Charlton and Maryon Park – 1990

Charlton and Maryon Park is the final part of my walk on Saturday 20th January 1990 which began with Westcombe Park and Blackheath 1990

Springfield Grove estate, Charlton Rd, Charlton, Greenwich, 1990, 90-1j-62
Springfield Grove estate, Charlton Rd, Charlton, Greenwich, 1990, 90-1j-62

This estate was built on what had earlier been the site of the late 17th Century Springfield House, which was demolished just before the Second World War – the LCC had bought Stonefield Farm in 1927 for the Thornhill Estate. During the war there was a pig farm on the site. Springfield House took its name from a spring here which ran down in a valley here when the house was built. and though it is sometimes described as a wooded combe (dry valley) construction of the estate was held up in 1949 by the spring having to be stemmed and the ten blocks date from 1951-2.

The blocks were named with associations to previous Lords of the Manor of Charlton “Bayeaux – Bishop Odo of Bayeaux ; Downe & Ducie – Sir Wm.Ducie created Vise.Downe ; Erskine – Sir John Erskine Games – Wm.Langhorn Games ; Langhorne – Sir Wm.Langhorn, Mar – Earl of Mar (Sir J.Erskine) ; Priory – Priory of Bermondsey and Wilson – Sir Thos. Wilson 6th Bt. who married into the Maryon family, owners of the Manor & Estates.

These ten brick LCC point blocks in the Sparingfield Grove Estate (also known as Thornill Estate which it adjoined) were built around 1950, and the view between the towers here is described in the conservation area document as the most dramatic of the “number of good panoramic vistas” from the escarpment here, with a view towards the Thames and central London. The estate was built by the LCC but was transferred to the London Borough of Greenwich when that was set up and then in 1999 to a housing association. In 2012 the blocks were clad hiding the brickwork, which although I think is aesthetically poorer will have been much appreciated by residents for increasing their comfort.

I walked along here, but perhaps the best way to appreciate the views is from the upper deck of a bus going along Charlton Road or Charlton Church Lane.

War Memorial, Drinking Fountain, Public Toilets, Charlton House, Charlton Church Lane, The Village, Charlton, Greenwich, 1990, 90-1j-54
War Memorial, Drinking Fountain, Public Toilets, Charlton House, Charlton Church Lane, The Village, Charlton, Greenwich, 1990, 90-1j-54

The triangle in the middle of the junction between Charlton Church Lane and The Village would, apart from the traffic be a pleasant place to sit and there is now a seat between the war memorial and the drinking fountain, though I think you need to bring your own drink. Most of our old drinking fountains have been disconnected for hygienic reasons, though London does now have some new ones. At least in winter you can see a wide variety of architecture, though trees tend to block some views for the rest of the year.

The cattle trough which replaced the old village stocks must I think have been just out of my picture on the left and like the drinking fountain was erected to commemorate the coronation of King Edward VII in 1902, together costing £247 donated by local residents and Sir Spencer Maryon Wilson, 11th Bart – who gets his name on the side of the trough. The fountain was damaged in 1980 when a driver without tax or licence drove into it; Greenwich Council decided they could not afford the £3,000 needed to repair it, but local residents again reached into their pockets.

Charlton House, The Village, Charlton, Greenwich, 1990, 90-1j-66
Charlton House, The Village, Charlton, Greenwich, 1990, 90-1j-66

Charlton House is said to be the “finest Jacobean mansion in all London”, designed by architect John Thorpe, said to have been the inventor of “humble and now-ubiquitous corridor” which allowed independent entrance to the various rooms of a grand house – previously each room had led through doors to the next in what was know an an enfilade.

The house was first opened to the public in 1909 with the one shilling (5p) entry fee going to provide free lunches for the children of Deptford. Now in public ownership for 100 years it is one of the few things that cost less than then, with house and grounds free to the public.

The large classical arch was once the entrance to the grounds but is now isolate, all on its own in a large area of grass.

Charlton House, Charlton, Greenwich, 1990, 90-1j-55
Charlton House, Charlton, Greenwich, 1990, 90-1j-55

Part of the house was badly damaged by wartime bombing in 1944 but has been carefully restored, and perhaps the only visible sign is a slightly lighter colour to the bricks used – and apparently the sundial between the first and second floor windows was fitted upside down.

Charlton House, Charlton, Greenwich, 1990, 1990, 90-1j-56
Charlton House, Charlton, Greenwich, 1990, 1990, 90-1j-42

The house was built by the crown for Prince Henry, the son of James I, and older brother of the future Charles I and his then tutor, Sir Adam Newton who was Dean of Durham, though hardly convenient for him as the 260 mile commute would then have taken several days. But I imagine he could claim his salary while working from home despite there being no internet connection.

The house has a grandly decorated doorway.

Roman Stone, Acorn, Charlton House, Charlton, Greenwich, 1990, 1990, 90-1j-45
Roman Stone, Acorn, Charlton House, Charlton, Greenwich, 1990, 1990, 90-1j-45

Charlton was of course long famous for its Horn Fair, held not at Charlton House on the top of the hill but at Cuckold’s Point on the River Thames. It was described by Daniel Defoe as a “yearly collected rabble of mad-people” which “ought to be suppressed, and indeed in a civiliz’d well govern’d nation, it may well be said to be unsufferable” and at which “the women are especially impudent for that day; as if it was a day that justify’d the giving themselves a loose to all manner of indecency and immodesty, without any reproach“.

