Posts Tagged ‘Different Moods’

Cinelli, Poppies and Music at Class War Poor Doors – 2014

Sunday, September 17th, 2023

Cinelli, Poppies and Music at Class War Poor Doors. I only photographed one event on Wednesday 17th September 2014, one of the long series of weekly protests by Class War over separate entrances for rich and poor occupants of the large block of flats at One Commercial St on Whitechapel High Street.


Music at Class War Poor Doors – Aldgate

Cinelli, Poppies and Music at Class War Poor Doors

One Commercial St is a 21 storey largely residential block occupying an extensive corner site on Whitechapel High St and Commercial St which includes 207 flats above lower floors of offices, shops and an entrance to Aldgate East Underground Station.

Cinelli, Poppies and Music at Class War Poor Doors

The building, opened in 2014, received strong criticism in architectural circles, and Wikipedia quotes Building Design as commenting on what was developer Redrow’s “first flagship development” with “First flagship development? Please God let it also be their last. No one who can liken this incoherent hulk of ill-fitting glass sheets to a blade of light deserves to build again in such a sensitive location” and it was nominated for the Carbuncle Cup for “the ugliest building in the United Kingdom completed in the last 12 months“.

Cinelli, Poppies and Music at Class War Poor Doors

But it became controversial for other reasons too. To meet planning regulations the block contains some flats at affordable rents. While those in the main part of the building enter through an impressive foyer with a concierge desk and seating from the High Street adjoining Aldgate East Station, tenants of the affordable section had to go down what was then a dirty and dingy alley at the side of building, Tyne Street, to a door with a card-entry reader leading to a long empty corridor. On 17th September the card reader had been broken for 3 weeks, leaving the building insecure and the building management had failed to repair it.

Cinelli, Poppies and Music at Class War Poor Doors

This difference in treatment for rich and poor was highlighted in an article in The Guardian which commented on the growing trend for London’s new housing developments to include separate entrances like this for the less wealthy, known as “poor doors” and which gave One Commercial Street among the examples.

Many people expressed their distaste at this social segregation, and in New York Mayor Bill De Blasio announced he planned to take action to prevent new developments having such separate doors for low-income residents after a single such block was built there. But it was becoming common in London.

Anarchist group Class War decided it was time to take some action, and from July 2014 organised a weekly series of evening protests outside One Commercial Street, continuing (with a few breaks) until the following May. I photographed all but a couple of these, and later published a zine with some of the pictures I made. This is still available, but carriage costs make buying single copies expensive, however there is a good preview online.

Others joined with Class War on various occasions, and on Wednesday 17th September 2014 Reggae band Different Moods from Tottenham came to perform their ‘Poor Doors’ song specially written for the protests.

The protests by Class War did raise the profile of the problem, and resulted in some minor changes – including better lighting and cleaning for the side alley. They probably also embarrassed the owners enough to make them sell the building, though the new owners proved no better and the social segregation remains. And it’s perhaps why the building was later renamed and is now the Relay Building.

Music at Class War Poor Doors


Sea of Poppies – Tower of London

On my way to Aldgate I stopped at the Tower of London and made a photograph of the Sea of Poppies, work of art remembering the ‘Great War’, the ceramic poppies, one for each of the British forces killed in the war. I commented that for me “it seems decorative but shallow” and “lacks any real sense of the numbers involved and is far less graphic than the war cemeteries with their seemingly endless rows of crosses.

A little more at Sea of Poppies.


Vintage Cinelli in poor state

Earlier in the day I’d taken a picture showing the terrible state of my old bicycle, no longer ride able. It’s still in my shed, as several attempts to find a replacement chainwheel have failed. You can read more of the story about it at Vintage Cinelli in poor state. Perhaps I should try searching again.


Music, Spoken Word and Protest

Saturday, August 20th, 2022

Music, Spoken Word and Protest
Cosmo sings at the Jack The Ripper protest, 2015

Music, Spoken Word and Protest. A week or two ago I received a Facebook invitation suggesting I listen to a monthly radio show on Riverside Radio, the Colin Crilly Takeover, a monthly show with hosts Andy Bungay and Colin Crilly. In this edition they were to “be playing SONGS with a political/social angle, and discussing the issues raised.”

Music, Spoken Word and Protest
Adam Clifford performs at Class War newspaper launch, White Cub, Bermondsey, 2017

Colin Crilly is someone I’ve often met and photographed on protests in London and who has on occasion asked me to be interviewed for the show, but I’ve never done so. Radio isn’t really an ideal medium for photography.

