Baisakhi Mela, Bengali New Year: Back in May 1998 I went to the celebrations of the New Year taking place in a crowded Brick Lane and photographed the people on the streets, mainly in black and white and a few in colour.
I’ve recently digitised the more interesting of these pictures and have posted 35 black and white and a few colour pictures on Flickr.
Of course I was then working with film. I can’t remember exactly which two cameras I was using that day, but I think most likely one would have been my favourite Minolta CLE with a 28mm lens. Minolta had previously worked with Leica to produce the Leica CL, a more compact Leica using Leica M lenses, but for some reason two companies had parted company for the improved version of this, which came out under Minolta’s name. Perhaps its improved metering made it seem too modern for Leica.
The Minolta 28mm M-fit lens was a fine performer, actually out-performing its Leica equivalent. Sadly I had to bin it years later as fungus growth within it had damaged some of the internal glass beyond repair when I had hoped to use it with an appropriate adaptor on a Fuji digital camera.
Konica were another company that produced a modernised rangefinder Leica, the Hexar RF using their version of the Leica M-mount which accepted all Leica lenses. The viewfinder was perhaps not quite as bright as a Leica, but was better for 28mm lenses, and it not only had a good autoexposure system but also motorised wind-on of film and rewind. But that only came out a in 1999 after these pictures were made, when it became my ‘Leica’ of choice.
Probably the black and white images were made with an earlier Konica camera, the Hexar F, a 35mm fixed-lens, fixed focal length autofocus camera. Film loading, advance and rewind was motorised and automatic. It wasn’t promoted much in the UK, and I had to order mine from the USA, I think in 1993. The 35mm lens was superb, but I did have some self-made probelms with this camera, mainly due to my fingers. It was all too easy for them to wander over the exposure senor on the front of the body, causing extreme over-exposure, and I often managed to get greasy fingerprints on the front of the lens which had no lens hood.
Brick Lane was full of sound for the Baisakhi Mela, but both the Minolta CLE and the Hexar F were quiet in operation and the Hexar even had a ‘silent’ mode that made it hard for even me to know if I had taken a picture – so I seldom used it. Many of those in these pictures would have been immersed in the event and so unaware that I was taking their photographs, though others were and were clearly happy to be photographed.
The picture above is the first black and white picture from the Mela in the album, and clicking on it will take you to Flickr where you can then go through all 35 black and white pictures.
Flickr – Facebook – My London Diary – Hull Photos – Lea Valley – Paris
London’s Industrial Heritage – London Photos
All photographs on this page are copyright © Peter Marshall.
Contact me to buy prints or licence to reproduce.































































































