Nikon D100 | Re-photo

Posts Tagged ‘Nikon D100’

Invasion of Iraq Protest 2003

Friday, March 22nd, 2024

Invasion of Iraq Protest 2003 – On 22nd March 2003 several hundred thousand people marched through London against the invasion of Iraq which had begun four days earlier on on 19th March 2003.

I’d missed the huge worldwide protests the previous month, when on the weekend of 15-16th February according to the BBC, always conservative (I think a euphemism for deliberately lying) on protest numbers reported that a million people had marched in London on the Saturday among between six and ten million in 60 countries around the world.

I’d come out of hospital the previous day, February 14th, and was still very weak following a minor heart operation that had gone slightly wrong. So I could only wave to my wife and elder son as they set off to the station to join the other 1.5 or 2 million marchers.

I think it was March 6th that my doctor signed me off as fit to work, though I was still not back to normal, but I covered my first protest after the op two days later, cutting down the weight of my camera bag as much as I could to two cameras and five lenses – all primes.

I’d spent some of my time recovering getting used to the Nikon D100 I had bought just a few weeks before going into hospital. It was the first digital camera I’d owned capable of professional results, and the first with interchangeable lenses, though I only then owned one in a Nikon fitting I’d bought with the camera, a 24-85mm.

As well as taking colour pictures on the D100, I was also taking black and white film using a rangefinder camera, probably a Konica Hexar RF, the kind of camera Leica should have produced but never did. It featured automatic film advance and rewind and had accurate auto-exposure and has been described as “the most powerful M mount camera there is.” And very much cheaper than a Leica. The nine pictures from the day I sent to the library I was then using were all black and white 8×10″ prints from the pictures made with the Hexar RF, as in 2003 they were still not taking digital files.

Here you can see some of the digital images I took on 22nd March 2003 with that single zoom lens. It was the first zoom lens I had used for over 25 years, having been rather disappointed with a telephoto zoom I bought soon after I got my Olympus OM1. The image quality on the Nikon zoom – about the cheapest lens in their range and light and relatively small – was fine if not quite up to the Leica lenses on the Hexar, but it gave some distortion – barrel at 24mm and pincushion at 85mm.

But the Nikon D100 was a DX format camera, and on this the widest angle of view marked as 24mm actually was equivalent to 35mm on my film camera. Hardly wide-angle at all, and on film I was often working with 15mm or 21mm lenses.

The digital images are shown here as I put them on-line in 2003, and I think I would get the colour rather better now. And of course digital cameras have improved tremendously since then, with much better dynamic range, and the software for processing digital images is also far better. Also with download speeds generally much lower in 2003 they were put on line at a much poorer jpeg quality so they would download faster – and also spread over a number of pages with perhaps just half a dozen images on each page.

The marchers met on the Embankment and marched to a rally in Hyde Park. I think I only used the D100 before and on the march and photographed the rally entirely in black and white. Probably this was a decision I made, but it could have been because the battery ran out. But I think I had decided just to use it to photograph people on the march.

We now know that Blair lied to take us to war and made use of the fake “dodgy dossier” to swing the vote in Parliament. There were no “Weapons of Mass Destruction” in Iraq – and the UN had found none because there was nothing to find. But the US had been gearing up to attack over the past year and were not going to let the facts put them off, and Blair was their lap dog.

You can read more about the Invasion of Iraq on Wikipedia. While the US had prepared for war, they had made little or no preparation for what was to follow after President George W Bush declared the “end of major combat operations” on May 1st. Iraq was still in a mess when the US troops finally withdrew in 2011 and remains so today. It was as I wrote in 2003, the wrong war at the wrong time – and by 2023 over 60% of US citizens were prepared to state that the U.S did not make the right decision by invading Iraq.

More on the March 2003 page of My London Diary where you can also find pictures of another protest against the war on Saturday 29th March calling for more balanced coverage by the BBC.

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All photographs on this page are copyright © Peter Marshall.
Contact me to buy prints or licence to reproduce.

Tags:2003, BBC, Blair, dodgy dossier, download speeds, DX format, George Galloway, George W Bush, Hexar RF, invasion of Iraq, Konica Hexar RF, London, march, March 2003, My London Diary, Nikon D100, peter Marshall, Peter Tatchell, pin-ups for peace, poorer jpeg, protest, Tony Blair, weapons of mass destruction, WMD
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Christmas Displays – 2003

Tuesday, December 26th, 2023

Christmas Displays – Back in December 2003 I walked and cycled over much of the outer areas of London to photograph the Christmas displays that people had put on the outside of their houses, sometimes collecting large amounts for charities. Twenty years ago I was of course 20 years younger and considerably fitter – and had been told by my doctor to get a lot of exercise after a rather minor heart op at the start of the year.

