Posts Tagged ‘artists’

Ghost Sign, Cooltan and a Cinema

Wednesday, July 19th, 2023

The final episode in in the series of posts on my walk in south London on Sunday 6th May 1989. The walk began with Hanover, Belgrave, Chapel, Shops, Taxis. The previous post was Railton Road, Herne Hill.

Ghost Sign, S.Errington, Dulwich Road, Brixton, Lambeth, 1989 89-5f-41
Ghost Sign, S.Errington, Dulwich Road, Herne Hill, Lambeth, 1989 89-5f-41

I turned into Dulwich Road and walked up it towards Brixton, stopping to make very few pictures, perhaps keen to get to the end of the walk. Just before reaching Water Lane on the side of what was then Ellis Newsagents at 1a Dulwich Road I couldn’t resist the finely painted sign ‘
S Cooltan
ERRINGTON
DEALER IN
ANTIQUE
&
MODERN

FURNITURE

FURNITURE
BOUGHT
SOLD OR

in drop capitals, decorated with some fine curly bits. Clearly something at the bottom following the ‘OR’ had been painted over, but I couldn’t decide what it might have been. Perhaps ‘EXCHANGED’ or ‘HIRED’?

The property now looks to be residential, but on Google Maps it still appears as:
S Errington Dealer In Antique & Modern Furniture
Home Furniture Shop
Temporarily closed

and that sign is still there, rather more faded and with the lettering now looking very much plainer. Unfortunately although I will have had a camera body with colour film in my bag I did’t photograph this in colour. Some days I only thought in black and white.

CoolTan Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989  89-5f-44
CoolTan, Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989 89-5f-44

I walked along Brixton Water Lane, taking a couple of pictures (not digitised) on my way to Effra Road. The the names suggest I was following the route of the River Effra, underground since the early nineteenth century, but in fact I had been doing so all the way down from Herne Hill and was now walking away from it. Effra Road got its name from Effra Farm which was on the bank of the river.

CoolTan Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989  89-5f-33
CoolTan Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989 89-5f-33

The former Suntan lotion factory was squatted and in June 1991 became the CoolTan Arts Centre. They were evicted in February 1992, and the centre moved first to offices above Brixton Cycles before squatting the former Unemployment Benefit Offices in Coldharbour Lane. There it became a thriving art space, with a cafe, live music and offices for various campaign groups including Reclaim the Streets, Earth First! and the Green Party until 1995, when the building was taken over by The Voice newspaper – who boarded it up and left it empty and rotting. The Effra Road factory was demolished shortly after their eviction and remained as empty unused ground for over ten years.

CoolTan Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989  89-5f-34
CoolTan Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989 89-5f-34

But Cooltan Arts continued. From 1993-2016 Michelle Baharier was, as she writes in her statement on the South London Women Artists site, “Founder, Artistic Director and CEO of CoolTan Arts, London. In twenty-five years, I grew CoolTan Arts from an old suntan lotion factory squatted social centre in Brixton to a user-led disabled people’s arts and mental health charity. CoolTan Arts worked with over three thousand people face-to-face per year with its participatory art programme. The charity improved the lives of individuals with mental distress through creativity, self-advocacy, and volunteer opportunities within the arts. During my tenure at CoolTan I developed psycho-geography walks and other collaborative events with different communities.”

CoolTan Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989  89-5f-35
CoolTan Suntan Lotion factory, Effra Rd, Brixton, Lambeth, 1989 89-5f-35

Clearly I was intrigued by this empty 1930s moderne factory and by its gates and their shadows. Unfortunately the gates were locked and although the fence was fairly low the location seemed a little public for me to climb over and explore the site further though it was more decorative than a real barrier. Eventually I managed to tear myself away and continue my walk, taking a few pictures not online as I walked past St Matthews Church and on to Brixton Hill.

Former Cinema, 101-3 Brixton Hill, Brixton, Lambeth, 1989 89-5f-24
Former Cinema, 101-3 Brixton Hill, Brixton, Lambeth, 1989 89-5f-24

The Tarpaulin & Ten Mfg Co, T&T was for many years in the former cinema, which was converted from shops and opened on 10th March 1911 as Brixton Hill Cinematograph Theatre, and was 13th of Montagu A. Pyke’s chain of Cinematograph Theatres. Pyke went out of business when he was jailed after his projectionist in his cinema died in a fire in 1914, and the cinema was taken over by others. It changed its name then and several other times over the years, operating under names including ‘New Royalty’, ‘New Royalty Kinema’ and finally the Clifton.

It showed its last film in 1957 and deteriorated badly before becoming the T&T shop. I think this kept going into this century and the building was up for sale in 2004 and became the Dalxiis Somalian restaurant. By 2008 the auditorium had been demolished and the front of the cinema had become the South Beach Bar, which lost its licence in 2012. In 2015-6 it was ‘Believers Home Chapel’ , in 2018 the S.G.H Events Hall and in 2019 the TAMI Gospel Centre of The Anointed Ministry International, though still with the South Beach Bar sign on that metal structure, empty in my picture at roof level that had once carried the The New Royalty Kinema and Camping Centre signs.

