Until I photographed this building I had no idea of the origin of the word ‘Pantechnicon’, though I had heard it used to describe the large vans used for house removals. Seth Smith, (1791-1860) a vicar’s son from Wiltshire came to London and became one of the leading property developers of the West End in the 1820s, turning what had been a crime-infested lower-class swamp into the fashionable area with more than its fair share of respectable and immensly wealthy criminals we know now.
He filled an awkward triangular site left over by his other developments with a large building with an impressive Greek style facade of Doric columns for selling carriages and storing furniture for the wealthy residents of his new housing, and included an art gallery, coining a new upmarket name for it from the Greek pan (all) and techne (arts). Only this Grade II listed facade remains of the original building, most of which was destroyed by a fire in 1874.
Large furniture for large houses needed large vans to transport it, and the Pantechnicon company produced what were monsters for the age, up to 18ft long and 7 ft wide with a high roof and a lowered floor for extra height and easier loading – and their name large on the sides. Other removal companies were soon making similar large vans and the name ‘pantechnicon’ moved into general use for large furniture removal vans.
Smith was responsible for much of the development of Mayfair, though most of his work there has been demolished, and also parts of Belgravia, although Belgrave and Eaton Squares were laid out by Thomas Cubitt, working for the Grosvenor Estate, which still owns much of the area, after an 1826 Act of Parliament allowed Lord Grosvenor to drain the infamous ‘Five Fields’ area and raise its level.
At the back of St George’s Hospital, probably in either Grosvenor Crescent or Lanesborough Place. You can see the building behind – now a hotel – from Grosvenor Crescent. I’m not sure whether this rather bleak looking structure was simply for taxis or was used by ambulances – which now form long queues outside A&E. But for me it seemed like some infernal processing machine, taking in at the left and vomiting out its results at the right.
Belgrave Square is Embassy Country, and in more recent years I’ve photographed protests outside many of them. Bahrain, Brunei, Germany, Ghana, Malaysia, Norway, Portugal, Serbia, Syria, Trinidad & Tobago and Turkey all have their embassy (or High Commission) in the square and Austria, Italy, Romania, Côte d’Ivoire, Italy, UAE, Spain and probably a few others have embassies, legations or cultural centres within spitting distance. I think there are probably a few more I’ve forgotten too!
Some other houses are also the official residences of ambassadors – this on the corner with Halkin St is that of the Mexican ambassador. The architect of this grand terrace of houses (Grade I listed) and the others around Belgrave Square was George Basevi.
It’s something of a relief to turn away from the overpowering and grandiose Belgrave Square and walk down Wilton St, where the houses, though still large are on a less grand scale, with stucco only on the ground floor. This house still stands out, though I think has lost its unusual knotted door, as it seems to have slipped down a few feet from the rest in the street, the only one with a few steps leading down to the door.
Upper Belgrave St continues the pattern of Belgrave Square, linking it to Eaton Square.
And it leads to St Peter’s Church, built by architect Henry Hakewill in a neoclassical style when the area was being developed in 1824-27. Fortunately his drawings were still available when the building burnt down in 1837 and one of his sons used them to rebuild it. Sir Arthur Blomfield worked his worst on the church, enlarging it in 1875, but fortunately leaving it largely intact on the exterior.
The church was again badly damaged by fire the year before I took this picture and was apparently only a shell, with the interior and roof devastated. The fire was deliberately started by an anti-Catholic arsonist who mistakenly thought it was a Catholic church. I can’t find the details of the case but I think it was started by a 21-year-old man who had also started fires at several other churches, including another London church the previous night. Rebuilding began in 1990 and the church – with a simpler interior – reopened in 1991.
These pictures are from my album 1988 London Photos and clicking on the pictures, which will take you to larger versions in the album from where you can browse other images.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.