Posts Tagged ‘Jack the Ripper’

Palestine & Jack the Ripper – 2017

Saturday, November 4th, 2023

Palestine & Jack the Ripper – On Saturday 4th November 2017 thousands marched through London on the 100th anniversary of the Balfour declaration to demand the equal rights for Palestinians which are included in that declaration, but have been disregarded for 100 years. Although the declaration was being celebrated officially in the UK, many see it as shameful and responsible for the years of suffering for Palestinians.

Palestine & Jack the Ripper - 2017

The Balfour Declaration was made following several months of talks with representatives of Zionist and anti-Zionist Jews, but without any consultation with Palestinians. The Prime Minister at the time, Lloyd George, clearly stated in later years that it had come about as a reward for the work on the production of acetone, vital for the war effort, by Chaim Weizmann, although some historians discount this.

Palestine & Jack the Ripper - 2017

But it was clearly seen as a gift to the Zionists, and Weizmann was one of the Zionist leaders deeply involved in the talks, and the declaration came in a letter written on November 2nd, 1917 and signed by the United Kingdom’s Foreign Secretary Arthur Balfour to Lord Rothschild, a leader of the British Jewish community, for transmission to the Zionist Federation of Great Britain and Ireland.

Palestine & Jack the Ripper - 2017

The declaration was a single long sentence divided by commas into four clauses, the first two promising the support of the government in the setting up “in Palestine of a national home for the Jewish people” but it continues in the third “it being clearly understood that nothing shall be done which may prejudice the civil and religious rights of existing non-Jewish communities in Palestine“.

Palestine & Jack the Ripper - 2017

Clearly the UK government failed entirely over the years to protect those civil rights in Palestine, and it is hard to believe that they ever seriously intended to do so.

The declaration was also clearly linked to British policy aims in the Middle East as a whole, led by Sir Mark Sykes, MP for Hull and a promoter of both Arab nationalism and Zionism who together with the French diplomat François Georges-Picot drew up a secret agreement along with the Russians for the carving up of the Middle East when the Ottoman Empire was defeated.

Sykes had visited Palestine to meed Weismann and had been converted to the Zionist cause and played a part in the drawing up of the Balfour Declaration, though he later changed his views.

The march began with a rally outside the US Embassy in Grosvenor Square before marching to a longer rally in Parliament Square. The speakers at the embassy were under a red canopy which bathed them in red light making colour photography more or less impossible and I converted the images to black and white for publication.

I left as the march was starting to take the tube to Tower Hill and walk to another protest.

More pictures at Equal Rights & Justice for Palestine.


Class War back at the Ripper – Whitechapel

Class War had protested at the opening of the so-called ‘ Ripper Museum’ in a shop on Cable Street and had continued to hold protests there at intervals outside the tacky tourist trap.

They and many others pointed out that the shop exploits violence against women, making money from images of sexually mutilated women, and encourages the attitudes that lead to violent sexual assaults.

One woman taking part in the protest had recently returned home late at night to her flat in Tower Hamlets to find a 17 year old young woman who had been raped several times on the street collapsed on her doorstep and had saved her from further assaults by calling the police.

They had come here again together with London 4th Wave Feminists wearing cat masks after the tourist attraction had failed to remove shutters and signage which were deemed illegal by Tower Hamlets council a year ago, including a poster which was partly ripped off the shop front in the protest. The council were criticsed for not enfrocing their decision and their opposition to the shop often seemed half-hearted.

Patrick from Class War came to the protest dressed as Father Brannigan, performed a series of exorcisms holding up a hastily improvised cross.

The shop had employed two security guards for the protest and one of them roughly pushed some of the protesters who challenged the few visitors who entered and left during the protest, mainly visiting tourists.

When police eventually arrived half an hour after the protest began they tried with little success to move the protesters further from the shop.

After an hour or so the protesters walked away, with many going to a local pub and I accompanied them. We were disturbed half an hour later by a police raid. Apparently two anti-trans feminists had come to view the protest, hoping to see a person they complained to the police had assaulted one of them at a meeting the
previous month, and had then phoned the police.

The woman behind the bar then declared herself as a special constable, brought out her warrant card and tried to stop me and others taking photographs. She failed, but I decided later not to publish them. It’s a pub I’ll never drink in again.

More pictures Class War back at the Ripper.


