German Indications – The Web of Life

German Indications – The Web of Life: Back in the 1980s I still had aspirations to be a writer as well as a photographer, and later I did write many articles about photography and get paid for doing so – something I now continue on this site and elsewhere for free, largely because I like to share my own photography and some of my political views.

German Indications - The Web of Life

But way back my writing, or at least attempts at writing were rather different, and I combined them with images in a rather different way. Mostly those old attempts are lost and best forgotten, but in 2016 I republished some of them in my book ‘German Indications‘ still available on Blurb both in print and PDF format.

German Indications - The Web of Life

You can also see some of the pictures and read all ten stories on the web on a site which I wrote in 1997 on my Buildings of London web site. The web site has an introduction:

“THIS story began more than thirty five years ago with the words ‘Dear Linda and ‘Liebe Christel’ as two schoolgirls, one in England, the other in Germany became pen-friends. (It also begins further into the mists of cultural history in a fairy-tale wood, and in many other places.)”

“Later there two girls met, and after a while their husbands and children met also. It was this relationship which provided my opportunities to live and work in the home of a working-class German family in a small town in the north of Germany.”

German Indications

I made prints for the exhibition of this work in 1986 printing the colour slides on outdated and discontinued Agfa direct positive paper to give a particular effect, something I tried to emulate when making the digital versions for the book. And so both come with a disclaimer, “photography and writing are necessarily fiction-creating enterprises – Any resemblances in this work to actual people places or events
are simply resemblances

German Indications - The Web of Life

The stories were exhibited with the pictures in the show, and recently I was reminded of one of the pieces I’d written and performed it to some friends. Here it is in full.


THE WEB OF LIFE

WE were in a floating restaurant in Hamburg. Appropriately it was a fish restaurant. Since I don’t care for fish – eating them that is – you may ask what I was doing having lunch there.

Well, there are times when a man’s gotta do what a man’s gotta do in the service of peace, quiet and marital bliss, although currently the quiet was under heavy attack from some excessively leaden oom-pa-pa Muzak.

German Indications - The Web of Life

On my plate a spicy aromatic sauce was struggling hopelessly to overpower the nauseating amine overtones of an oily coelacanth.

You’ll understand how I felt if you’ve ever travelled overnight via Harwich for the continent, ten hours bouncing on a North Sea storm to arrive at a bleary Hook to find that the Boat Train has just this minute left because the ship was so late, so you all have to squeeze together in a very smart but very small blue and yellow local stopping everywhere service along the side of the estuary to Rotterdam.

The line passes an unnaturally neat chemical plant, so neat that you can imagine you are travelling on a model railway layout, but the whole neighbourhood is enveloped in a perpetual miasma, a synthetic putrefaction now resembling rotten fruit, now decomposing carcasses, which invades to produce a tautness and throbbing between your temples.

Edging the site are rows of model Dutch houses lived in by model Dutch people, their faculties no doubt cauterised by constant exposure, every pore and organ saturated with the oily stench. Here too was surely the water from which this fish had been plucked, for the olfactory danger signal reaching me from it was distinctly in the same register. Fortunately -what happened next absolved me from any obligation to eat it.

We were suddenly surrounded by a troop of senior citizens in full gear – hats, lederhosen, dirndls, the lot (the complete compulsory dress for almost any German TV show) and obviously all set for a great day out.

Soon their tables were head high with steins and great steaming plates and tureens, waitresses at the double to the repeated cry “more potatoes, more potatoes!” & cutlery and reserve were abandoned in a furious stampede of eating and drinking.

We quickly paid our bill and ran for the door, making dry land just in time as the weight of the meal capsized and sank the restaurant. Linda reached for her hanky; there was nothing else we could do. A few handbags and hats floated to the surface among the bubbles and debris as nature red in tooth and fin got down to feeding in their turn of the food chain.

A simple illustration of one of nature’s many cycles.


More stories and pictures online in the web site and in the book preview.

My London Diary Returns

I stopped putting new photographs on my ‘MY LONDON DIARY’ web site at the start of Covid, because there was little of much interest to add. But also for technical reasons, as I was getting rather close to the limit of number of files for the site of 262, 144 which is a restriction imposed by Linux.

