Our Lady of Mount Carmel – 2009

Our Lady of Mount Carmel: I think it was in 1992 that I first photographed the Procession in Honour of Our Lady of Mount Carmel which has taken place at St Peter’s Italian Church in Clerkenwell since 1883. You can find around 50 of my photographs from that year in my Flickr album 1992 London Photos which you can access by clicking on this, the first picture in the set:

Float, Procession, In Honour of Our Lady of Mount Carmel, St Peter's, Italian Church, Clerkenwell Rd, Clerkenwell, Camden, Islington, 1992, 92-6y-62
1992

I went back the following year, and I think the pictures from 1993 are generally better.

First Communicants, Our Lady of Mount Carmel, Italian Festival, St Peters Church, Clerkenwell, Camden, 1993,
1993

And I’ve been there most years since when I’ve been in London at the right time in July, though I’m not sure if I will go this year, when The liturgical feast of Our Lady of Mount Carmel is celebrated on 16th July and the procession takes place on a Sunday close to that – the 2024 Procession is on the afternoon of Sunday 21st July.

It’s London’s most colourful Christian procession and the celebrations around it have an Italian liveliness – and most years I’ve gone together with a fellow photographer of Italian origin and we have enjoyed a few glasses of cheap Italian wine together. But we are getting older and the wine is getting more expensive…

And while its still a fine event to attend, in recent years it has perhaps lost a little, and like most events become a little more formalised and a little less spontaneous, harder to take the kind of informal images I like and which I hope reflect more the atmosphere of the event.

All of the colour pictures here are from Sunday 12th July 2009 which I think was for me a fairly typical year, with one exception. At the centre of the event for me photographically has been the release of doves, usually by three of the clergy. The doves fly unpredictably and extremely rapidly when released, and capturing them in flight is a challenge. In 2009 I got lucky.

Back in 2009 I was working with a Nikon D700 and made this picture with the focal length set to 24mm. That camera could take pictures at 5 frames per second, though I probably relied on pressing the button at the right time. Fortunately I’d decided to set a small aperture, f16, to try to keep clergy, background and doves in focus, although working at ISO400 this meant a slightly slow shutter speed, 1/250s.

Nikon’s autofocus kept up with the pigeon as it flew directly towards me, and its feathers and claws are the sharpest part of the image, with the background remaining only slightly out of focus thanks to the small aperture. The wingspan of a pigeon is around 30 inches and a little elementary maths tells me the bird must have been just over 2 feet from the camera. I certainly felt the breeze as it passed inches over my hair.

You can read more about the 2009 event, including the lively Italian festival – the Sagra – with various stalls food, drink, dancing and more in a street below the church, as well as the procession itself with its various floats and walking groups including the first communicants and others who carry the statues of saints on My London Diary.

The clergy join the procession in front of the last float, which carries the statue of Our Lady of Mount Carmel, and a large crowd of parishioners follows after it as it goes around the local area before returning to the church.

Also on My London Diary are pictures from the processions in 2008, 2007, 2006, 2005, 2004, and 2003 as well as some later years. Our Lady of Mount Carmel 2009


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More Belgravia – 1988

Pantechnicon, Motcomb St, Belgravia, Westminster, 1988 88-3m-14-positive_2400
Pantechnicon, Motcomb St, Belgravia, Westminster, 1988 88-3m-14

Until I photographed this building I had no idea of the origin of the word ‘Pantechnicon’, though I had heard it used to describe the large vans used for house removals. Seth Smith, (1791-1860) a vicar’s son from Wiltshire came to London and became one of the leading property developers of the West End in the 1820s, turning what had been a crime-infested lower-class swamp into the fashionable area with more than its fair share of respectable and immensly wealthy criminals we know now.

He filled an awkward triangular site left over by his other developments with a large building with an impressive Greek style facade of Doric columns for selling carriages and storing furniture for the wealthy residents of his new housing, and included an art gallery, coining a new upmarket name for it from the Greek pan (all) and techne (arts). Only this Grade II listed facade remains of the original building, most of which was destroyed by a fire in 1874.

