Posts Tagged ‘BP’

11 October 2008

Monday, October 11th, 2021

It was the start of the final 100 days of the Bush adminstration and the ‘Hands off Iraqi Oil’ coalition whose members included Corporate Watch, Iraq Occupation Focus, Jubilee Iraq, PLATFORM, Voices UK, and War on Want and was supported by the Stop the War Coalition and others had come to Shell’s UK headquarters at Waterloo to protest against plans by Britain and the USA for Iraq to hand over most of the country’s oil reserves to foreign companies, particularly Shell and BP.

Iraq had nationalised its oil by 1972, and it provided 95% of its government income. Many had seen the invasion of Iraq by the US and UK (along with Australia and Poland) as largely driven by the desire to gain control of Iraq’s huge oil reserves and the US had engaged consultants to help it write a new oil law which it got the Iraqi cabinet to approive in 2007 which would give foreign oil companies – including Shell and BP, long-term contracts within a safe legal framework. But large-scale popular opposition meant the Iraqi parliament failed to approve the new law. But in June 2008, the Iraqi Oil Ministry went ahead with short-term no-bid contracts to the major foreign oil companies – including Exxon Mobil, BP, Shell, Total and Chevron and later these and other contracts were made more favourable to the oil companies.

After the protest at Shell’s offices the protesters marched to protest outside the BP HQ in St James’s Square and then to the US Embassy, and I left to cover the London Freedom not fear 2008 event outside New Scotland Yard. Similar protests were taking place in over 20 countries to demonstrate against excessive surveillance by governments and businesses, organised by a broad movement of campaigners and organizations.

The London event highlighted the restrictions of the right to demonstrate under the Labour government’s The Serious Organized Crime and Police Act 2005, (SOCPA),, the intimidatory use of photography by police Forward Intelligence squads (FIT), the proposed introduction of ID cards, the increasing centralisation of personal data held by government, including the DNA database held by police, the incredible growth in surveillance cameras, ‘terrorist’ legislation and other measures which have affected our individual freedom and human rights.

For something completely different I walked a quarter of a mile down Victoria Street to Westminster Cathedral where people were assembling for the Rosary Crusade of Reparation, one of the larger walks of public witness by Catholics in London.

This tradition began in Austria in 1947 with the roasary campaign begun by a priest praying for his country to be freed from the communist occupiers. The first annual parade with the statue of Our Lady of Fatima took place in 1948 in Vienna on the feast of the Name of Mary, Sept 12, which had been established by Pope Innocent XI in 1683 when Turkish invaders surrounding Vienna were defeated by Christian armies who had prayed to the Blessed Virgin.

As the procession to a service at Brompton Oratory began I walked back up Victoria St to Parliament Square, where a number of other small protests were in evidence. All over the centre of London there were people giving out leaflets about the growing problems faced by Tamils in Sri Lanka, where they allege a program of ethnic cleansing is being carried out by the government. International media are banned from the Tamil areas of the country and NGOs have been ordered out of some areas, so there are few reports of the war. Worse was to come and in 2009 in the final stages of the war conservative estimates are that 70,000 civilians were killed in the the Mullivaikkal massacre.

Others in the square were protesting against the UK’s scandalous treatment of asylum seekers and calling for the asylum detention centres to be closed down.

Brian Haw was still there, and I wrote:

Facing Parliament, Brian Haw‘s peace protest continues – he has been there for almost 2700 days – over 7 years – and it will soon be his 60th birthday. Brian says that now the police seem to have largely abandoned attempts to get rid of him legally there have been a number of odd attacks against him and others in the square – which the police have ignored. I took some time talking to a man who smelt of alcohol, was talking nonsense and acting unpredictably – and who then went and started to insult Brian. One of the other demonstrators stood between him and Brian who was filming him. I put down my bag as I took photographs in case I needed to step in and help, but fortunately he eventually moved away.

There were others protesting in Parliament Square, including one man who asked me to take his picture. He told me his name was Danny and that he had been there on hunger strike for two weeks, protesting over his failure to get his case investigated. He claimed to have been abused by police and social services following an incident in which as a seven year old child in Llanelli he was implicated in the death of a baby brother. I was unable to find any more information about his case.

Finally I saw a group of people walking past holding leafelts with the the word CHANGE on them and rushed after them to find they were Obama supporters hoping to persuade Americans they met to register and vote in the election. It was time for me to go home.

