Posts Tagged ‘Redrow’

Cinelli, Poppies and Music at Class War Poor Doors – 2014

Sunday, September 17th, 2023

Cinelli, Poppies and Music at Class War Poor Doors. I only photographed one event on Wednesday 17th September 2014, one of the long series of weekly protests by Class War over separate entrances for rich and poor occupants of the large block of flats at One Commercial St on Whitechapel High Street.


Music at Class War Poor Doors – Aldgate

Cinelli, Poppies and Music at Class War Poor Doors

One Commercial St is a 21 storey largely residential block occupying an extensive corner site on Whitechapel High St and Commercial St which includes 207 flats above lower floors of offices, shops and an entrance to Aldgate East Underground Station.

Cinelli, Poppies and Music at Class War Poor Doors

The building, opened in 2014, received strong criticism in architectural circles, and Wikipedia quotes Building Design as commenting on what was developer Redrow’s “first flagship development” with “First flagship development? Please God let it also be their last. No one who can liken this incoherent hulk of ill-fitting glass sheets to a blade of light deserves to build again in such a sensitive location” and it was nominated for the Carbuncle Cup for “the ugliest building in the United Kingdom completed in the last 12 months“.

Cinelli, Poppies and Music at Class War Poor Doors

But it became controversial for other reasons too. To meet planning regulations the block contains some flats at affordable rents. While those in the main part of the building enter through an impressive foyer with a concierge desk and seating from the High Street adjoining Aldgate East Station, tenants of the affordable section had to go down what was then a dirty and dingy alley at the side of building, Tyne Street, to a door with a card-entry reader leading to a long empty corridor. On 17th September the card reader had been broken for 3 weeks, leaving the building insecure and the building management had failed to repair it.

Cinelli, Poppies and Music at Class War Poor Doors

This difference in treatment for rich and poor was highlighted in an article in The Guardian which commented on the growing trend for London’s new housing developments to include separate entrances like this for the less wealthy, known as “poor doors” and which gave One Commercial Street among the examples.

Many people expressed their distaste at this social segregation, and in New York Mayor Bill De Blasio announced he planned to take action to prevent new developments having such separate doors for low-income residents after a single such block was built there. But it was becoming common in London.

Anarchist group Class War decided it was time to take some action, and from July 2014 organised a weekly series of evening protests outside One Commercial Street, continuing (with a few breaks) until the following May. I photographed all but a couple of these, and later published a zine with some of the pictures I made. This is still available, but carriage costs make buying single copies expensive, however there is a good preview online.

Others joined with Class War on various occasions, and on Wednesday 17th September 2014 Reggae band Different Moods from Tottenham came to perform their ‘Poor Doors’ song specially written for the protests.

The protests by Class War did raise the profile of the problem, and resulted in some minor changes – including better lighting and cleaning for the side alley. They probably also embarrassed the owners enough to make them sell the building, though the new owners proved no better and the social segregation remains. And it’s perhaps why the building was later renamed and is now the Relay Building.

Music at Class War Poor Doors


Sea of Poppies – Tower of London

On my way to Aldgate I stopped at the Tower of London and made a photograph of the Sea of Poppies, work of art remembering the ‘Great War’, the ceramic poppies, one for each of the British forces killed in the war. I commented that for me “it seems decorative but shallow” and “lacks any real sense of the numbers involved and is far less graphic than the war cemeteries with their seemingly endless rows of crosses.

A little more at Sea of Poppies.


Vintage Cinelli in poor state

Earlier in the day I’d taken a picture showing the terrible state of my old bicycle, no longer ride able. It’s still in my shed, as several attempts to find a replacement chainwheel have failed. You can read more of the story about it at Vintage Cinelli in poor state. Perhaps I should try searching again.


Class War Occupy Rich Door – Aldgate

Saturday, September 24th, 2022

Class War Occupy Rich Door - Aldgate

Wednesday 24th September 2014 saw one of the more interesting protests in the long-running series by Class War at the tower block of One Commercial Street which has a plush foyer with a 24hr concierge for the residents of the expensive private flats in the block on Aldgate High St, but social housing tenants in the same block are denied entry here and have to use a small door into an empty passage from an alley at the side of the building.

