Posts Tagged ‘art’

Greenwich and Deptford Creek October 1988

Tuesday, May 17th, 2022

Caesars American Restaurant, Waterloo Rd, Lambeth, 1988 88-10e-55-Edit_2400
Caesars American Restaurant, Waterloo Rd, Lambeth, 1988 88-10e-55

I had spent several days wandering around Hackney in the previous months and decided it was time to go back south of the river and picked on Deptford for my next walk. I’d decided to get a train from Waterloo East to Greenwich as my starting point, but arrived in to Waterloo with some time to spare and walked briefly along Waterloo Road. You won’t find Caesars there now, its place taken by a vape shop and Tesco Express.

Norman Rd, Greenwich, 1988 88-10e-56-Edit_2400
Norman Rd, Greenwich, 1988 88-10e-56

I took the train to Greenwich Station and came out onto Norman Road which is on the east side of Deptford Creek. There are still some industrial sites here but the area to the north shown in my photograph now has tall blocks of flats both on the creek side (to the left of my picture) and on the right. There was no access to the Creek here.

Posters, Norman Rd, Greenwich, 1988 88-10e-41-Edit_2400
Posters, Norman Rd, Greenwich, 1988 88-10e-41

The area around Deptford Creek now has many artists studios, but back in 1988 I wasn’t expecting to see this kind of display in the area, and it wasn’t at all clear whether this was a result of fly-posting followed by vandalism or art, though I inclined to the latter. It certainly had become art by the time I photographed it.

Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-44-Edit_2400
Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-44

Finally on Creek Road I was able to see the creek itself, looking across to Deptford from the Greenwich end of the bridge. In the distance is the spire of St Paul’s Deptford. Tall blocks built around 2017 on Copperas Street now block that view.

Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-45-Edit_2400
Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-45

Walking across the bridge gave me this view of the Deptford side. Creek Road Bridge is a lifting bridge and in 1988 often caused severe traffic delays in the area when lifted at high tides to allow vessels to pass. I think bridge lifts are now rare, though at least until recent years they were still occasionally needed to allow vessels carrying aggregate to berth at Brewery Wharf just below the bridge on the Greenwich side.

In the distance you can see the Deptford Creek Railway Bridge which was also a lifting bridge, though of very different design. I understand this is now welded in place and incapable of lifting.

Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-46-Edit_2400
Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-46

Although Deptford Creek forms the boundary between Deptford (in the London Borough of Lewisham) and Greenwich for much of its length, the area around its mouth from a little south of Creek Road as far west as Watergate Street in Deptford is in the London Borough of Greenwich, including the whole now former site of Deptford Power Station. Both sides of the Creek were industrial in 1988, though the last of the three power stations had ceased operation in 1983, and it was spectacularly demolished in 1992. The first station, designed by Sebastian de Ferranti and opened in 1889 was the world’s first ‘central’ power station, operating at high voltage and on an unprecedented scale and closed in the 1960s.

Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-32-Edit_2400
Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-32

Much of the Deptford side of the Creek north of Creek Road was occupied by scrap metal dealers and in 1988 this brick building at Crown Wharf was the offices of London Iron & Steel Limited.

Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-33-Edit_2400
Deptford Creek, Creek Rd, Deptford, Greenwich, 1988 88-10e-33

The Creek turns west after going under Creek Road, then around to the north to enter the RIver Thames. There is a large pile of scrap on the wharf in front of the disused power station and Turbulence, a general cargo vessel, 1426 tons gross built in Selby, Yorkshire in 1983 is moored there. Large heaps of sand and gravel are at an aggregate works on the Greenwich bank, though previously there had been a gas works here.

Today the scene is entirely different, with large residential developments on both sides of the Creek, at Millennium Quay on the west and New Capital Quay on the east. A new footbridge joining the two across the mouth of the Creek was opened in 2015. This is a swing bridge which also occasionally has to be opened to let vessels pass at high tide.

My walk continues in a later post.