Ripper Selfies, Custody Deaths, Halloween Skate & Poor Yorick

Monday, October 31st, 2022

A varied set of events from seven years ago on Saturday 31st October 2015


Ripper ‘Selfies with Dead Women’ – Cable St, Sat 31 Oct 2015

The Fourth Wave: London Feminist Activists (LFA) protested at the Jack the Ripper ‘museum’ against Halloween event publicity inviting visitors to take ‘selfies’ with the body of one of his dead victims. They were joined by comedian Kate Smurthwaite, Class War and the Sisters of Perpetual Resistance.

LFA came in cat masks and the Sisters of Perpetual Resistance came in their curious triangular black hoods with a banner ‘What a Bloody Ripp-Off’ and a bucket ‘Dead Women Can’t Protest‘. Comedian Kate Smurthwaite was there holding a poster ‘Corpses ain’t Tourism‘ and a little late Class War arrived with their ‘Women’s Death Brigade‘ banner.

The LFA also brought a decidely unsexy blowup doll with a mask of Ripper shop owner Mark Palmer-Edgecumbe with a Fawcett Society t-shirt ‘This is what a feminist looks like’, the word feminist crossed out and replaced in red by the word ‘CAPITALIST’.

Among those who spoke as well as the event organiser were Kate Smurthwaite and Becky Warnock whose petition against the s-called museum had got over 12,000 signatures.

Ripper ‘Selfies with Dead Women’


UFFC Annual Remembrance Procession – Whitehall, Sat 31 Oct 2015

Families and friends of people killed by police or in prisons made their annual march at a funereal pace from Trafalgar Square to Downing St, to a rally with speakers including those from the families of Mark Duggan, Sean Rigg, Sheku Bayoh and others.

This procession has taken place each year since1999 and you can see my pictures from this year when it took place on 29th October 2022.

In 2015 the march, led by family members holding banners, made its way in silence down Whitehall before erupting into a noisy protest at Downing St.

Here there were speeches from family members including including Cephus “Uncle Bobby” Johnson the uncle of Oscar Grant who was killed by a police officer in Los Angeles, Stephanie Lightfoot-Bennet whose twin brother Leon Patterson was killed by Manchester police in 1992, Kadisha Brown-Burrell, whose brother Kingsley Burrell died in police custody in 2011. Shaun Hall, the brother of Mark Duggan, shot by police in 2011 in Tottenham and Marcia Rigg whose brother Sean was killed in Brixton police station in 2008.

A small group of family members took a letter into Downing St while the rally continued. Although as t-shirts worn by many stated there have been ‘1518 deaths in police custody since 1990′ including many with clear evidence of beating and murder, not a single case has yet resulted in any justice. Police and authorities have prevented proper investigation of cases, committed perjury and obstructed the course of justice to protect the officers concerned.

More at UFFC Annual Remembrance Procession 2015.


Halloween Skate 2015 London – Hyde Park Corner, Sat 31 Oct 2015

On a very much lighter level I met with London Friday Night Skate at Hyde Park where they were to begin their annual Halloween skate in varied Halloween costumes.

I didn’t try to follow them after they left to skate their lengthy route through Mayfair, Soho, Covent Garden to an after-party at a pub near Kings Cross.

Halloween Skate 2015 London


UVW Hamlet-themed Barbican Flash-mob – Barbican Centre, Sat 31 Oct 2015

Alas Poor Yorick Got No Sick Pay‘ was the message on the skull held up by the Cleaners union United Voices of the World as they staged a protest on the last night of a season there of Hamlet.

The were protesting for full payment of the living wage and sick pay for the cleaners there and and an end to the use of workfare in the centre. The cleaners are not directly employed by the Barbican and get far worse conditions of service and treatment than directly employed workers from the outsourcing company which the Barbican has a contract with.

The Shakespearian theme was continued in posters such as ‘To Be or Not to Be… Paid a Living Wage‘ and ‘To Be or Not to Be… Paid Sick Pay‘ while those theatre-goers seeing the protest were urged to tweet photos and videos with hashtag #Hamlet.

Among the protesters were Green Party leader Natalie Bennett and Sandy Nicoll, currently suspended SOAS Branch Secretary, and there were banners ‘Boycott Workfare’ and from ‘Unite the Resistance’ as well the UVW banner. Several from Class War had also come to support the cleaners.

There had been a couple of police officers present when I arrived on time for the protest, but they had disappeared well before the UVW turned up around 20 minutes late. Barbican security staff made some attempts to move the protesters on, but I imagine they are also outsources on lousy terms and conditions and that their hearts were not really in it.

