Re-photo

Music, Spoken Word and Protest. A week or two ago I received a Facebook invitation suggesting I listen to a monthly radio show on Riverside Radio, the Colin Crilly Takeover, a monthly show with hosts Andy Bungay and Colin Crilly. In this edition they were to “be playing SONGS with a political/social angle, and discussing the issues raised.”

Colin Crilly is someone I’ve often met and photographed on protests in London and who has on occasion asked me to be interviewed for the show, but I’ve never done so. Radio isn’t really an ideal medium for photography.

Riverside Radio is a local station covering a wide area of southwast London, mainly the boroughs of Wandsworth, Richmond and Merton but available to everyone on the web. I didn’t log on to the live show live as it airs for two hours from 11pm on a Saturday night, a time when I’m usually exhausted and only ready to fall asleep. Or if I’ve had a particularly busy day covering events I might still be editing the work.

But a few days later, Colin sent me a link to a recording of the show on MixCloud and I began to listen to it. I’ve not managed to hear the whole two hours and I found MixCloud a frustrating experience as, perhaps because I haven’t subscribed, I couldn’t skip forward and when I took a rest it reverted to the start of the track. Since radio doesn’t come with pictures (except in the mind) I’ve added some of my own to this post.

It was good to hear a track by Anne Feeney, the late great US folk musician, singer-activist and lawyer who died in 2021. Her ‘Have You Been To Jail For Justice?’ and her lines “A rotten law stays on the books til folks like us defy it, The law’s supposed to serve us, and so are the police, And when the system fails, it’s up to us to speak our piece …” are very relevant now. It led to some interesting discussion by Colin and Andy, but perhaps it could have been related rather more to the approaches of groups such as Extinction Rebellion and Insulate Britain in the UK.

Next up was Paul Hardcastle’s ’19’, about the Vietnam War, but released in 1985, which apparently made a huge impression on a then-young Colin. It really was a ground-breaking release in several ways, but like the interview with John Lennon which followed – and preceded his ‘The Fool On the Hill’, did give the show seem rather an academic and historical approach to the subject.

I didn’t get much further in listening – and I think these were the only songs in the first hour of the show, though I might have fallen asleep a bit – there was a lot of long discussion. George Michael on BBC Hard Talk in 2002 came into it. It’s perhaps a shame that there wasn’t a playlist on the MixCloud page.

Among the hashtags there was #london and I didn’t think I’d heard much about London or protests there in the part of the show I heard. Nor did I get to hear the promised Wood Guthrie, whose songs I used to play and sing badly from a much dog-eared paperbook in my youth, though fortunately seldom in public.

But many of the protests I’ve attended over the years have included performances by singers as well as spoken word performers, and of course the sound of almost all marches in recent years has been the samba band. How or if the recent act designed to prevent effective protest alters this remains to be seen.

I’ll just mention a few of those I’ve been impressed by – and have photographed in London. On his web site is this description of Cosmo, based in Wales as well as a number of music videos featuring him and his friends.

Cosmo is “a one-man folk-punk phenomenon.” (Miniature Music Press). Over the course of 14 albums and 30 years of touring, he has established himself as a formidable voice on the UK and international underground.

He has appeared at Glastonbury, the Edinburgh Fringe and other major UK festivals, as well as touring across the UK, Europe, North and South America and the Middle East. In that time, he has shared stages with Billy Bragg, Frank Turner, Grace Petrie, John Cooper Clarke, Mark Thomas and more. Cosmo has won awards at the Edinburgh fringe and Hay fringe festivals.

An activist as well as a musician, Cosmo has also performed at countless picket lines, protest camps, rallies and demos, as well as being involved with community organising.

https://www.cosmoguitar.com/about/

I’ve photographed Cosmo several times, particularly at protests with Class War and always been impressed by the lift he gives to protesters.

Quite a few rappers and poets have also performed at events I’ve photographed. Poetry on the Picket Line does exactly what the name suggest. Poets in the group, including hip Hamer, Janine Booth, Nadia Drews, Joe Solo, Tim Watts, Tim Kiely, Owen Collins, Repeat Beat Poet, Mark Coverdale, Lantern Carrier and Michael Breen, reading their work in the spirit of solidarity
on picket lines and at rallies.

Georgie, a London based rapper and spoken word artist performs as Potent Whisper. Dog Section Press published his ‘The Rhyming Guide to Grenfell Britain‘ including the text of nine full-length pieces, I think all of which I’d heard him deliver at various demonstrations as well as in videos, including The Rhyming Guide to NHS Privatisation, Estate of War and Grenfell Britain. The book is worth getting if you can find a copy. An article by him in the New Internationalist includes a link to his ‘You’ll Never Edit Grenfell‘ and you can view more on his YouTube channel.