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Limehouse, Poplar, Blackwall and East India Panoramas – 1994

Limehouse, Poplar, Blackwall and East India Panoramas: In June 1994 I took a walk east from Limehouse, making a new series of panoramic images as well as taking some more normal photographs. I think these images were taken on a couple of different walks, but here I’ll present them in a roughly geographical order, going east from Limehouse Basin to East India Dock Basin station and largely following the Docklands Light Railway.

Limehouse Dock, Limehouse, 1994, 94-62-32 — *Limehouse Dock, Limehouse, Tower Hamlets, 1994, 94-62-32*

Limehouse Dock in 1994 was not surrounded by flats and there was a clear view from the the council flats – John Scurr House – on the corner of Ratcliffe Lane and Branch Road – which you can see at the right.

And in 1994, as in many such blocks, there was little or no entrance security so I could simply walk in and up the stairs to take pictures such as this. The DLR viaduct runs from the left side to St Anne’s Church and the marina is almost empty, while Canary Wharf Tower in the distance is twice the height of the buildings around it, but now is surrounded by other tall towers.

*Bridge, Aspen Way, Poplar DLR, Poplar, Tower Hamlets, 1994, 94-65-62*

The bridge that leads across Aspen Way from the West India Docks to Poplar DLR station at the extreme right of the picture. At left you can see the DLR line from West India Quay which crosses the road in a blue bridge to join the line from Limehouse.

This picture made a rather nice album cover for the 1998 album The Limehouse Link by Mucho Macho, particularly impressive on the 12″ vinyl where it is carried across both front and back – reproduced at 24 by 12 inches, considerably larger than the CD version.

As Darryl Sterdan’s 1999 review stated “No vocals are no problem for the British DJs on their auspicious debut release” and despite its cover it made little impact.

*DLR, Canary Wharf, Blackwall, Tower Hamlets, 1994, 94-63-22*

I’d taken photographs in earlier years around the building of the Beckton extension of the DLR and the Limehouse Link tunnel and both had caused major changes in the area. Among which was this rather convoluted footpath leading under the road and DLR south from Blackwall Station.

*Bridge, Blackwall Tunnel Approach, Naval Row, Blackwall, Tower Hamlets, 1994, 94-63-62*

Parts of the Grade II listed inscription on the Northern portal of the Blackwall tunnel, built in 1897 are hard to read in my picture, so here it is in full: ‘THIS TUNNEL CONSTRUCTED BY THE LONDON COUNTY COUNCIL WAS OPENED BY/ HRH THE PRINCE OF WALES K.C. ON BEHALF OF HER MAJESTY QUEEN VICTORIA ON 22nd MAY 1897 IN THE 60th YEAR OF HER REIGN/ SIR ALEX R. BINNIE ENGINEER’

I had to wait some time back in 1994 for a train to pass across on the DLR. Services now are usually more frequent.

*Dock, DLR Station, East India, South Bromley, Tower Hamlets, 1994, 94-63-52*

I wandered rather a long time around East India Dock station, using the bridge across Aspen Way to photograph on both sides of the road. Here I photographed the station across an area of water which has been created in a part of the area formerly occupied by the East India Dock (Import), though I think nothing original remains. So probably I should caption this ‘water feature’ rather than ‘dock’.

*East India DLR Station, South Bromley, Tower Hamlets, 1994, 94-64-52*

Framed at the centre of this image are two towers, Canary Wharf and the much closer tower in Naval Row of the mid 19th century Italianate East India Dock Pumping Station, Grade II listed and one of the few relics of that dock, along with some listed walls and steps and the areas of water. The two towers are a similar shape but actually very different in size and detail.

More pictures from these June walks later.

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Ponders End, Brimsdown, Enfield Wash & Waltham Cross – 1994

In March 1994 I spent some time photographing in the London Borough of Enfield, and going a little beyond its borders into Waltham Cross. Mostly I was taking black and white pictures – some of which you can see on Flickr in the album 1994 London Photos – but I did also take some in colour, including a few colour panormas.

