Posts Tagged ‘Carnival Against Capitalism’

J11 Carnival against Capitalism – 2013

Sunday, June 11th, 2023

J11 Carnival against Capitalism: Ten years ago on 11th June 2013 we saw one of the worst examples to date of police opposing the right to protest in London. The day had been billed by protesters as a Carnival Against Capitalism and was intended in the week before the G8 talks to point out that “London is the heart of capitalism, and to expose the offices of companies they think are brutal and polluting or exploitative, financiers who are holding the world to ransom, the embassies of tyrants and the playgrounds of the mega-rich.

J11 Carnival against Capitalism - 2013

The organisers had said it would be “an open, inclusive, and lively event” and it would certainly have been noisy and high-spirited, theatrical in some ways but unlikely to cause a great deal of damage.

J11 Carnival against Capitalism - 2013

The police, almost certainly under political pressure had decided to treat it as a major insurgency, leaking invented scare stories to the media and getting a Section 60 order for the whole of the cities of London and Westminster which gave them the power to stop or search anyone on the streets without the need to show any suspicion. These orders are only meant to be put in place for a clearly defined area over a specific time when a senior officer believes there is a possibility of serious violence, or weapons being carried, and this seemed to be a considerable and probably illegal overkill.

J11 Carnival against Capitalism - 2013

This was not a huge protest, probably expected to involve less than a thousand protesters. Quite a few had gathered the previous day at a large squatted former police station in Beak St. Police invented a story that those inside had paint bombs and intended to cause criminal damage and used this to get a search warrant, entering the building early on the day of the protest.

J11 Carnival against Capitalism - 2013

Police turned up intending to arrest all those inside, and came with a couple of double decker buses to take them away.They sealed off a long stretch of the street and held the people inside, preventing them from joining the start of the protest, but the search found nothing.

Along with the rest of the press covering the story I was kept out, and could only see a little of what was happening from a distance, photographing with a very long lens. The police were blocking an number of side streets too and I had to make a lengthy detour to get to the other end of the block where the view was little if any better.

Police were stopping people on the streets and searching them, particularly anyone dressed in black or otherwise looking as if they might be a protester. Most were searched and released but there were a number hand-cuffed and led away. The only arrest where could find the reason was when a woman was arrested and put in a police van on Regent St for having a small marker pen in her handbag.

The protest from Piccadilly Circus began much later than intended. Around a couple of hundred people had eventually made it there, including a samba band, and left for their intended tour of the offices of some of the most powerful and greedy companies, “oil and mining giants, arms dealers, vulture funds, companies that launder blood money, invest in war and speculate on food supplies, and the offices, embassies of tyrants.”

Police kept stopping the protesters and when they did there were some short speeches and the samba band played. Police occasionally rushed in and grabbed a protester, and there were some scuffles as people tried to protect their friends. Police vans blocked some of the major roads in the area, turning what would have been relatively minor traffic stoppages into long major disruptions.

The tour stopped outside the Lower Regent Street offices of arms manufacturer Lockheed Martin for speeches against its activities – including making Trident missiles, after which the samba band began to play. One of the police ‘Liaison Officers’ came and told the band that they needed a licence from Westminster Council to play music in the street and would be committing an offence if they continued to play. He was greeted by shouts of derision from the crowd, but the band were clearly worried and held a consultation before deciding to continue on to protest outside BP around the corner in St James’s Square.

Westminster licences buskers not music on the streets. Many processions and protests take place with marching bands – including military events, the Salvation Army, Orange Lodges and many other protests. This warning was clearly another attempt by the police to harass the protest by applying laws inappropriately.

The protest moved on to the offices of BP in St James’s Square, where after a few minutes I left them, I’d been on my feet too long. The protesters still had a number of calls to make and doubtless the police would keep up their harassment.

The Stop G8 protesters had despite the police carried out at least in part their intention to “party in the streets, point out the hiding places of power, and take back the heart of our city for a day.” The police had wasted huge amounts of public money, provoked some minor disorder, disrupted traffic for much of the day in a large area of London and shown themselves happy to lie and act outside the law to support the interests of the rich and powerful.

Read more and see more pictures at J11 Carnival against Capitalism.


Music, Spoken Word and Protest

Saturday, August 20th, 2022

Music, Spoken Word and Protest
Cosmo sings at the Jack The Ripper protest, 2015

Music, Spoken Word and Protest. A week or two ago I received a Facebook invitation suggesting I listen to a monthly radio show on Riverside Radio, the Colin Crilly Takeover, a monthly show with hosts Andy Bungay and Colin Crilly. In this edition they were to “be playing SONGS with a political/social angle, and discussing the issues raised.”

Music, Spoken Word and Protest
Adam Clifford performs at Class War newspaper launch, White Cub, Bermondsey, 2017

Colin Crilly is someone I’ve often met and photographed on protests in London and who has on occasion asked me to be interviewed for the show, but I’ve never done so. Radio isn’t really an ideal medium for photography.

