived, though I think some of the area behind is now housing.
Trenmar Gardens, Waldo Rd, College Park, Hammersmith & Fulham, 1988
The large garage at the left of the picture has been demolished and replaced by housing.
Trenmar Gardens, College Park, Hammersmith & Fulham, 1988
Trenmar Gardens, College Park, Hammersmith & Fulham, 1988
All of these pictures (and a few more) are from my Flickr album 1988 London Photos and were taken in March 1988. Clicking on any of the images will open a larger version in the album from where you can browse forwards or backward in the album.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
There is still a section of the pedestrian route above traffic level here, leading from the yard behind the Guildhall and to a bridge across London Wall, though the bridge is now a more recent construction a little further west and crossing at an angle and leading on to the high walks that were built into the Barbican Estate. This area next to City Tower looks rather different now. Britannic House, one of the original six towers built along the new London Wall was refurbished in 1990 and renamed City Tower.
Highwalk, Moor Lane, City, 1987
Looking down Moor Lane with the Barbican at the right on a section of the high walk that has now gone, but which used to lead from close to Moorgate station. I think this gateway was roughly above the junction with Silk St. Empty when I took this picture (possibly on a Sunday) it was sometimes quite crowded during the rush hours with office workers making their way to the tube. The high walks were useful routes, avoiding the often dangerous traffic on the streets and also providing good vantage points for photographers, and I’m saddened at their loss. But I think they took up space that could be sold expensively as offices.
Ropemaker St, Islington, 1987, City
This building on Ropemaker St was one of my favourite examples of modern office architecture when it was built, and I photographed it on several occasions. I suppose it doesn’t quite belong in this post as it was on the north side of the road and thus in Islington rather than the City, where I was standing on a section of high walk to take the picture.
Ropemaker Place, a 60m high block was completed in 1987 shortly before I made this picture. It didn’t last long and was demolished only 18 years later in 2005.
Holland House, Bury St, City, 1987
Holland House in Bury St has lasted rather longer and is protected by its Grade II* listing. The only London building by leading Dutch architect Hendrik Petrus Berlage it was built in 1916 for the Dutch company Wm H Müller & Co, complete with a granite prow by Dutch sculptor J. Mendes da Costa.
More recently when I’ve photographed here I’ve stepped a little to the left to bring the ‘Gherkin’ into view – but construction of 30 St Mary Axe only began in 2001.
Cutler St area, City, 1987
I think this is a part of Devonshire Square, a private area of the City which was developed by the East India Company, then sold to St Katharine’s Dock and bought in 1909 by the Port of London Authority. The warehouses here were used to store the more valuable commodities imported from across the empire. The site was acquired by Standard Life Assurance together with Greycoat Estates Ltd in 1978 and became offices, but still remained something of a private enclave, if no longer used for the secure storage of “Ostrich feathers, chinaware, oriental carpets, cigars, tortoiseshell, silks, mother of pearl, clocks, watches, cameras, drugs, spices, musical instruments, perfumes, tea and other prized artefacts.”
Baltic Exchange, St Mary Axe, City, 1987
The Provisional IRA left a van packed with explosives outside the Baltic Exchange in St Mary Axe shortly before 9pm on 10 April 1992, and then made a call to the police warning them that a bomb was about to explode at the Stock Exchange – 370 metres away in direct line, but about half a mile by road. The bomb wrecked this facade and caused a total of £800 million worth of damage to this and surrounding buildings.
Perhaps the bombers were confused and looking for the old Stock Exchange building in Capel Court, off Bartholomew Lane, just to the east of the Bank of England, while the Stock Exchange had moved in 1972 to a new tower on Old Broad St.
21 New St, Cock Hill, City, 1987
This listed archway with a Merino Ram was built in 1863 for Cooper’s Wool Warehouse. By the 1900s the wool storage business had largely moved further east closer to London Docks and in 1907 the warehouse was sold and used for other storage. It was converted into offices in 1981.