And in 1872 it was suppressed but a considerably “tamer version of the fair was re-established in 1973 in the grounds of Charlton House“. I went at least once and was disappointed, particularly by the lack of female impudence.

The ‘Roman Stone’ is not of course Roman, but an artificial stone probably bound together with Portland Cement (invented by Joseph Aspdin in 1824) much used for garden ornaments in the Victorian era and beyond. These materials can be moulded using sand moulds.

Woodland Terrace, from Maryon Park, Charlton, Greenwich, 1990, 90-1j-25
Woodland Terrace, from Maryon Park, Charlton, Greenwich, 1990, 90-1j-25

Woodland Terrace is in what was a large wooded area known as Hanging Woods which hung on the side of the slopes rising from the River Thames here. The main Dover Road runs through these woods and Shooters Hill was a popular haunt for highwaymen, though less popular for travellers. Hanging Woods was a wild wooded area good for the gentlemen of the highway to hang out and evade pursuit.

Maryon Park, Charlton, Greenwich, 1990, 90-1j-11
Maryon Park, Charlton, Greenwich, 1990, 90-1j-11

Maryon Park is a former quarry, part of Charlton sandpits on the edge of Hanging Wood, which the Maryon-Wilson family gave to the LCC in 1891. The sandpits were dug in the 18th and 19th centuries for sand in the local foundries and for making glass, and there were also chalk pits nearer to the river. One of the four pits, Charlton Station Pit is now The Valley, home to Charlton Athletic Football Club, and another, Gilbert’s Pit, is part of a nature reserve. The East Pit is Maryon Park, along with an un-quarried ridge on its west side.

Maryon Park, Charlton, Greenwich, 1990, 90-1j-15
Maryon Park, Charlton, Greenwich, 1990, 90-1j-15

On the Charlton Parks Reminiscence Project you can read a great deal about the history of the park which was opened in 1890. Serpentine fenced paths lead down from Woodland Terrace to the floor of the park below. The park’s moment of fame came in 1966 with the filming there in Michelangelo Antonioni’s ‘Blow Up‘ featuring David Hemmings, and Vanessa Redgrave. A YouTube video ‘Blow Up Revisited‘ intercuts scenes from the film with those taken in the same areas of the park in 2010.

I’d photographed the park in 1985 and in 1990 only too a few pictures of some of the fences before rushing to the station to catch a train towards home.


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Muslim Veils, Illegal Goods, Murders, Union Busting and London – 2010

Muslim Veils, Illegal Goods, Murders, Union Busting and London: Saturday 25th September 2010 was a day for several fairly small protests around London, involving me in quite a lot of travelling around. As well as photographing Muslim women protesting against a French ban on Islamic face veils, a protest and counter-protest at a shop selling products from an illegal Israeli settlement, families of murder victimes calling for tougher sentences and a protest against a company employing cleaners for their union-busting activities I also took quite a few pictures as I rode buses and walked around between these events.


Hizb ut-Tahrir Women Protest French Veil Ban

French Embassy, Knightsbridge

Muslim Veils, Illegal Goods, Murders, Union Busting and London - 2010

I’ve often commented on how women were normally sidelined – literally – at protests by the now banned Hizb ut-Tahrir Britain but at this protest outside the French Embassy they were very much at the front, with around 80 women, many with children, and only a handful of men – who did seem to be organising the event.

Muslim Veils, Illegal Goods, Murders, Union Busting and London - 2010

They were to protest against a law passed by the French Senate on September 14th to prohibit all full-face coverings in public places, clearly aimed at Muslim women who wear the niqab or burkha.

Muslim Veils, Illegal Goods, Murders, Union Busting and London - 2010

Such garments were then rarely worn in France, certainly outside of Paris and some Mediterranean coastal cities, and of France’s 2-3 million Muslim women the ban is thought likely to only effect around two thousand of them.

Muslim Veils, Illegal Goods, Murders, Union Busting and London - 2010

Very few of the women at the protest wore veil, most simply covering their hair. The protest in a wealthy area of London close to Harrods was passed by quite a few women who were veiled, but who all seemed to ignore the protest.

I wrote:’ Speakers at the event castigated the French government for taking a measure which they felt limited the freedom of women to make decisions on what they wear while at the same time ignoring issues that degrade and oppress women – such as domestic violence, and “the objectification and sexualisation of women’s bodies in pornography, lap-dancing clubs, advertising, and the entertainment industry, all permitted under the premise of freedom of expression and driven by the pursuit of profit in Western societies.”‘

More at Hizb ut-Tahrir Protest French Veil Ban.


Protest Against Illegal Israeli Goods

Ahava, Monmouth St, Covent Garden

This was one of a series of fortnightly demonstrations outside the Covent Garden Ahava shop which sells products manufactured in an illegal Israel settlement on occupied Palestinian land. These protests were a part of an international ‘Stolen Beauty’ campaign organised by ‘Code Pink’, a women-initiated grass-roots peace and social justice movement which began when American women came together to oppose the invasion of Iraq.

As usual there was a smaller counter-demonstration by a few EDL supporters and a handful of Zionists, handing out leaflets which described the call for a boycott as “bigoted, complicitly and politically antisemitic“.

