Posts Tagged ‘fisheye lens’

IWW Demand ‘Reinstate Alberto’, Occupy & London, 2012

Monday, February 10th, 2025

IWW Demand ‘Reinstate Alberto’, Occupy & London: On Friday 10th February 2012 I came to London to photograph a rush hour protest calling for the reinstatement of an office cleaner sacked for his union activities. I came early to wander a little from Waterloo and pay a visit to Occupy London on the way there, and also took a few pictures on my way home after the protest.


IWW Cleaners Demand ‘Reinstate Alberto’ – Heron Tower, Bishopsgate

IWW Demand 'Reinstate Alberto', Occupy & London, 2012

Cleaners were protesting outside the 230 metre tall Heron Tower (now Salesforce Tower) at 110 Bishopsgate, completed in 2007 when it then was the tallest building in the City of London.

Alberto Durango 
IWW Demand 'Reinstate Alberto', Occupy & London, 2012
Alberto Durango speaks outside Heron Tower

The protest called for the reinstatement of IWW Branch Secretary Alberto Durango who had been sacked, victimised for his trade union activities, after the cleaning contract for the building had been taken over by a new contractor, Incentive FM Group Ltd.

IWW Demand 'Reinstate Alberto', Occupy & London, 2012
NTT Communications threw out their cleaners “like rubbish” because they organised and joined the union

Alberto who worked as a cleaner in the Heron Tower had become well known for his campaigning activities in and around the City of London, which have helped to secure better working conditions and the London Living Wage for many of the cleaners who work in London’s prestigious offices. He was then the Industrial Workers of the World Cleaners and Allied Trades Branch Secretary and in 2011 had won the fight for workers at Heron Tower to be paid the London Living Wage and an agreement with the then employer that there would be no redundancies there with any staff reductions needed being made by transfers to alternative posts.

IWW Demand 'Reinstate Alberto', Occupy & London, 2012

Under the Transfer of Undertakings (Protection of Employment) Regulations (TUPE) the new employer should have continued to recognise this agreement. Instead they refused to do so and picked on Alberto, making him redundant.

IWW Demand 'Reinstate Alberto', Occupy & London, 2012

The same management also controlled Exchange Tower where the IWW were carrying out a campaign to get cleaners the London Living Wage and where they have taken a very aggressive stance against the union, threatening the union members. The protesters connected Alberto’s sacking with his role there as union Branch Secretary.

This was a very loud protest with speakers using a powerful megaphone and drummers from Rhythms of Resistance adding their loud beats as office workers from Heron Tower and the many other offices in the area were making their way home in the evening rush hour.

The pavement outside the area owned by Heron Tower on Bishopsgate is relatively narrow and police rightly insisted that there needed to be a clear route along it for workers to get past without having to step into the busy road. So my 15mm fisheye lens was extremely useful, though it does make the area look much more spacious than it was.

In February the protest began a quarter of an hour after sunset, and light was fading fast. Although the City streets are generally well light both from street lighting and by the light from the huge areas of glass on the front of modern buildings I used added lighting for many of the pictures, either with a hand held LED light or flash on camera. But neither light source can cover the 180 degree diagonal view of the fisheye and those pictures rely on available light only. Its f2.8 maximum aperture helped – and it was a stop faster than the wide-angle zoom used for almost all the other images. In some at least of the pictures I think the fish-eye effect works well too.

More at IWW Cleaners Demand Reinstate Alberto.


Occupy London & Other Pictures – St Paul’s Cathedral

Although there were still plenty of tents in St Paul’s Churchyard as I walked through they were all tightly closed and the occupiers were still out protesting the music anti-piracy proposals at the British Music House in Soho.

I was a disappointed at not meeting any of them, although I hadn’t arranged to do so and it did allow me to take a few pictures of the site without any distractions, though by the time I’d wandered there taking a few pictures on the way including from the Millenium footbridge I was in a hurry to get to the Heron Tower.

After the protest at the Heron Tower I took a bus back to Westminster and made a few pictures in the subway leading from the station to the Houses of Parliament and under the Emabankment towards the Thames before walking across the bridge and to Waterloo Station.

More pictures Occupy London Still At St Pauls.