Newsprint, Bouverie St, City, 1987
Some newspapers were still being printed in ‘Fleet Street’ and the picture shows a lorry delivering newsprint to one of the printing works on Bouverie St.
The Seven Ages of Man, Richard Kindersley, sculpture, Baynard House, Queen Victoria St, City, 1987
This sculpture stands in front of one of London’s bleaker Brutalist buildings, and for once its hard to disagree with Pevsner over a modern building, when he describes this a “acutely depressing.” But it does include a section of high-level pedestrian walkway with seating and this rather fine sculpture based on ‘As You Like It’. And it’s a pleasant enough place to sit and read a newspaper with a view of St Andrew by the Wardrobe, the last city church rebuilt by Sir Christopher Wren after the Great Fire of London.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
Dorset Rise runs up from Tudor St towards Fleet Street, changing its name further up to Salisbury Court and lies at what was the heart of the newspaper industry in ‘Fleet St’. This building at 1-2 Dorset Rise dates from the 1930s and was reclad around 1985. In 2012-3 it was converted into a Premier Inn hotel.
Dorset Rise, City, 1987
3 Dorset Rise is a high quality 10 storey office building, sometimes said to have been built in 1985 but probably dating from the 1930s and like the hotel at 1-2 given a new shiny pink brown granite facing in that year. I am unsure if the deco touches at the top of these blocks date from the 1930s or were added in 1985.
Kingscote St, City, 1987
I had forgotten where Kingscote St is and had to look for it on Google Maps. Its a short street, around 50 metres long, between Watergate and Tudor St, a short distance west of New Bridge St. One side is occupied by a hotel and the other by a large shared office building. I think this doorway, now slightly altered was at the rear of 100 Victoria Embankment, better known as Unilever House, where Watergate meets Kingscote but if so the sculpture I photographed has gone.
Blackfriars House, New Bridge St, City, 1987
Blackfriars House on New Bridge St is a rather dull building with some fine detail and perhaps surprisingly is Grade II listed, the text beginning “1913-16 by F. W. Troup. Steel-framed commercial building with white majolica facing. 7 storeys, the rectilinear structural grid expressed in the facade which is, however, divided in a classically-derived manner.” My picture I think makes it look a far more interesting building than it really is. It is now a hotel.
The Blackfriar, New Bridge St, Queen Victoria St, City, 1987
The Blackfriar is a fine pub built around 1875 on the corner of Queen Victoria St, part of the site of a former friary. But it only got the decoration which gave rise to its Grade II* listing in the early years of the twentieth century, beginning in 1905, with work by architect Herbert Fuller-Clark and sculptors Frederick T. Callcott & Henry Poole. Sir John Betjeman led a campaign to save it from demolition in the 1960s and CAMRA has published a couple of books about historic pub interiors which feature it.
I think the huge and extremely boring block of the Bank of New York Mellon at 160 Queen Victoria St now blocks this view of St Paul’s Cathedral. It might be possible, but difficult to design a building of less architectural merit.
City Golf Club, Bride Lane, City, 1987
I don’t think any golf was ever played at the City Golf Club and there were never any balls on the fairway in its left-hand window. The two people standing talking in its doorway are I think clearly employees rather than golfers. The Golf Club in Bride Lane a few yards from Fleet St was a members only drinking club much frequented by journalists at a time when pubs closed in the afternoons.
Daily Telegraph, Fleet St, City, 1987
Perhaps surprisingly the Daily Telegraph building dates from only 4 years before its near neighbour at the Daily Express. The Telegraph building has some Art Deco touches with Egyptian decorations which accord with its date of 1928, designed by Elcock C Sutcliffe with Thomas Tait, but seems rather old-fashioned and staid, with a monumental colonnade perhaps in keeping with its assumed gravitas, but seems to me despite its decorations a decidedly Edwardian building. Pevsner gave it a one of his more scathing reviews, “neo-Greco-Egyptian imitation has turned modernist, with much fluting, fancy iron-work and little to recommend it”. It was Grade II listed in 1983.
