Posts Tagged ‘carbon dioxide’

March for Clean Air

Sunday, December 1st, 2019

Extinction Rebellion East London had organised a whole weekend of event , a festival of play, protest and education, the East London Uprising calling for a rapid end to the use of fossil fuels.

Apart from their huge contribution to our increasing carbon dioxide levels which are leading to unprecedented man-made global heating the will put the future of humanity at risk, the pollution levels already present in London and other cities from coal, petrol and fuel oils which pollute the air with toxic chemicals and particulates is already causing many thousands to suffer from various often serious lung diseases and is estimated to lead to almost 10,000 early deaths in London alone.

The marchers met in a small open space called Paradise Gardens, between the busy Cambridge Heath Road and houses in Paradise Row. It may have seemed like paradise when these houses were built in the late 18th and early 19th century, and doubtless they are now horrifically expensive, but this paradise is now highly polluted.

The march set off from Bethnal Green to Hackney behind a banner ‘The Air That We Grieve’, and included a marching jazz band, and of course plenty of families with children. As well as the jazz band there were samba drummers, and the ‘king of the bottle tops’ and others.

The march attracted considerable interest as it went up the Cambridge Heath Road, with many expressing support. But there was no general uprising and perhaps there are releatively few who are actually changing the way they behave, changing to lower carbon lifestyles as we all need to do. It requires a much greater urgency from a government which is prepared to make statements but not to take on the vested short-term interests of many of its backers by significant green investments and policies that will really impact on personal choices.

More pictures from the event at XR East London marches for clean air


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, a small donation – perhaps the cost of a beer – would be appreciated.


Clearing the ‘Sea of Protest’

Tuesday, August 13th, 2019

Police I think waited until the journalists covering Emma Thompson’s visit to the Extinction Rebellion (XR) ‘Sea of Protest’ around Berta Cáceres, the pink yacht at the centre of Oxford Circus before they closed in.

I’d left with the others, but came back 25 minutes later to find the yacht surrounded by a ring of police, with just those protesters locked on to the boat inside. And sitting on the ground around them was a large crowd of XR supporters, listening to singers and occasionally chanting slogans.

Soon more police arrived and set up a cordon around the whole of Oxford Circus, allowing people to leave but not to enter. There were some heated arguments and one protester tried to urge the crowd by now outside to push their way through the police line, but XR organisers urged them to respect the non-violent principles of Extinction Rebellion and not oppose the police physically, and no-one followed his lead.

Police came and began to persuade  those still sitting down in Oxford Circus to leave, telling them they would be arrested if they stayed, and numbers began to dwindle, although there were many who stayed, having come prepared to be arrested to make XR’s point.

As well as photographing this, I was taking pictures mainly between the legs of police officers, both the ring around the outside of the protest, particularly of the dance group dressed in red that were going around the outside of the cordon, and, through the legs of the much tighter cordon around the yacht, looking through to the protesters who were locked on.

I wasn’t sure how much of the police to include in the frame with these images, and took some with a minimal presence as in the picture above, but also wider views showing the line of police. And of course it was possible to zoom in and exclude the police altogether. But I felt it important to have both police and yacht in the image to locate it.

Eventually the specialist police team turned up to begin to release the protesters from the yacht and its undercarriage – though some were very easily removed, others needed cutting out, and it was a lengthy process. As they were removed they were arrested and rushed to waiting police vans.

Once the numbers sitting on the road had reduced to a more manageable number police began making arrests of them also, taking them away. I hung around and photographed a number of them being carried away, though it was hard to get clear pictures as there were often too many people – police, other photographers and protesters – in the way.

After I’d been there for around two and a half hours watching and photographing I decided I’d taken enough pictures and left. It was several hours later before the area was cleared and the yacht was towed away, having been there for around five days.

Many more pictures at Police clear XR from Oxford Circus.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, a small donation – perhaps the cost of a beer – would be appreciated.


End rewarding Drax for pollution

Friday, August 9th, 2019

I’ve never felt bad about having a bonfire in the garden. We generate a lot of small branches from various shrubs and trees that have to be regularly cut back, and it’s material that mostly won’t compost. And although we have several large compost bins, we’ve found from experience that they don’t get hot enough to destroy a few really tough and troublesome weeds, So these often get put on the bonfire too, though we could pay for the council to collect them as garden waste.

All this carbon release is of short-term carbon, mostly this year’s carbon, and there is no net increase in atmospheric carbon dioxide caused by our gardening.

And of course the bonfire produces carbon dioxide, but firstly it is only a fraction of the carbon dioxide which has been turned into wood and leaf in our garden, with the rest remaining locked in as our bushes and trees grow bushier and taller, or being eaten (and thus released) as fruit and vegetables. More too gets back in to the atmosphere from the green waste that does go into our compost bins.

Of course there are other pollutants from our very occasional garden bonfires, including particulates and doubtless toxic chemicals. But I am fairly sure that the amounts of these are relatively small and will add little to those already in our air here from the nearby roads, motorways and Heathrow.