The protesters say Israel in in breach of international law and Ahava “has openly flouted tax requirements by exploiting the EU-Israel trade agreement and violates UK DEFRA guidelines in respect of proper labelling.” I read the leaflets they handed out and the web sites calling for the boycott and could find no evidence of anti-Semitism. Many calling for a boycott of Israeli goods are Jewish and I reflected that when I began taking photographs in London no Jewish shop would have opened on a Saturday.

More at Protest Against Illegal Israeli Goods.


Families of Murder Victims Call For Justice

Embankment

‘Families Fighting For Justice’, including many families of murder victims, marched through London on Saturday calling for tougher sentences for murder – with life sentences meaning life imprisonment.

The group was formed in Liverpool by Jean Taylor whose sister, son and daughter were all murder victims. She set up a petition which said “Life should mean life, for first degree murder, also tougher sentences for manslaughter” and in 2008 recruited families of other murder victims to join her and march with it to Downing Street.

You can read some of the horrendous stories on the groups web site, and some I was told at the protest were truly heartbreaking and showed why many ordinary people have lost faith in our justice system – and I highlight one of them on My London Diary.

But as I also commented “I don’t feel that the ‘Life 4 A Life’ campaign would actually do much if anything to solve the problem“. Murder is never a rational act where murderers weigh up how long a sentence they might get if caught and draconian sentences would have little or no deterrent effect. Things more likely to help include better social services and policing, but we really need “changes that bring back some of our community spirit and give people a greater engagement.” There really is such a thing as society despite Thatcher’s dismissal and we uirgently need more of it.

Much more at Families of Murder Victims Call For Justice.


Protest Over Initial Rentokil Union Busting

Old St

A short protest by around 20 trade unionists outside the Initial Rentokil offices in Brunswick Place near Old Street on Saturday afternoon marked the start of the campaign against the company for its intimidation and bullying of union members who choose to speak out about pay and employment practices and play an active role in the union.

The cleaners employed by the company at the Eurostar terminals at St. Pancras International were RMT members and the dispute between the union and Initial has continued.

The unions alleged that Initial was deliberately employing workers with doubtful immigration status so they can pay minimum wages and provide sub-standard working conditions, often requiring them to work without proper safety equipment or precautions. They allege that workers who question their rights or attempt to organise have been reported to the immigration authorities who have then raided the workplace.

More at Protest over Initial Rentokil Union Busting.


Around London

One bus I didn’t travel on but photographed outside the former Aldwych Piccadilly Line Station.

‘I am Here’, one of London’s largest art installations overlooking the Regent’s Canal at Haggerston with photographs of former residents on empty flats where people are moved out to redevelop the Haggerston estate – with the promise they will be moved back to new social housing on the estate

Missing letters on an advert beside the canal for Ron’s Shellfish on sale every Saturday at Hoxton Market create a puzzle for those walking by, though this and another picture on My London Diary concentrate on the images and miss out the centre of the sign.

Decoration on the Suleymaniye Mosque on Kingsland Road which mainly serves the British Turkish community.

More at Around London.


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Autumn Equinox: The Druid Order, Primrose Hill – 2007

Autumn Equinox: The Druid Order: The Autumn Equinox was on September 23 in 2007, and as usual The Druid Order celebrated in with their ritual on Primrose Hill and I went to photograph it.

Autumn Equinox: The Druid Order, Primrose Hill - 2007

My photographs show the event from the preparations including a brief practice for a few on the hill top in normal clothing, and then their robing and preparation for the march up the hill and the various stages of the ceremony.

Autumn Equinox: The Druid Order, Primrose Hill - 2007

I had another event to attend elsewhere and had to rush off before they ended the event with a procession back down the hill, which I did photograph in other years. But I was on my way to a guided walk around ‘London Street Women’, statues on the streets of the City – you can also see pictures of them on My London Diary.

Autumn Equinox: The Druid Order, Primrose Hill - 2007

In this post I’ll stick with the Druids. I photographed The Druid Order both in the autumn at Primrose Hill and at Tower Hill for the Spring Equinox on quite a few occasions and in some I give a fairly detailed account of their history (they began early last century) and the more ancient traditions as well as of the various stages in the ceremonies.

Autumn Equinox: The Druid Order, Primrose Hill - 2007

Back in September 2007 my account was rather brief but earlier in the year I had written captions to the pictures of the similar Spring celebration which explained what I thought was happening at each stage.

Here is the piece I posted on the September 2007 page with the usual minor corrections:


The Druid Order has three public ceremonies each year, celebrating the Spring Equinox at Tower Hill, Summer Solstice at Stonehenge and Autumn Equinox (Alban Elued) at Primrose Hill.

I got there rather early, and found quite a few people enjoying the hill in their own way – including those who were running up it as well as others merely enjoying the panoramic view over london, as well as a group of half a dozen people in normal clothes practising a simple ritual of Peace To The Four Corners.

At least this told me I was in the right place, and I soon spotted a larger group gathering in under the trees a short distance away.

The ceremony followed the same pattern as in the spring, with a few minor differences.

I did have a small surprise, when i came across a rival druid, Jay The Taylor, the Druid of Wormwood Scrubs, part of the Loose Association Of Druids, who had come to celebrate the event in the Hawthorn Grove (not a feature marked on my map) and seemed surprised to see the other druids.


