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Our Lady of Mount Carmel – 2009

Our Lady of Mount Carmel: I think it was in 1992 that I first photographed the Procession in Honour of Our Lady of Mount Carmel which has taken place at St Peter’s Italian Church in Clerkenwell since 1883. You can find around 50 of my photographs from that year in my Flickr album 1992 London Photos which you can access by clicking on this, the first picture in the set:

Float, Procession, In Honour of Our Lady of Mount Carmel, St Peter's, Italian Church, Clerkenwell Rd, Clerkenwell, Camden, Islington, 1992, 92-6y-62 — *1992*

I went back the following year, and I think the pictures from 1993 are generally better.

First Communicants, Our Lady of Mount Carmel, Italian Festival, St Peters Church, Clerkenwell, Camden, 1993, — *1993*

And I’ve been there most years since when I’ve been in London at the right time in July, though I’m not sure if I will go this year, when The liturgical feast of Our Lady of Mount Carmel is celebrated on 16th July and the procession takes place on a Sunday close to that – the 2024 Procession is on the afternoon of Sunday 21st July.

It’s London’s most colourful Christian procession and the celebrations around it have an Italian liveliness – and most years I’ve gone together with a fellow photographer of Italian origin and we have enjoyed a few glasses of cheap Italian wine together. But we are getting older and the wine is getting more expensive…

And while its still a fine event to attend, in recent years it has perhaps lost a little, and like most events become a little more formalised and a little less spontaneous, harder to take the kind of informal images I like and which I hope reflect more the atmosphere of the event.

All of the colour pictures here are from Sunday 12th July 2009 which I think was for me a fairly typical year, with one exception. At the centre of the event for me photographically has been the release of doves, usually by three of the clergy. The doves fly unpredictably and extremely rapidly when released, and capturing them in flight is a challenge. In 2009 I got lucky.

Back in 2009 I was working with a Nikon D700 and made this picture with the focal length set to 24mm. That camera could take pictures at 5 frames per second, though I probably relied on pressing the button at the right time. Fortunately I’d decided to set a small aperture, f16, to try to keep clergy, background and doves in focus, although working at ISO400 this meant a slightly slow shutter speed, 1/250s.

Nikon’s autofocus kept up with the pigeon as it flew directly towards me, and its feathers and claws are the sharpest part of the image, with the background remaining only slightly out of focus thanks to the small aperture. The wingspan of a pigeon is around 30 inches and a little elementary maths tells me the bird must have been just over 2 feet from the camera. I certainly felt the breeze as it passed inches over my hair.

You can read more about the 2009 event, including the lively Italian festival – the Sagra – with various stalls food, drink, dancing and more in a street below the church, as well as the procession itself with its various floats and walking groups including the first communicants and others who carry the statues of saints on My London Diary.

The clergy join the procession in front of the last float, which carries the statue of Our Lady of Mount Carmel, and a large crowd of parishioners follows after it as it goes around the local area before returning to the church.

Also on My London Diary are pictures from the processions in 2008, 2007, 2006, 2005, 2004, and 2003 as well as some later years. Our Lady of Mount Carmel 2009

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Mecca, Statues, Bakers, Ladders, Timber… 1989

Mecca, Statues, Bakers Ladders, Timber… Continuing my walk on Sunday September 3rd 1989 which had begun in Stratford, from which some images appeared in my web site and self-published book ‘1989’, ISBN: 978-1-909363-01-4, still available. The pictures here are in the order I took them. For those images which were in the book I’ll show the book pages here.

*Mecca, Bingo Hall, 468, Hoe St, Walthamstow, Waltham Forest, 1989 89-9a-11*

Back at the Bakers Arms after a little stroll on Leyton Flats I found this closed Mecca Leisure Bingo Hall on Hoe Street, its ground floor frontage covered with flyposting. Cinema Treasures says it opened as The Scala Cinema in 1913, was renamed the Plaza Cinema in 1931 and then closed, reopening in 1933. After its next name change in 1961 to The Cameo Cinema in 1961 it kept going for two years before becoming a Mecca Bingo Club. Left derelict for 18 years after this closed in 1986, it was taken over by a church in 2004, Grade II listed in 2006 and now looks much better. The listing text calls it the Former Empress Cinema and notes its still existing elaborate interior plasterwork.

Mecca, Statues, Bakers Ladders, Timber — *Child mannequins, shop window, Hoe St, Walthamstow, Waltham Forest, 1989 89-9a-12*

London Master Bakers, Benevolent Institution, Lea Bridge Rd, Leyton, 1989 89-9a-13 1989 89-9a-13 — *London Master Bakers, Benevolent Institution, 551, Lea Bridge Rd, Leyton, 1989 89-9a-13 1989 89-9a-13*

The London Master Bakers’ Pension Society (now the Bakers’ Benevolent Society) was founded in 1832 and in 1854 decided to build almshouses. The foundation stone for the first was laid in 1857 and the first block of 18 were finished by 1861 and the rest by 1866, providing homes for elderly poor bakers and their widows.