Probably my reason for photographing this building was that the Daily Telegraph had just moved out to offices in Victoria – and you can see the boards up in front of its ground floor as it was being made ready for occupation by investment bankers Goldman Sachs on lease until 2021. They moved to Plumtree Court in nearby Shoe Lane and the property, now owned by Qatar, is being again revamped.
Daily Express, Fleet St, City, 1987
The Daily Express had moved to their new building designed by Ellis and Clarke with Sir Owen Williams, very much in the modern movement of the age in 1931. It was the first London building where the outer wall was a non-structural ‘curtain wall’ and was Grade II* listed in 1972. Like its similar offices in Manchester it was known as the Black Lubyanka. When I made this picture in 1987 the newspaper was still produced here, moving out two years later in 1989 across the Thames to Blackfriars Rd. It came back to the City in Lower Thames St in 2004.
Some time last Saturday (19th December 2020) the total number of views of my photographs on Flickr passed the two million mark. Of course I have rather a lot of pictures on show, precisely 11,236 at the moment, so that’s only an average of around 178 views per picture if my arithmetic is correct.
Most of those 2 million views have been this year. Until the start of December 2019 I only had a free Flickr account which I had been required to set up to join a web forum, with a total of about 100 pictures on it. I set up a paid account and began uploading pictures seriously on December 3rd 2019, wanting to find a better way to share pictures with a wider public than my various web sites.
I looked at several alternatives, including Instagram before deciding to go with Flickr. I think Instagram would probably have provided greater visibility for my work, but I couldn’t find an easy way to upload large numbers of images. Flickr certainly isn’t perfect, and in particular those 2m views have largely been by other Flickr users rather than a more general public. But if you are thinking of using Flickr for showing pictures taken on film you may find my workflow described below useful.
It’s still taken considerable time to put over 10,000 images onto Flickr, but most of that time is in the digitisation of the negatives – now mainly using a Nikon D810 and a 60mm macro lens with the Nikon ES-2 adaptor which is far quicker than scanning – and their preparation.
Currently I import the photographs of the negatives into Lightroom, where I roughly crop off the borders and rotate them as necessary, rename them to my negative file numbers and use Negative Lab Pro to batch invert them to positives. I don’t really need NLP for black and white negatives, but it’s convenient and does a good job needing very little user intervention.
From LR I then export the original files to Photoshop for accurate rotation and cropping, and of course dust removal. Generally I’m finding that images digitised using the camera require less retouching than scanned images and except for some old negatives that are badly damaged this seldom takes more than a minute; using a cheap XP-PEN stylus and tablet makes this far easier and faster than a mouse. A Photoshop action does a little edge-burning to correct slight light fall-off at the edges, and to convert black and white images from 64bit colour to 16bit grey and I make any necessary slight adjustments to black and white points, curves etc before saving back as 16bit Tiff files to LR. These then become my master images and I remove the RAW files from LR, keeping them as a backup.
It’s taken me almost a year to work out the best way to add the Titles, Description and Tags for Flikr is to do this in LR – and you then have them available for other uses. The answer is of course metadata.
The keywords you put into LR are picked up by Flickr as ‘Tags’;
The IPTC Headline becomes the image title on Flickr (if the IPTC field is blank this defaults to the filename);
The IPTC Description becomes the Description on Flickr.
Some of my descriptions are several hundred words, but so far I’ve not come across any limits on either IPTC or Flickr. It’s better to enter the data in LR, partly because it is a little easier to do, but mainly because you have a copy safely on your computer. The Flickr web uploader does occasionally freeze or crash and lose data which can be very annoying if you have spent several hours on getting a large batch ready. The only things I need to do in the uploader is to drag in the files, select them all and chose an album for them to go in. I also usually drag the files around into the order I want them to appear in the album (or rather its reverse as Flickr seems to do things back to front.)
Entering the data in LR also has the advantage that I have it with the pictures on my computer for when Flickr’s life comes to an end or changes in such a way that I no longer wish to use it.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