There are around 80 pictures from Primrose Hill on My London Diary, presented there in the order in which I took them, at Autumn Equinox – The Druid Order.


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Limehouse and East India – 1994

Limehouse and East India: I spent most of Saturday 11th June 1994 wandering in the area between Limehouse, Blackwall and the former East India Docks, concentrating on making panoramas, some of which were the post Limehouse, Poplar, Blackwall and East India Panoramas – 1994 but I also took a number of black and white and colour images. You can find more of both in two Flickr albums – links at the bottom of this post – but here is some of the colour work. These pictures will have been made using an Olympus OM$ camera on Fuji film. I carried a range of lenses from 21mm to 200mm, though probably most all were taken with 28mm or 50mm lenses.

Limehouse Link Tunnel, Aspen Way, Poplar, Tower Hamlets, 1994, 94-61-55
Limehouse Link Tunnel, Aspen Way, Poplar, Tower Hamlets, 1994, 94-61-55

The eastern entrance to the Limehouse Link Tunnel which was officially opened in 1993. Both portals have decorative sculptures, this one an untitled abstract by Nigel Hall which I find it hard to find any point in. The 1.1 mile tunnel took 4 years to build and cost £293,000,000 making it the most expensive road scheme in Britain per mile.

Limehouse Link Tunnel, Three Colts St, Limehouse, Tower Hamlets, 1994, 94-61-44
Limehouse Link Tunnel, Three Colts St, Limehouse, Tower Hamlets, 1994, 94-61-44

This is the Limehouse Link Eastern Service Building. With a huge volume of traffic passing through the tunnel presumably the main service needed is ventilation and those chimneys presumably are on top of huge fans for the purpose, sharing the pollution with the community.

St Dunstan's Wharf, Dunbar Wharf, Narrow St, Limehouse, Tower Hamlets, 1994, 94-61-33
St Dunstan’s Wharf, Dunbar Wharf, Narrow St, Limehouse, Tower Hamlets, 1994, 94-61-33

The story of Dunbar Wharf is told on the Isle of Dogs Life web site in the article Dunbar Wharf and the Remarkable Story of Duncan Dunbar, and I’ve written more about it in previous posts. Duncan Dunbar made a fortune as a brewer and wine merchant and on his death in 1825 his son, also Duncan Dunbar used this to set up a large shipping fleet, becoming one of the richest men in Britain.

As well as goods to and from the world Dunbar’s shipping line made 37 trips carrying convicts to Australia and were troopships for the Crimean War. He never married and had no children and on his death in 1862 the ships were all sold and the business closed.

The buildings here date from the mid 19th century and are Grade II listed.

London Art Fashions, Limehouse, Tower Hamlets, 1994, 94-61-34
London Art Fashions, Limehouse, Tower Hamlets, 1994, 94-61-34

I think this was the window of a tailor’s shop in Limehouse, but cannot recall its exact location. The caption I gave it came from the black and white poster at the back which I suspect is from the 1920s or 30s, though I’m certainly no fashion expert, while the blue framed image at lower left looks to me a little older and has an interesting lady golfer.

Chinese Restaurant, Limehouse, Tower Hamlets, 1994, 94-61-23
Chinese Restaurant, Limehouse, Tower Hamlets, 1994, 94-61-23

Limehouse and Poplar used to be London’s Chinatown before that moved to Soho, and some traces remain, rather more back in 1994 than now. On the wall is a calendar for the ‘Year of the Dog’ and a notice informing us that:

‘*WE NOW SELL
‘CHICKEN’ BALLS’ IN BATTER
PLEASE ASK STAFF
£2 A PORTION THANK YOU’

The two green hexagons floating in the centre close to the top of the picture (with some more very faint and above them to their right) are photographic artifacts, lens flare, images of the lens iris reflected from some interior lens surface from a light source just outside the frame. But I rather like the effect here.

Hairdresser, Limehouse, Tower Hamlets, 1994, 94-61-24
Hairdresser, Limehouse, Tower Hamlets, 1994, 94-61-24

Looking through a window into a hairdressers with a red-edged counter and mirrors, red chairs and red towels hanging on hooks seen in the mirror. It wasn’t possible for me to get enough depth of field to make everything in the picture pin sharp, but this perhaps makes the mirrored image stand out a little more.

East India Dock Tunnel, Aspen Way, Poplar, Tower Hamlets, 1994, 94-61-51
East India Dock Tunnel, Aspen Way, Poplar, Tower Hamlets, 1994, 94-61-51

The lane closer to the centre of the image dives here into the East India Dock Tunnel with the red brickwork of the tunnel mouth at the right of the picture. The tunnel was opened in 1993. At the left is Canary Wharf Tower, then in isolation, in front of it the bridge and red tower of East India DLR station. The rather depressing 1990 ten-storey granite clad post-modern office blocks on the site of the main East India Dock have now been comprehensively redeveloped mainly for residential use and rebranded as ‘Republic’.