Eventually after a number of speeches and some noisy chanting the police returned and talked with the UVW General Secretary Petros Elia who was leading the protest. He told them that the protesters were about to leave before tonight’s Hamlet was due to start and continue the protest outside the main entrance, and they then did so.

Outside the Barbican we joined some of the cleaners who work in the Barbican who had stayed outside and the protest continued with a rally in the street.

UVW Hamlet-themed Barbican Flash-mob


Music, Spoken Word and Protest

Saturday, August 20th, 2022

Music, Spoken Word and Protest
Cosmo sings at the Jack The Ripper protest, 2015

Music, Spoken Word and Protest. A week or two ago I received a Facebook invitation suggesting I listen to a monthly radio show on Riverside Radio, the Colin Crilly Takeover, a monthly show with hosts Andy Bungay and Colin Crilly. In this edition they were to “be playing SONGS with a political/social angle, and discussing the issues raised.”

Music, Spoken Word and Protest
Adam Clifford performs at Class War newspaper launch, White Cub, Bermondsey, 2017

Colin Crilly is someone I’ve often met and photographed on protests in London and who has on occasion asked me to be interviewed for the show, but I’ve never done so. Radio isn’t really an ideal medium for photography.

Music, Spoken Word and Protest
Different Moods play at Poor Doors protest, 2014

Riverside Radio is a local station covering a wide area of southwast London, mainly the boroughs of Wandsworth, Richmond and Merton but available to everyone on the web. I didn’t log on to the live show live as it airs for two hours from 11pm on a Saturday night, a time when I’m usually exhausted and only ready to fall asleep. Or if I’ve had a particularly busy day covering events I might still be editing the work.

Julie Felix at CND protest, 2007

But a few days later, Colin sent me a link to a recording of the show on MixCloud and I began to listen to it. I’ve not managed to hear the whole two hours and I found MixCloud a frustrating experience as, perhaps because I haven’t subscribed, I couldn’t skip forward and when I took a rest it reverted to the start of the track. Since radio doesn’t come with pictures (except in the mind) I’ve added some of my own to this post.

Billy Bragg supports IWGB strikers 2018

It was good to hear a track by Anne Feeney, the late great US folk musician, singer-activist and lawyer who died in 2021. Her ‘Have You Been To Jail For Justice?’ and her lines “A rotten law stays on the books til folks like us defy it, The law’s supposed to serve us, and so are the police, And when the system fails, it’s up to us to speak our piece …” are very relevant now. It led to some interesting discussion by Colin and Andy, but perhaps it could have been related rather more to the approaches of groups such as Extinction Rebellion and Insulate Britain in the UK.

Sheffield Samba Band on march to Aldermaston, 2004

Next up was Paul Hardcastle’s ’19’, about the Vietnam War, but released in 1985, which apparently made a huge impression on a then-young Colin. It really was a ground-breaking release in several ways, but like the interview with John Lennon which followed – and preceded his ‘The Fool On the Hill’, did give the show seem rather an academic and historical approach to the subject.

Samba band, Carnival Against Capitalism, 1999

I didn’t get much further in listening – and I think these were the only songs in the first hour of the show, though I might have fallen asleep a bit – there was a lot of long discussion. George Michael on BBC Hard Talk in 2002 came into it. It’s perhaps a shame that there wasn’t a playlist on the MixCloud page.

Samba – UK Uncut, 2011

Among the hashtags there was #london and I didn’t think I’d heard much about London or protests there in the part of the show I heard. Nor did I get to hear the promised Wood Guthrie, whose songs I used to play and sing badly from a much dog-eared paperbook in my youth, though fortunately seldom in public.

But many of the protests I’ve attended over the years have included performances by singers as well as spoken word performers, and of course the sound of almost all marches in recent years has been the samba band. How or if the recent act designed to prevent effective protest alters this remains to be seen.

Cosmo at Poor Doors protest, 2014

I’ll just mention a few of those I’ve been impressed by – and have photographed in London. On his web site is this description of Cosmo, based in Wales as well as a number of music videos featuring him and his friends.

Cosmo is “a one-man folk-punk phenomenon.” (Miniature Music Press). Over the course of 14 albums and 30 years of touring, he has established himself as a formidable voice on the UK and international underground.

He has appeared at Glastonbury, the Edinburgh Fringe and other major UK festivals, as well as touring across the UK, Europe, North and South America and the Middle East. In that time, he has shared stages with Billy Bragg, Frank Turner, Grace Petrie, John Cooper Clarke, Mark Thomas and more. Cosmo has won awards at the Edinburgh fringe and Hay fringe festivals.