Sculptors, Homes, Graffiti and Blaises, 1988

Tuesday, August 10th, 2021

Dora House, Sculptors, sculpture, Old Brompton Rd,  South Kensington, Kensington & Chelsea, 1988 88-4p-36-positive_2400
Dora House, Sculptors, sculpture, Old Brompton Rd, South Kensington, Kensington & Chelsea, 1988 88-4p-36

Dora House at 108-10 Old Brompton Road was originally built in 1820 by builder William Blake as 7 & 8 Gloucester Terrace, but they were considerably adapted and the frontage here and in the next picture dates from 1885-86, when the house became the studios of portrait photographers Elliot and Fry of Baker St. The firm employed a number of photographers and as well as Baker St (which they left in 1919) had several other studios and a printing works in Barnet. Many of their early negatives were destroyed by bombing in the second World War, and the rest are now held by the National Portrait Gallery. They photographed many of the leading personalities of the Victorian era.

Dora House, Sculptors, sculpture, Old Brompton Rd,  South Kensington, Kensington & Chelsea, 1988 88-4p-36-positive_2400
Dora House, Sculptors, sculpture, Old Brompton Rd, South Kensington, Kensington & Chelsea, 1988 88-4p-36

Stonework on the new frontage was carved by John McCulloch, wrought iron by Alfred A. Newman and the architect was William Flockhart. The building is Grade II listed. The house was leased and later bought by sculptor Cecil Walter Thomas in 1919 and later he set up the Dora Charitable Trust, named after his late wife, to make the house available to the Royal British Society of Sculptors after his death. They have occupied it as a studio museum since 1979, opening it to the public with family activities and temporary exhibitions.

Clareville St, South Kensington, Kensington & Chelsea, 1988 88-4p-22a-positive_2400
Clareville St, South Kensington, Kensington & Chelsea, 1988 88-4p-22

Clareville St, off the Gloucester Rd and the Old Brompton Road, was developed after 1820 when the landowner, Catherine Lee let the ground to William Blake of Pear Tree Lodge, Little Chelsea, a builder and bricklayer, on a 99 year lease to build houses that at least met the London Building Act of 1774 for ‘fourth-rate’ houses.

Along the two main roads, Blake built rather larger houses – including what is now Dora House, but in the two back streets there were smaller houses to varied designs, including detached villas and terraces. As the Survey of London says, these “gave the estate a distinctly intimate character which it still retains, despite much subsequent rebuilding and infilling.”

Clareville St, South Kensington, Kensington & Chelsea, 1988 88-4p-23-positive_2400
Clareville St, South Kensington, Kensington & Chelsea, 1988 88-4p-23

When built the streets here were named Gloucester Grove, Gloucester Grove East and Gloucester Grove West, but were later renamed Clareville Grove and Clareville Street after Clareville Cottage which was a short distance further west outside this estate.

Imperial Hotel, Queens Gate, South Kensington, Kensington & Chelsea, 1988 88-4p-24-positive_2400
Imperial Hotel, Queens Gate, South Kensington, Kensington & Chelsea, 1988 88-4p-24

If you go to see the Imperial Hotel on the corner of Harrington Road now all you will find is an empty plot surrounded by fences and used as a car park. The demolition of the hotel was completed in 1992 after the borough of Kensington & Chelsea had granted planing permission for this use “pending redevelopment.” Permission for the redevelopmentof this listed building, I think a part of the Harrington estate and dating from the 1860s, had been granted by the GLC in 1975 for the provision of a new cultural centre for the Islamic Republic of Iran and twenty self-contained flats but with the development to be behind the existing facade. I don’t know whether later planning permission allowed full demolition or whether this was carried out illegally.

No development has taken place on this very expensive piece of land since, and I wonder if it is still owned by Iran but sanctions against that country have prevented any building. The hotel was better known in earlier years for its basement club Blaises, a music venue where among others The Byrds, John Lee Hooker, Ike & Tina Turner, Jerry Lee Lewis, Little Richard, Jimi Hendrix, Chuck Berry, Pink Floyd, Bo Diddley, Gladys Knight & The Pips, Captain Beefhear and The Pretty Things played.