Parliament Square
Rosary Crusade of Reparation
Freedom not Fear 2008
Bush & Cheney’s Iraq Oil Grab


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Organised Crime – Public & Private Sector

Saturday, July 3rd, 2021

I don’t know who drew the often published cartoon which shows a young boy talking with his father and saying “Dad, I’m considering a career in organised crime” to which his father replies ‘Government or Private Sector”, but it comes to mind when thinking about the secret UK-Iran business meeting which I photographed Ahwazi activists and Peter Tatchell gate-crashing on July 3rd 2015. Though the UK-Iran crimes involve both sectors.

To take pictures I had to rush in with the group of protesters to the National Iranian Oil Company offices in Westminster, which are clearly private property and I Would probably be committing an offence, but I felt there was a clear public interest in covering the protest by the Hashem Shabani Action Group against the exploitation and environmental destruction of their homeland by Iran and the UK and the long history of anti-Arab oppression by the Tehran regime.

Fortunately I was able to enter the building without being personally confronted by the security staff who were busy trying to grab some of the protesters, and along with two other photographers and a couple of videographers was able to run up the six flights of stairs to the floor where the secret meeting was taking place, though I was in a pretty poor state by the time I reached the top landing, worried I might collapse. I was after all probably around 20 years older than most of the others, though only seven older than Peter Tatchell.

I did manage to photograph the peaceful protest inside the meeting, where most of those present were enjoying a buffet lunch, and to take some pictures of the confrontation in the corridor outside, where one youngish man in a blue suit, thought by the protesters to be an Iranian military officer, became rather violent and assaulted another of the photographers. But the corridor was dimly lit and some of my pictures were less than sharp, mainly blurred by moving subjects with the slowish shutter speed I needed.

I may have mentioned in other posts that I very seldom watch TV. I last lived with a TV back in 1968, when I got married and moved into a flat without one, and since then it’s been something I just don’t have time for in my life. Of course I’ve watched TV elsewhere – and can do so now by computer, but its never become a regular habit. One of the consequences of this is that there are many celebrities and public figures that I don’t easily recognise, only hearing them on radio or seeing the occasional picture in the press. So although Lord Lamont or Tory MP Richard Bacon, leader of the All Party Parliamentary Group on Iran, both leading the call for the peaceful and non-violent Hashem Shabani Action Group, (motto ‘Our weapons are pens. Our bullets are words‘), to be banned as a terrorist group were present, I failed to get newsworthy pictures of them.

Having made their point, the protesters decided to leave and I went with them, only to be stopped by police in the foyer of the building. We were prevented from leaving despite showing our press cards, but told we were not under arrest. The photographer who had been assaulted complained to the police, who went upstairs to ask questions, returning after a few minutes to say that the perpetrator probably had diplomatic immunity, and the photographer decided not to press charges.

Eventually after around 45 minutes – during which the building manager brought us fruit juice – press and protesters were allowed to leave and join those outside who had been unable to get past security for more photographs.

More on My London Diary about the dubious history of Britain and Iranian oil and the protest at Ahwazi crash secret UK-Iran business meeting.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Armenian Genocide, TTIP, Football and Cyclists in Tweed

Sunday, April 18th, 2021

On Saturday 18th April 2015, Armenians marked the 100th anniversary of the start of the Armenian Genocide in Turkey in which 1.5 million were killed between 1915 and 1923. Turkey still refuse to accept the mass killings as genocide and the UK has not recognised the killing of this huge number of Armenians as genocide. The term was first published in 1943 by Polish lawyer Raphael Lemkin in his book ‘Axis Rule in Occupied Europe‘. After he had read about the killing of Armenians in Turkey and found that there was no law under which Talat Pasha, the grand vizier of the Ottoman Empire could be charged he invented and defined the term ‘genocide.

I left shortly before their march began to catch up with the Football Action Network who were taking copies of their manifesto to the Labour, Tory and Lib-Dem offices in Westminster. They were moving fast and there was no sign of them at Labour HQ; I ran on to the Tory HQ to find they had left, and finally caught up with them at the Lib Demo offices near Parliament Square. There I found supporters with scarves from Bolton, Luton Town and Dulwich Hamlet from Football Beyond Borders holding a couple of banners and passports with their demands, including a Football Reform Bill, a living wage for all staff, fair ticket prices, safe standing, and reforms to clubs & the Football Association.