An activist as well as a musician, Cosmo has also performed at countless picket lines, protest camps, rallies and demos, as well as being involved with community organising.

https://www.cosmoguitar.com/about/

I’ve photographed Cosmo several times, particularly at protests with Class War and always been impressed by the lift he gives to protesters.

Grim Chip (left) outside the TUC, 2017

Quite a few rappers and poets have also performed at events I’ve photographed. Poetry on the Picket Line does exactly what the name suggest. Poets in the group, including hip Hamer, Janine Booth, Nadia Drews, Joe Solo, Tim Watts, Tim Kiely, Owen Collins, Repeat Beat Poet, Mark Coverdale, Lantern Carrier and Michael Breen, reading their work in the spirit of solidarity
on picket lines and at rallies.

Potent Whisper performs ‘Estate Of War’ at Class War’s Newspaper Launch at the White Cube 2017

Georgie, a London based rapper and spoken word artist performs as Potent Whisper. Dog Section Press published his ‘The Rhyming Guide to Grenfell Britain‘ including the text of nine full-length pieces, I think all of which I’d heard him deliver at various demonstrations as well as in videos, including The Rhyming Guide to NHS Privatisation, Estate of War and Grenfell Britain. The book is worth getting if you can find a copy. An article by him in the New Internationalist includes a link to his ‘You’ll Never Edit Grenfell‘ and you can view more on his YouTube channel.


Class War Protest Jack The Ripper Opening

Friday, August 5th, 2022

Class War Protest Jack The Ripper Opening

Class War and others protested on Wednesday 5th August 2015 outside the newly opened Jack The Ripper “museum” in Cable St days after it first opened. Class War had called this protest as soon as the news became public, and others had organised another protest the previous evening which I had been unable to attend. Class War later organised further protests outside the museum which I also photographed.

Class War Protest Jack The Ripper Opening

Unfortunately the Jack the Ripper tourist attraction in Cable Street is still open, pandering to a popular taste, particularly among tourists to the city, for the sensational and to wallow in the grisly details of this brutal and horrific series of murders in London of five working-class women on the streets of Victorian London.

Class War Protest Jack The Ripper Opening

The museum was set up according to its planning application as the “first women’s museum in the UK” which “will recognise and celebrate the women of the East End who have shaped history, telling the story of how they have been instrumental in changing society.” A number of people gave advice or worked for free or at cost because they supported the project on this basis, and felt disgusted at how they were duped.

Class War Protest Jack The Ripper Opening

As I commented in 2015, ‘People who have seen the museum have been revolted at its sensational presentation of violent crimes against women. One of the politer comments was to call it “salacious, misogynist rubbish.“‘

I’ve only seen the shop through the doors and windows, and there does seem to be a lot of merchandise for sale. The on-line reviews of the place are extremely polarised. There are many positive, even fawning examples, though some do seem to follow a very similar pattern.

I think the window had been smashed earlier in the day

Others are damning. One comments “The museum is pretty small. It’s effectively 5 small rooms. You could whizz round it in 10 minutes easily. In no way does it represent good value for money. One of the rooms was pure conjecture too (What Jack the Ripper’s living room might have looked like…!?). It’s rather light on any kind of detail. For people with anything more than a superficial interest in the history etc, this is a waste of your time and money.”

Another states “I have no idea how it got so many positive reviews… It’s £12 per person and we’ve basically seen everything after 10 minutes. There’s nothing in this museum that isn’t already in the Google images.” Others are far more negative about the exploitation of the sadistic murders of women for profit.

So if you are someone who thinks we should celebrate the work of a serial killer who eviscerated five defenceless women – three of them mothers – on the streets of London and feel your holiday would not be complete without wallowing in more of the bloody details you may well enjoy this “museum”, even though it is in the wrong location and has little authentic content.

If you are not sure about the details of the killings and have a strong stomach you can read more, rather too much more, on Wikipedia; it isn’t pleasant reading. For once I’d advise you not to click on the link, or if you do to skip some parts of the entry.

Of course the whole Ripper industry is a tacky area, with many more imaginative and profitable books speculating on the identity of the deranged killer. Although the evidence is only circumstantial the most likely suspect remains Montague Druitt who committed suicide shortly after the last of the five murders, and was one of three named in a letter written five or six years later by a senior police officer who though not involved in the investigation will have had access to the officers and the – now largely destroyed – police records of the case.