In the late 1960s the site was purchased, probably as a part of a GLC road-widening scheme and the Bakers moved out to new villas in Epping. The almshouses were saved from further threats to demolish them by Grade II listing in 1971 and were purchased by Waltham Forest Council for use as 1-bed flats.

This is now Clow Group Ltd, Diamond Ladder Factory, still in this shop on the corner of Shortlands Rd.

*Bakers Arms Tyre & Brake Co, 545, Lea Bridge Rd, Leyton, Waltham Forest, 1989 89-9b-62*

Rather to my surprise this corner of Russel Road and Lea Bridge Road still looks remarkably similar although the names have changed and the central buildings have been rebuilt, I think with a slightly wider pavement. But it still sells tyres and cars and there is still a shed on the corner, though no longer named the DUCK INN, and the buildings down Russell Road still look much the same.

*House, 27, Capworth St, Leyton, Waltham Forest, 1989 89-9b-66*

This house was demolished to build a modern office for the Capworth Panel & Timber Co Ltd, which was dissolved in 2012. As well as the main house all of the sheds and buidings at right also went.

The house had obviously seen grander days, and I wonder it it had originally had a carriage entrance at left where the brickwork does not quite match and the window and door are clearly much more modern, perhaps having been added at the same time as the first floor windows were given a makeover probably in the 1930s or 50s.

I still had time to continue my wandering around the area and take a few more pictures and will post a final set from this walk shortly.

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Our Lady of Mount Carmel

If you go to the web site of St. Peter’s Italian Church in Clerkenwell today you will find the programme for this year’s Procession in Honour of Our Lady of Mount Carmel, which has been taking place there since 1883. It will probably be taken down soon after the event, and at some time be replaced by the programme for next years event on Sunday 21st July 2024.

Theis year it takes place this afternoon, 16th July 2023, and the programme has some photographs from previous years, along with a map of the area showing the location of the church on Clerkenwell Road, roughly opposite Hatton Garden, the route of the march, this year going down Leather Lane and across Greville Street to Return up Hatton Garden, and the location of the Sagra in Warner Street. There is also a long list of the 38 groups in the order of the procession, the final one following Our Lady of Mount Carmel being the crowd of Parishioners.

Of course if you go there you will be able to pick up a printed copy. It’s best to arrive in plenty of time to enjoy an ice-cream, snack or plastic cup of wine or two at the Sagra before the procession begins at 3.30pm – and you can go back there again after the procession. It’s an event where everyone is welcome and there are no tickets or booking required.

The pavement on Clerkenwell Road gets very crowded so unless you are tall you will want to get there at least a few minutes before the start to find a good place to stand, though once the end of the procession has gone past you can walk to see it coming back to the church.

Many also go into the church well before the procession and even if you don’t wish to pray it is worth a visit. According to the web site it has been described as “one of the most beautiful churches in London“. When built in 1863 its “Irish architect John Miller Bryson worked from plans drawn by Francesco Gualandi of Bologna, modelled on the Basilica of San Crisogno in Rome.” And while it may not be entirely to my taste it is certainly remarkable.

As too is the procession, with its floats on lorries and walking groups in costumes related to the life of Jesus , the first communicants, and various groups and associations, some carrying the heavy statues from the church decorated for the occasion.

Our Lady of Mount Carmel is one of the titles of the Virgin Mary, who was adopted as the patroness of the Carmelite Order which was begun by hermits on Mt Carmel in Palestine around the end of the 12th century. July 16 became the liturgical feast of Our Lady of Mount Carmel and the procession takes place on the closest Sunday – and this year, as in 2017, it is on the actual saint’s day.

The pictures here are all from Sunday 16th July 2017 – and there are many more on My London Diary at Processione della Madonna del Carmine as well as more from other years.

You can also see the pictures I made the first year I went to the festival, in 1992, in an album on Flickr with 50 black and white and 19 colour pictures. In some ways I think this remains the best set of images I’ve made of the event over the years.

In Honour of Our Lady of Mount Carmel

In Honour of Our Lady of Mount Carmel The annual procession from St Peter’s Italian Church in Clerkenwell first took place by special permission of Queen Victoria in 1883 and continues annually. On the third Sunday in July, this years was last Sunday, but in both 2019 and 2013 it was on Sunday 21st July. For this post I’ll use photographs from these two years though I’ve been on quite a few other occasions.