My heart attack had coincided with a couple of other important events in my life at the end of 2002, the start of my change to digital photography with the purchase of a Nikon D100, one of the first affordable digital SLR cameras capable of professional quality, and of a folding bicycle. This camera and the Brompton were both essential to this project, as was the Internet, where I appealed for details of where the more interesting displays could be found.

Cameras have improved considerably over that 20 years and photographically it would be much easier to take pictures like this now, with cameras having a greater dynamic range and also many incorporating easy to use HDR modes. This was one of the few projects I’ve carried out where the use of a tripod – a sturdy Manfrotto – was essential, and for some images I was able to combine two different exposures.

Here with minor corrections is what I wrote about these pictures 20 years ago:

Christmas is on its way, and houses all over Britain are beginning to display the signs, some more tastefully than others. Some I’ve found are rather impressive, others I find amusing, but your opinions may well differ.

Christmas has almost completely lost the connection it had to the nativity, and the ‘Christmas Story’ is now one of cash registers and a Santa Claus who owes as much to advertising as to Saint Nicholas. Originally of course this was a pagan festival, from over 4000 years ago, the feast of the goddess of nature, an occasion for drinking, gluttony and gifts, so perhaps we really are getting down to our roots for once.

Many celebrations, especially those for Yule (the ‘wheel’ or sun) were on the winter solstice – the shortest daylight, usually on Dec 21 or 22, when the rebirth of the sun was celebrated. Pope julius I decided it would be a good idea for Christians to celebrate the birth of Jesus on Dec 25th back in 350AD, so that Christians could go on celebrating Yule and not feel bad about it, celebrating the birth of the son while others were celebrating the birth of the sun.

Christmas as we know it only came in around the 1500s in Germany, many of its customs only arriving here when Victoria married Albert. Our modern picture of Santa developed in the USA in the mid nineteenth century, particularly in the drawings of Thomas Nast for ‘Harpers’, and the jovial fat bearded man in red and white was well-established before Haddon Sundbloom annexed him for his fantastically successful coke adverts. Although Coca-Cola didn’t invent Santa, it was largely the power of their advertising that sold him around the world.

These decorated houses, often an attempt to go one better than the Joneses, have become an urban folk art; one of the glories of folk art is that it is seldom polite or tasteful, sometimes incredibly kitsch and over the top. Despite my misgivings on grounds of religion, ecology, upbringing and reserve I love them. At the very least they add a little colour to our lives.
My London Diary

Some of the better pictures are on the page linked above, which also has some more about my travels around London in search of them, but others are rather scattered around on other pages from the month.

Now I’m out to get a little exercise, with a five mile walk to a meal with relatives which has become a tradition with us on Boxing Days. Last year I wrote a little about this on >Re:Photo in the post Boxing Day Walks (and Rides) with pictures from 2005.

Flickr – Facebook – My London Diary – Hull Photos – Lea Valley – Paris
London’s Industrial Heritage – London Photos

All photographs on this page are copyright © Peter Marshall.
Contact me to buy prints or licence to reproduce.

Tags:2003, Brompton, Christmas, Christmas displays, Christmas Lights, darkness, decorated houses, folding bicycle, London, London Photos, Night, Nikon D100, peter Marshall, Santa Claus, twilight, Xmas, Yule
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Stop Bush National Demonstration – 2003

Monday, November 20th, 2023

Stop Bush National Demonstration – It seems so long ago; on Thursday 20th November 2003, 20 years ago today, I photographed the protest against then US President George Bush in London.

The protest came just 8 months after the US under Bush had led the invasion of Iraq, aided by Tony Blair who had lied to Parliament and presented a fake dossier to take Britain to war as well.

The US had claimed their action was necessary to “disarm Iraq of weapons of mass destruction, to end Saddam Hussein’s support for terrorism, and to free Iraqi people”. It wasn’t long before it became clear that those who had always said there were no weapons of mass destruction in Iraq were proved correct, and although Saddam was killed the invasion encouraged support for terrorists across much of the world, and rather than becoming free the people of Iraq were subjected to still continuing years of misery.