Large furniture for large houses needed large vans to transport it, and the Pantechnicon company produced what were monsters for the age, up to 18ft long and 7 ft wide with a high roof and a lowered floor for extra height and easier loading – and their name large on the sides. Other removal companies were soon making similar large vans and the name ‘pantechnicon’ moved into general use for large furniture removal vans.

Belgrave Square, Grosvenor Crescent, Belgravia, Westminster, 1988 88-3m-31-positive_2400
Belgrave Square, Grosvenor Crescent, Belgravia, Westminster, 1988 88-3m-31

Smith was responsible for much of the development of Mayfair, though most of his work there has been demolished, and also parts of Belgravia, although Belgrave and Eaton Squares were laid out by Thomas Cubitt, working for the Grosvenor Estate, which still owns much of the area, after an 1826 Act of Parliament allowed Lord Grosvenor to drain the infamous ‘Five Fields’ area and raise its level.

St George's Hospital, Belgravia, Westminster, 1988 88-3m-36-positive_2400
St George’s Hospital, Belgravia, Westminster, 1988 88-3m-36

At the back of St George’s Hospital, probably in either Grosvenor Crescent or Lanesborough Place. You can see the building behind – now a hotel – from Grosvenor Crescent. I’m not sure whether this rather bleak looking structure was simply for taxis or was used by ambulances – which now form long queues outside A&E. But for me it seemed like some infernal processing machine, taking in at the left and vomiting out its results at the right.

Belgrave Square, Belgravia, Westminster, 1988 88-3m-42-positive_2400
Belgrave Square, Belgravia, Westminster, 1988 88-3m-42

Belgrave Square is Embassy Country, and in more recent years I’ve photographed protests outside many of them. Bahrain, Brunei, Germany, Ghana, Malaysia, Norway, Portugal, Serbia, Syria, Trinidad & Tobago and Turkey all have their embassy (or High Commission) in the square and Austria, Italy, Romania, Côte d’Ivoire, Italy, UAE, Spain and probably a few others have embassies, legations or cultural centres within spitting distance. I think there are probably a few more I’ve forgotten too!

Belgrave Square, Halkin St, Belgravia, Westminster, 1988 88-3m-43-positive_2400
Belgrave Square, Halkin St, Belgravia, Westminster, 1988 88-3m-43

Some other houses are also the official residences of ambassadors – this on the corner with Halkin St is that of the Mexican ambassador. The architect of this grand terrace of houses (Grade I listed) and the others around Belgrave Square was George Basevi.

Wilton St, Belgravia, Westminster, 1988 88-3m-54-positive_2400
Wilton St, Belgravia, Westminster, 1988 88-3m-54

It’s something of a relief to turn away from the overpowering and grandiose Belgrave Square and walk down Wilton St, where the houses, though still large are on a less grand scale, with stucco only on the ground floor. This house still stands out, though I think has lost its unusual knotted door, as it seems to have slipped down a few feet from the rest in the street, the only one with a few steps leading down to the door.

Upper Belgrave St, Belgravia, Westminster, 1988 88-3m-64-positive_2400
Upper Belgrave St, Belgravia, Westminster, 1988 88-3m-64

Upper Belgrave St continues the pattern of Belgrave Square, linking it to Eaton Square.

St Peter's, Church, Eaton Square, Upper Belgrave St, Belgravia, Westminster, 1988 88-3m-65-positive_2400
St Peter’s Church, Eaton Square, Upper Belgrave St, Belgravia, Westminster, 1988 88-3m-65

And it leads to St Peter’s Church, built by architect Henry Hakewill in a neoclassical style when the area was being developed in 1824-27. Fortunately his drawings were still available when the building burnt down in 1837 and one of his sons used them to rebuild it. Sir Arthur Blomfield worked his worst on the church, enlarging it in 1875, but fortunately leaving it largely intact on the exterior.

The church was again badly damaged by fire the year before I took this picture and was apparently only a shell, with the interior and roof devastated. The fire was deliberately started by an anti-Catholic arsonist who mistakenly thought it was a Catholic church. I can’t find the details of the case but I think it was started by a 21-year-old man who had also started fires at several other churches, including another London church the previous night. Rebuilding began in 1990 and the church – with a simpler interior – reopened in 1991.

These pictures are from my album 1988 London Photos and clicking on the pictures, which will take you to larger versions in the album from where you can browse other images.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.