1995 Colour – Poplar, Bow, Leyton, North Woolwich & Silvertown

Poplar, Bow, Leyton, North Woolwich & Silvertown: These pictures come from a number of visits to areas of London working on several different projects and are my final selection of colour panoramas made in 1995. There are a few more colour images, including some panoramas I made in 1995 in the images in the Flickr album as well as many I have not digitised; some very similar to those online, others that I now find of less interest. Some of these were taken as a part of my project on the Greenwich Meridian in London – you can see a set of 16 images from this on the urban landscape web site.

Bow Locks, River Lea, Bow Creek, Bow, Tower Hamlets, 1995, 95p4-752
Bow Locks, River Lea, Bow Creek, Bow, Tower Hamlets, 1995, 95p4-752

Bow Locks separate the tidal River Lea from the Lea Navigation and the Limehouse Cut which offers an alternative route to the Thames to avoid the winding and dangerous Bow Creek. First built in 1850 they were remodelled in 1930. At the highest Spring tides water from Bow Creek would overtop the locks and raise the level of the canals here – the locks were modified in 2000 to stop this and avoid the silting it caused.

London Galvanizers, Leven Rd, Poplar, Tower Hamlets, 5p4-743
London Galvanizers, Leven Rd, Poplar, Tower Hamlets, 95p4-743

The Poplar Gas Coompany built a local gas works here in the 1820s at the request of the Poplar Vestry after ratepayers lobbied them to provide gas street lighting. The site was cleared in 2011 and I was commissioned to photograph the removal of toxic earth from the site using barges on Bow Creek. Something around an eigth of the material was removed in this way, tides making the removal of more difficult. The original gasholders had to be built to special safety standards because of their proximity to the West India Dock wall. The last of the gasholders was removed in 2017.

London Galvanizers had modernised their galvanizing plant here in 1983-5 and were one of the most important jobbing galvanizers in London and the Home Counties.

Langthorne Rd, Leyton, Waltham Forest, 1995, 95p4-862
Langthorne Rd, Leyton, Waltham Forest, 1995, 95p4-862

This street corner is close to the Meridian and I had stood here for some time outside the Chinese restaurant which was having some joinery work done. I liked the contrast between its orange paint and the blue on the opposite corner and the warm brown of the Birkbeck Tavern at right. I think I had made at least one exposure when a young girl in a red coat on roller skates came to see what I was doing – and I made this exposure as a red car come around, filling an otherwise rather empty grey space.

St Patrick's Catholic Cemetery, Langthorne Rd, Leyton, Waltham Forest, 1995, 95p4-841
St Patrick’s Catholic Cemetery, Langthorne Rd, Leyton, Waltham Forest, 1995, 95p4-841

The Meridian also passes through this cemetery and I chose a viewpoint which included the cemetery chapel with a fine group of monuments in the foreground, I think all for people of Italian origin.

Stratford Station, Great Eastern Rd, Stratford, 1995, 95p4-963
Stratford Station, Great Eastern Rd, Stratford, Newham,1995, 95p4-963

I’m unsure what this railway building to the east of the station was, perhaps a 1930s signal box. Parts of this area have now been redeveloped, and this has been behind fences for more than ten years and could stil be there, as least in part.

King George V Dock, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-171
King George V Dock, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-171

Finally four pictures from a walk along Woolwich Manor Way, this taken looking westwards along the south side of the King George V Dock. You can see the bridge over the dock entrance at right and the City Airport terminal and Canary Wharf at the end of the dock.

Royal Albert Dock Basin, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-161
Royal Albert Dock Basin, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-161

At left is the old swing bridge that took the road over the dock entrance from the basin. To its right is the elevated DLR and the pumping station at the centre of the Gallions roundabout. Further on only two buildings were standing along the side of the Basin, the Gallions Hotel and the Royal Docks Pumping Station.

Containers, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-162
Containers, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-162

Land to the south of the Royal Albert Dock Basin just east of Woolwich Manor Way.

King George V Lock, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-153
King George V Lock, Woolwich Manor Way, North Woolwich, Newham, 1995, 95p9-153

This swing bridge across the dock entrance is still there.

Royal Victoria Dock, Silvertown, Newham, 1995, 95p11-262
Royal Victoria Dock, Silvertown, Newham, 1995, 95p11-262

This was taken from Silvertown Way, looking across the Royal Victoria Dock. There are still cranes along the dockside here but the foreground now has flats. The Millenium Mills are still there, but there is nothing in the picture where the Excel Centre now stands and none of the other new developments on the north side of the dock. The council flats at the right have been demolished.

You can see these and some other colour pictures I took in 1995 at 1995 London Colour.