A 2023 report by the Stockholm International Peace Research Institute comments that the invasion “ushered in years of chaos and civil war, as a variety of armed groups vied for power and territory and targeted coalition forces and the fledgling post-Ba’athist Iraqi Army. A period of relative calm in the early 2010s was broken by the rise of the extremist Islamic State group, which occupied large parts of the country from 2014 until it was largely defeated by Iraqi forces with the support of a US-led international coalition in 2017.”

It goes on to say that the country is now in 2023 at its most stable since the invasion, but “Armed violence persists in different forms, but it is sporadic, fragmented and localized. However, the country remains fragile and divided, and its people face an array of deepening challenges that the state is struggling to address.“

Twenty years ago I was just beginning to work using a digital camera. The Nikon D100 was one of the first affordable generation of digital SLRs, released in the USA at around the same time as the Canon EOS D60, both with a price tag of just under $2000, though I forget what I paid for it here in the UK.

It was still a rather primitive beast, with a 6Mp sensor roughly half the size of a 35mm film frame in what Nikon dubbed DX format. It’s viewfinder was small and dim, making working with it rather more difficult than the film cameras – both SLR and rangefinder – that I had been using.

And having spent so much on a camera, I also had to buy a lens. I’d long been using Olympus SLRs along with Leica and other cameras with the Leica-M mount and had a full range of lenses for these, but nothing with a Nikon mount. So along with the camera I’d bought what was the cheapest zoom in their range, a 24-85mm with a maximum aperture of around f3.5. On the D100 that worked as a 36-127mm equivalent.

It was a useful lens, and a very decent performer, but still rather limiting, with no real wide-angle capability. So alongside the D100 I would also be working most of the time with two other cameras, one loaded with colour negative film and the other black and white.

But there was a huge advantage with digital, in that I could send off files to an agency within hours of taking them, while with the black and white it was probably a day or two before I made prints to take or send. Publishing too had largely moved to colour and colour images were now wanted rather than black and white.

Although I developed and at least contact printed the films I took then, I think I’ve made very few if any prints from this or other events at the time. And any I have made since will have been printed digitally from scans of the negatives.

Digital gave an immediacy, but there were still problems with handling the files. Software to process the RAW images that were needed to get the most out of the digital files was still rather primitive by current standards, and most of the images I processed back then have a slightly muddy look. Nikon’s colour rendering was I think more to my taste than Canon, but still not up to that from film, though now we get far more accurate colour from digital. When Adobe introduced Lightroom in 2007 it was a little of a step backwards, but since then it has improved dramatically.

Those early sensors also were not too great with high contrast subjects and for some years I worked much of the time with fill-in flash on sunny days. Fortunately this was something that digital camera and modern flash systems made a simple routine.

On My London Diary I was still experimenting in how to present digital work on the web, and the thumbnail pages I created here were not the best of ideas. But the 80 images presented there – around a third of the exposures I made – perhaps give a good idea of how I worked. Clicking on any of them gives a page with slightly larger views of several of them.

Tags:6Mp, Bush & Blair, civil war, DX format, fake dossier, Iraq invastion, Iraq war, Ken Loach, Leica-M, Lightroom, London, march, Nikon D100, Olympus, peter Marshall, protest, Saddam Hussein, Stop Bush, terrorism, terrorists, war criminal, weapons of mass destruction, WMD, years of chaos
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St Patrick’s Day Celebrations in London

Friday, March 17th, 2023

It’s now 21 years since St Patrick’s Day was first celebrated on a large scale in London, thanks to then London Mayor Ken Livingstone, who had long been a supporter of Irish republicanism, and MP for Brent East, from 1987 to 2001. His constituency included areas around Kilburn – Brent is the London Borough with the largest Irish population.

Until forced to drop its policies because of Tory cuts, Brent had a great record of supporting celebrations of a number of festivals for its different communities, and and last year I posted here about the various years I photographed the Brent St Patrick’s Day Parade.

In 2002, London had its first St Patrick’s Day Parade, from the Catholic Westminster Cathedral to Trafalgar Square, where there were a range of Irish performances and a great deal of singing and drinking to celebrate the event.

Unlike the Brent celebrations which were on the day itself, the official London celebrations which have continued annually since then happen on the day itself. In 2002 St Patrick’s Day was on a Sunday (and in 2013 and 2019) and the parade took place on the day, but in other years it has been celebrated on the nearest Sunday.

