Derbyshire December – In December 2017 we stayed a few days between Christmas and the New Year in Belper, where my younger son and his family were then living. Their home then was in in one of a long row of listed workers’ cottages rising up a street from the A6 close to the mill site, imaginatively called Long Row. There’s also another street a short distance away called Short Row.
The picture above is looking down from the top of the row and their home was one of those in the picture. The houses were built in 1792-7 and rather curiously interlock, I think with the stairs from one house being above the rooms of its neighbours. Now it was getting too small for them as their family grew and we stayed instead at the Lion Hotel a few minutes walk away. Fine by me as the breakfasts were better.
The other streets in the area, also built for their workers by the Strutt family who set up their mill here in 1778, were named after members of their family, including George Street and William Street.
Belper is a very pleasant small town but not the most exciting place in the country although it has a good selection of tea shops and one or two interesting pubs, and if I lived there I’d certainly became a member of the Ritz which reopened in 2006 as an independent cinema after having been closed for 15 years. And I think it is still one of few places in the country which still has a genuine local newspaper, The Belper News established in 1896, though now a part of the Derbyshire Times.
Beeley
We’d visited Belper several times and in 2017 I didn’t spend long taking photographs there of the many interesting places around the town. The Mill and the area including Long Row are a part of the Derwent Valley Mills World Heritage Site and well worth a visit, but we didn’t have time for that on this visit, nor did we go the the three churches set up by the Strutts as they became wealthier and moved up the social scale from Unitarian, then Congregational to Anglican.
On Friday 29th December the hills around were covered with a thin film of snow, though none had settled in Belper. The main roads had been cleared and minor roads were well gritted and my son loades a sled and children into the car and we drove to a gentle slope on the hill above Beeley village. Crowds were out on the slopes a little further on at Chatsworth but here we were on our own.
I didn’t spend much time on the sledge, and there really wasn’t quite enough snow but I did enjoy taking some pictures of the winter landscape both in the hills and in the village. Patches of mist drifted acros at times, obscuring part or all of the view.
It was time for lunch and we drove on to Rowsley and Caudwell’s Mill for some lunch and I took a few pictures of the mill and Peak Tor, a hill which was an early Celtic camp or settlement.
Sadly this grade II* listed historic flour mill, still working in 2017 is now closed and its assets were sold by auction in May 2023.
I returned to Bank and photographed some men working on the street there on the corner of Lombard St. I think they were working on one of the entrances to Bank Station but the boarding made it hard to see. They did have some very big buckets.
Recently there has been yet more work to improve access to Bank Station, with a new entrance opening a couple of days ago on Cannon St. Bank is a very busy station during the weekday rush hours, even with more people now working at least some days from home. But on Saturdays and Sundays the City is still something of a ghost town, though rather more tourists can now be seen wandering around, lost souls searching in vain for an open pub or restaurant.
Cherubs, King William St, Bank, City, 89-3d-35
At the start of King William Street and I think part of the magnificent St Mary Woolnuth I photographed this doorway with three cherubs which was later used on a book cover, but somehow I had lost the digital image of that. Having spent around half an hour searching for it on my computer and various hard drives I decided it would have been faster simply to produce it again from the negative. I think I may have also havephotographed it on a previous occasion. The doorway was rather dim and this image isn’t quite as sharp as I would like.
Lombard St, City, 89-3d-36
While I had the negatives out of the file, I digitised this one as well. Again it’s a view which I had previously photographed, possibly on several occasions, with the splendid cat and fiddle sign which is still there, though the TSB’s castle has gone. I don’t mourn the loss of the depressing distant block, though rather wish its replacement had been better.
Leadenhall Market, City, 1989 89-3e-61
I walked along Lombard Street and up Gracechruch St and then turned into Leadenhall St and then into Whittington Avenue where I photographed the entrance to Leadenhall Market, a nice piece of Victorian exuberance, though of course finance by our crimes of Empire.
I’d photographed the quite a lot before, often in colour, put I think this was the first time I’d photographed this entrance. I walked through to Cullum Street taking a few more pictures of buildings in the area including some more of the Lloyds Building but little really new for me, and none I selected to put on-line.
Fen Court, City, 1989 89-3e-41
From Fenchurch Avenue I turne into Fen Court, where as usual I was fascinated by the trees wiggling in front of the austere offices of the Pan Atlantic Insurance Company and others. I’d taken two frames without any people when a man walked across carrying some hefty paperwork and I made this third exposure as he moved into the space between the two brick and stone beds.