Black Livew Matter, Staines, June 2006

I was ill in March 2020, and although my symptoms didn’t match those then listed on the NHS site they did accord with some accounts by confirmed Covid victims. Fortunately they were not too serious, though I felt pretty poor for a week or so, and months later was still having problems going up hills. As a journalist I could have continued working during the lockdown, but since both my age and diabetes both increased my risks and I decided to keep away from London, crowds of any kind and meeting people indoors.

I didn’t just stay indoors, but took advantage during the lockdown to explore the area around where I live, taking bike rides of around 10 miles most mornings at a moderate speed. It was great for the first few months when there was little traffic, and our area was unusually quiet with few drivers on the three motorways and few jets taking off and landing at Heathrow. I spent a lot of time walking and cycling along the course of one of our smaller local rivers, finding places where I could photograph it. And I wore out the chainwheel of my vintage bicycle – for which I’ve only yesterday found a replacement in rather less used condition. And I’ve also put around 20,000 of my older images, mainly of London, onto Flickr.

National Demonstration for Palestine, May 2021

Later came vaccinations, and a few weeks after my second jab decided I could stay home no longer, and I resumed work, though at a limited level on May Day 2021. But I still had not solved the problem about the file limit, so while I continued to upload pictures to the agency, I shared them with friends on Facebook rather than My London Diary.

Hiroshima Day, August 2021

I had another problem too. I had been writing My London Diary on a Windows 7 computer and had now moved to Windows 10. I’d been using the same version of Dreamweaver for around 20 years for writing this and other sites, as it worked for what I needed. But to get a new version for Windows 10 would mean doubling my Adobe subscription – and giving me something far more complex than I need. I hunted for the setup disks thinking I might be able to get the old software working on my new computer, but couldn’t find them – then realised I had installed it from floppy disks which would have been thrown away when I no longer had a drive to read them.

Trans+ Pride March, June 2021

I woke up in the middle of the night a few months ago and realised a part solution to my problems. Which was to make My London Diary a front end for those albums which I had posted on Facebook but which then rapidly disappear into its extensive bowels and are seldom if ever seen again. When I’m writing pieces for >Re:PHOTO I make many searches on Google, and pictures I’ve put on Flickr (with captions and keywords) often turn up, but I don’t recall ever having seen one from FB. But I can find them by scrolling down my many albums and they do have a URL. One advantage is that the images are much larger before, though you will only see this if you right-click on them and open them in a separate tab or downlad them.

Reclaim Pride, July 2021

So far I’ve only put a few month’s work on line, and it still isn’t fully integrated with the rest of My London Diary. Here’s the page for June 2020, and then for when I restarted in May 2021. The free (and open source) web editor BlueGriffon is a little clunky compared to my ancient Dreamweaver and lacks its library elements so I can no longer automatically update elements in a large number of files. I’m also having problems finding the images for some events – and had to make new albums for a few events for a year ago.

Industrial Archaeology: Gloucestershire, 1988

Lock gates, Lydney Harbour, 1988 88-7a-62-positive_2400
Lock gates, Lydney Harbour, 1988 88-7a-62

Some time in 1977 I visited Kew Bridge Engines in Green Dragon Lane, Brentford and was greatly impressed by the huge beam engines there, once used to pump water to the top of the tower. I had joined a local camera club, and they were running a photographic competition in conjunction with the site and allowed us free access. One of my pictures ended up with the second prize (rather to the surprise and disgust of many club members as I wasn’t really a ‘club photographer’) and also got printed in Amateur Photographer. You can see this and many other pictures on my web site London’s Industrial Heritage.

Blast furnace, Gunns Mills, Flaxley, Forest of Dean, 1988 88-7b-63-positive_2400
Blast furnace, Gunns Mills, Flaxley, Forest of Dean, 1988 88-7b-63

But it was there, either on that visit or a later one when I took my young sons and friends to Kew Bridge Engines for a birthday treat that I picked up a leaflet about the Greater London Industrial Archaeology Society, and I’ve been a member ever since. Though none of us to this day know how to pronounce GLIAS. And as I say on the web site set up for me by one of those two young boys 25 years on, “I’m not really an industrial archaeologist, but over the last twenty-five years I’ve photographed many things that interest industrial archaeologists.”