The next even came to me, as a group of cyclists on the Tweed Cycle Ride stopped at the traffic lights on the road opposite, and I ran to meet them, then ran along with them through Parliament Square when the lights changed to green. he Tweed Run raises money for the London Cycling Campaign and describes itself as “a jaunty bike ride around London in our sartorial best“. The vintage-themed ride stops for tea and a picnic and ends with “a bit of a jolly knees-up.” Not really my kind of thing.

I caught the tube to Shepherds Bush and a rally on the Green against TTIP, the Transatlantic Trade and Investment Partnership being secretly negotiated by governments and corporations which poses a threat to democracy and all public services. The huge public outcry across the EU against this and in particular the Investor-state dispute settlement (ISDS) already incorporated in some other treaties which allows companies to sue countries for ‘discriminatory practices’ including efforts to combat global heating is possibly why these talks were eventually abandoned in 2016, though our EU referendum may also have helped. After speeches the rally split into groups for discussion.

After the rally, white-coated War on Want campaigners moved across the road to a branch of Kentucky Fried Chicken for a performance with buckets and rubber chickens protesting against TTIP which would force us to admit US agricultural products produced by practices considered unsafe here – such as chlorine-dipped chickens, hormone stuffed beef etc. The need for these methods is driven by US intensive farming methods which have lower standards for safety and animal welfare than are acceptable here – and although TTIP ended without a treaty, our post-Brexit trade agreement with the US seems almost certain to include similar hazards.

Next I moved with protesters to the BP garage on the opposite side of Shepherds Bush Green, where activists staged a die-in as TTIP would force countries to use dirty fuels including coal, tar oil and arctic oil and seriously delay cutting carbon emissions and the move to renewable energy.

Finally, a group of protesters walked into the Westfield centre to stage a street theatre performance outside Virgin Media to illustrate the danger that TTIP poses to our NHS, allowing corporations to force the privatisation of all public services. Like other large shopping centres Westfield is a private place where protests and photography are not permitted, but police and security stood back and watched the event, and though security attempted to stop some videographers I kept a lower profile and was not approached.

Virgin Media is actually no longer a part of the Virgin empire, though it still pays Branson to use the name. Virgin Care now runs a large part of the NHS which is rapidly being privatised by the Conservative government. According to The Observer, because of a complex structure of holding companies with links to other parts of the Virgin empire with its roots in the British Virgin Islands, the company is “unlikely to pay any tax in the UK in the foreseeable future.”

Westfield ‘Save our NHS’ protest
BP die-in against Climate Change
KFC protest over TTIP
Stop TTIP rally
Tweed Cycle Ride
Football Action Network Manifesto
Centenary of Armenian Genocide

British Museum and BP

Sunday, December 20th, 2020

Five years ago today on 20th December 2015 I went into the British Museum with “actor-vists” from ‘BP or not BP‘ to photograph their ‘A Farewell to Neil MacGregor – Director of the British Museum‘ who had enjoyed a “cosy relationship” with the museum’s sponsor, BP.

Fossil-fuel companies make their profits largely through the combustion of the hydrocarbons they produce in the engines of cars, lorries and aeroplanes and the boilers used to generate electricity and heat buildings and other processes which turn the carbon in these fuels into the greenhouse gas carbon dioxide, the main cause of the global warming which is currently threatening the future of human life.

As well as that, the prospecting and exploitation of oil resources, now more and more taking place in environmentally fragile areas such as the Arctic, together with spillages, some inevitable but others demonstrating a remarkable lack of care are causing terrible damage to our environment. And of course most of what doesn’t get burned is made into plastics and we are now becoming aware of the huge amounts of this that ends up in the marine environment with disastrous consequences.

While continuing to fuel the global crisis, companies such as BP have invested heavily in promoting themselves as good guys, publicising the relatively small investments they have been making in renewable energies and other green areas. It’s a short-sighted policy as their long-term future – and ours – depends on a complete move away from carbon fuels, but one which keeps current investors rich at the cost of the rest of us.

Almost certainly the most cost-effective part of the ‘green-washing’ of BP’s ecologically disastrous activities has been their sponsorship of many of our major cultural institutions including the British Museum, something which the cultural activists of ‘BP or not BP’ have highlighted in a number of artistic interventions. I was pleased to be able to photograph their play depicting ‘BP executives’ giving a farewell party to departing Museum director ‘Neil MacGregor’ inside the British Museum’s Great Court.