This garden is the site of St Gabriel Fenchurch, burnt down in the Great Fire of London in 1666. It was re-landscaped in 2008, with the addition of the sculpture ‘The Gilt of Cain’ by Michael Visocchi which commemorates the abolition of the transatlantic slave trade.
I was on my way towards the markets just to the east of the City, where the next installment of this walk will continue.
Vestries such as that in the parish of Camberwell St Giles were the bodies that provided municipal services before local government was organised into boroughs – and in this area the Metropolitan Borough of Camberwell took over their duties in 1900. In the 1820s and 1830s the Vestry here was responsible for the closing down of Camberwell Fair, as a part of “widespread campaign in the early 19th Century, to impose social and moral control over the growing working classes“.
Perhaps Vestry Road got its name as the vestry bought the land and began the development there. The road is not present on Cary’s New Plan of London in 1837, but was present with these houses shown on the Ordnance Survey‘s map surveyed in 1869 to 1871, when the road ended a little past Grace’s Road. These houses were probably quite new then. The road was extended further south by thhe mid 1890s.
The Maisonettes, Vestry Rd, Camberwell, Southwark, 1989 89-2d-55
The Maisonettes at the north end of Vestry Road face Lucas Gardens. They were built in 1907.
Immediately to the north of these maisonettes is the Camberwell Bunker Garden, on top of the now disused Southwark Borough Control Bunker, a cold-war control centre built underneath a now demolished health centre on the corner of Peckham Road and Vestry Road.
This long terrace of mid-19th century working class homes at 2-24 is probably the earliest development on Vestry Road.
Trees, Lucas Gardens, Vestry Rd, Camberwell, Southwark, 1989 89-2d-42
Around 1790 a terrace of 12 Georgian houses was built on the south of Peckham Road called East Terrace, and in the 1880s these became an extension to the Camberwell House Lunatic Asylum which had opened on the opposite side of Peckham Road in 1846. It was one of the largest asylums in London, with only that at Bow being larger.
The asylum remained private when the NHS was formed and closed in 1955. It had extensive gardens for its patients to roam, and those on the north side provided a site for the Sceaux Gardens estate while on the south they formed this public park, Lucas Gardens.
I walked down Vestry Road to Lyndhurst Grove and then east along this to Crofton Road. There are a very large number of similar houses in this area and I cannot decide exactly where I made this picture. These houses are I think late Victorian.
Charles Booth described Talfourd Road as ‘good middle-class‘ and it has a varied selection of houses. Some of these were already present on the 1860 map. Wikipedia lists two notable Talfourds: “Sir Thomas Noon Talfourd (1795–1854), English judge, politician, and writer” and “Francis Talfourd (1828–1862), English lawyer and dramatist, son of Thomas”. Neither seems to have any obvious connection with Peckham, but the street seems to have been named after the judge.
Although my contact sheet labels this as Talfourd Road and it is certainly somewhere close I cannot find the exact location of this property.
Houses, Lyndhurst Grove, Peckham,, Peckham, Southwark, 1989 89-2d-24
96 and 98 Lyndhurst Grove are rather easier to find, roughly opposite the end of Denman Road. According – as usual – to Wikipedia, John Copley, born in 1772 in Boston became 1st Baron Lyndhurst and “was a British lawyer and politician. He was three times Lord High Chancellor of Great Britain” and “Thomas Denman, 1st Baron Denman, PC was an English lawyer, judge and politician” and Lord Chief Justice between 1832 and 1850. This is a thoroughly legal area.
St Giles Camberwell, Camberwell Church St, Camberwell, Southwark, 1989 89-1e-42
I didn’t spend a lot of time photographing old churches, not least because most had already been photographed ad nauseam as I found when opening boxes of photographs in the library of the National Building Record. Vicars back in the late nineteenth and early twentieth century had plenty of time on their hands and many became keen amateur photographers, and seem to have spent much of their energy in photographing their churches.
But I made a slight exception for St Giles, largely because it appeared in some rather odd views such as this. Although there had been a church here in the middle of fields in Anglo-Saxon times, its wooden structure later replaced by stone, it burnt down in 1841. The replacement was the first major Gothic building by George Gilbert Scott, who later went on to build the monstrosity of the Albert Memorial. The top part of the spire had to be rebuilt in 2000.
The picture was taken on the usually busy street here and I rather liked the billboard – perhaps an advert for a lager – showing another busy street with a lorry apparently stuck in traffic.