Gloucester Docks, 1988 88-7b-65-positive_2400
Gloucester Docks, 1988 88-7b-65

At least one of those boys came with me on a coach trip organised by GLIAS in June 1988 to Gloucestershire where we visited Lydney Harbour, Gunns Mills at Flaxley in the Forest of Dean, Gloucester Docks, the Old Sharpness Canal entrance and Sharpness Docks. It was a long day out, and we arrived back in London only just in time to run for the last train to Staines.

Old Sharpness Canal entrance, 198888-7b-21-positive_2400
Old Sharpness Canal entrance, 1988 88-7b-21

The weather wasn’t ideal, with some quite heavy rain at times, but I still took around a hundred pictures, and there are 29 of them in my album ‘GLIAS trip, Gloucestershire, 1988‘ some perhaps more interesting for their IA content than as photographs. I can’t tell you a great deal about the industrial archaeology, but I think some make interesting photographs, and others are welcome to make more technical comments either here or better on the album.

Old Sharpness Canal entrance, 1988 88-7b-24-positive_2400
Old Sharpness Canal entrance, 1988 88-7b-24
Sharpness Docks, 1988 88-7c-51-positive_2400
Sharpness Docks, 1988 88-7c-51
Sharpness Docks, 1988 88-7b-16-positive_2400
Sharpness Docks, 1988 88-7b-16

More at ‘GLIAS trip, Gloucestershire, 1988


GLIAS 50

Last Wednesday evening I went on a short walk with members of GLIAS, the Greater London Industrial Archaeology Society, from City Hall to Rotherhithe, one of a number of events marking 50 years of the society.

I’ve been a member of GLIAS for much of that time, first coming across it in 1977 when I visited Kew Bridge Engines, ostensibly for the benefit of my one-year-old son, and picking up a leaflet about it there. I’m not sure whether I joined it then, or after a second visit, when we took a party of slightly older boys on an outing for one of his birthdays.

Later that same son wrote a web site for me 20 years ago as a birthday present, London’s Industrial Heritage, a rather more professional site than my own various offerings, on which the black and white pictures here can be found, along with a couple of hundred others, dating from 1973-1986. Its a nice design which creates the site from templates, a database file and of course the images using a batch file which runs a Perl script, but in some respects it is now a little dated. Back then, 550 pixels seemed a sensible size for web images.

Although I have an interest in industrial archaelogy, I lack to engineering knowledge to be a true GLIAS member, and my one real attempt at site recording as a part of the organisation was frustrating. But then I’m not always very impressed by the standards of photography in many of their communications. ‘Record photography’ is sometimes used as a perjorative term, but the best record phography has a power and resonance that is undeniable, for example some of the work of Walker Evans.

St Saviour’s Creek, 2014. We walked around its landward end this week

Our walk the other night was a reprise of one made earlier by two leading GLIAS member back in the 1970s and published in a GLIAS walk leaflet. One is now longer with us, but Professor David Perrett, now Chairman and Vice-President was there to lead us. These published walks, sent free to members also sold well for a few pence at a number of tourist sites in the area. They prompted me to produce a similar leaflet, partly as an example for a desk-top publishing course I was then teaching, on West Bermondsey
in 1992, in part based on a walk led by Tim Smith for the GLIAS Recording Group :

“a downloadable illustrated leaflet for a walk that concentrates on the industrial archaeology of the former leather area of Bermondsey in South East London. I wrote this in 1992 largely to show how simple, cheap and easy it was to produce such things with Pagemaker and a laser printer. I sold around five hundred copies over the next five years, gave some to the church in Bermondsey St to sell, and gave away many more, before deciding to put it on the web rather than bother to print any more. Although the area has changed considerably, it it still an interesting walk to follow. “

The area has changed even more since I wrote this, but you can still download and follow the walk and find much of what was there in 1992.

West Bermondsey walk leaflet (PDF)


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