*Builders Mate, Builders Merchants, The Arena, Mollison Avenue, Brimsdown, Enfield, 1994, 94-03-3-53*

Mollison Avenue in Brimsdown is a busy road running roughly parallel to and between a railway line and the Lea Navigation with the area between these crammed with industrial and commercial sites. Now much of it is occupied by delivery centres and I think there are rather more fences than in 1994.

This was a picture largely about shapes and as with many olds getting the colours to look natural is a problem – as you can see particulary in the foliage here.

Bridge, Pipe Bridge, Lea Navigation, Brimsdown, Enfield, 1994, 94-03-3-31 — *Bridge, Pipe Bridge, Lea Navigation,* Brimsdown, Enfield, 1994, 94-03-3-31

The colour is rather better in this image of a large pipe bridge, possibly carrying gas, over the navigation. The view here looks rather rural, but as usual there is a line of tall pilons.

Here I made use of the curvature from the swing-lens camera – as well as the obvious pipe there is a second interlocking curve with the bridge, the grass bank and the towpath.

Columbia Wharf, Ponders End, Enfield, 1994, 94-03-3-23

Columbia Wharf was now a wharf in name only, with lorries now delivering carpets. This is now a part of ‘Ponders End Waterfront’. I think this picture was taken from Wharf Road.

Launderette, Enfield Wash, Enfield, 1994, 94-03-1-63

Enfield Wash is close to Enfield Lock station which I used several times to walk around the area. I have a small suspicion that this launderette may really have been in an area that locals would call Enfield Lock, but I decided given the subject that Enfield Wash was more appropriate.

Launderette, Enfield Wash, Enfield, 1994, 94-03-1-64

I still can’t decide whether I preferred the landscape or portrait version of this launderette interior – taken through the window when it was closed.

Shops and Cross, Waltham Cross, Broxbourne, 1994, 94-03-1-61

From Enfield Lock Station a short walk took me to the Lee Navigation towpath which is also the Lea Valley Walk and a couple of kilometres north uder the M25 I was out of Greater London and in Waltham Cross. At right is the Eleanor Cross, one of twelve built to the orders of King Edward I to mark the overnight resting places of his wife Eleanor of Castile who died near Lincoln in 1290 as her body was en route to Westminster Abbey.

Much restored it now sits in the pedestrianised shopping centre, one of only 3 surviving Eleanor Crosses. The one in front of Charing Cross Station is a Victorian 1865 recreation.

More Colour From New Charlton – 1995

More Colour From New Charlton: I think all of these pictures were taken in May 1995, the panoramic examples being made using a swing lens panoramic camera, probably the Horizon 202 from the Krasnogorsky Mechanicheskiy Zavod (KMZ) factory in Krasnogorsk near Moscow. This uses clockwork to rotate a 28mm f2.8 lens around a little over 120 degrees, keeping the lens to film distance constant by having the film in a curve around the axis of rotation. The camera made negatives 58mm long and 24mm tall on normal 35mm film, giving around 20 exposures from a normal ’36 exposure’ cassette.

*Willoughby Way, New Charlton, Greenwich, 1995, 95p5-671*

The film was exposed though a rotating slit behind the lens and different shutter speeds were obtained by altering the slit width. There were only two rotation speeds and for the faster speeds – 1/60 s, 1/125 s, and 1/250 s – the rotation took around a thirtieth of a second, enabling me to use the camera without a tripod.

*Thames Path, Lombard Wall, New Charlton, Greenwich, 1995, 95p5-662*

The lens focus was fixed and I think I usually worked at f8 which meant everything from a few metres away to infinity was sharp. The camera had a spirit level as by keeping the camera level vertical lines were rendered straight in the image. Horizontal lines away from the centre of the image become curved as you can see in some of these images, and care in composition was needed to stop these effects dominating the pictures.