Canary Wharf, DLR, Power Station, South Bromley, Tower Hamlets, 1994, 94-61-53
Canary Wharf, DLR, Power Station, South Bromley, Tower Hamlets, 1994, 94-61-53

Further east also looking back to Canary Wharf from underneath the DLR viaduct with the former switchgear house of Brunswick Wharf Power Station at right. Planned in 1939 but not built until after the war this was a coal fired power station on the site of the East India Export Dock. In 1948 the dock was filled in but post-war financial constraints meant the power station was only became operational in 1952, and finally completed in 1956.

In 1970 it was converted to burn oil, probably to reduce air pollution in London. Increases in oil prices later made this one of the more expensive generating stations and it was closed in 1984 and sold for redevelopment in 1987.

Most of the power station was demolished in 1989 but this building remained, I think until around 2005 when it was demolished for a large residential development, Virginia Quays, which has on the riverbank the 1951 Grade II listed Virginia Quay Settlers Monument.

My 1984 albums on Flickr:

1994 London Colour
1994 London Photos (Black and White)


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Darfur and the Mayor’s Thames Festival – 2007

Darfur and the Mayor’s Thames Festival: On Sunday 16th September 2007 I went to London to photograph a march on an International Day of Action over the genocide which had been taking place on a large scale in Darfur since 2003, with around 300,000 civilians killed. My comments at the time are in italics below. After the end of the march I went to walk along the riverside wher the Mayor’s Thames Festival was taking place, though I found little actually happening.


Protect Darfur – International Day of Action

Several hundred marched from the Sudanese Embassy in St James
to Westminster where a protest rally was held opposite Downing Street over the continuing failure of the international community to take effective action over Darfur
.”

Among the mainly African demonstrators were groups of Jews, concerned that, as in the 1930s, too many are happy to turn a blind eye to what is going on.”

The Sudanese government had earlier co-opted and armed the Arab Janjaweed militias against those opposed to it in Darfur and they created what the UN described as one of the worst humanitarian disasters in the world.

In July 2007 the UN and the African Union approved a the largest joint peacekeeping mission in the world UNAMID to the area, and over the years there were various peace agreements, but despite this conflicts continued and in 2023 a civil war broke out in Sudan between the Rapid Support Forces (RSF) (which developed from the Janjaweed) and the government’s Sudanese Armed Forces (SAF) – and genocide returned to Sudan.

The BBC has an article, ‘Sudan war: A simple guide to what is happening’ about the renewed genocide and famine in Darfur and across the country which again the United Nations has called the world’s largest humanitarian crisis.

At the rally opposite Downing Street, demonstrators were asked to put on their blindfolds as a reminder that leaders around the world are refusing to see the problem in Darfur.

I didn’t stay to hear all the speakers. The position of the rostrum made it hard to photograph, working directly into the sun behind the speakers’ heads from any available close positions, and photographs were not going to be of great interest.

The message on Darfur is clear, and the international community needs to take action.”

Many more pictures (too many) on My London Diary at protect darfur.


River Thames and the Mayor’s Thames Festival

We were promised that Sunday was the end of our short, late summer, and I took a walk along the south bank of the River Thames from Westminster to Tower Bridge, among the crowds who had turned up for the Mayor’s Thames Festival.

Nothing much exciting seemed to be happening while I was there (it seemed mainly a commercial opportunity for the very large number of stalls along the riverbank), but I then didn’t hang around for the procession and fireworks promised later.

I did take quite a few pictures which you can see at river thames and the mayor’s festival – and it looks as if I found it a little more interesting than my account suggested.


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Around Shooters Hill Road – 1990

Around Shooters Hill Road: Continuing my walk on Saturday 20th January 1990 which began with the previous post, Westcombe Park and Blackheath 1990.

Heath House, Vanbrugh Terrace, 1, Shooters Hill Rd, Greenwich, 1990, 90-1i-34
Heath House, 1 Shooters Hill Rd, Greenwich, 1990, 90-1i-34

This is an area full of mostly large houses, and this, at 1B Shooters Hill on the corner of Vanbrugh Terrace – the A2 ancient main road Watling Street from London to Dover via Canterbury – is one of the larger and is extended by the substantial conservatory.

According to its Grade II listing it was “built by Benjamin Cooke the cooper and shipowner of Dock Head, Bermondsey, about 1850” though the glazed conservatory was a later extension.

House, 19, Shooters Hill Rd, Greenwich, 1990, 90-1i-21
House, 19, Shooters Hill Rd, Greenwich, 1990, 90-1i-21

One of a long line of large houses on the north of Shooters Hill Road Grade II listed as 7-33 Shooters Hill Road. The listing is rather vague about dates, stating “2nd quarter of C19” and is mainly about the relatively minor differences between the pairs of houses mentioning the extra windows of 19 and its pair 21 at each side of the tympanum – probably why I chose this pair as one of two I photographed (the other not online.)

Houses, Stratheden Rd, Greenwich, 1990, 90-1i-24
Houses, Stratheden Rd, Greenwich, 1990, 90-1i-24

I turned northeast from Shooters Hill up Stratheden Road, to photograph this impressive row of late Victorian large semi-detached houses leading up to St John the Evangelist Church. Two of the blocks at 15-17 have been joined with a new central entrance as Bardon Lodge.

St John the Evangelist Blackheath was designed by Arthur Ashpitel (1807–1869) in a largely Perpendicular style and was completed in 1853. It was built as a landmark to be seen from the west as the centre of the Vanbrugh Park development and is Grade II listed.