Post Office Building, Blenheim  Gardens, Brixton, Lambeth, 1989 89-5f-11
Post Office Building, Blenheim Gardens, Brixton, Lambeth, 1989 89-5f-11

I went down Blenheim Gardens, photographing this building, dating from 1891 and still in use by the Royal Mail as Brixton Delivery Office, and the windmill, before walking through the back streets between Brixton Hill and Tulse Hill on a roundabout way to Brixton Water Lane to catch a bus on my way home at the end of my long walk.


Students Lead The Way 27 Sept 2019

Monday, September 27th, 2021

Two years ago school students and supporters were in Parliament Square campaigning at the end of a week of Global Climate actions and the start of a worldwide General Strike for climate justice and against extinction.

We had another Global Climate Strike last Friday (24th Sept 2021) though I was unable to photograph it for pressing family reasons, but although we now hear much more about the terrifying consequences of carbon emissions increasing global temperatures and have begun to feel them, there has been relatively little action. The UK government has learnt to talk a little of the talk, but is still pressing ahead with highly environmentally destructive plans – supporting new oil, gas and coal fields, subsidising destructive wood-burning and backing projects such as HS2 and Heathrow expansion.

It is hardly a good record for a government that is urging others do more, whether by the Prime Minister speaking at the UN or other diplomatic meetings leading up to COP26 in Glasgow. “Do as I say not as I do” is seldom a productive approach. Like other such meetings it seems almost certain to end with too little and too late.

The schoolkids get it – they’ve heard and understood the message from Greta Thunberg and David Attenborough. The scientists get it and have published reports which make it clear. Even some politicians across the parties get it, but not those in ministerial offices and Downing St. The real problem is that any effective policies would threaten the status quo which they have been put in charge to protect. They want business as usual, which is exactly what has got us in this mess.

I haven’t entirely abandoned hope, though it is getting very thin, rather like the hope of a revolution or a second coming, which is now about what would be needed to avert disaster. Things are certain to get very much worse than at present, perhaps enough to force our leaders to see sense before it is entirely too late, though I think it unlikely I will live long enough to see it.

Environmental lawyer Farhana Yamin, arrested for protesting against Shell with Extinction Rebellion

It wasn’t just the schoolkids who were on the streets in 2019. Later in the day I went with some of them to Trafalgar Square where artists, designers, musicians, cultural workers and others were talking about their own creative individual and collective responses to the climate emergency in a ‘Climate Rally for the Imagination.’

Although many of these were inspiring I left feeling depressed as it all seemed so divorced from our mainstream culture, which is dominated by the billionaire owned press and major TV stations which largely take their lead from those same publications. It would take a major miracle for Murdoch to convert from protecting his profits to protecting the earth, but that’s the kind of change we need for survival.

Climate Rally for the Imagination
Students Strike for climate justice


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


East End Artists

Thursday, September 26th, 2019

I’m not a huge fan of portrait photography as it is generally practised and for example exhibited in the annual prize event at the National Portrait Gallery. Occasionally a decent picture creeps in, but most I find rather ordinary, occasionally worse.

Of course there are many photographic portraits I do admire. Bill Brandt took some truly splendid ones, mainly on magazine commission, and there are some good photographers now whose work appears regularly in newspapers and magazines.

Most of the pictures I take now have people in them, sometimes concentrating on an individual or small group, but usually because of what they are doing rather than to make some kind of statement about them as a person. Certainly I don’t think of myself as a portrait photographer though I think I have taken some pretty decent pictures of people.

I’ve mentioned the Spitalfields Life blog here before, and some time ago its author published EAST END VERNACULAR, Artists Who Painted London’s East End Streets in the 20th Century with work by many artists, many of whose work I knew as I’d worked in some of the same streets, and including a few I’ve met over the years. It is described as presenting “a magnificent selection of pictures – many never published before – revealing the evolution of painting in the East End and tracing the changing character of the streets through the twentieth century.”

Now an article on the same blog, Artists of East London Vernacular has some fine portraits of some of those featured by photographer Stuart Freedman who I’ve also mentioned here on several occasions. I think they are fine examples of photographic portraits, taken with great thought and care, a dozen quite different images. You can see more of his portraits on his web site, and I think some of these are among his best.

Who Are We?

Friday, June 7th, 2019

You can now watch the video presentation Who Are We? 2019 – Shahidul Alam played at Tate Modern last month, part of Learning Lab 2: Artists who Risk and Artists at Risk, 25 May 2019. I found it an interesting insight into his work and in thinking about our own work as artists – and he says we are all artists.

Who Are We? is a cross-platform event designed for Tate Exchange (Tate Modern) reflecting on identity, belonging, migration and citizenship, open free to the public, and has been held annually since 2017 and is a partnership with the Tate, Counterpoint Arts and the Open University.

Probably I don’t need to say anything about who Alam his, or about his arrest last year. I’ve written at least a dozen times about his work as a photographer and also about his other incredible activities in Bangladesh, setting up Drik and Majority World agencies, the Bangladesh Photographic Institute, the South Asian Institute of Photography, Pathshala and the Chobi Mela festival. Here is a link to just one of those posts, 25 Years of Drik.