More Ponders End, Enfield Wash, Palmers Green & Brimsdown: Back in 1994 my main focus was on black and white images, some of which I was selling or putting into libraries. I was taking colour on colour negative film and my work was all ‘personal’, with a few being printed for exhibitions.
So while I kept fairly careful records of the black and white images, keeping a diary and annotating the contact prints I made far less documentation for the colour work. Images were filed in sheets which were numbered often for the month I developed them rather than when they were taken and there was no urgency to develop colour film, doing so in batches sometimes covering film from several months.
Here I’ve tried to present the images in the order they were taken. They come from a whole set of walks around parts of Enfield in the early months of 1994, though I think the first may haven been taken in December 1993.
Mural, Palmers Green, Enfield, 1994, 94-03-1-21
The previous post, Ponders End, Brimsdown, Enfield Wash & Waltham Cross – 1994, included some pictures from the same months, including a panorama made at the same place as one of the images here. I think these pictures speak for themselves so I’ll write nothing more about them.
Back to the Future, Bus, Brimsdown, Enfield, 1994, 94-03-1-23
In March 1994 I spent some time photographing in the London Borough of Enfield, and going a little beyond its borders into Waltham Cross. Mostly I was taking black and white pictures – some of which you can see on Flickr in the album 1994 London Photos – but I did also take some in colour, including a few colour panormas.
Mollison Avenue in Brimsdown is a busy road running roughly parallel to and between a railway line and the Lea Navigation with the area between these crammed with industrial and commercial sites. Now much of it is occupied by delivery centres and I think there are rather more fences than in 1994.
This was a picture largely about shapes and as with many olds getting the colours to look natural is a problem – as you can see particulary in the foliage here.
The colour is rather better in this image of a large pipe bridge, possibly carrying gas, over the navigation. The view here looks rather rural, but as usual there is a line of tall pilons.
Here I made use of the curvature from the swing-lens camera – as well as the obvious pipe there is a second interlocking curve with the bridge, the grass bank and the towpath.
Columbia Wharf, Ponders End, Enfield, 1994, 94-03-3-23
Columbia Wharf was now a wharf in name only, with lorries now delivering carpets. This is now a part of ‘Ponders End Waterfront’. I think this picture was taken from Wharf Road.
Enfield Wash is close to Enfield Lock station which I used several times to walk around the area. I have a small suspicion that this launderette may really have been in an area that locals would call Enfield Lock, but I decided given the subject that Enfield Wash was more appropriate.
I still can’t decide whether I preferred the landscape or portrait version of this launderette interior – taken through the window when it was closed.
Shops and Cross, Waltham Cross, Broxbourne, 1994, 94-03-1-61
From Enfield Lock Station a short walk took me to the Lee Navigation towpath which is also the Lea Valley Walk and a couple of kilometres north uder the M25 I was out of Greater London and in Waltham Cross. At right is the Eleanor Cross, one of twelve built to the orders of King Edward I to mark the overnight resting places of his wife Eleanor of Castile who died near Lincoln in 1290 as her body was en route to Westminster Abbey.
Much restored it now sits in the pedestrianised shopping centre, one of only 3 surviving Eleanor Crosses. The one in front of Charing Cross Station is a Victorian 1865 recreation.
Rainham,Purfleet, Thurrock & Ponders End: On Saturday 11th December 1993 I took a train from Fenchurch Street to Rainham and then walked along by the river to Coldharbour Point. There the path stopped and I returned to Rainham and took the train to Purfleet where I could pick up the riverside path again and walk on to Grays. Probably I walked about 9 miles in all and by the time I finished it I think the light would have been fading, with sunset at around 4pm.
Tilda Rice, Rainham, Thurrock, 1993, 94-01-1-64
On this walk I made a little over 200 black and white images, a selection of which you can find on Flickr in my 1993 London album beginning here.
Purfleet, Thurrock, 1993, 94-01-1-65
Waste Paper, Purfleet, Thurrock, 1993, 94-01-1-51
There are more colour images from this walk, including a number of panoramas, mixed with pictures from other occasions starting here on the final two pages of my Flickr album of colour pictures from 1993.
Notices on Fence, Purfleet, Thurrock, 1993, 94-01-1-53
But today I found some more pictures from that walk at the start of my album 1994 London Colour and I’ll share these in this post. They will have come from a cassette of film which I took in 1993 but only developed a month or so later in 1994.
Waste Paper, Purfleet, Thurrock, 1993, 94-01-1-56
Works, Purfleet, Thurrock, 1993, 94-01-1-46
QEII Bridge, Dartford Bridge, Pipeline, River Thames, West Thurrock, Thurrock, 1993, 94-01-1-11
The final image in today’s post is something completely different on the same film, a shop window in Ponders End which I found it strangely weird. As it is on the same film as the others I think it was probably also taken in December 1993 although my caption stated 1994.
1995 Colour – Part 1: The first of a series of posts on my colour work, mainly in London, from 1995, 35 years ago and when I’d been working extensively with colour negative film for ten years, though still continuing to work with black and white.
Car Wash, St Paul’s Cray, Bromley, 1995, 95c01-122
Although I’d always taken both colour and black and white photographs since I began in photography, black and white had dominated my work. It was still the serious side of photography in the 1970s; almost all gallery shows then were black and white, and most publications were still only printed in monochrome, including photographic magazines, although some occasionally had a few colour pages.
And back then, almost all professional colour was taken using colour slide film such as Ektachrome and Kodachrome. Films were mainly sold inclusive of processing and you sent away your exposed film and a few days later s box of slides came back through the post. Professionals might use Ektachrome and take it to a lab for processing, but that worked out more expensive, though you could get the results in an hour or so.
St Paul’s Cray, Bromley, 1995, 95c01-132
I was interested in colour but in the early years took far fewer colour images, largely because of the cost, though I did cut this down by buying colour film in bulk and home processing, though this needed much tighter control of time and temperature than black and white and the results were not always quite as they should have been.
Hi-Q, Tyres, Sevenoaks Way, St Paul’s Cray, Bromley, 1995, 95c01-133
Most photographers at the time felt that colour negative film was only for amateurs, but two things changed that for me. One was my frustration with transparency film which simply could not handle many of the high contrast scenes I was interested in, giving impenetrable shadows where I wanted detail and the second was seeing some prints produced by another photographer, printed on Fuji paper.
There was a clarity about the colours that this paper gave when compared with Kodak, Agfa and the others, but the other great advantage was that there was little or no colour shift with exposure. This meant that I could dodge and burn prints with a similar creative control to working with black and white.
Chinese Takeaway, Hoe St, Walthamstow, 1994, 95c01-155
Some time early in 1985 I made the decision to switch entirely from transparency to negative for all of my personal colour work.
Belvedere, Bexley, 1994, 95c01-161
This post is the first of a number which will show some of my colour images from 1995.
Belvedere, Bexley, 1994, 95c01-163
These pictures were all made in December 1994 or January 1995 with some 1994 images only being processed in January 1995.
War Memorial, Callender’s Cables, Church Manorway, Belvedere, Bexley, 1994, 95c01-165
I’ll publish more in later posts, perhaps also including some of the colour panoramas I made. There is much more of my colour work on film in a number of Flickr albums.