House, St John's Park, Greenwich, 1990, 90-1i-26
House, St John’s Park, Greenwich, 1990, 90-1i-26

This house immediately to the south of St John’s Church in St John’s Park was then surrounded by far more overgrown vegetation than now. There are two similar detached houses here and this is No 32. I saw it as a villa in some Gothic mystery – and may have deliberately chosen the viewpoint to exaggerate this.

These two detached villas are both locally listed and were built in 1873.

House, Shooters Hill, Charlton, Greenwich, 1990, 90-1i-11
House, Vanbrugh Park, Shooters Hill, Greenwich, 1990, 90-1i-11

I’m rather surprised I didn’t photograph the rather fine pub on the corner as I turned from Stratheden Road into Vanbrugh Park, but my next frame was of these three storey houses at 30 and 31 Vanbrugh Park – there is another pair to their left.

I think these are probably late Victorian, built after many of the others in this street.

House, 90, Shooters Hill Rd, Charlton, Greenwich, 1990, 90-1i-14
House, 90, Shooters Hill Rd, Charlton, Greenwich, 1990, 90-1i-14

Originally this was a semi-detached house, but the left half was lost with the construction of the ‘Sun in the Sands’ roundabout to take Shooters Hill Road over the the Rochester Way Relief Road which opened in 1988.

More pictures from Charlton in a later post.


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Limehouse, Poplar, Blackwall and East India Panoramas – 1994

Limehouse, Poplar, Blackwall and East India Panoramas: In June 1994 I took a walk east from Limehouse, making a new series of panoramic images as well as taking some more normal photographs. I think these images were taken on a couple of different walks, but here I’ll present them in a roughly geographical order, going east from Limehouse Basin to East India Dock Basin station and largely following the Docklands Light Railway.

Limehouse Dock, Limehouse, 1994, 94-62-32
Limehouse Dock, Limehouse, Tower Hamlets, 1994, 94-62-32

Limehouse Dock in 1994 was not surrounded by flats and there was a clear view from the the council flats – John Scurr House – on the corner of Ratcliffe Lane and Branch Road – which you can see at the right.

And in 1994, as in many such blocks, there was little or no entrance security so I could simply walk in and up the stairs to take pictures such as this. The DLR viaduct runs from the left side to St Anne’s Church and the marina is almost empty, while Canary Wharf Tower in the distance is twice the height of the buildings around it, but now is surrounded by other tall towers.

Bridge, Aspen Way, Poplar DLR, Poplar, Tower Hamlets, 1994, 94-65-62
Bridge, Aspen Way, Poplar DLR, Poplar, Tower Hamlets, 1994, 94-65-62

The bridge that leads across Aspen Way from the West India Docks to Poplar DLR station at the extreme right of the picture. At left you can see the DLR line from West India Quay which crosses the road in a blue bridge to join the line from Limehouse.

This picture made a rather nice album cover for the 1998 album The Limehouse Link by Mucho Macho, particularly impressive on the 12″ vinyl where it is carried across both front and back – reproduced at 24 by 12 inches, considerably larger than the CD version.

As Darryl Sterdan’s 1999 review stated “No vocals are no problem for the British DJs on their auspicious debut release” and despite its cover it made little impact.

DLR, Canary Wharf, Blackwall, Tower Hamlets, 1994, 94-63-22
DLR, Canary Wharf, Blackwall, Tower Hamlets, 1994, 94-63-22

I’d taken photographs in earlier years around the building of the Beckton extension of the DLR and the Limehouse Link tunnel and both had caused major changes in the area. Among which was this rather convoluted footpath leading under the road and DLR south from Blackwall Station.

Bridge, Blackwall Tunnel Approach, Naval Row, Blackwall, Tower Hamlets, 1994, 94-63-62
Bridge, Blackwall Tunnel Approach, Naval Row, Blackwall, Tower Hamlets, 1994, 94-63-62

Parts of the Grade II listed inscription on the Northern portal of the Blackwall tunnel, built in 1897 are hard to read in my picture, so here it is in full: ‘THIS TUNNEL CONSTRUCTED BY THE LONDON COUNTY COUNCIL WAS OPENED BY/ HRH THE PRINCE OF WALES K.C. ON BEHALF OF HER MAJESTY QUEEN VICTORIA ON 22nd MAY 1897 IN THE 60th YEAR OF HER REIGN/ SIR ALEX R. BINNIE ENGINEER’

I had to wait some time back in 1994 for a train to pass across on the DLR. Services now are usually more frequent.

Dock, DLR Station, East India, South Bromley, Tower Hamlets, 1994, 94-63-52
Dock, DLR Station, East India, South Bromley, Tower Hamlets, 1994, 94-63-52

I wandered rather a long time around East India Dock station, using the bridge across Aspen Way to photograph on both sides of the road. Here I photographed the station across an area of water which has been created in a part of the area formerly occupied by the East India Dock (Import), though I think nothing original remains. So probably I should caption this ‘water feature’ rather than ‘dock’.

East India DLR Station, South Bromley, Tower Hamlets, 1994, 94-64-52
East India DLR Station, South Bromley, Tower Hamlets, 1994, 94-64-52

Framed at the centre of this image are two towers, Canary Wharf and the much closer tower in Naval Row of the mid 19th century Italianate East India Dock Pumping Station, Grade II listed and one of the few relics of that dock, along with some listed walls and steps and the areas of water. The two towers are a similar shape but actually very different in size and detail.