I can’t remember when I first got to know about the procession, one of London’s oldest and most colourful religious festivals, but I think it will have been in the early 1990s when I belonged to a group called London Documentary Photographers, organised by the senior curator of photography at the Museum of London, Mike Seaborne, and became friends with another photographer, Paul Baldesare, who as his name suggests, is of Italian extraction, his father coming to the country before Paul was born.

Since then its been a fairly regular entry in my diary, though I’ve been away from London some years, or had other pressing business. More recently it’s been more of a social occaision, where I’ve met Paul and other photographer friends with perhaps more interest in the Sagra in the street below the church, where Italian food and wine are sold, with wine often being brought in specially from small Italian family winemakers, mostly good and mainly cheap.

I didn’t go last Sunday, mainly because of the amber heat warning. There is little shade and taking pictures means much standing in direct sunlight, something dangerous for any length of time, particularly someone of my age and infirmities. Instead I stayed inside, drinking plenty of water and keeping as cool as possible.

It’s a great event, with lots of people, colourful statues being carried around the streets and a succession of floats and walking groups in costumes largely reflecting biblical scenes of the life of Jesus. There are I think two Jesus’s in the line-up, one with a communion cup leading the first communicants and another carrying a heavy wooden cross.

Photographically for me the climax comes with the release of a white dove or doves, though both the number of doves and how they are set free has differed over they years. But most years recently I think there have been three who have been held in the hands of clergy and supposedly released together. Except the clergy are not always well-synchronised and the doves too have minds of their own. Its hard to get a picture capturing all of them in a single shot.

Sometimes the doves shoot up almost vertically while at other times they speed past the cameras just over our heads. And although we think of white doves as being photogenic, at some points in their flight they look decidedly ugly and even maimed.

Back in the times of film when the cameras I used just took a single picture when you pressed the shutter release you seldom had more than one chance to capture them. Nowadays digital cameras all have modes to take multiple frames and this cuts much of the danger of missing the birds completely. It’s probably the only time in the year I have any use for the 8 frames a second my camera has on offer, though the first time I tried this the camera went into sulk mode and refused to take even a single shot and I had to grab my second camera.

But its also something I’ve now done many times and find it hard to approach in a new and fresh way. Some events evolve enough to make event fatigue not a problem but those that stay more or less the same can’t arouse the same level of interest. Perhaps I might have taken a break this year even if the weather had been less of a problem.

More pictures and details on My London Diary from 2013 and 2019 with a separate group of pictures from the 2019 Sagra.

Our Lady of Mount Carmel

London’s big Italian festival which takes place every July in the streets around St Peter’s Italian Church in Clerkenwell is alway an interesting event, and one that although it has changed over the years since I first photographed it in the 1990s, still retains much of the same atmosphere and feel.

I always enjoy both the procession and the festival that accompanies it, which is apparently a much more recent addition to the event. When the festival first began in the 19th century – and special permission was needed for this Catholic procession – the area around the church had a large Italian population.

Now that population has moved away, with many in the suburbs or outside London and Italian communities come to the event from places like Watford, Luton and Woking, and the Sagra provides them with something to eat and drink and to meet people they may only see once a year at the event. And to dance.

It also provides something of a day out for myself and a few photographer friends, who take advantage of the cheap and reasonably priced Italian wine and sometimes the food too. THough rather more the wine!

I was a little disappointed this year by the release of the doves, which for the last few years has been done by three clergy who were each given a dove to hold in their hands before releasing them more or less together. It was something they so obviously enjoyed. This year there were again three of the clergy, but all they did was stand behind the basket and watch as the lid was opened and the birds made their own way out.

It is always something of a challenge to capture the moment the doves fly, though I’ve usually managed to do so. It is of course made much easier with digital cameras, where you can use rapid sequences of exposures. Back in the days of film, few of us had motordrives, and we needed to wind on after each exposure. This meant you only had a single chance to get the picture, as by the time you had wound on the film the doves would usually have been high in the sky.

This year I took the picture with the Olympus E-M5MarkII using the 14-150mm lens at its widest setting, equivalent to 28mm. It was a bright sunny summer day and I set the camera to ISO 640 to get both a fast shutter speed to stop motion (1/400s) and a small aperture (f10) to get plenty of depth of field so that the background float with its statue of Our Lady would also be sharp. I say I set them, but in fact the camera was on ‘P’ setting and I simply checked it had suitable settings. As the moment approached I changed the camera into sequential shooting mode. I used the high setting which gives around ten frames a second.

One bird came out first and was several feet in the air before the other two emerged. The frame at the top of the post was my sixth and the last to show all three doves. There were I think 5 further frames with the last two doves, and the Exif data shows that I had taken 11 frames in just over a second. Using film I could have got at most two, though I would have hoped to get one that showed the peak of the action, I could well have missed it. Once the doves get going they can move extremely fast.

More pictures and text:
Our Lady of Mount Carmel
Sagra

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