Another image with a little flare from working into the sun, either just out of frame or hidden behind the tree trunks at the right of picture.
Thos Bourne, gravestone, St Giles Churchyard, Camberwell, Southwark, 1989 89-1e-32
Parts of the inscripton were difficult to read:
‘Ah Cruel Death could nothing move Thy Pity Awe thy Power To Spare the Object of my Love of all my Hopes the Flower Thos Bourne Defuncti Pater Poni Fecit Thos Bourne (1656- 1729)
The inscription was at some point re-inscribed as the two lines most visible the above picture, having previously been as four, a few words of which can still be made out. The tomb has been restored since I photographed this stone.
St Giles Churchyard, Camberwell, Southwark, 1989 89-1e-34
Long shadows from the trees from the low winter sun, and some remarkably wiggly branches on the central tree in the picture. Without any leaves the picture illustrates why I generally prefer trees in winter but meant I was unable to decide on the species.
The building along Wilson Road in the background was built for Wilson’s School in 1882, architect E R Robson. This is an ancient grammar school founded on another site in Camberwell by Edward Wilson, Vicar of Camberwell, in 1615. They left the building in 1975 and moved to Wallington in Sutton to escape becoming a comprehensive school under the Inner London Education Authority and continue there as a boys’ grammar school. The buildings are now a part of the University of the Arts London.
St Giles Churchyard, Churchyard Path, Camberwell, Southwark, 1989 89-1e-36
Another view of the churchyard and Churchyard Path between the railings at the right, looking directly towards the sun. My position in the shadow of some of the bare trunks enabled me to greatly reduce the amount of light flare in the picture. The grass was I think covered with drops of water from frost which had recently melted, giving it a slightly unnatural pale tone.
Camberwell College of Arts, Wilson Rd, Camberwell, Southwark, 1989 89-1e-23
After taking a couple more frames of the remarkable tree shown above I walked on to Wilson Road to photograph the Grade II listed Wilson School building and the west-facing terrace along the street beyond. Above the school doorway is the Wilson coat of arms, which includes a wolf salient – leaping up – and above it a Fleur de Lys and two gold coins.
Camberwell College of Arts, whose main buildings are on Peckham Road later became a part of the University of the Arts London.
St Peter’s Church, Liverpool Grove, Walworth, Southwark, 1989 89-1c-64
Liverpool Grove was designated as a conservation area in 1982 as the Octavia Hill (Liverpool Grove) Conservation Area. The street runs east from Walworth Road with this vista of St Peter’s Church, then goes south of the church, continuing to the east as far as Portland Street (named after an earlier Prime Minister, William Cavendish-Bentinck, 3rd Duke of Portland.)
Churchyard, St Peter’s Walworth and Trafalgar House, Walworth, Southwark, 1989 89-1c-65
The area to the east of the Walworth Road was first developed around the end of the wars against Napoleon, and Liverpool Grove gets its name from Robert Banks Jenkinson, 2nd Earl of Liverpool who was the Tory Prime minister from 1812 to 1827. So far as I’m aware he had no particular connection with the area. His almost 15 years as prime minister makes him the third longest serving after Sir Robert Walpole and William Pitt the Younger. A rather odder claim to fame is that he was the first of our prime ministers to wear long trousers.
Rear, St Peter’s Church, Liverpool Grove, Walworth, Southwark, 1989 89-1c-66
The development of the area created a need for a new church, and Sir John Soane (1753-1837) was appointed as architect with St Peter’s Church being consecrated in 1826. It is now Grade I listed. It was the first church designed by Sir John Soane and badly damaged during WW2, then rebuilt in 1953.
Octavia Hill Housing, Liverpool Grove, Walworth, Southwark, 1979 89-1c-53
There are some remains of the first early Georgian and later Victorian housing in the area but the largest area around St Peter’s Church belonged to the Church of England and by the end of the 19th century had become one of LOndon’s most densely populated slums – or ‘rookeries’ as they were known.
Octavia Hill Housing, Liverpool Grove, Walworth, Southwark, 1979 89-1c-54
In 1904 the Church asked Octavia Hill, (1838-1912) one of the leading housing reformers since the 1860s to oversee the redevelopment of the area. She set new standards for working class housing and the estate includes cottage style terrace houses and three-storey tenement flats, some reflecting a Regency Style and others Arts and Crafts, in Liverpool Grove and side-streets from it including Saltwood Grove, Worth Grove, Portland St, Wooler St,
Worth Grove, Liverpool Grove, Walworth, Southwark, 1979 89-1c-55
Although the estate has a fairly high population density, Hill was also inspired by the Garden City Movement and the Arts and Craft village style development included the planting of many street trees; they or possibly their later replacements are very clear in my photographs.
