Our Lady of Mount Carmel

Most years around this time I would be enjoying an afternoon in Clerkenwell, with the area thronged with Italians and people of Italian descent enjoying their major London festival, the procession of Our Lady of Mount Carmel, in the area around St Peter’s Italian Church. These pictures are from Sunday 21 July 2013, eight years ago.

When Queen Victoria gave the procession special permission to take place in 1883, it was the first Roman Catholic event on English streets for 349 years and was doubtless rather a contentious event. The Popery Act of 1698 had made discrimination against Catholics official, and when the Papists Act of 1778 relaxed some of these restrictions it led to a week of intense riots in London, with the Catholic Chapels at foreign embassies being burnt down and attacks on Newgate Prison and the Bank of England before the army was sent in to stop the destruction. After that things got rather quieter, though we still celebrate with what was very much an anti-Catholic bonfire on November 5th each year.

The celebrations now are very much both a religious and cultural event, and along with the procession from the church there is also an Italian festival or Sagra in the street below the church, with traditional Italian food, music, dancing and wine.

I’m not sure if the wine improves my photography, but it’s hard to resist and I usually meet up with a few of my photographer friends and it is as much a social as a photographic occasion. But I always try to photograph the religious procession, and in particular the release of doves which has become the highlight of the event. In 2013 six doves were released by six of the first communicants in a slightly uncoordinated manner, and – as the top picture shows – didn’t really fly in a way that made a good picture, at least not for me. It’s always a rather unpredictable event.

The rest of the procession follows in a more predictable fashion, though it has changed a little over the 20 or so years I’ve photographed it. But as often with processions most of the more interesting photographs come before the actual event, and while I stay taking photographs until the end of the procession has moved off down the road, my photographer friends are probably back down in the Sagra, while most of the crowd is up on the street applauding the walking groups and floats.

The route has changed since I first began to photograph the event, perhaps to make things a little easier for those carrying the heavy statues, though I think some of the floats had problems in the narrow streets to the south of the church in Hatton Garden. It now sticks to the main roads, in a triangle down Clerkenwell Road, up Rosebery Ave and back down Farringdon Rd. At its rear are the clergy and a large group of parishoners, but most of those watching are long back down drinking and eating before the procession finished.

I didn’t feel my photographs from 2013 were as good as on some other years, but they do tell the story of the event. You can see more of them at Our Lady of Mount Carmel.

Links to the festival in some other recent years on My London Diary: 2008, 2009, 2012, 2014, 2015, 2017, 2018, 2019


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Our Lady of Mount Carmel

London’s big Italian festival which takes place every July in the streets around St Peter’s Italian Church in Clerkenwell is alway an interesting event, and one that although it has changed over the years since I first photographed it in the 1990s, still retains much of the same atmosphere and feel.

I always enjoy both the procession and the festival that accompanies it, which is apparently a much more recent addition to the event. When the festival first began in the 19th century – and special permission was needed for this Catholic procession – the area around the church had a large Italian population.

Now that population has moved away, with many in the suburbs or outside London and Italian communities come to the event from places like Watford, Luton and Woking, and the Sagra provides them with something to eat and drink and to meet people they may only see once a year at the event. And to dance.

It also provides something of a day out for myself and a few photographer friends, who take advantage of the cheap and reasonably priced Italian wine and sometimes the food too. THough rather more the wine!

I was a little disappointed this year by the release of the doves, which for the last few years has been done by three clergy who were each given a dove to hold in their hands before releasing them more or less together. It was something they so obviously enjoyed. This year there were again three of the clergy, but all they did was stand behind the basket and watch as the lid was opened and the birds made their own way out.

It is always something of a challenge to capture the moment the doves fly, though I’ve usually managed to do so. It is of course made much easier with digital cameras, where you can use rapid sequences of exposures. Back in the days of film, few of us had motordrives, and we needed to wind on after each exposure. This meant you only had a single chance to get the picture, as by the time you had wound on the film the doves would usually have been high in the sky.

This year I took the picture with the Olympus E-M5MarkII using the 14-150mm lens at its widest setting, equivalent to 28mm. It was a bright sunny summer day and I set the camera to ISO 640 to get both a fast shutter speed to stop motion (1/400s) and a small aperture (f10) to get plenty of depth of field so that the background float with its statue of Our Lady would also be sharp. I say I set them, but in fact the camera was on ‘P’ setting and I simply checked it had suitable settings. As the moment approached I changed the camera into sequential shooting mode. I used the high setting which gives around ten frames a second.

One bird came out first and was several feet in the air before the other two emerged. The frame at the top of the post was my sixth and the last to show all three doves. There were I think 5 further frames with the last two doves, and the Exif data shows that I had taken 11 frames in just over a second. Using film I could have got at most two, though I would have hoped to get one that showed the peak of the action, I could well have missed it. Once the doves get going they can move extremely fast.

More pictures and text:
Our Lady of Mount Carmel
Sagra


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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