St Augustine's Church, Queens Gate, South Kensington, Kensington & Chelsea, 1988 88-4p-26-positive_2400
St Augustine’s Church, Queens Gate, South Kensington, Kensington & Chelsea, 1988 88-4p-26

The demolition of the Imperial Hotel next door to St Augustine’s Church means we can now see the north side of the church; when I made this picture only its frontage was visible from Queen’s Gate. This II* listed building is said to be the second-best surviving church by William Butterfield; it opened for worship in 1871, but was only completed in 1876. The listing text is brief, probably because it was listed in 1949, but mentions its yellow brick with red and black bricks and stone as well as the Gothic western bellcote with flanking pinnacles.

The building replaced an earlier temporary iron church built in the garden of its priest in Gloucester Road in 1865, where services were said to be “Popery itself under the thinnest guise of the Protestant name” (Wikipedia.) Plans to build a larger replacement were blocked for some years by the Bishop of London, probably because of this extreme Anglo-Catholicism, but also because there were already plenty of churches in the area already, and the building could only begin after he moved away to become Archibishop of Canterbury. The listing text and some other sources wrongly give the date of the church as 1865.

Roland Gardens,  South Kensington, Kensington & Chelsea, 1988 88-4p-53-positive_2400
Roland Gardens, South Kensington, Kensington & Chelsea, 1988 88-4p-53

In the 1890s this house at 43 Roland Gardents was the home of Mrs Ada Freeman Gell, (aka Mrs Newman Gell, Miss Ada Evershed) (1849-1929) a solicitor’s daughter from Brighton who became an artist who apparently exhibited both sculpture and paintings from around 1888-1898. Several of her sculptures are in the Brighton Art Gallery though I think not on public display.

The development of the site was diverted in the 1970s by the craze for roller-skating and an open-air rink was opened on a large site here in 1876 and soon covered over to enable all-weather skating. In 1889 the site was sold to the firm of Aldin and Plater who had developed other houses in the road. They obtained a licence from the London County Council to build “private Studios for Painters” and sold the site on to a local builder who completed Nos 43 and 45 in 1891-2.

Graffiti, art, Cranley Mews, South Kensington, Kensington & Chelsea, 1988 88-4p-62a-positive_2400
Graffiti, art, Cranley Mews, South Kensington, Kensington & Chelsea, 1988 88-4p-62

This graffiti was on a large and rather dirty stone-faced wall, on Cranley Mews, on the section of the street leading down from Cranley Gardens to the main mews street behind the houses. The wall on the side of 54 Cranley Gardens was repainted in 2014 and the cracks no longer show, but there was no trace of the graffiti remaining before that. The rather utilitarian light fitting was replace some years earlier by a more ornate lantern on a fancy iron bracket. But no, I didn’t think it was art, though I have seen some even sillier things that were accepted as such.

Click on any of the images to go to the album where you can see large images and browse others on-line in 1988 London Photos.

Who Are We?

Friday, June 7th, 2019

You can now watch the video presentation Who Are We? 2019 – Shahidul Alam played at Tate Modern last month, part of Learning Lab 2: Artists who Risk and Artists at Risk, 25 May 2019. I found it an interesting insight into his work and in thinking about our own work as artists – and he says we are all artists.

Who Are We? is a cross-platform event designed for Tate Exchange (Tate Modern) reflecting on identity, belonging, migration and citizenship, open free to the public, and has been held annually since 2017 and is a partnership with the Tate, Counterpoint Arts and the Open University.

Probably I don’t need to say anything about who Alam his, or about his arrest last year. I’ve written at least a dozen times about his work as a photographer and also about his other incredible activities in Bangladesh, setting up Drik and Majority World agencies, the Bangladesh Photographic Institute, the South Asian Institute of Photography, Pathshala and the Chobi Mela festival. Here is a link to just one of those posts, 25 Years of Drik.