Jack the Ripoff

Tower Hamlets council were pleased to apporpve a planning application in 2014 to convert an empty Victorian building in Cable St into a ‘Museum of Women’s History’, particularly since Whitechapel’s Women’s Library had closed the previous year. Owner Mark Palmer-Edgecumbe’s application featured pictures of suffragettes and trade union campaigners and promised the museum would be “the only dedicated resource in the East End to women’s history” and “recognise and celebrate the women of the East End who have shaped history, telling the story of how they have been instrumental in changing society. It will analyse the social, political and domestic experience from the Victorian period to the present day.” (Quoted in Wikipedia.)

On the basis of these promises the architects were persuaded to carry out the work for a lower than normal fee, and various others provided consultancy services at no cost. All, including the council, where shocked and felt duped when the covers were removed from the site in 2015 to reveal instead a ‘Jack the Ripper’ museum glorifying the unknown murderer of a number of working class women in the East End in 1888.

There were various protests organised outside the museum including some backed by the Mayor of Tower Hamlets, who found his council unable to take any real action over the deception, various women’s groups and Class War. Finally the local council did refuse retrospective planning permission for the shop front and ordered changes to the shop’s signage and the removal of a metal roller shutter installed after a window was broken during protests in 2015. The shop owner appealed against the decision and lost. The projecting sign was removed at some time in 2017-8 but I think the shop has failed to comply with some other aspects.

On Sunday 19 June 2016 Class War and supporters including London Fourth Wave Feminists in cat masks, protested outside with toy plastic hammers offering to take down the shutter which had been declared illegal.

Police guarded the shop and prevented the protesters going inside but seemed generally fairly relaxed about the protest, with at least one making clear his distaste for the tacky tourist attraction they were having to protect. At one point they and the protesters were engulfed in red smoke after a couple of black-clad men arrived to join the protest, quickly fading away as the smoke cleared, with the protest then continuing in good spirits.

The good news is that the shop was put up for sale in April 2021 and is expected to close and take on some new use once sold. I’m not aware of any plans for its use and it will quite likely end up as some kind of offices, but it would be rather more satisfactory if it were bought and actually opened as a ‘Museum of Women’s History’. As I write it appears to still be unsold.

Rip Down the Ripper Facade!


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


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