Music, Spoken Word and Protest
Different Moods play at Poor Doors protest, 2014

Riverside Radio is a local station covering a wide area of southwast London, mainly the boroughs of Wandsworth, Richmond and Merton but available to everyone on the web. I didn’t log on to the live show live as it airs for two hours from 11pm on a Saturday night, a time when I’m usually exhausted and only ready to fall asleep. Or if I’ve had a particularly busy day covering events I might still be editing the work.

Julie Felix at CND protest, 2007

But a few days later, Colin sent me a link to a recording of the show on MixCloud and I began to listen to it. I’ve not managed to hear the whole two hours and I found MixCloud a frustrating experience as, perhaps because I haven’t subscribed, I couldn’t skip forward and when I took a rest it reverted to the start of the track. Since radio doesn’t come with pictures (except in the mind) I’ve added some of my own to this post.

Billy Bragg supports IWGB strikers 2018

It was good to hear a track by Anne Feeney, the late great US folk musician, singer-activist and lawyer who died in 2021. Her ‘Have You Been To Jail For Justice?’ and her lines “A rotten law stays on the books til folks like us defy it, The law’s supposed to serve us, and so are the police, And when the system fails, it’s up to us to speak our piece …” are very relevant now. It led to some interesting discussion by Colin and Andy, but perhaps it could have been related rather more to the approaches of groups such as Extinction Rebellion and Insulate Britain in the UK.

Sheffield Samba Band on march to Aldermaston, 2004

Next up was Paul Hardcastle’s ’19’, about the Vietnam War, but released in 1985, which apparently made a huge impression on a then-young Colin. It really was a ground-breaking release in several ways, but like the interview with John Lennon which followed – and preceded his ‘The Fool On the Hill’, did give the show seem rather an academic and historical approach to the subject.

Samba band, Carnival Against Capitalism, 1999

I didn’t get much further in listening – and I think these were the only songs in the first hour of the show, though I might have fallen asleep a bit – there was a lot of long discussion. George Michael on BBC Hard Talk in 2002 came into it. It’s perhaps a shame that there wasn’t a playlist on the MixCloud page.

Samba – UK Uncut, 2011

Among the hashtags there was #london and I didn’t think I’d heard much about London or protests there in the part of the show I heard. Nor did I get to hear the promised Wood Guthrie, whose songs I used to play and sing badly from a much dog-eared paperbook in my youth, though fortunately seldom in public.

But many of the protests I’ve attended over the years have included performances by singers as well as spoken word performers, and of course the sound of almost all marches in recent years has been the samba band. How or if the recent act designed to prevent effective protest alters this remains to be seen.

Cosmo at Poor Doors protest, 2014

I’ll just mention a few of those I’ve been impressed by – and have photographed in London. On his web site is this description of Cosmo, based in Wales as well as a number of music videos featuring him and his friends.

Cosmo is “a one-man folk-punk phenomenon.” (Miniature Music Press). Over the course of 14 albums and 30 years of touring, he has established himself as a formidable voice on the UK and international underground.

He has appeared at Glastonbury, the Edinburgh Fringe and other major UK festivals, as well as touring across the UK, Europe, North and South America and the Middle East. In that time, he has shared stages with Billy Bragg, Frank Turner, Grace Petrie, John Cooper Clarke, Mark Thomas and more. Cosmo has won awards at the Edinburgh fringe and Hay fringe festivals.

An activist as well as a musician, Cosmo has also performed at countless picket lines, protest camps, rallies and demos, as well as being involved with community organising.

https://www.cosmoguitar.com/about/

I’ve photographed Cosmo several times, particularly at protests with Class War and always been impressed by the lift he gives to protesters.

Grim Chip (left) outside the TUC, 2017

Quite a few rappers and poets have also performed at events I’ve photographed. Poetry on the Picket Line does exactly what the name suggest. Poets in the group, including hip Hamer, Janine Booth, Nadia Drews, Joe Solo, Tim Watts, Tim Kiely, Owen Collins, Repeat Beat Poet, Mark Coverdale, Lantern Carrier and Michael Breen, reading their work in the spirit of solidarity
on picket lines and at rallies.

Potent Whisper performs ‘Estate Of War’ at Class War’s Newspaper Launch at the White Cube 2017

Georgie, a London based rapper and spoken word artist performs as Potent Whisper. Dog Section Press published his ‘The Rhyming Guide to Grenfell Britain‘ including the text of nine full-length pieces, I think all of which I’d heard him deliver at various demonstrations as well as in videos, including The Rhyming Guide to NHS Privatisation, Estate of War and Grenfell Britain. The book is worth getting if you can find a copy. An article by him in the New Internationalist includes a link to his ‘You’ll Never Edit Grenfell‘ and you can view more on his YouTube channel.