I did go back in 2003 to celebrate St Patrick’s Day, when the parade began from Hyde Park, but found it rather less interesting. Somehow I never got around to uploading any of the pictures I took to My London Diary, so these colour images are on-line for the first time.

These pictures were taken on my first digital camera capable of professional results, a Nikon D100, which was capable of making high quality digital images, although its 6.1Mp now seems meagre. Its small, dim viewfinder was also rather primitive and at the time I only owned a single lens to fit it, a 24-80mm zoom, which on its DX sensor gave the equivalent of a 36-120mm on 35mm film.

I was also working with two film cameras, one with black and white film and the other with colour negative, both I think using wider lenses. The pictures might be better, but I’ve only ever got around to printing one of them. It was coverage of events like these that really made me appreciate the huge advantage of digital, that the results were immediately available. I’ve still not digitised any of the colour pictures from 2002 or 2003.

It was this that really made possible ‘My London Diary’, though I had begun it a little earlier – and there is some earlier colour work taken with consumer-level digital cameras on it among the mainly black and white images which then were scanned from the 8×10″ RC prints I made to give to a picture library.

My London Diary has taken something of a rest recently, though I may go back to it at some later date. The reasons for this are mixed. The pandemic meant there was nothing much to add for rather a long time, just a lot of pictures taken on local walks and bike rides. the software I used to write it doesn’t work on my more recent computer, and I’ve almost reached the limit of the number of files that my web server allows. If I’d kept uploading files I could not have continued with >Re:PHOTO.

Tags:2002, 2003, black and white, celebration, colour, digital camera, hyde park, Irish, Ken Livingstone, London, London Photos, Nikon D100, parade, peter Marshall, piper, shamrock, St Patrick, St Patrick's Day, Trafalgar Square
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Stanford-le-Hope and Mucking

Sunday, December 4th, 2022

December 2004 was not a great month for weather and it shows in the pictures than I took along the Thames estuary in Essex on Saturday 4th December. But perhaps they are appropriate for the landscape although were I to go back to the RAW files I took – using the Nikon D100 and mainly the then groundbreaking Sigma 12-24mm wideangle zoom – and reprocess them with more recent conversion software they might be a little less drab.

I took my folding Brompton with me on the train, although much of the route I took was on footpaths. Bromptons are not great off-road bikes and I was probably wheeling it quite a lot of the time, but it carried the weight of my gear in its front bag and let me go quickly along some of the less interesting parts of my route.

I’m not sure if it was on this ride or on another in this part of Essex where the chain came off thanks to an excessive amount of mud and became somehow locked out of place between the frame and some other part, locking the rear wheel completely. I struggled for perhaps 10 minutes to free it without success and had almost become resigned to having to carry it some miles to the nearest station, a rather daunting prospect as together with cameras etc it was a rather unwieldy 40lbs or so.

Fortunately I was saved by a stranger who came along the path and rather stronger than me managed to pull the trapped link free – though getting his hands covered in oil and mud to do so. I was extremely grateful, thankful and rather embarrassed at the mess he was in, though handing him my oily bike rag to wipe the worst off. It’s great that some people at least will go out of they way to come to the aid of others.

As well as some of the pictures as I posted them at the time, I’ll also put on the text I wrote then on My London Diary, where you can see more pictures. I’ve edited the text slightly, mainly to restore normal capitalisation which makes it rather easier to read.

December started a drab month, with little light, but the forecast for Saturday 4th suggested the mist and cloud would clear, so I set off for Stanford-le-Hope. Single or return asked the ticket seller, I wouldn’t want to stay there I told him.

From the station I turned left and then south towards Mucking and the river. Disappointingly the church in Mucking is now a private house, and the churchyard only open by arrangement. The footpath led through a nature reserve, the largest bog of its type in England, and then turned past a large complex of unfilled gravel pits towards Mucking Creek.

Names on maps can have a fascination, and Mucking Marshes, Mucking Flats, Mucking and Mucking Creek were places I needed to see. In good light they would have been great, but on a dull grey day they lacked sparkle.

The footpath led along the riverside towards Corringham and Shell, but disappointingly the bridge across a small creek had disappeared. There was an unmarked detour along the goods line, but not the same. I returned to Stanford-le-Hope splashing through huge puddles in the rutted lane. One of its few claims to fame is as the home of writer Joseph Conrad, but the cottage in which he lived is surrounded by a high fence and there is little to see.