More about the protest at Class War at Jack the Ripper ‘Museum’.


Jack the Ripoff

Saturday, June 19th, 2021

Tower Hamlets council were pleased to apporpve a planning application in 2014 to convert an empty Victorian building in Cable St into a ‘Museum of Women’s History’, particularly since Whitechapel’s Women’s Library had closed the previous year. Owner Mark Palmer-Edgecumbe’s application featured pictures of suffragettes and trade union campaigners and promised the museum would be “the only dedicated resource in the East End to women’s history” and “recognise and celebrate the women of the East End who have shaped history, telling the story of how they have been instrumental in changing society. It will analyse the social, political and domestic experience from the Victorian period to the present day.” (Quoted in Wikipedia.)

On the basis of these promises the architects were persuaded to carry out the work for a lower than normal fee, and various others provided consultancy services at no cost. All, including the council, where shocked and felt duped when the covers were removed from the site in 2015 to reveal instead a ‘Jack the Ripper’ museum glorifying the unknown murderer of a number of working class women in the East End in 1888.

There were various protests organised outside the museum including some backed by the Mayor of Tower Hamlets, who found his council unable to take any real action over the deception, various women’s groups and Class War. Finally the local council did refuse retrospective planning permission for the shop front and ordered changes to the shop’s signage and the removal of a metal roller shutter installed after a window was broken during protests in 2015. The shop owner appealed against the decision and lost. The projecting sign was removed at some time in 2017-8 but I think the shop has failed to comply with some other aspects.

On Sunday 19 June 2016 Class War and supporters including London Fourth Wave Feminists in cat masks, protested outside with toy plastic hammers offering to take down the shutter which had been declared illegal.

Police guarded the shop and prevented the protesters going inside but seemed generally fairly relaxed about the protest, with at least one making clear his distaste for the tacky tourist attraction they were having to protect. At one point they and the protesters were engulfed in red smoke after a couple of black-clad men arrived to join the protest, quickly fading away as the smoke cleared, with the protest then continuing in good spirits.

The good news is that the shop was put up for sale in April 2021 and is expected to close and take on some new use once sold. I’m not aware of any plans for its use and it will quite likely end up as some kind of offices, but it would be rather more satisfactory if it were bought and actually opened as a ‘Museum of Women’s History’. As I write it appears to still be unsold.

Rip Down the Ripper Facade!


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More from May Days: 2016

Tuesday, May 12th, 2020

Clerkenwell Green was more packed than ever for May Day 2016, with the big attraction being a rally before the start of the march with Jeremy Corbyn as the main speaker, along with TUC General Secretary Frances O’Grady.

While the event usually attracts little media attention, TV crews and photographers were out in force, with a crowd of photographers around the open-top bus from which he was speaking, and mobbing him as he arrived and left. The stewards became rather heated and there were some who threatened the photographers and a considerable amount of pushing from both them and the photographers. I was glad I had decided to keep well clear.

The march was much as usual, and I tried to photograph all the banners – and most of them are on My London Diary.

Having had the main speakers before the march started, the rally which followed was perhaps something of an anticlimax, though there was perhaps a wider range of speakers than usual having got the political big guns out of the way earlier. The event was enlivened by a colourful protest by Ahwazi Arabs against their repression over many years by the Iranian regime which has stolen their land and is trying to eradicate their culture.

I left for Altab Ali Park in Whitechapel, where the Bangladeshi Workers Council along with Red London, trade unionists, labour movement, political and community activists had organised a rally to commemorate and celebrate May Day.

 I met up with a small group from Class War at a pub in Aldgate and walked down with them to 1 Commercial St, the ‘Poor Doors’ tower block where the fourth in a series of anti-capitalist street parties organised by anarchists in East London was to start.

Several hundred turned up, some in fancy dress and others in black and the party got started. After partying and blocking Whitechapel High St the set off to protest elsewhere, first outside the sleazy misogynistic Jack the Ripper tourist attraction in Cable St, and then on to block Tower Bridge for a few minutes, where as well as the usual smoke flares we also get a show of fire breathing.

As they paused by the Southwark Council Offices in Tooley St I kept walking. I’d been on my feet for far too long and needed to rest on a train home. I had to take several days off before getting back to taking pictures.

F**k Parade 4: Ripper & Tower Bridge
Anti-Capitalist May Day Street Party
May Day Rally & Gonosangeet
May Day Rally
Ahwazi Protest at May Day Rally
May Day March
Day at Clerkenwell Green


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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