Worth Grove, Liverpool Grove, Walworth, Southwark, 1979 89-1c-43
Her development from 1904-1914 remains largely intact and at least externally little altered, with only a very small area of Second World War bomb damage being rebuilt to a similar design. There was rather more redevelopment of the surrounding area in the 1950s.
Merrow St, Walworth, Southwark, 1979 89-1c-46
The area is an incredibly well preserved example of early twentieth century social housing, with a very different scale to much of the large blocks of the era by housing associations such as Peabody.
Thames Path – Pangbourne – Cholsey: At the start of 2010 we were still walking sections of the Thames Path. On New Years Day we had walked from Reading to Pangbourne, and on the following day caught the train back to Pangbourne to begin our day’s journey there.
The Thames from the Thames Path along a hillside west of Whitchurch
We were heading to Cholsey, around 8 miles away, an easy distance suitable for a short day with over an hour’s rail travel at each end. Cholsey is a small village and has a railway station a little over a mile from the Thames Path with trains back to Reading from where trains run – if rather slowly – back to Staines.
Gatehampton Bridge
Pangbourne is a much larger village, and its station is a short walk from where we joined the Thames Path, and there were a few shops where we could buy some crisps and sweets to supplement the sandwiches in our bags and even a public toilet, so a very useful place to start a walk.
Before our walk really started we spent a little time in Pangbourne, visiting the parish church and photographing the Pang before rejoining the Thames Path at Whitchurch Bridge. Crossing the bridge takes you to Whitchurch, perhaps a prettier village than Pangbourne. Here the path takes quite a long detour away from the river bank and up on a hillside, with some extensive views through trees of the river and country to the south, before going back down to the riverside.
The railway line crosses the path and the river at Gatehampton Bridge, built by Brunel for the GWR main line in 1838 but the path stays on the north bank, passing between the tree-covered slopes of the Goring Gap, where the river cut through to seperate the Chilterns from the Berkshire Downs. Winter sun on the leafless bare branches was magical.
The bridge linking Goring on the north bank with Streatley on the south seems a rather primitive and temporary wooden structure, but has been here since 1923 when it replace the earlier bridge from 1837. Before then there had been both a ferry and a ford, though this was probably more often passable on horseback than on foot. It takes two bridges to reach Streatley from where the Thames Path proceeds westward on the south bank.
Streatley from Goring lock
At Streatley, a village until 1938 owned by the Oxfordshire brewers Morrell we visited the church and then set out on a partly underwater path by the river. December 2009 had been one of the wettest months on record and we began to doubt the wisdom of We thought about turning back and abandoning the walk, taking a train from Goring, but after seeing a walker paddle through towards us decided to continue.
Fortunately it was only a few inches deep, but despite our boots I think we all got wet feet. The day was around freezing, but walking kept our feet warm, and many of the smaller puddles along the rest of our route were frozen over, as well as the mud, and it was much easier to walk than had it been warmer.
The Beetle and Wedge at Mouslford looked very closed
A little further on the tow path moves from the south to the north bank, not a great problem in the past for craft being towed who could pole over to the other side, but more so for walkers, who need to take a path away from the river and along a main road for a mile or so leaving the path were it went down towards the Moulsford railway bridge and continuing to a footpath beside the railway to Cholsey station.
Boxing Day Pictures I took in earlier years – mainly on our normal annual walks from Staines to Old Windsor. It’s a family tradition, a walk we’ve made most yearssince we moved here in 1974, though not always taking the same route. This year is one of the few years we won’t be making it.
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
There are more pictures from all of these walks – except that in 2020 – on My London Diary. Click on the picture for any of the other years to go to more about the walks and more pictures.
It was too hard to resist the Michelin Building any time I walked past, though I felt it had already been photographed to death – and most of my pictures were in colour, including closer views of its decorative panels.