Although BP’s contribution is only a fraction of the museum’s budget, they get an engraved message on the wall of the rotunda in the Great Court and their logo prominently on the publicity for the museum’s major exhibitions which have included Vikings, Ming, Indigenous Australia: Enduring Civilisation, the Mexican Day of the Dead and Sunken Cities. As BP or Not BP point out, the last two are particularly unfortunate as BP has been given the largest corporate criminal fine in history of $18.7 billion for the underwater Deepwater Horizon oil spill which caused huge pollution of the ocean around the coast of Mexico.

My write-up on My London Diary gives a fairly full account of what happened with a lot more pictures. Many museum staff are unhappy about taking cash from BP and welcome the publicity protests like this give. The protesters assured the museum security that they would cause no damage and leave without any trouble after the relatively short performance which continued without any interruption and entertained a number of the visitors to the museum.

You can also read a fuller account, with some of my pictures and including the full text of the play on the on the BP or not BP website.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More City colour

Thursday, July 2nd, 2020

Some more pictures from my Flickr album made from en-prints of pictures taken in 1986-92 in the 1km wide strip of London in defined by the National G id reference TQ32, TQ32 London Cross-section.

IBM, Basinghall St, City, 1986 TQ3281-026
IBM, Basinghall St, City, 1986

Standing on Basinghall St and looking into the doorway to the large office tower housing IBM I was intrigued by a neon display., which seemed to be rather similar to a scaffolding tower on the opposite side of the street, visible in the reflection. You can see part of me taking the picture at its centre, my shoulder, arm and camera bag, leg and top of my shoe visible.

I was puzzled slightly at first as I appeared to be carrying my bag to the right of me, something I’ve never done since back in the mid 1970s, after I suffered badly with back pain. Although the specialist I saw never really managed to find a reason or cure, we did eventually discover that I could avoid the crippling pain by carrying my bag on the left shoulder rather than my right. But of course this is a reflection, so what appears to be right is actually left.

Britannic House, Moor Lane, Ropemaker St, City, 1992 TQ3281-100
Brittanic Tower, Moor Lane, City

Britannic House, Moor Lane (now 1 Ropemaker St), City was built as a prestige City HQ for British Petroleum (later BP) in 1967. The name Britannic House had been used for its nearby HQ in Finsbury Circus, designed for the company by the UK’s leading architect Lutyens when it was still the Anglo-Persian Oil Company. That rather lower but much more impressive building from 1921-5 required special permission from the LCC because of its height of at 38 metres and also presented building problems because it was partly above the underground Moorgate station.

The name Britannic House passed back to the Lutyens building when BP returned to it in 1991, and the Moor Lane building, a 35 storey 122m tall slab, was renamed Britannic Tower. When built it was the first City building taller than St Paul’s Cathedral, which was 111m (365 ft.)

Brittanic Tower was refurbished in 2000 with a fancy top adding another 5 metres and renamed Citypoint and is now the tenth tallest building in the City according to Wikipedia and the 54th tallest in Greater London. I think this particularly pointless piece of decorative sculpture at its base was lost in the refurbishment.

Carters, Umbrella Repairs, Royal Exchange, City, 1986 TQ3281-052
Carters, Umbrella Repairs, Royal Exchange, City, 1986

The case is still there outside 30 Threadneedle St on the north side of the Royal Exchange but is now empty and the shop is no longer Carters, but Pretty Ballerinas, a “fun and fashionable outlet store” offering a “wide range of colourful ballet flat shoes” as well as other styles, all with commendably low heels if rather high prices.

The rolled umbrella was once a part of the uniform of the City gent, but there are rather few of them around now. And umbrellas have become cheap and disposable, probably impossible to repair.

Simpsons, Ball Court, City, 1992 TQ3281-077
Simpsons, Ball Court, City, 1992

Simpsons is still there in Ball Court, one of a maze of alleys south of Cornhill, and still offering – at least after the current closure “traditional food served in ample portions with the 250 year old custom of set Daily Specials“. Although not cheap, it isn’t an expensive place by London standards. I’ve never eaten there but perhaps I might treat myself one day if I go to London again.