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Thames Path Panoramas – Vauxhall to Wandsworth 2014

Sunday, January 5th, 2025

Thames Path Panoramas: Back in January 2013 I had photographed and taken part in a rather less bloody re-enactment of the Epiphany bloody armed insurrection by Thomas Venner and fellow Fifth Monarchists against the re-imposition of the monarchy in 1661 being performed by Class War for film director Suzy Gillett. I’d tried hard to avoid getting in the way of the camera but do appear for a few seconds as the insurrection made its way to seize St Paul’s Cathedral.

Thames Path Panoramas

On Sunday 5th January, a year less a day later I and others involved were invited to a private afternoon screening of the film at the Cinema Museum close to the Elephant & Castle. As it was a fine day I went up some hours earlier to walk and photograph a little nearby section of the Thames Path.

Thames Path Panoramas

I’d been making panoramic photographs since the 1980s, at first by cutting and mounting together a few prints from black and white images. Back in 1991 I’d bought my first panoramic camera, a Japanese Widelux F8 with a lens that swings around while making a picture on 35mm film, held in a curve so that the centre of the lens remains at a constant distance from the film. Later I bought several more similar but much cheaper cameras made in Russia and a Chinese beast taking 120 film.

Thames Path Panoramas

These cameras all produced a very wide angle of view – around 120 or 130 degrees – but with a different perspective to “normal” cameras, with some characteristic curvature of objects. The normal rectilinear view stretches out objects at the edges of the frame and is only really usable up to around a 90 degree angle of view. Later I did work with a Hassleblad X-Pan camera and with a 30mm lens which gives a 94 degree horizontal view – around the maximum usable for a rectilinear view.

Thames Path Panoramas

Digital methods changed the game. At first I used a film scanner and software that enabled me to merge several scanned images. Then things became even easier when I shifted to a digital camera. For projects such as ‘The Secret Gardens of St John’s Wood‘ I combined up to around 8 different 12.3Mp digital images form a Nikon D300 to make very large prints with wide angles of view.

But by 2014 I was working with a Nikon D800E and it had occurred to me that there was a simpler solution with its 36.3Mp images. I could use the 16mm Nikon fisheye which gives 180 degree diagonal coverage filling the frame and then convert these images digitally from their fisheye projection to the more friendly cylindrical projection of my panoramic cameras.

I could now make panoramas almost as easily as taking any other images, capturing moving as well as static scenes with ease. For most panoramic images it is important to have the camera level, and the D800E had nice clear indicators that could be displayed in the viewfinder to ensure this, and with an f2.8 lens tripods became a thing of the past.

For these images I used the incredibly flexible PTGui software, but later found the simpler Fish-Eye Hemi plugin for Lightroom more convenient, though PTGui allows some interesting options. Unfortunately this plugin is no longer available, though I hope it or a similar plugin will be made available again. Using it you transform the images without any loss of image at the centres of both horizontal and vertical sides so you can visualise what will be in your final image when looking at the viewfinder while taking images.

Many more pictures at Thames Path Panoramas.


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All photographs on this page are copyright © Peter Marshall.
Contact me to buy prints or licence to reproduce.


King’s Cross, Victoria Dock, Excel Arms Fair

Saturday, November 26th, 2022

2005 seems a long time ago now, but some of the same names are still often in the news. At a rally at King’s Cross station about fire safety remembering the victims of the disastrous fire in the Underground station there in 1987 that killed 31 people there were speeches from trade unionists and politicians including MPs John McDonnell and Jeremy Corbyn.

King's Cross, Victoria Dock, Excel Arms Fair

RMT leader Bob Crow died in 2014 but since 2021 RMT General Secretary Mick Lynch has been very much in our minds recently – and like Crow putting the case for his members and the working classes effectively to the mass media, challenging the silly class-based observations of many reporters and interviewers and making clear the facts about the rail dispute.

King's Cross, Victoria Dock, Excel Arms Fair
John McDonnell

Trains were very much in my mind at the start of Saturday 26th November 2005, not because of strikes but because of the problems of our privatised rail system which led to me arriving in London half an hour later than anticipated. Privatisation only really made any sense when it could introduce real competition and that was never possible for the railways – and only by introducing an expensive and wasteful middle layer of companies for utilities such as gas, electricity and water. In all these sectors the results have been inefficienies, high prices and large profits at the expense of customers and taxpayers for the largely foreign companies who bought our ‘national silver’.


