Posts Tagged ‘wine’

Winged Lions, A School, Thameslink, Wine, Buses…

Tuesday, March 28th, 2023

My walk on Saturday 8th April 1989 continued. The first (and previous) part was Kings Cross, St George’s Gardens & More.

Carving, Willing House, Gray's Inn Rd, King's Cross, Camden, 1989 89-4d-63
Carving, Willing House, Gray’s Inn Rd, King’s Cross, Camden, 1989 89-4d-63

Close to the north end of Gray’s Inn Road, at 356-364 on the corner with St Chad’s Place, is a remarkable early 20th century building in a style described as French Baroque, Willing House, built in 1909 as offices for Messrs Willing Advertising, architects Alfred Hart and Leslie Waterhouse. It’s Grade II listing is perhaps deserved more for the carvings on its facade by William Aumonier Junior, than its rather quirky style.

On the peak of its roof, not shown in these pictures, though appearing rather small on another not digitised, is Mercury, a sculpture by Arthur Stanley Young. According to Wikipedia, Mercury “is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves“, most of which seem appropriate for one of London’s major advertising companies.

This bas-relief by Aumonier, one of a pair, shows one man blowing a long trumpet and another more obvious with a horse, though what he is supposedly doing to the poor beast is unclear. Above them is a highly stylized sun.

Doorway, Willing House, Gray's Inn Rd, King's Cross, Camden, 1989 89-4d-64
Doorway, Willing House, Gray’s Inn Rd, King’s Cross, Camden, 1989 89-4d-64

This is the ornate main doorway to the building, with giant winged lions on the pilasters at each site. Above them is a frieze with one old man holding a globe and another blowing a trumpet, and Aumonier has thrown in a few cherubs for good measure.

London Details provides a great deal of information about Willing and Co, founded in 1840, and this building. There is also an unusually long description in its Grade II listing.

Winged Lions, Willing House, Gray's Inn Rd, King's Cross, Camden, 1989 89-4d-65
Winged Lions, Willing House, Gray’s Inn Rd, King’s Cross, Camden, 1989 89-4d-65

A closer view of one of the two winged lions. In 1989 this building was apparently in use by Camden Council but has since been converted into a hotel. Mercury on the roof has also recently been given a comprehensive makeover, repainted to his original grey and his caduceus regilded.

King's Cross Thameslink, Railway Station, St Chad's Place,  King's Cross, Camden, 1989  89-4d-52
King’s Cross Thameslink, Railway Station, St Chad’s Place, King’s Cross, Camden, 1989 89-4d-52

The railway runs under part of Willing house and the unfortunate guests may get a room overlooking the lines, which carry Thameslink between Kings Cross and Farringdon. Railway nerds might welcome this but I hope for others the soundproofing is effective.

This site had been opened as King’s Cross Metropolitan in 1863, on London ‘s first underground line, and a second pair of lines added in 1868. The platforms for the Metropolitan, also serving the Circle and Hammersmith & City Lines, were closed and replaced by some a little nearer King’s Cross in 1940, but the station remained in use. It was rebuilt and opened here in 1988 as King’s Cross Thameslink. It closed for good in 2007 and Thameslink trains now stop at new platforms somewhere in the bowels of Kings Cross and St Pancras.

Former Church School, Brittania St, Wicklow St, King's Cross, Camden, 1989 89-4d-41
Former Church School, Brittania St, Wicklow St, King’s Cross, Camden, 1989 89-4d-41

This Grade II listed Church School built in 1872, its architect Joseph Peacock who had previously designed St Jude’s Church, the first church to be constructed in London using monies from the Bishop of London’s Fund, which was consecrated in 1863. In June 1936 the parish was united with with Holy Cross, Cromer Street and the church was demolished with many of its memorials being moved to Holy Cross. The school became offices.

