These seven pictures all come from the same film I took at the end of a fairly long day’s walk around Chelsea on Sunday 8th May 1988 which had taken me down to the Thames on Grosvenor Road. I spent some time wandering around on the road and also where it was possible to get onto the riverbank, though most was fenced off.
The views today are rather different, although the railway bridge carrying the main line to and from Victoria is still much the same. In the pictures you can see some work being carried on in Battersea Power Station, but now new flats hide most of the building apart from the chimneys from here, and the gas works have completely gone.
You may still see lighters moored in the river here, but I think this rather odd structure close to the mouth of the vestigial Grosvenor Canal here has gone. I wasn’t absolutely sure why there was this wooden platform with what looked to me like small dog-kennels on it, but perhaps as the rope shows they were simply for mooring barges waiting to use the canal. Technically I think this is a dolphin, as the picture below shows.
The first bridge here was built in 1858 when Chelsea Embankment was being built and was a suspension bridge intended to give the large population of Pimlico access to the new Battersea Park – if they could afford the toll – though it was made free on Sundays. It was then called Victoria Bridge, named like the station after the Queen. It became even less popular after Albert Bridge was built at the other end of the park in 1873. It was bought by the Metropolitan Board of Works in 1877 and they abolished the tolls in 1979. It was a narrow bridge and found to be structurally unsound, so fearing it might embarass the Queen if it collapsed they renamed it Chelsea Bridge. It didn’t collapse and apparently took several years to demolish when they decided to replace it with the current bridge which opened in 1937.
As the picture shows, the main cables are attached to the end of the bridge rather than on solid ground on the banks, and it was the first such ‘self-anchored’ suspension bridge in Britain. The LCC couldn’t afford to fund the entire cost and the Ministry of Transport only agreed to stand 60% oof the cost on the condition that all the materials used came from the British Empire.
When Billy Strayhorn named his most famous composition ‘Chelsea Bridge’ it was not this structure that he had in mind, but something more ethereal, probably Whistler’s Nocturne: Blue and Gold – Old Battersea Bridge.
I wrote at some length in a previous post about the Grosvenor Canal, London’s last working canal, still in use when I took this picture. You can see part of one of the barges still in use to carry Westminster’s rubbish downriver through the bridge.
The pictures here (and on Flickr) are from around 20 exposures I made on this small area of riverside, though many of the others are very similar. There were very few boats around moving on the river at the time.
I walked upriver along Chelsea Embankment on my way to catch a bus across Battersea Bridge to take me to Clapham Junction for the train home. On my way I took a few pictures of the impressive late-Victorian houses – which haven’t made it to my Flickr album – and four pictures across the river of the Battersea Park Peace Pagoda, this one of which has. I’m not sure about the framing and I think it would perhaps be better in a square format but I felt it had a suitably Japanese feel to it.
After the destruction of Hiroshima and Nagasaki by US atom bombs in August 1945, Nichidatsu Fuji who had in 1917 founded the Japanese Buddhist movement, Nipponzan Myohoji, in 1947 decided they would set up Peace Pagodas around the world to promote peace and non-violence. The first opened in Japan in 1954 and the London Peace Pagoda was built by Nipponzan Myohoji monks and opened in 1985, shortly after Nichidatsu Fuji died aged 100. Since 1978 it has been looked after by Reverend Gyoro Nagase who I have met and photographed at many events calling for peace. There are also Peace Pagodas in Milton Keynes and Birmingham among over 80 around the world.
Click on any of the black and white images to go to a larger version in my album 1988 London Photos from where you can browse to other images.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