Kings Cross – never again! – 26th November 2005

King's Cross, Victoria Dock, Excel Arms Fair

So I arrived late, running up the escalators at King’s Cross and remembering the stories of those who had been caught up there in the terrible fire, thinking how hard it would be to find the way out in smoke-filled darkness. Even with good lighting and reasonably clear signage it’s sometimes difficult to take the correct route.

Outside I photographed the joint trade union protest in memory of the fire, made more urgent by the plans of the management to change safety rules which protect workers and public using the system in order to cut costs. As well as those mentioned earlier, there were also speakers from ASLEF, the Fire Brigades Union and others.

On the https://www.london-fire.gov.uk/museum/history-and-stories/historical-fires-and-incidents/the-kings-cross-fire-1987/ 18th November 1987 a fire started when a lit match was dropped on an escalator around the end of the evening rush hour, falling through a gap and setting fire to litter and grease beneath. The small fire this started quickly spread, engulfing the escalator. People were told to leave the station by an alternative escalator and trains were told not to stop at the station.

Then at exactly 7.45pm while the ticket hall was still crowded a fireball suddenly erupted from the escalator into the ticket hall, followed by dense black smoke which made it impossible to see the exits. The heat was intense, melting plastic wall and ceiling tiles which added to the blaze. It took two and a quarter hours to get the fire under control, and a further five hours to put it out completely. 31 people died in the fire including a senior fire officer who was in the ticket hall telling people to get out when the fireball burst in.

Government and management justify cutting safety as “getting rid of red tape” and simplifying procedures and 12 years after this protest we saw the terrifying consequences of their approach to safety at Grenfell Tower.

The inquiry into the fire established a previously unknown mechanism by which the fire had spread so rapidly and also found that an over-complacent management had not had sufficient concern for the dangers of fires underground. New regulations were introduced, smoking was banned and a programme of replacing wooden escalators begun (though it was only in 2014 that the last was taken out of service.) Heat detectors and sprinkler systems were installed and better communications systems, improvements in passenger flow and staff training meant that almost all of the reports recommendations were put into practice.

Things changed in later years as Government and management justified cutting safety as “getting rid of red tape” and simplifying procedures and 12 years after this protest we saw the terrifying consequences of their approach to safety at Grenfell Tower. Had the reports and the coroners recommendations following the Lakanal House fire in 2009 been implemented and the lessons learnt, the fire at Grenfell would have been a minor incident, confined to the flat inside which it started. There would have been no deaths and we would never have heard about it on the news.

Poppies and leaves in Whitehall

Workers and their unions saw clearly the dangers of this change in attitudes to safety in this 2005 protest.

more pictures


Excel and Victoria Dock – 26th November 2005

I’d hoped to go from the safety protest at King’s Cross to a lecture at the ICA, but my work finished too late, and instead deciding first to go to Whitehall where I had expected to find another protest. There were still quite a few poppies from the Remembrance Sunday event, but I found nothing else to photograph in the area.

I decided the weather would be fine to take a trip to the Royal Victoria Dock and take some more photographs around there. It was a fairly quick journey now thanks to the Jubilee Line from Westminster to Canning Town and then a couple of stops on the DLR.

I got off at Custom House and walked past the entrance to the Excel Centre, making my way to the high level bridge across the dock, which had been closed on an earlier visit but was open now. And the lift was working.

I took rather a lot of pictures both on the dockside and from the bridge which has some interesting views of the buildings around the dock and further afield, including the Millennium Dome on the other side of the Thames, Canary Wharf and the London skyline in the far distance.

I took pictures with the full range of the lenses in my camera bag, from the 8mm fisheye to the a not very impressive telephoto zoom, which I think stretched to 125mm, equivalent on the DX camera I was then using to 187mm, which give a some quite different angles of view. I would now process these rather differently, partly because RAW software has improved significantly since 2005, but also because my own preferences have changed. Most of those fisheye images I would probably now partially ‘defish’ to render the verticals straight.