Bank of England, Bank, CIty, 1987 TQ3281-047
Bank of England, Bank, City, 1987

The London Troops War Memorial and beyond it, the Bank of England, which Google tells me is temporarily closed, and is certainly no longer a safe place to put your gold if you are a left wing South American country. Over the past years I’ve photographed several protests calling on the bank to let Venezuela have it gold kept here, which the Bank is refusing to release due to US sanctions.

Venezuela’s central bank, controlled by President Nicolas Maduro, is currently seeking an order in the English High Court to force the Bank of England to hand over the over $1 billion of Venezuelan gold reserve in its vaults which the country need to fight the coronavirus pandemic.

More from the City in a later post. You can see more pictures now in TQ32 London Cross-section.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Climate Rally for the Imagination

Wednesday, March 11th, 2020

Climate Rally for the Imagination was organised for artists, designers, musicians, cultural workers and leaders to propose creative individual and collective responses to the climate emergency.

There were some heavy showers before the event began, with water on the paving giving reflections, which was good, but also getting on cameras and lenses which wasn’t.

But fortunately it stopped for a while as the event got going, as some of those taking part did look a little wet and bedraggled, probably including this photographer.

There were some interesting performances, including from folk singer Sam Lee, and some interesting presentations from people working with arts-based projects as well as at least one that seemed to me to be away with the fairies. But Extinction Rebellion has a very wide range of supporters.

Several people read from their contributions to the book ‘Letters to the Earth’ and perhaps the event became a little too much like a book promotion. But there were a number of contributions from others, about the protests over BP sponsorship of museums and culture, with a student involved speaking about the letter threatening a boycott of the Royal Shakespeare Company by school climate strikers which got the company to drop BP in days.

Another speaker had written to the Arts Council over its failure to recognise the vital importance of combating climate change through the activities it sponsors, while architect Michael Pawlyn gave a challenging analysis of current architectural practices and their contribution to climate change, spressing the newd for a new ‘regenerative architecture’.

Among those contributing to the book was environmental lawyer Farhana Yamin, arrested for protesting against Shell with Extinction Rebellion in April.

Climate Rally for the Imagination

XR Carmen says cut Carbon

Saturday, November 23rd, 2019

On the day that BP were sponsoring a Royal Opera House performance of Carmen to be relayed to 13 BP big screens in UK cities, including Trafalgar Square in London, Extinction Rebellion put on their ‘Carbon Procession’.

This procession, led by a woman dressed as carbon with a long black train to resemble an oil slick and followed by people with XR flags and a samba band made its way around the London offices of oil companies in the Oil and Gas Climate Initiative (OGCI) urging them to abandon the pretence they can combat global warming without a huge cut in oil production.

Although the Carmen leading the procession only spoke rather than sang, the protesters were joined by a woman with an incredible voice who performed some of the arias, accompanied by an unusual but effective orchestra of bassoon and piano accordian at the stops in front of the company offices.

The protesters also delivered copies of the XR handbook published by Penguin, ‘This Is Not A Drill’ to the offices, although they were not allowed to go inside to present it. Some of the activists also used bright yellow ‘Crime Tape’ with the message ‘Crime Scene – Do Not Cross’ to make the hour-glass X from the middle of the XR symbol on the pavement outside each of the offices.

The procession had obviously taken a great deal of preparation and attracted some attention. The lengthy walk was soon well behind schedule and after performances outside multinational oil and gas company ENI, on a street corner near Victoria and the China National Petroleum Corporation took a long rest in Hyde Park, which though necessary for some, didn’t help. It missed the next planned stop, I think walking past by accident, and by the time it had protested outside Saudi Aramco it was time for me to leave. The protesters still had two more oil companies to visit and were ending the procession at BP head office in St James’s Square before going on to protest at the screening in Trafalgar Square.

More at XR Carmen’s Carbon Procession


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.


Dinner of HOPE

Wednesday, November 6th, 2019

One of Extinction Rebellion’s slightly odder events was a picnic billed as the ‘Extinction Rebellion Dinner of HOPE‘ outside the Natural History Museum in South Kensington, which preceded a protest as guests arrived for the annual dinner of the Petroleum Group of the Geological Society.

As XR pointed out, there was a “grotesque irony of this cosy industry dinner taking place surrounded by extinct species” under the blue whale skeleton in the main hall, celebrating an industry that more than any other is contributing to the continuing extinction of species, possibly including our own.