But burning wood to produce electricity at Drax is a quite different matter. One obvious difference is that of scale: Last year Drax burnt 7.2 million tonnes of wood pellets, equivalent to at least twice that amount of green wood, and more than the UK’s total annual wood production, and released 13.02 million tonnes of CO2 into the atmosphere (in addition to another  4.36 million tonnes from coal and other fossil fuels.)

The wood burnt at Drax is ‘old’, having grown over many years, and even with the most sustainable forest planting to replace it will take more than 50 years. The majority of it comes as pellets from the USA, mostly produced from hardwood from the clear-cutting of biodiverse forest ecosystems, and the major producer, Enviva has been subject to heavy criticism both for its destruction of these swamp and wetland forests, and for locating its highly polluting pellet plants in areas of social deprivation already exposed to high levels of industrial pollution.

Drax’s carbon-producing wood burning is only financially viable because it gets huge subsidies. In 2018 these amounted to £789.2 million, This money comes from our energy bills which carry a surcharge, intended for promoting renewable electricity. It should not be used to promote highly polluting and essentially non-renewable wood burning. The subsidies are greater than the company’s annual profits and without them wood-burning would not be viable.

Drax also gets subsidies from the government for burning coal, though on a rather smaller scale, but also impossible to justify. For 2019/20 this is  £22 million, and similar subsidies are expected until 2025. It is also expected to be subsidised for burning gas, and wants to greatly expand its generation from gas.

These huge subsidies to Drax for its contribution to global warming come at at time when our government has slashed subsidies for truly renewable energy production from onshore wind and solar power as well as those for energy efficiency and conservation.

More about the protest outside Drax’s AGM in the City of London, and later outside the Dept for Business, Energy & Industrial Strategy (BEIS) demanding an end to environmental subsidies for massive pollution in two posts on My London Diary:
Drax wood burning must end
Drax Protest at BEIS


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, a small donation – perhaps the cost of a beer – would be appreciated.


XR Funeral Procession

Sunday, August 4th, 2019

It was perhaps surprising that Extinction Rebellion’s occupation of Parliament Square acheived less publicity in the media than that of the other occupations in April, despite starting with arguably the most colourful (and most musical) of the events of the eleven days, a New Orleans style jazz funeral procession.

The roads around the square were blocked as I arrived to photograph the procession, much to the annoyance of at least one taxi driver, who made an ill-advised attempt to drive through the protesters before giving up and turning around. But this isn’t a major junction like those at Oxford Circus or Marble Arch, not really even a major route, and one which I’ve long thought should be pedestrianised and permanently closed to all but essential traffic to make London more pleasant for Londoners and tourists.

Again, the protest in Parliament Square didn’t have the kind of permanent focus provided by the Waterloo Garden Bridge, or the pink yacht of the sea at Oxford Circus. And it was hard to see what might have provided that, though a large guillotine might have been popular with some. But what Parliament Square did have was a spectacle, a funeral procession led by a small jazz group in front of the coffin, and behind it giant skeletons and a bright red-clad group apparently representing the blood of extinct species – and of those species including our own soon to become extinct.

There were other mourners too, people with placards and some giant bees among them as the procession made several slow circuits of the square before moving onto the grass. They didn’t actually bury the coffin (or try to) but there followed a series of workshops and group discussions, and after a while I left to photograph another event that had been taking place at the same time.

The procession perhaps would have made better video that still pictures, both because of the nature of the event but particularly for the music.


More at Extinction Rebellion Funeral Procession

My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, a small donation – perhaps the cost of a beer – would be appreciated.


XR Marble Arch

Saturday, August 3rd, 2019

Extinction Rebellion’s largest site during their multiple occupation of London was in the area around Marble Arch. It’s were one of inner London’s busiest north-south routes, Park Lane on the east edge of Hyde Park, crosses the East-West route of Oxford St and the Bayswater Road, with Edgware Road, the A5 starting out its long journey well beyond Edgware to the far Northwest (and there is another similar arch where it ends in Holyhead.).

The Marble Arch itself is on the north edge of the traffic island in the centre of the large gyratory system here. It had been designed in 1827 by John Nash as a ceremonial entrance to Buckingham Palace, but in 1851 it was moved to its present position to serve as an entrance to Hyde Park at the time of the Great Exhibition.

Unfortunately the widening of Park Lane in 1960-64 led to it being cut off from Hyde Park, in isolation on a traffic island. No traffic passes through it now, although you can still walk through its arches. Until the late 1960s three rooms inside the arch were in use as a police station, but are now unused.

XR blocked traffic on all the roads leading to Marble Arch and tents filled most of the grassed area around, with the hard standing in front of the arch being used for stalls and performances, as well as a lorry equipped as a stage on Cumberland Gate. The area was occupied from the early hours of Monday 15th April. Police got the traffic moving again on Wednesday 24th, and XR finally left after a closing ceremony the following evening.

There wasn’t a great deal happening on either of the occasions I visited Marble Arch, but there were some major events on various of the evenings, with some well-known performers coming to perform and show their support. But I like to go home at night to a comfortable bed (and a good dinner) and left it to those staying in the camp to record.

More at Extinction Rebellion Marble Arch.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, a small donation – perhaps the cost of a beer – would be appreciated.