*Mudlarks Way, New Charlton, Greenwich, 1995, 95p7-161*

The image quality was much the same as that from my several times more expensive Japanese Widelux f8 swing lens camera, but the Horizon had a useable viewfinder and was easier to use handheld. Though I think for most of my walks back in 1995 I was still carrying a rather large, heavy and solid Manfrotto tripod. I liked it because it could hold the camera absolutely steady at my eye level – and unless there was good reason not to do so I always preferred to view from that height.

*Andrews Sykes, New Charlton, Greenwich, 1995, 95c5-832*

But I was also photographing with more conventional cameras, and usually had two Olympus OM4 bodies, one with black and white and the other with colour negative film. Although I had a fairly full range of lenses, the great majority of the pictures were made using an Olympus 35mm shift lens.

Bugsby's Way, New Charlton, Greenwich, 1995, 95-5o-66, 1995, 95c5-825 — *Bugsby’s Way, New Charlton, Greenwich, 1995, 95-5o-66, 1995, 95c5-825*

In particular this allowed me to place the horizon in the images below or above the centre of the frame without tilting the camera which would have resulted in converging or diverging verticals. As well as shifting the optical elements up and down the lens mount allowed the lens to move to either side which also gave more control over framing.

*Works, Mudlarks Way, New Charlton, Greenwich, 1995, 95c5-823*

This area beside the Thames was then almost entirely industrial with aggregate wharves and some commercial premises. On other occasions I took more pictures along the riverside path which in the following year became a part of the Thames Path.

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1995 Colour – Part 2 – Greenwich Meridian

1995 Colour – Greenwich Meridian: The second of a series of posts on my colour work, mainly in London, from 1995, 35 years ago and when I’d been working extensively with colour negative film for ten years, though still continuing to work with black and white.

*Obelisk, Trig Point, Pole Hill, Chingford, Waltham Forest, 1995, 95p03-841*

In 1992 I began making colour panoramas using a Japanese Widelux F8 swing lens panoramic camera – and later I used a Russian Horizon which gave similar results. Both worked with normal 35mm film but produced negatives that were a little under 60mm wide rather than the 36mm of normal cameras. Both use clockwork to swing the taking lens around a third of a circle exposing the film through a narrow slit behind the lens. The film was held in a curved path – again around a third of a circle – with the lens at the centre of the circle so that the lens to film distance remained constant.

Peacham Hall, King's Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411 — *Peacham Hall, King’s Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411*

This arrangement avoided the change in distance from the lens to film that gives some stretching of the subject towards the edges of the frame – and begins to become very noticeable in ultra-wide lenses, particularly wider than around 18mm focal length on a 35mm camera.

95p03-552-Edit — *Level Crossing, Highams Park*, *Waltham Forest, 95p03-552*

Using the curved film plane avoids this distortion and enables a much wider field of view, while using a fairly moderate focal length – the Widelux has a 26mm f2.8 lens and gives negatives 24x56mm with a horizontal angle of view of 123 degrees.

*Bridges, North Circular, Hale End Rd, Hale End, Waltham Forest, 1995, 95p03-463*

But there is a downside. Creating the image in this way gives a curvature to objects which is unlike our normal vision which is particularly noticeable on any straight lines, though lines parallel to the axis the lens rotates around remain straight – so if you hold the camera level, verticals will remain straight. But other lines become curved with the effect increasing away from the image centre, giving what is often called a “cigar effect“.

*Raglan Rd, Lea Bridge Rd, Whipps Cross, Waltham Forest, 1995, 95p4-373*

This is a constraint which makes composition far more difficult using a swing lens camera, and was not helped by a rather poor viewfinder on the Widelux. Usually for landscape work I tried to visualise the effect of the curvature and chose a suitable camera position, levelled the camera on a heavy Manfrotto tripod using the spirit level on the camera top plate, lining the camera up using two arrows on the top plate to show the extent of the view (more accurately than the viewfinder) and then pressing the cable release to make the picture.