More pictures from these June walks later.


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DSEI March and a Tank – 2007

DSEI March and a Tank: On Tuesday 11th September 2007 I marched with protesters from Plaistow Park to Custom House were the largest arms fair in the world was being held, – it is still held every two years and is again taking place now. Then I went to the main entrance by the side of the Royal Victoria Dock to welcome the Space Hijackers, “an international band of anarchitects” who had promised to come with a tank to sell it at the fair as a protest.

DSEI March and a Tank - 2007
Over 150 people marched from Plaistow Park to Custom House

Here, with some minor corrections, is what I wrote about the day’s events back in 2007, along with some of the pictures I took and links to where you can see more of my pictures on My London Diary.


CAAT March Against DSEi East London Arms Fair

DSEI March and a Tank - 2007 CAAT March Against DSEi East London Arms Fair

One of the more scandalous events to take place in London is the DSEI (Defence Systems & Equipment International Exhibition) arms fair, held every two years since 2001 at the Excel Centre on the side of the Royal Victoria Dock in Newham.

DSEI March and a Tank - 2007

Even if you are not a pacifist (and I’m not) it is a trade that has its sickening side, with arms sales to corrupt regimes who use them to kill, torture and deny human rights to their own people, as well as endless shady deals by arms dealers that end up with weapons traded there in the hands of criminals around the world – including some used on the streets of this country.

DSEI March and a Tank - 2007

Britain also has a thriving business in implements of torture, which have been exposed as on sale in earlier shows here. The show also features all the other kinds of nasty devices used by police forces around the world to keep corrupt governments in power.

Of course our government claims to have an ethical policy so far as arms sales are concerned, but in reality it is more about making deals look clean on paper than really worrying about where the arms will end up and what they will be used for. DSEI isn’t just a UK show, it is the world’s largest arms fair – the 2005 show had over 1200 exhibitors from 35 countries present.

DSEI March and a Tank - 2007

The Campaign Against Arms Trade (CAAT) organised a peaceful protest against the fair with a march through Newham from Plaistow Park to a rally outside Custom House Station, as close as they were allowed to get to the Excel Centre. Around 150 people walked the 2 miles to the rally where they met around 50 others who had travelled there directly, and later they were joined by a group of ‘Critical Mass’ cyclists.

Unfortunately the police set up a long thin pen along the side of the road opposite the station, and would not allow speakers to use the small cycle-towed sound system. So the demonstrators were too spread out for many to hear the speeches, by local residents Len Aldis and Bill Perry, local councillor Alan Craig, Green Party Mayoral Candidate Sian Berry, CAAT’s Ian Prichard and comedian Mark Thomas.

DSEI March and a Tank - 2007

The DSEI causes major disruption to the area, with millions spent on extra policing and a number of roads and paths being closed – including the very useful high-level bridge across the dock itself. But the very minor inconvenience of a slightly louder amplification for a few minutes was apparently out of the question. It was a decision that clearly indicated police priorities.

Normally the Royal Victoria dockside is open to the public, but this week the whole northern side was off limits as I found. I took a walk past the eastern end of the dock and then around to the dockside at Brittania Village to get a view of the Excel Centre and the military vessels moored alongside, including a Swedish Stealth Corvette, with odd profiles and jagged camouflage designed to reduce its visibility and radar and other profiles.

More pictures at CAAT March Against the Arms Fair

Space Hijackers Auction Tank at Arms Fair

The ‘tank’ makes its way down Tidal Basin Road to the ExCeL entrance

I was slowly making my way around the the Tidal Dock Basin Road which leads to the main vehicle entrance to Excel. The Space Hijackers had announced they would be bringing a tank to the fair, and this seemed to be the likely route they would take.

Police had earlier stopped their actual tank almost as soon as it hit the road for some so-called ‘road safety checks’, but the Space Hijackers had tank number 2 in reserve. I think it was strictly a converted Armoured Personnel Carrier, but still a very impressive vehicle. I was pleased to find my guess was right when it made its way down the road, led by someone on a bicycle.

No surprise, the police wouldn’t let it into the arms fair, but it was allowed to park by the side of the entrance and a party and auction took place.

When people began to leave the arms fair, the protesters were able to make a very visible and audible protest as they drove slowly by. At one stage the police helped by blocking the traffic for a while so they could get a better view of the protest.

Generally the police were unnecessarily restrictive, penning the protesters to one side of the road, and harassing press. That isn’t a genuine press pass one said when I showed my NUJ issued press card [from the UK Press Card Authority Ltd and recognised by the National Police Chiefs’ Council as showing me “a bona fide newsgatherer” who were trying to stop me doing my job], threatening me with arrest unless I got back behind the line of police.

The police FIT team did its usual best to stoke up the atmosphere with their intimidatory tactics – certainly something that gives photographers a bad name. It is hard to believe that those hundreds (probably by now thousands) of pictures they have of me – mainly with a camera obscuring my face – are of any great use in protection national security. [Later when I made a ‘Freedom of Information’ request they denied having a single image of me.]

Communications centre inside the ‘tank’

I’m not worried about being photographed – my appearance is pretty much public property since until recently a picture of me was viewed around a million times a month on the commercial site I used to write for.

