Rip Down the Ripper Facade! When Mark Palmer-Edgecumbe, a former former head of diversity for Google got his architects to apply for planning permission to turn a building on Cable Street in East London into a ‘Museum of Women’s History’ the application stated it would “recognise and celebrate the women of the East End who have shaped history, telling the story of how they have been instrumental in changing society. It will analyse the social, political and domestic experience from the Victorian period to the present day.” The application his architects submitted was illustrated with pictures of suffragettes and other notable women from the past.
But when the boards around the site came down in 2015, everyone was shocked to see it was instead it had been turned into a ‘Jack the Ripper Museum’, exploiting the unfortunate women who had been the victims of a series of unsolved murders in the East End in 1888. The architect who made the application and others who had been consulted made clear they had been duped into supporting the project and there were protests outside by members of the local community including the Bishop of Stepney, the Rt Rev Adrian Newman, and Tower Hamlets mayor John Biggs.
But most of the protests outside the tacky tourist attraction have been by Class War and its supporters along with feminists including London Fourth Wave Feminists who, together with Class War’s Womens Death Brigade organised the protest I photographed on June 19th 2016. These groups continued to protest after others – including Tower Hamlets Council – appear to have given up.
The council in 2016 refused retrospective planning permission for the shop front and ordered changes to the signage and the removal of a metal roller shutter, which the shop had installed after a window was broken by persons unknown in the middle of the night – not during one of the protests outside as Wikipedia (and possibly the shop owner) suggest. I think I was present at all of the various protests except for the first rather tame event which the local council had arranged to calm things down after Class War and others had widely advertised one for the following evening.
The planning decision was appealed by the shop, and even after their appeal failed the council failed to take enforcement action and it was not until 2018 that the shop front was redesigned. Bad publicity from the protests possibly contributed to the commercial failure of the shop, though there were also poor reviews from visitors who felt it not to be value for money.
Class War did not of course ‘Rip Down the Ripper Facade’ but the action was typical of their street theatre with inflatable plastic hammers and a little coloured smoke, while the Fourth Wave Feminists came with cat masks and posters to make clear why they were opposed to the shop’s glorification and profiting from violence against women. Eggs were thrown at one of the signs the shop had been ordered to remove and the windows were liberally covered with stickers, but there was no permanent damage.
During the roughly hour long protest there were no customers who came to try and enter the shop, and none inside left. Although London was spilling over with tourists on a Sunday afternoon in June, apparently none wanted to visit this particular tourist attraction. It had been hoped it would close after it was put up for sale in April 2021, but appears still to be open.
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