Class War and others protested on Wednesday 5th August 2015 outside the newly opened Jack The Ripper “museum” in Cable St days after it first opened. Class War had called this protest as soon as the news became public, and others had organised another protest the previous evening which I had been unable to attend. Class War later organised further protests outside the museum which I also photographed.
Unfortunately the Jack the Ripper tourist attraction in Cable Street is still open, pandering to a popular taste, particularly among tourists to the city, for the sensational and to wallow in the grisly details of this brutal and horrific series of murders in London of five working-class women on the streets of Victorian London.
The museum was set up according to its planning application as the “first women’s museum in the UK” which “will recognise and celebrate the women of the East End who have shaped history, telling the story of how they have been instrumental in changing society.” A number of people gave advice or worked for free or at cost because they supported the project on this basis, and felt disgusted at how they were duped.
As I commented in 2015, ‘People who have seen the museum have been revolted at its sensational presentation of violent crimes against women. One of the politer comments was to call it “salacious, misogynist rubbish.“‘
I’ve only seen the shop through the doors and windows, and there does seem to be a lot of merchandise for sale. The on-line reviews of the place are extremely polarised. There are many positive, even fawning examples, though some do seem to follow a very similar pattern.
Others are damning. One comments “The museum is pretty small. It’s effectively 5 small rooms. You could whizz round it in 10 minutes easily. In no way does it represent good value for money. One of the rooms was pure conjecture too (What Jack the Ripper’s living room might have looked like…!?). It’s rather light on any kind of detail. For people with anything more than a superficial interest in the history etc, this is a waste of your time and money.”
Another states “I have no idea how it got so many positive reviews… It’s £12 per person and we’ve basically seen everything after 10 minutes. There’s nothing in this museum that isn’t already in the Google images.” Others are far more negative about the exploitation of the sadistic murders of women for profit.
So if you are someone who thinks we should celebrate the work of a serial killer who eviscerated five defenceless women – three of them mothers – on the streets of London and feel your holiday would not be complete without wallowing in more of the bloody details you may well enjoy this “museum”, even though it is in the wrong location and has little authentic content.
If you are not sure about the details of the killings and have a strong stomach you can read more, rather too much more, on Wikipedia; it isn’t pleasant reading. For once I’d advise you not to click on the link, or if you do to skip some parts of the entry.
Of course the whole Ripper industry is a tacky area, with many more imaginative and profitable books speculating on the identity of the deranged killer. Although the evidence is only circumstantial the most likely suspect remains Montague Druitt who committed suicide shortly after the last of the five murders, and was one of three named in a letter written five or six years later by a senior police officer who though not involved in the investigation will have had access to the officers and the – now largely destroyed – police records of the case.
More about the protest at Class War at Jack the Ripper ‘Museum’.