I’d met Elsie Luna back in October 2018, at a #Fridays For the Future protest in Parliament Square, the first in London as a part of #FridaysForFuture taking place in many cities and towns across the world, inspired by the action of the then 15-year old Greta Thunberg, who instead of going back to school at the end of the Summer break in August protested outside the Swedish Parliament, breaking the law to start the School Strike For Climate.

Elsie Luna stood out at that small protest, not just as one of two or three school age children taking part, but also because of the card hanging in a plastic holder around her neck with a picture of the Houses of Parliament and the message “Elsie Luna – Journalist – Hear! Hear! – The political podcast for young people in the UK”. The 8 podcasts are still on line.

Elsie Luna, now 10, opened the party. She had tried to get the museum to cancel the event, calling on the museum to take positive action over the climate and ecological emergency rather than hosting those who are most responsible for creating global extinction. But the Museum failed to listen and the event was taking place.

Extinction Rebellion were not the only group to have issues with the dinner and the oil companies who are the main groups taking part and sponsoring the event. They were joined by protesters against BP’s exploitation of Senegal who came with banners and drums, and whose drummers joined together with XR’s.

More pictures at Extinction Rebellion Dinner of HOPE.

BP out of the BM

Saturday, May 25th, 2019

‘BP or not BP’ is a bunch of activists who stage performances of one sort or another at various cultural institutions and events to protest at the way the arts are being used to promote and sanitise companies guitly of destroying the planet and other crimes, ‘greenwashing’ to hide their mucky stains.

BP are a prime example of such a company, responsible for many murky political dealings in countries around the world in search of oil, Extracting oil has destroyed valuable ecosystems though pollution, with huge oil spills threatening large areas of ocean life. Its oil feeds the plastics and artificial fabrics industries, while the use of oil products in heating, air conditioning and transport etc is the cause of the huge increase in grrenhouse gases which is causing disastrous global warming.

BP gives a relatively small financial contribution to the British Museum, for which it gets a incredible return in good publicity, its logo on posters and on labels in the museum.

The protest took place on the 16th anniversary of the invasion of Iraq, conducted as is now clear from documents from many sources largely to ensure access by US companies to Iraqi oil resources rather than anything to do with the WMDs which all knew did not exist. It also took place while the BP-sponsored show I am Ashurbanipal: King of the World, King of Assyria‘ was nearing the end of its run. It’s a show which includes a number of looted objects from the area (which stretched from Egypt to the Persian Gulf), both from historical times when the BM was itself sending archealogists to the area and apparently some more recent acquisitions sold to dealers after Iraq was left in chaos and during the current conflict in Syria, bought with the aid of BP money.

While several hundred protesters gathered at the front of the Great Court, a small performance took place in the Assyrian galleries, and was then repeated in front of the entrance to the Assyrian exhibition. Meanwhile the main protest got under way, amd after an introductory rally people were lead to from a ring all around the Great Court, with posters all round.

The Great Court is a large area around the old former BM Reading Room (where my wife once worked) and is said to be the largest covered public square in Euripe, with an area of 3,692.5 square metres. I think the chain around it holding the banners must have been around 600 feet long, though only relatively small sections were visible from any one point.

This was something of a challenge to still photographers, and I walked around it several times taking pictures. Long banners are always a challenge in terms of the aspect ratio. Even if you frame the people holdina banner from head to toe working in landscape format, this only results in a horizontal field of view of around ten foot. To frame longer banners results in the people and the banner shrinking to a narrower strip across the image.

You can improve matters by photographing the banner from one side, filling the frame height with the nearest person or going in even closer, and this is often my approach. But as the make the viewpoint more oblique, the banner text becomes less and less legible. And legible text is important with banners.

My friend taking video had a simpler task and did it well, filming as he walked around the whole circle. A similar approach using still photography would have resulted in a print with a roughly 100:1 aspect ratio, and while it might have been possible to join up the banner, as you moved from exposure to exposure the backgrounds would change.

I did take a series of pictures from the top of the stairs overlooking the area in front of the Assyrian exhibition, where the banners were brought and people sat on the ground. Possibly taken together they would show the whole string of banners (though I think some were folded before they reached the display), but more than the two on My London Diary make rather tedious viewing.

End BP sponsorship at British Museum

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

To order prints or reproduce images