Opened in 1911 as the first UK headquarters and tyre depot for the Michelin Tyre Company Ltd, and designed by Michelin employee and engineer François Espinasse it was more an architectural advertising hoarding featuring the Michelin Man ‘Bibendum’, his name derived from “Nunc Est Bibendum“, “Now is the time to drink”. A precursor of art-deco, it is grade II listed. It was also a fairly early use of ferro-concrete, using the Hennebique system, which gave its interior wide spaces for a tyre bay and made it relatively fire-proof. This picture was made three years after Michelin moved out, when the building was redeveloped by publisher Paul Hamlyn and restaurateur/retailer Sir Terence Conran as offices, shop and restaurant. (mainly from Wikipedia.)
This house is on the west corner of Pelham Crescent, and the three trees that attracted my attention are still there, remarkably little changed 33 years later, though of course each spring they get covered with leaves.
Selwood Terrace, South Kensington, Kensington & Chelsea, 1988 88-4r-61
The east side of this street is Neville Terrace and the west side is Selwood Terrace. This front garden with a wall covered with ivy is close to the Fulham Road and I think both wall and ivy have disappeared, possibly as a part of a basement extension to the property.
South Parade, Chelsea, Kensington & Chelsea, 1988 88-4r-62
I think this tall building probably dates from around 1892 and is part of long terrace including a former fire station with that date on the north side of Chelsea Square. It was the Nurses Home for the Royal Brompton Hospital and is still a part of the hospital. Chelsea square was named Trafalgar Square when it was laid out in 1810 but that was later used for a rather larger square in Westminster. The square later became a tennis club before much of the area was rebuilt in neo-Georgian style in the 1930s.
The Crown, Dovehouse St, Chelsea, Kensington & Chelsea, 1988 88-4r-63
The Crown pub is on the corner of Dovehouse St and Dudmaston Mews, just a few yards south of the Fulham Rd and more or less surrounded by hospitals. No longer a Whitbread pub it has lost the crown sign, replaced by a dreary sign with a neon crown, and other largely flowery embellishments have ruined the simplicity of the frontage. The Princess Of Wales at the left of the row of buildings closed as a pub around 2000 and is now a French restaurant, with considerably more expensive food than The Crown.
Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-11
I took fewer pictures of the Kings Road than I should have done. This shop window display seemed more erotic than most.
Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-16
These rather disparate buildings are still there on the Kings Road, on the south side just east of Radnor Walk, though now occupied by different shops and rather less trendy.
Jubilee Place, Chelsea, Kensington and Chelsea, 1988 88-5a-15
And immediately opposite the previous picture is Jubilee place, leading north with this house and wrought ironwork at No 9 over double gates leading down to a basement garage.
Click on any of the images to go to larger versions in my album 1988 London Photos were you can browse through these and other pictures.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
This building is a part of a comprehensive redevelopment of the area, the Comyn Ching triangle, by the Terry Farrell Partnership which took place from 1983-1991, retaining the facades with rebuilt or restored shopfronts. This part of the Grade II listed terrace at 65-71 Monmouth St was only rebuilt in the third and final phase of development which began around two years after I made this picture. The lettering ‘B. FLEGG/ ESTd.1847/ SADDLER & HARNESS MAKER/ LARGE/ STOCK /OF/ SECONDHAND SADDLERY & HARNESS/ HORSE/ CLOTHING/18, with the name B. FLEGG applied diagonally to each side’ was then painstakingly restored.
Though sometimes referred to as a ‘ghost sign’, like many others it should more correctly be called a ‘resurrected sign’.
Thornhaugh St, Bloomsbury, Camden, 1987
One of the minor themes in my work at this time concerned the urban tree. London is a city with a great many of them, notably those London Planes, a hybrid of American sycamore and Oriental plane which first appeared by cross-pollination of these two introduced species in the Lambeth garden of London’s best known plantsman, John Tradescant the younger, who named it after the city around the middle of the 17th century. It has been widely grown in streets and parks across the city since the late 18th century.
I think these trees in their regimented rows are probably flowering cherries though probably some with greater aboreal knowledge will correct me. But this was a militarised forest that rather made me shudder. The planting was apparently designed to stop students playing football in the area. It hasn’t lasted and there is now a green area here – though some of the trees in it may be these same specimens, and there are still a couple of large brutalist concrete boxes around a couple of groups of trees.
UCL Institute of Education, Thornhaugh St, Bloomsbury, Camden, 1987
And in the background of the previous image was one of my favourite brutalist buildings, with a playfulness by Denys Lasdun’s that is perhaps more exiting than his National Theatre. It was a part of a larger plan, never completed and much opposed at the time, though in the end it was only a lack of money that really stopped the destruction of more of the area and the building on the open areas such as the ‘garden’ above.