Music, Spoken Word and Protest
Different Moods play at Poor Doors protest, 2014

Riverside Radio is a local station covering a wide area of southwast London, mainly the boroughs of Wandsworth, Richmond and Merton but available to everyone on the web. I didn’t log on to the live show live as it airs for two hours from 11pm on a Saturday night, a time when I’m usually exhausted and only ready to fall asleep. Or if I’ve had a particularly busy day covering events I might still be editing the work.

Julie Felix at CND protest, 2007

But a few days later, Colin sent me a link to a recording of the show on MixCloud and I began to listen to it. I’ve not managed to hear the whole two hours and I found MixCloud a frustrating experience as, perhaps because I haven’t subscribed, I couldn’t skip forward and when I took a rest it reverted to the start of the track. Since radio doesn’t come with pictures (except in the mind) I’ve added some of my own to this post.

Billy Bragg supports IWGB strikers 2018

It was good to hear a track by Anne Feeney, the late great US folk musician, singer-activist and lawyer who died in 2021. Her ‘Have You Been To Jail For Justice?’ and her lines “A rotten law stays on the books til folks like us defy it, The law’s supposed to serve us, and so are the police, And when the system fails, it’s up to us to speak our piece …” are very relevant now. It led to some interesting discussion by Colin and Andy, but perhaps it could have been related rather more to the approaches of groups such as Extinction Rebellion and Insulate Britain in the UK.

Sheffield Samba Band on march to Aldermaston, 2004

Next up was Paul Hardcastle’s ’19’, about the Vietnam War, but released in 1985, which apparently made a huge impression on a then-young Colin. It really was a ground-breaking release in several ways, but like the interview with John Lennon which followed – and preceded his ‘The Fool On the Hill’, did give the show seem rather an academic and historical approach to the subject.

Samba band, Carnival Against Capitalism, 1999

I didn’t get much further in listening – and I think these were the only songs in the first hour of the show, though I might have fallen asleep a bit – there was a lot of long discussion. George Michael on BBC Hard Talk in 2002 came into it. It’s perhaps a shame that there wasn’t a playlist on the MixCloud page.

Samba – UK Uncut, 2011

Among the hashtags there was #london and I didn’t think I’d heard much about London or protests there in the part of the show I heard. Nor did I get to hear the promised Wood Guthrie, whose songs I used to play and sing badly from a much dog-eared paperbook in my youth, though fortunately seldom in public.

But many of the protests I’ve attended over the years have included performances by singers as well as spoken word performers, and of course the sound of almost all marches in recent years has been the samba band. How or if the recent act designed to prevent effective protest alters this remains to be seen.

Cosmo at Poor Doors protest, 2014

I’ll just mention a few of those I’ve been impressed by – and have photographed in London. On his web site is this description of Cosmo, based in Wales as well as a number of music videos featuring him and his friends.

Cosmo is “a one-man folk-punk phenomenon.” (Miniature Music Press). Over the course of 14 albums and 30 years of touring, he has established himself as a formidable voice on the UK and international underground.

He has appeared at Glastonbury, the Edinburgh Fringe and other major UK festivals, as well as touring across the UK, Europe, North and South America and the Middle East. In that time, he has shared stages with Billy Bragg, Frank Turner, Grace Petrie, John Cooper Clarke, Mark Thomas and more. Cosmo has won awards at the Edinburgh fringe and Hay fringe festivals.

An activist as well as a musician, Cosmo has also performed at countless picket lines, protest camps, rallies and demos, as well as being involved with community organising.

https://www.cosmoguitar.com/about/

I’ve photographed Cosmo several times, particularly at protests with Class War and always been impressed by the lift he gives to protesters.

Grim Chip (left) outside the TUC, 2017

Quite a few rappers and poets have also performed at events I’ve photographed. Poetry on the Picket Line does exactly what the name suggest. Poets in the group, including hip Hamer, Janine Booth, Nadia Drews, Joe Solo, Tim Watts, Tim Kiely, Owen Collins, Repeat Beat Poet, Mark Coverdale, Lantern Carrier and Michael Breen, reading their work in the spirit of solidarity
on picket lines and at rallies.

Potent Whisper performs ‘Estate Of War’ at Class War’s Newspaper Launch at the White Cube 2017

Georgie, a London based rapper and spoken word artist performs as Potent Whisper. Dog Section Press published his ‘The Rhyming Guide to Grenfell Britain‘ including the text of nine full-length pieces, I think all of which I’d heard him deliver at various demonstrations as well as in videos, including The Rhyming Guide to NHS Privatisation, Estate of War and Grenfell Britain. The book is worth getting if you can find a copy. An article by him in the New Internationalist includes a link to his ‘You’ll Never Edit Grenfell‘ and you can view more on his YouTube channel.