Class War Occupy Rich Door - Aldgate
The building manager opens the door to let a resident leave

Developers of new housing in London are generally required to provide a small proportion of social housing in their schemes, though they often find legal ways to reduce or even eliminate this, either by building separate social housing blocks or paying others to do so, or simply by pleading (often misleadingly) they cannot make high enough profits.

Class War Occupy Rich Door - Aldgate
and finds the door is held open

Boris Johnson when London Mayor said he would discourage the use of separate entrances for social housing tenants and Sadiq Khan made clear that there should be a “tenure blind” approach with affordable homes and private homes having entrances that were not distinguishable by quality, type, or location with the goal of “social equality and dignity“.

He makes the mistake of walking away

But despite these words, new developments continue to feature separate doors in what activists describe as “social apartheid”. And in July 2014, Class War began a series of weekly pickets outside the ‘Rich Door’ in a campaign to publicise and hopefully end the practice.

and Class War walk in with a banner

Over the following months I followed their campaign, photographing around 30 of their protests, missing only two when I was out of London. As well as putting pictures on My London Diary and elsewhere on the web I also in 2015 published a ‘zine’ ‘Class War – Rich Door, Poor Door‘ (ISBN 978-1-909363-14-4) packed with pictures from the pickets(still available.)

Jane Nicholl enters with the Class War Women’s Death Brigade Banner rolled up

The protests certainly added to the debate about the practice and exposed some of the lies of the developers, but I think there are still separate and very different doors for rich and poor at this and many other of London’s new developments. The protests may also have speeded the decision of the developer Redrow to sell the building to new owners Hondo Enterprises. There were also some minor victories, with the alley getting cleaned up and new lighting installed.

Ian Bone holds up a framed notice from the reception desk as he speaks

Since then the building, which in 2014 was nominated for the ‘Carbuncle Cup’, has changed its name to ‘The Relay Building’ and there has been considerable remodelling of the ‘rich door’ which now has the separate name of the Crawford Building. The flats served by the ‘poor door’ are called the Houblon Appartments. Despite claims by Redrow that the two groups of flats were internally quite separate I was taken from the rich part and out of the poor door by one of the residents who told me she often took her dog out for a walk that way.

Residents walk in to the flats past the protesters

There were no police in evidence as Class War arrived on 24th September and began their picket. When the building manager opened the door to let a resident out protesters held the door open and the manager was unable to close it. He made the mistake of walking away, and several people then walked in with a Class War banner. Others from Class War followed them and made themselves at home in the large foyer.

Ian Bone stands next to the desk with its vase of flowers

Ian Bone picked up Redrow’s Gold Award certificate from the concierge desk and began talking about it and the separate doors to the building, and about the notice describing the concierge service, comparing this foyer to the bare entrance to the social housing flats, and others too spoke.

I turned after hearing a crash and saw the flowers had gone

Ian was waving his walking stick around as I took pictures and I was turned away from him when I heard a crash, and I’d sensed a movement out of the corner of my eye. I turned around and saw that the vase of flowers which had been at the corner of the desk was no longer there. I couldn’t be sure whether Ian had knocked them off deliberately or by accident, though I thought the latter unlikely.

Two officers came, and one went to talk to the building manager

Eventually the police arrived and walked in talking with the protesters and the building manager and asking the protesters to leave. I went out when the building manager requested the protesters to go outside and joined the others who had stayed protesting and watching from outside. More police came and eventually those inside came out and the protest continued there, with several more speeches including a former local resident who was complaining he could no longer live in the area as it had become too expensive.

Class War come out of the Rich Door

After continuing their protest outside for a while, Class War decided it was time to leave and rolled up their banners and began to move away. A woman police officer then stood in Ian Bone’s way and stopped him leaving. More officers came to surround him and he was led away to a waiting police van which then drove away.

A police officer stops Ian Bone as he was leaving

The following week Class War were back again at the Rich Door and I learnt that Ian Bone had been told by police that his breaking the vase had been recorded on CCTV and had then agreed to pay £70 in compensation. No charges had been brought, probably because Redrow wanted to avoid publicity. But Class War had brought with them two very tacky looking vases with flowers to try to give to the building manager.

Ian Bone is briefly searched before being put in the van and driven away

More at Class War Occupy Rich Door