Stratford Bus Station, Great Eastern Rd, Stratford,, 1995, 95p4-922 — *Stratford Bus Station, Great Eastern Rd, Stratford, Newham, 1995, 95p4-922*

For photographing events and some creative effects this is a camera you can use handheld, but you have to remember that even when using its fastest speed of 1/250 second the camera actually takes quite a lot longer to scan around the curved film.

Crowley's Wharf, River Thames, Greenwich, 1995, 95p4-672 — *Crowley’s Wharf, River Thames, Greenwich, 1995, 95p4-672*

These pictures are from a project I began in 1995 with the approaching Millennium in mind. It seemed to me to make sense to carry out a project based on the Greenwich Meridian.

*Greenwich Boating Pond, Park Vista, Greenwich, 1995, 95p4-1431*

So I set about walking the Meridian, photographing it at various points in London and used some of these pictures in an attempt to get public funding for a Meridian Walk with some markers in pavements and a web site and publication. Panoramic images seemed a very appropriate format for illustrating the line.

*Greenwich Meridian, Royal Observatory, Greenwich, 1995, 95p4-1242*

Unfortunately my grant application as usual was unsuccessful, but I did go on to take some more photographs. In 2009 others produced a Greenwich Meridian Long Distance Path covering all of the Meridian in England from Peacehaven to Sand La Mere which of course goes through London and we also have The Line Sculpture Trail. Quite a few more Meridian markers were also added in London since I made this walk.

Many more panoramas from my Meridian project and other colour images from 1995 in the album 1995 London Colour.

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Meridian 2

Continuing with pictures from my walk along the Greenwich Meridian in Greater London in 1984-6.

Stratford Bus Station – Peter Marshall, 1995

My walks took me as close to the line of the Meridian I had pencilled on my 1983 1:25000 OS map as possible, though that line may not have been quite exact. I think it goes through the area at the extreme left of the picture above, here just a few yards east of the roadway. My series of walks kept as close as possible to the pencil line, but it often runs through private property, buildings, across rivers etc and many detours, some quite lengthy were required.

Barge carries contaminated earth from Poplar gasworks site, Peter Marshall, 2011

One of those fairly lengthy detours was north from Poplar, where the line ran through the gas works site and across Bow Creek. It wasn’t until 2011 that I was able to go onto the former gas works site, having been engaged to photograph the use of a barge to carry away the heavily contaminated soil from the site. The line crosses the river here, going through the left end of the large shed close to the opposite bank, near to Cody Dock. This is also part of a private business estate, though you can now walk along the roadways in it. There are several such areas I have been able to photograph in later years, but I won’t add any other later pictures to these posts.

Stratford Station – Peter Marshall, 1995

The line continues through the east end of Stratford Station.

Thinking of the line of the Meridian, I had decided it was appropriate to use a panoramic format, and these pictures were all taken with a swing lens panoramic camera. I think at the time I owned two such cameras, an expensive Japanese model and a cheap Russian one. The Russian was a little more temperamental and it was sometimes difficult to wind on the film, but had a much better viewfinder and I think was probably used for most of these. Both give negatives which are roughly the width of medium format film – 55-58mm – but only 24mm high, the limit of 35mm film, giving a roughly 2.3:1 aspect ratio. There is no discernible difference in image quality.

Langthorne Rd, Leyton – Peter Marshall, 1995

Both used 35mm film and curve it in the horizontal plane around a little over a third of the outside of a circle, with the lens pivoting roughly 130 degrees around the centre of that circle during the exposure. This keeps the distance between the centre of the lens and film constant, avoiding the distortion produced by using flat film, where the edges of the film are further from the lens node. This gives a very noticeable distortion with ultra-wide lenses, limiting them to an angle of view (horizontal) of roughly 100 degrees.

Swing lens cameras are limited in angle of view only by the mechanical limitations and can generally cover 130-140 degrees. But the curvature of the film does produce its own unique view. Assuming you keep the camera upright, straight vertical lines remain straight as the film is not curved vertically, but non-vertical lines show curvature, increasingly so as you move away from the centre of the film. You can see this clearly in the shop window in Langthorne Rd.

To be continued…