The camera I was using them, a Nikon D70 also now seems rather primitive, particularly as its images are only 6Mp and only offering a ISO 200 – 1600 range. But it did the job well, and the only real improvements in later models – unless you really want to make very large prints – were in the viewfinders. The D70 viewfinder was usable (and much better than the D100 which it replaced) but still not as good as those on film cameras.

Towards the end of the time I spent there, the sky turned orange, though perhaps the photographs slightly exaggerate the colour.

more pictures


East London Against the Arms Trade – Musical Protest, Excel Centre, 26 Nov 2005

I’d photographed more or less everything I could see and was beginning to make my way back to the DLR station when “I heard the brassy notes of the red flag, and made my way towards them.”

Musicians from ‘East London Against the Arms Fair’ were treating visitors to the Excel centre to a musical welcome. They were calling for Excel to stop hosting the DSEI (Defence & Security Equipment International) arms fairs which attract visitors from around the world, including many repressive regimes to come to London and see and buy arms.

London’s then Mayor, Ken Livingstone had spoken against having the arms fair in London as have the nearby London boroughs, and local residents had voted 79% against them, but the arms fairs continue every other year – with several days of protest against them.

One had taken place here in October, and the musical protest was calling for those already booked for 2007, 2009 and 2011 to be dropped. But their protest fell on deaf ears so fast as Excel’s owners were concerned and they continue, supported by the government, to be held there.

more pictures


As well as seeing more pictures on the links in this post you can also see the accounts I wrote back in 2005 by scrolling down the November 2005 page of My London Diary. You can see photographs of further protests against the DSEI arms fair by putting the four letters DSEI into the search on the front page of My London Diary.


Chinese New Year 2005

Sunday, February 13th, 2022

Chinese New Year 2005

On Sunday 13th 2005, 17 years ago, London was celebrating the Chinese New Year of the Rooster which started the previous Wednesday – it was 4072.

Chinese New Year in Soho is something I’ve avoided in more recent years – as I wrote in 2005: “I used to enjoy the rather anarchic celebrations in Chinatown, but it’s now more of an ordeal, with far too many people coming in to watch and too much organisation.”

Trying to photograph in such crowded situations was a problem, and one I confronted in two main ways in 2005, something reflected in the two pictures above. At the top is a picture taken standing back some distance with a telephoto lens, while the lower picture is taken with a fisheye lens, both on a Nikon D70 DX camera.

De-fished version

Usually now when I use the a fisheye lens like this, I would convert the perspective to give straight verticals – as in the above image. But back in 2005 I didn’t have a good plug-in to do this conversion, and although it was possible with various programmes I was using for making panoramas it was a rather time-consuming process.

For this particular event I rather liked the fisheye effect, at least in some pictures. Although it does clearly misrepresent those faces close to the edges of the picture, for me it pulls the eye towards the centre of the picture and perhaps gives a greater impression of the crowding I was working in.

A small problem is that the image you see in the viewfinder is the fisheye one, and not that in the ‘de-fished’ version. But as you can see, the fisheye image which you see has the same horizontal limits at the centre of both the horizontal and vertical sides, with just a little of the image towards the four corners being lost. It’s still possible to frame accurately when working.

It’s not I think correct to call the effect of the fisheye lens ‘distortion’. It is simply a different way of recording the subject on a flat rectangle. Most fisheyes I’ve used (and I own four different examples, for DX and full-frame Nikon, for Fuji and for micro 4/3) seem actually to have rather less actual distortion than my ultra-wide rectilinear (i.e. ‘normal’) lenses.

In the de-fished image you can see that as well as the verticals of the building being straight, people at the edges of the picture are also shown naturally, unlike in the fisheye version. I was also taking some pictures with an ultra-wide 12-24mm lens (equivalent to 18-36mm full-frame) and with that at its widest faces at the edge would have been rendered a little stretched out horizontally.


I’m not sure what some major agencies would make of conversions using software like this, whether they would regard it as an unacceptable alteration of the image. For me its just one of many acceptable corrections of the image, but clearly it does alter the image as recorded by the camera. It would be possible to design a specialised wide-angle camera which carried out the correction in firmware but the market for this would probably be small. Rather it could be provided into normal digital cameras as an option – far more useful than all those special effects which clutter the menus on many cameras now.

More pictures on My London Diary – scroll down a little from the top of the page.