My London Diary – December 2004

Tags:bike ride, Brompton, creeks, D100, deolate, digital camers, DSLR, Essex, Essex marshes, estuary, man-altered landscape, marshes, Mucking, Mucking Creek, Mucking Flats, Mucking Marshes, nature reserve, Nikon D100, peter Marshall, River Thames, Sigma 12-24mm, Thames, Thames Estuary, Walk, wideangle zoom, wrecked bike, wrecked car
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The Wall Must Fall & Kyoto March

Monday, May 16th, 2022

Back in 2004 I was still working with the Nikon D100, one of the first really affordable DSLR cameras which I bought when it came out in 2002. It used a 6Mp Sony sensor in what Nikon called DX format – though it could have been called half-frame. For years Nikon insisted we didn’t need larger sensors, and though they were correct, marketing pressure eventually forced them to move to “full-frame” and us zombies followed them.

The D100 was a decent camera, but let down by a rather small and dim viewfinder, and to some extent by the processing software available at the time for its RAW images. If I had the time to go back to the RAW files these images would look sharper and brighter. Here are a few of those I posted on My London Diary from the two events I photographed on 16th May 2004 along with the two sections of text (with some minor corrections.)

The wall must fall. Free Palestine rally, Trafalgar Square

Israel has a right to exist and defend itself, but not to put itself outside international law. We all need peace in the Middle East. Support for Palestine is also support for an Israel that can coexist with the rest of the world, and for the rest of the world.

*Peter Tatchell protests the persecution of Queers in Palestine*

The wall must fall rally in Trafalgar square on 16 May 2006 started with an an ugly scene, when stewards stopped Peter Tatchell and a group from Outrage from being photographed in front of the banners around Nelson’s column.

*Neturei Karta orthodox Jews had walked down from Stamford Hill on the Sabbath to oppose Zionism*

The rally organisers argued that raising the question of the persecution of gays in Palestine distracted attention from the Palestinian cause. Their childish attempts to distract the attention of photographers by jumping in front of the outrage protesters, holding placards in front of theirs and shouting over them simply increased the force of Tatchell’s arguments.

Fortunately the rally soon got under way, the main speaker was Jamal Jumaa – director of the Stop The Wall campaign in Palestine, although there were many other speakers, including Sophie Hurndall, the brother of Tom the murdered peace activist, Green MEP Caroline Lucas, Afif Safieh, Palestinian general delegate to the UK, George Galloway and more. Too many more for most of us.

War On Want activists came with a wall to dramatize the effect of the wall in Palestine. When the march moved off down Whitehall, the wall walked with them, and it was erected opposite Downing Street. There was a short sit-down on the road before the event dissolved.

Campaign against Climate Change Kyoto March, London

*Bristol Radical Cheerleaders in the Kyoto march to the US embassy*

I caught up with the Kyoto march, organised by the campaign for climate change, as it reached Berkeley Square on the last quarter-mile of its long trek from the Esso British HQ in Leatherhead. Esso are seen as being one of the main influences behind the refusal by George Bush and the US administration to ratify the Kyoto accord. The campaign has organised a number of marches in London, and this is an annual event.

Among the marchers it was good to find a number dressed ready for the promised ‘dinosaur party’ at the US embassy, as well as the fantastic Rinky Dink cycle-powered sound system. It was also good to meet a couple of the Bristol Radical cheerleaders again, bouncing with energy as ever. A little colour was also added by a small group of of Codepink activists forming a funeral cortege, carrying the globe on their coffin.

The police in Grosvenor square were not helpful, but eventually the speeches got under way in the corner of the square.

You can find more pictures on My London Diary starting from the May 2004 page or from the pages for the two events, The Wall Must Fall and Campaign against Climate Change.

Tags:apartheid, DX format, Free Palestine, Israel, Israeli apartheid, London, march, Nakba, Nakba Day, Nikon D100, Outrage, Palestine, peter Marshall, Peter Tatchell, protest, The Wall mUST FALL, War on Want
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City Walk 2004

Wednesday, December 16th, 2020

I can’t remember exactly why I went up to London on 16th December 2004, but my pictures taken that day tell me fairly clearly the route that I took, taking me in a rather roundabout fashion from London Bridge to a meeting with someone at the Museum of London.

It was a fine day, and I’d obviously decided to take an early train to give me time to wander and take a few photographs before the meeting, arriving at London Bridge Station over an hour before. I can tell this because I was using a digital camera, my first interchangeable lens digital camera, a Nikon D100 and can read the times the images were made from the Exif data embedded in the files – such as the example below.