The Ossulston Estate in Somers Town, close to Euston Station was a remarkable council estate built by the London County Council in 1927-31, taking inspiration from modernist public housing which the LCC’s Chief Architect G Topham Forrest had visited in Vienna. The 7-storey housing blocks are behind a low wall of shop units along Chalton St, of which the Phoenix Cafe was one. Some of these units are still in use as shops, though not this one.
The 310 flats were built to high standards for the time and the development also included The Cock Tavern – all are now listed. Some of the estate has been extensively refurbished.
St Pancras Church, Euston Rd, 1987
One of my favourite church exteriors in London is that of St Pancras (New) Church in Euston Rd, built in 1819–22 in Greek Revival style to the designs of William Inwood and his son Henry William Inwood. Perhaps its most remarkable feature are these caryatids, who look to me pretty fed up, perhaps unsurprisingly as they have a stone roof sitting on their heads. They are above the entrance to the burial vault and hold symbols suitable to this position, empty jugs and torches which have gone out.
A short distance away in Tavistock Square is a memorial to Mahatma Gandhi, 1869 – 1948, who studied not far away at UCL in 1888. The powerful likeness is by Fredda Brilliant and the site for it was chosen by V K Krishna Menon who was a member of the Theosophical Society and for some years a St Pancras Councillor before being made High Commissioner for India in the UK. The memorial was erected for the 125 anniversary of his birth and unveiled by then Prime Minister Harold Wilson.
Most years for some time I have visited Tavistock Square each August for the annual remembrance on Hiroshima day around the Hiroshima Cherry tree a short distance from this statue. The square also contains a memorial to the victims of the 2005 bombing here, the Conscientious Objectors Commemorative Stone, a memorial and bust of surgeon Dame Louisa Aldrich-Blake (1865 –1925) and a bust of Virginia Woolf.
Images in this post are embedded from Flickr where you can view them at a large size by clicking on the image. You will need to use your browser back button to return to this post. Or you can right-click and select ‘Open link in new tab’.
My album 1986 London Photographs is now complete on Flickr, and this is the first of a short series of posts pointing out a few of my favourite images from the year.
Of course the 1370 pictures in the album are not all I took that year, but perhaps about a quarter or a fifth. Quite a lot more than I would have selected or shown back in 1986, but the content has aged well, even if sometimes the actual physical negatives have deteriorated. Images that might have seemed a little mundane when I first saw them on the contact sheets have often gained considerably in interest as historical records.
There is a little redundancy in those 1370, and I’ve sometimes included several pictures of the same subject, where I’ve tried different ways to approach it. But the great majority of subjects were treated to only a single frame.
Many of those not included still have interest and value as historical records, but preparing them to go on line is tedious and time-consuming, particular as some need quite extensive digital retouching after the ‘scanning’ stage – mostly done by photographing the negatives with a Nikon D810 and Nikon 60mm macro lens. Some of my negatives were damaged by minute insects in search of gelatine, leaving their track as they chewed their way across them and depositing their frass and occasional body parts and complete restoration isn’t always possible.
I’ve also been having problems in getting even lighting at the negative edges. This isn’t a problem with mounted slides, where the image is cropped, but I want the whole image, and possibly the problem is with light diffusing from the clear film edges. But it does mean every frame needs correction in Photoshop – rather like the little bit of edge-burning we used to do under the enlarger.
I was working on a number of themes at the time and as well as recording buildings that interested me was particularly interest in sculptures, shopfronts, shop window displays and trees in the city. The first page of pictures on Flickr (100 images) includes work mainly from Southwark, the City of London and Spitalfields.
I took very few pictures of people at this time, partly because I was rather shy, but more that I had been affected by some feelings being strongly expressed by some at the time about privacy and arguments that it was wrong to photograph people without first seeking their permission. I was never convinced by these, but they were off-putting, and I was sometimes shouted at when taking pictures. Perhaps more importantly I wanted to direct attention to the things being photographed, and was aware that people almost always steal the frame.
There are another 95 pictures on the first page of the album, all with a location, taken from the usually rather incomplete information I recorded on the contact sheets. I’ve tried to check these before posting, but corrections and other comments are always welcome. I’m happy for these pictures – with suitable attribution – to be shared on social media, but they remain copyright and any commercial or editorial use requires a licence from me.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media. And small donations via Paypal – perhaps the cost of a beer – would be appreciated.
