Posts Tagged ‘walk leaflet’

Blessing the Thames & Southwark Walk

Friday, January 14th, 2022

The Bishop of Woolwich throws a wooden cross into the River Thames to bless the waters. 

Sunday 14th January 2007 was a pleasant day for me. The weather was good, a bright winter day and I was up in London to photograph a very positive event, the Blessing of the River Thames, with plenty of time too for me to wander around one of my favourite areas of the city, south of the river in Southwark.

In the first ten years of this millennium I photographed a wide range of religious events that take place on the streets of London, particularly by Sikhs, Hindus and Muslims. But there seem to be rather fewer Christian festivals that are celebrated in public, though I think there have been more in recent years, with more public events in particular each year on Good Friday.

The procession comes from Southwark Cathedral

But the Blessing of the Thames is a recent addition, begun in 2004 by Father Philip Warner when he was appointed to the City of London church of St Magnus The Martyr, inspired by similar ceremonies he had experienced in the Orthodox Church in Serbia.

And is met by those from St Magnus at the centre of the bridge

St Magnus The Martyr was Sir Christopher Wren’s most expensive parish church and the traveller’s route into the City of London across the medieval London Bridge, in use from 1209 to 1831 led directly through its entrance porch under its tower after the church was rebuilt around 1676. Until 1729 when Putney got a bridge it was the only way across the river except by boat downstream of Kingston Bridge.

The church is one of the most interesting in London and well worth a visit, and among its treasures includes a very large modern model of the Old London Bridge. This was completed by ex-policeman David T Aggett in 1987, a year after his heart transplant, and found a willing home here after the Museum of London turned it down. A member and past Steward of the Worshipful Company of Plumbers, Aggett died a year ago at the age of 91.

You can find out more about the various editions of London Bridge from various bloggers including Laura Porter on Londontopia. Close to the south end of the bridge (which had a chapel on it dedicated to St Thomas which was the official start of pilgrimages to Canterbury) was the Church of St Saviour and St Mary Overie, until the dissolution in 1538 part of Southwark Priory and since 1905 Southwark Cathedral.

Processions from both churches met at the centre of the new London Bridge completed in 1972 for a brief service with prayers for all those who work on the river and in particular for those killed close to this point in the 1989 sinking of the marchioness close by, which climaxed with the Bishop of Woolwich throwing a wooden cross into the River Thames to bless the waters.

Ofra Zimballsta, Climbers, 1996-8, Borough High St

I’d come up earlier to take a walk around Southwark and Bermondsey and photograph some of the buildings, both old and new, in the area. Back in the 1990s when Desk Top Publishing was in its infancy I had written and published a walk leaflet (now a free download though a little out of date) on West Bermondsey which sold several hundred copies, and it was interesting to visit a part of this again.

#

When first produced, this walk was printed on a dot-matrix printer, though later copies were made on a black and white laser – an HP Laserjet 1100 still in use over 20 years later on my wife’s computer running Ubuntu.

I think I asked 20p for the leaflet, and using cheap third-party laser toners on cheap thin card it cost only a couple of pence to produce, though printing on dot-matrix was slow the laser speeded up things considerably – once the page was in printer memory it rattled off copies fairly quickly.

In 2007 there were few photographers at the Blessing of the River, but blogging was growing fast and more and more people were using camera phones. The following year I wasn’t able to get such good pictures as there were too many people jumping in front of me and obscuring my view. Photographers do sometimes get in each other’s way, but we do try to respect others, something which doesn’t even seem to occur to the newcomers.

But rather than go for a walk I did go with those celebrating the event and have lunch in the crypt of St Magnus, after which I took a few pictures inside the church, then rather thick with incense.

Scroll down the January 2007 page on My London Diary for more pictures of Blessing the Thames & Southwark Walk.


FlickrFacebookMy London DiaryHull PhotosLea ValleyParis

London’s Industrial HeritageLondon Photos

All photographs on this page are copyright © Peter Marshall. Contact me to buy prints or licence to reproduce.


GLIAS 50

Friday, July 19th, 2019

Last Wednesday evening I went on a short walk with members of GLIAS, the Greater London Industrial Archaeology Society, from City Hall to Rotherhithe, one of a number of events marking 50 years of the society.

I’ve been a member of GLIAS for much of that time, first coming across it in 1977 when I visited Kew Bridge Engines, ostensibly for the benefit of my one-year-old son, and picking up a leaflet about it there. I’m not sure whether I joined it then, or after a second visit, when we took a party of slightly older boys on an outing for one of his birthdays.

Later that same son wrote a web site for me 20 years ago as a birthday present, London’s Industrial Heritage, a rather more professional site than my own various offerings, on which the black and white pictures here can be found, along with a couple of hundred others, dating from 1973-1986. Its a nice design which creates the site from templates, a database file and of course the images using a batch file which runs a Perl script, but in some respects it is now a little dated. Back then, 550 pixels seemed a sensible size for web images.

Although I have an interest in industrial archaelogy, I lack to engineering knowledge to be a true GLIAS member, and my one real attempt at site recording as a part of the organisation was frustrating. But then I’m not always very impressed by the standards of photography in many of their communications. ‘Record photography’ is sometimes used as a perjorative term, but the best record phography has a power and resonance that is undeniable, for example some of the work of Walker Evans.

St Saviour’s Creek, 2014. We walked around its landward end this week

Our walk the other night was a reprise of one made earlier by two leading GLIAS member back in the 1970s and published in a GLIAS walk leaflet. One is now longer with us, but Professor David Perrett, now Chairman and Vice-President was there to lead us. These published walks, sent free to members also sold well for a few pence at a number of tourist sites in the area. They prompted me to produce a similar leaflet, partly as an example for a desk-top publishing course I was then teaching, on West Bermondsey
in 1992, in part based on a walk led by Tim Smith for the GLIAS Recording Group :

“a downloadable illustrated leaflet for a walk that concentrates on the industrial archaeology of the former leather area of Bermondsey in South East London. I wrote this in 1992 largely to show how simple, cheap and easy it was to produce such things with Pagemaker and a laser printer. I sold around five hundred copies over the next five years, gave some to the church in Bermondsey St to sell, and gave away many more, before deciding to put it on the web rather than bother to print any more. Although the area has changed considerably, it it still an interesting walk to follow. “

The area has changed even more since I wrote this, but you can still download and follow the walk and find much of what was there in 1992.

West Bermondsey walk leaflet (PDF)


There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

To order prints or reproduce images