1/200s, f/7.1, ISO 400
Mode: P, Meter: Matrix, No Flash, Auto WB
Focal: 52mm, 16/12/2004 14:49:27, Adobe RGB (1998)
6.1MP (3,030×2,021) NIKON D100

I only used one lens, the very versatile 18-125mm f3.5-f5.6 Sigma lens, a relatively light and compact zoom that really showed the advantage of the DX system over the later bulkier full-frame lenses. I imagine its test results wouldn’t quite match those of more expensive Nikon glass, but the images seem fine and sharp looking at them now.

Although the D100 was only a 6 Mp camera, this provided images at 3030 x 2021 that were large enough for most repro purposes and gave me excellent prints at 12×8″ and even larger – one picture from it – taken with another Sigma lens – went on exhibition 2.3m wide and paid well.

I think I will have taken these pictures using RAW files, though it would take me a while to locate these on a backup disk, and I only have jpegs and some tiff files to view on my current system. Software for converting from RAW has improved significantly since 2004 and I would almost certainly be able to produce some improvements, in particular reducing the little colour noise present in some. But I think they are fine as they stand.

I arrived at the meeting presumably on time but can tell you nothing about it other than it probably lasted for a little over an hour and came out to make my way home a little after 4.30pm, by which time it was dark. I took a picture of Shakespeare’s bust using the D100’s built-in flash – which came out as badly as you would expect, one in the interior of No 1 Poultry you see here, and then stood still for a final picture on the moving walkway taking me down to the ‘drain’ (Waterloo & City line) to Waterloo for the train home.

A few more pictures from the walk and others from December 2004 on My London Diary. It was a month I also visited Mucking (its in Essex) and photographed ‘Fathers For Justice’ protesting in Santa suits and took a couple of walks close to where I live. All have something of a sepia quality – thanks to the raw conversion – which I find quite appealing and perhaps nostalgically appropriate.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Tags:City, City of London, D100, EXIF, London, London Bridge, Nikon, Nikon D100, peter Marshall, River Thames, Sigma lens, Walk
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Anniversaries

Thursday, August 8th, 2019

We celebrate many anniversaries, and forget others. Some are personal and others more universal, but you can be sure that any day of the year is being commorated somewhere by someone. This post will go online on August 8th, the 74th anniversary of the dropping of the second atomic bomb, at Nagasaki, two days after the more widely remembered bomb at Hiroshima.

On 6th August this year – as on many past years – I went to a Hiroshima Day commemoration in London, and of course photographed it. It will be a few weeks before I put the pictures on My London Diary, though they went to Alamy and Facebook on the day. The first time I put pictures on-line from one of these annual events was in 2004 but that was perhaps simply because it was the first I attended with a digital camera.

The Nikon D100 was primitive by today’s standards, producing small files, only 6.1Mp on its APS-C sensor, and with a small and rather dim optical viewfinder, but the images – still on line on My London Diary – disappoint largely because of the indifferent raw processing software – and possibly my lack of skill in its use, as you can see from the rather murky examples here.

Under favorable conditions the D100 was capable of producing excellent images – and one image from it of a very different occasion was on exhibition for some years as a 2.3 metre wide print, but it was a pig to use. But I really should hunt out those old RAW files, stored on CDs which are still readable (and possibly also on old hard disks which can also still be read) and make some new conversions.

Of course the conditions in Tavistock Square are usually challenging. It almost always seems to be a sunny day, with the sun coming from the wrong direction for most photographs, and being filtered through the leaves of trees, one the Hiroshima Cherry Tree, grown from a seed from Hiroshima and planted in Tavistock Square in 1967 by the then Camden Mayor Millie Miller, whose son Bernard was one of the speakers this year. In his speech about many remarkable women involved in peace commemorations he did tell us who the other tree commemorated, but I’m afraid I’ve forgotten her name.

The association of the Mayors of Camden with the event continues, and almost every commemoration has been opened with a speech from the Mayor (or Deputy Mayor) who has then gone on to lay a wreath at the Hiroshima Cherry Tree. The only exceptions have been the fortunately rare Conservative mayors of the London borough who declined to take part, presumably not wanting to be in any way associated with peace.

Hiroshima Day in Tavistock Square back in 2004 was something of a historic event in itself, compered by Jeremy Corbyn, with speakers including Tony Wedgewood Benn and with former Labour leader Michael Foot attending. Moredecai Vananu had been invited but was not allowed to leave Israel.

Tags:Aug 8th, Nikon D100
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