Re-photo

My walk in the City of London towards the end of March 1989 began at Bank Station, perhaps because the Bank of England is in many ways the centre of the City, but probably also because until 1994 the Waterloo and City line was a part of our railway network and I could travel there as a “London terminus” on my rail ticket. In 1994 it became part of the London Underground (they paid £1 for it) and from then on I needed to pay them for the journey. I think back then there were no services on the “drain” on Saturday aftenoons or Sundays.

Over the years I’ve taken many slight variations on this picture with the London Troops War Memorial and the Bank of England. The memorial to the troops of London who died in the Great War was designed by Sir Aston Webb, with carving and lettering by William Silver Frith and the bronze figures by sculptor Alfred Drury and was unveiled on the day after the second anniversary of Armistice Day on 12th November 1920.

Later a further dedication to those who died in the Second World War was added. The quality of the statues and carving and overall its design make it one of the more impressive of war memorials. Grade II listed when I made this picture it was upgraded to II* more recently for the 100th anniversary of the Battle of the Somme.

The memorial stands in the triangle of public space in front of the Royal Exchange but this picture was taken from the side to include the Bank of England as the background. It’s perhaps slightly unfortunate that I included the sign for the public toilets at the bottom edge, useful though they were – and then like others in the City – free to use.

The George & Vulture describes itself as a City institution and there has been an inn on this site since 1142 or 1175, depending on who you believe – or 1600 according to my picture. Before the 1666 Great Fire there were supposedly two inns here, the earliest The George and a later establishment, The Lively Vulture, but they were amalgamated in the rebuilding.

It gets numerous mentions in Dicken’s Pickwick Papers and has been the headquarters of the City Pickwick Club since it’s inaugural dinner in March 1909 when it was founded incorporating his earlier Pickwick Coaching Club by Sir James Roll. Initially limited to 30 members that has increased over the years and in 2009 was raised to 100; they still meet for dinner there four times a year, and it is also host to other Dickens events.

Rather than a pub it is now a City chop house or restaurant, though open some evenings for cold plates and drinks; run by Samuel Smiths Old Brewery it offers a full range of their beers as well as other drinks.

The City’s alleys have long fascinated many, and I’d first explored them before I was taking many photographs, following walks from one of many guides to London. It’s still easy to get a little confused in following them, particularly when some parts such as George Yard has changed rather.

You will search in vain for this fountain which then stood in the open area at the end of George Yard and St Michael’s Alley (though you could also reach it from Bell Inn Yard or Bengall Court and it was just a few steps from the end of Castle Court.

Both the George & Vulture and the the Church of St Edmund the King in the background of this picture remain, but much of the rest around here has been replaced.

I assume the statue was of St Michael and to me it and the mosaic floor have a look of the 1950s or 60s about them, but neither this statue nor the fountain in which it stood get a mention in any of the books about London I own. Most of my pictures were of the mermaids who obviously appealed to me more.

I have no idea what happened to these sculptures, and have been unable to find any more information about them. The yard is now home to rather Dalek-like structures, surrounded by seats and flower beds, presumably provided ventilation for areas below. The whole site on the west side of Gracechurch Street south of Bell Inn Yard which was the headquarters of Barclays Bank was redeveloped shortly after I made these images, with the distinctively curved 17 floors of 20 Gracechurch being completed in 1994.

I walked out onto Lombard Street where I made several exposures of this Grade II listed bronze ‘Chimera with Personifications of Fire and the Sea’ by Francis William Doyle-Jones from 1914 on the 1910 bank building. I was at the time thinking of putting together a compilation of pictures of London’s ‘topless’ women.

A wider view taken from the corner with Birchin Lane, where the view today is little different to that in 1989, except that the hanging TSB 1810 sign on Falcon House at left, there until 2016, has since been replaced by one peculiarly illegible one for Falcon Fine Art.

My walk around the city continued, though I’ve digitised relatively few pictures from it and soon moved away further east towards Spitalfields, as you will see in my next post on it.