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1995 Colour – Part 2 – Greenwich Meridian

1995 Colour – Greenwich Meridian: The second of a series of posts on my colour work, mainly in London, from 1995, 35 years ago and when I’d been working extensively with colour negative film for ten years, though still continuing to work with black and white.

Obelisk, Trig Point, Pole Hill, Chingford, Waltham Forest, 1995, 95p03-841
Obelisk, Trig Point, Pole Hill, Chingford, Waltham Forest, 1995, 95p03-841

In 1992 I began making colour panoramas using a Japanese Widelux F8 swing lens panoramic camera – and later I used a Russian Horizon which gave similar results. Both worked with normal 35mm film but produced negatives that were a little under 60mm wide rather than the 36mm of normal cameras. Both use clockwork to swing the taking lens around a third of a circle exposing the film through a narrow slit behind the lens. The film was held in a curved path – again around a third of a circle – with the lens at the centre of the circle so that the lens to film distance remained constant.

Peacham Hall, King's Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411
Peacham Hall, King’s Head Hill, Woodberry Way, Chingford, Waltham Forest, 1995, 95p03-411

This arrangement avoided the change in distance from the lens to film that gives some stretching of the subject towards the edges of the frame – and begins to become very noticeable in ultra-wide lenses, particularly wider than around 18mm focal length on a 35mm camera.

95p03-552-Edit
Level Crossing, Highams Park, Waltham Forest, 95p03-552

Using the curved film plane avoids this distortion and enables a much wider field of view, while using a fairly moderate focal length – the Widelux has a 26mm f2.8 lens and gives negatives 24x56mm with a horizontal angle of view of 123 degrees.

Bridges, North Circular, Hale End Rd, Hale End, Waltham Forest, 1995, 95p03-463
Bridges, North Circular, Hale End Rd, Hale End, Waltham Forest, 1995, 95p03-463

But there is a downside. Creating the image in this way gives a curvature to objects which is unlike our normal vision which is particularly noticeable on any straight lines, though lines parallel to the axis the lens rotates around remain straight – so if you hold the camera level, verticals will remain straight. But other lines become curved with the effect increasing away from the image centre, giving what is often called a “cigar effect“.

Raglan Rd, Lea Bridge Rd, Whipps Cross, Waltham Forest, 1995, 95p4-373
Raglan Rd, Lea Bridge Rd, Whipps Cross, Waltham Forest, 1995, 95p4-373

This is a constraint which makes composition far more difficult using a swing lens camera, and was not helped by a rather poor viewfinder on the Widelux. Usually for landscape work I tried to visualise the effect of the curvature and chose a suitable camera position, levelled the camera on a heavy Manfrotto tripod using the spirit level on the camera top plate, lining the camera up using two arrows on the top plate to show the extent of the view (more accurately than the viewfinder) and then pressing the cable release to make the picture.

Stratford Bus Station, Great Eastern Rd, Stratford,, 1995, 95p4-922
Stratford Bus Station, Great Eastern Rd, Stratford, Newham, 1995, 95p4-922

For photographing events and some creative effects this is a camera you can use handheld, but you have to remember that even when using its fastest speed of 1/250 second the camera actually takes quite a lot longer to scan around the curved film.

Crowley's Wharf, River Thames, Greenwich, 1995, 95p4-672
Crowley’s Wharf, River Thames, Greenwich, 1995, 95p4-672

These pictures are from a project I began in 1995 with the approaching Millennium in mind. It seemed to me to make sense to carry out a project based on the Greenwich Meridian.

Greenwich Boating Pond, Park Vista, Greenwich, 1995, 95p4-1431
Greenwich Boating Pond, Park Vista, Greenwich, 1995, 95p4-1431

So I set about walking the Meridian, photographing it at various points in London and used some of these pictures in an attempt to get public funding for a Meridian Walk with some markers in pavements and a web site and publication. Panoramic images seemed a very appropriate format for illustrating the line.

Greenwich Meridian, Royal Observatory, Greenwich, 1995, 95p4-1242
Greenwich Meridian, Royal Observatory, Greenwich, 1995, 95p4-1242

Unfortunately my grant application as usual was unsuccessful, but I did go on to take some more photographs. In 2009 others produced a Greenwich Meridian Long Distance Path covering all of the Meridian in England from Peacehaven to Sand La Mere which of course goes through London and we also have The Line Sculpture Trail. Quite a few more Meridian markers were also added in London since I made this walk.

Many more panoramas from my Meridian project and other colour images from 1995 in the album 1995 London Colour.


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All photographs on this page are copyright © Peter Marshall.
Contact me to buy prints or licence to reproduce.