Brittania Wine Warehouse, Britannia St, King's Cross, Camden, 1989 89-4d-43
Brittania Wine Warehouse, Britannia St, King’s Cross, Camden, 1989 89-4d-43

This building now has a sign in stone I think revealed by the removal of that for the Brittania Wine Warehouse ‘LONDON GENERAL OMNIBUS COMPANY LIMITED’. The company was founded in 1855 and remained the main bus operator in London until 1933. It was originally an Anglo-French company, the Compagnie Generale des Omnibus de Londres, and now we once again have many buses in the capital run by a French company, London United being a part of the French state-owned RATP ( Régie autonome des transports parisiens.)

This was the horse bus depot of the LGOC, and later their motor bus depot, and their last late horse-drawn bus ran in 1911.

Derby Lodge, Britannia St, King's Cross, Camden, 1989 89-4d-45
Derby Lodge, Britannia St, King’s Cross, Camden, 1989 89-4d-45

Derby Lodge, Grade II listed philanthropic flats from erected around 1865 for Sydney Waterlow’s Improved Industrial Dwellings Company with the help of builder Matthew Allen. Grade II listed. Listed in the 1990s and since refurbished.

Like other similar flats of the era their design was based on the model cottages erected for Prince Albert as a part of the 1851 Great Exhibition in Hyde Park and later re-erected in their current location in Kennington Park where they still are.


In Honour of Our Lady of Mount Carmel

Thursday, July 21st, 2022

2019

In Honour of Our Lady of Mount Carmel The annual procession from St Peter’s Italian Church in Clerkenwell first took place by special permission of Queen Victoria in 1883 and continues annually. On the third Sunday in July, this years was last Sunday, but in both 2019 and 2013 it was on Sunday 21st July. For this post I’ll use photographs from these two years though I’ve been on quite a few other occasions.

2013

I can’t remember when I first got to know about the procession, one of London’s oldest and most colourful religious festivals, but I think it will have been in the early 1990s when I belonged to a group called London Documentary Photographers, organised by the senior curator of photography at the Museum of London, Mike Seaborne, and became friends with another photographer, Paul Baldesare, who as his name suggests, is of Italian extraction, his father coming to the country before Paul was born.

2013

Since then its been a fairly regular entry in my diary, though I’ve been away from London some years, or had other pressing business. More recently it’s been more of a social occaision, where I’ve met Paul and other photographer friends with perhaps more interest in the Sagra in the street below the church, where Italian food and wine are sold, with wine often being brought in specially from small Italian family winemakers, mostly good and mainly cheap.

2019

I didn’t go last Sunday, mainly because of the amber heat warning. There is little shade and taking pictures means much standing in direct sunlight, something dangerous for any length of time, particularly someone of my age and infirmities. Instead I stayed inside, drinking plenty of water and keeping as cool as possible.

2013

It’s a great event, with lots of people, colourful statues being carried around the streets and a succession of floats and walking groups in costumes largely reflecting biblical scenes of the life of Jesus. There are I think two Jesus’s in the line-up, one with a communion cup leading the first communicants and another carrying a heavy wooden cross.

2019

Photographically for me the climax comes with the release of a white dove or doves, though both the number of doves and how they are set free has differed over they years. But most years recently I think there have been three who have been held in the hands of clergy and supposedly released together. Except the clergy are not always well-synchronised and the doves too have minds of their own. Its hard to get a picture capturing all of them in a single shot.

2019

Sometimes the doves shoot up almost vertically while at other times they speed past the cameras just over our heads. And although we think of white doves as being photogenic, at some points in their flight they look decidedly ugly and even maimed.

2013

Back in the times of film when the cameras I used just took a single picture when you pressed the shutter release you seldom had more than one chance to capture them. Nowadays digital cameras all have modes to take multiple frames and this cuts much of the danger of missing the birds completely. It’s probably the only time in the year I have any use for the 8 frames a second my camera has on offer, though the first time I tried this the camera went into sulk mode and refused to take even a single shot and I had to grab my second camera.

2013

But its also something I’ve now done many times and find it hard to approach in a new and fresh way. Some events evolve enough to make event fatigue not a problem but those that stay more or less the same can’t arouse the same level of interest. Perhaps I might have taken a break this year even if the weather had been less of a problem.

Dancing at the 2019 Sagra

More pictures and details on My London Diary from 2013 and 2019 with a separate group of pictures from the 2019 Sagra.