I stayed until the tank had been auctioned, with some interesting bids but then had to leave to attend a meeting where my presence was vital. I was rather annoyed at having to walk an extra half mile or so to the station when police refused to let anyone use the direct route. There was really no reason or logic for this kind of minor harassment.


You can see much more about the event and also read more comments on the police harassment of journalists on My London Diary at space hijackers auction tank at dsei.


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East Finchley & Mill Hill -1994

East Finchley & Mill Hill: Pictures I took in May 1994 on walks around these areas of North London. I made relatively few colour pictures but you can find many more black and white images in my Flickr album 1994 London Photos.

Café, East Finchley, 1994, 94-54-53
Café, East Finchley, 1994, 94-54-53

I was amused by the contrast between the large image on the wall and the view out of the window. Then the ashtray on every table was the norm. There is a second picture on Flickr with a foreground table and ashtray

Mural,  Mill Hill, Barnet, 1994, 94-54-41
Mural, Mill Hill, Barnet, 1994, 94-54-41

The mural on the shed in what I think was a school reflects the multi-ethnic nature of much of London, but not really of Mill Hill. According to the 1991 census only 18% of the population of the London Borough of Barnet belonged to non-white ethnic groups, with 12% Asian and only 6% black; and 2021, 57.7% of Barnet’s population still identified as White. The borough does have a large Chinese origin population and is home to London’s largest Jewish community.

Shop Window, Travel Agent, Mill Hill, Barnet, 1994, 94-54-43
Shop Window, Travel Agent, Mill Hill, Barnet, 1994, 94-54-43

What attracted me to this window was undoubtedly the three very different women it portrays (though the SALLY in large print was only a ferry firm operating out of Ramsgate.)

Perhaps deliberately, though I doubt it, the closest image of a woman is out of focus. I find her rather disturbing , partly because of her blue tint (cyan fades much slower than yellow or magenta inks) but also because of the rigid symmetry of her face and the ridiculous thing at the neck of her top.

Mag-it, Fishing Bait Machine, Mill Hill, Barnet, 1994, 94-54-45
Mag-it, Fishing Bait Machine, Mill Hill, Barnet, 1994, 94-54-45

Not only a machine selling maggots, but one which offers you a choice of Red, White and Bronze maggots, mixed maggots, giant maggots, red worms and casters. All apparently frozen and needing to be left in a normal bait box for 60 minutes to recover.

I don’t think there is anywhere in Mill Hill where it is worth fishing.

University of London Observatory, Watford Way, Mill Hill, Barnet, 1994, 94-54-46
University of London Observatory, Watford Way, Mill Hill, Barnet, 1994, 94-54-46

Since 2015 this had been called the UCL Observatory as although built for the whole of London University UCL have managed it since 1951, using it as a hands-on teaching observatory. On their web site it states:

“The Observatory building was designed by Mr L. Rome Guthrie and constructed by Messrs Leslie and Co.; construction commenced in July 1928 and was completed in 1929. The Observatory was opened by the then Astronomer Royal, Sir Frank Dyson, on 1929 October 8.”

I’d often looked out of a train window going north from King’s Cross and been surprised as we flashed past this building in an Intercity 125, and wasn’t quite convinced it was real amd not a folly or some figment of my imagination. Who I thought would build an observatory here given London’s weather?

Bunns Lane Car Cleaning Services, Bunns Lane, Mill Hill, Barnet, 1994, 94-54-35
Bunns Lane Car Cleaning Services, Bunns Lane, Mill Hill, Barnet, 1994, 94-54-35

Rather to my surprise you can still get your car washed and valeted on Bunns Lane, though I suspect its days are numbered, along with the adjoining Mill Hill Industrial Estate. The bridge carries the M1 over Bunns Lane and beyond that is a bridge for the main East Coast rail line.


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Isle of Dogs and Poor Doors – 2014

Isle of Dogs and Poor Doors: On Wednesday 3rd September 2014 the weather was fine with blue skies and clouds and I decided to spend the afternoon photographing in the Isle of Dogs before meeting with Class War for one of their ongoing series of protests against separate entrances for the wealthy and social housing residents of a tower block in Aldgate.


Isle of Dogs Panoramas – Island Gardens to South Quay

Isle of Dogs and Poor Doors - 2014

The main purpose of my visit to the Isle of Dogs was to make panoramas of scenes which I had photographed more conventionally over the years, including the black and white images that I included in my book ‘City to Blackwall‘ and more of them are now in my albums on Flickr.

Isle of Dogs and Poor Doors - 2014

I had gone back so make some panoramas in the area in the 1990s and early 2000s, using various panoramic film cameras, but the switch to digital had made creating panoramic images much simpler for me.

Isle of Dogs and Poor Doors - 2014

Perhaps the most important change was in accurate viewfinding – with my first panoramic film camera the most accurate way to see the extent of my pictures was by viewing along two arrows on the top of the body – much more reliable than its viewfinder. But of course digital also gave a wider range of shutter speeds and ISO.

Isle of Dogs and Poor Doors - 2014

And to do this, the camera needed to be firmly mounted on a tripod – and I carried a rather heavy Manfrotto around with me. This also enabled me – with the aid of a spirit level – to ensure that the camera was level. The Nikon I used for these panoramas had level indicators in the viewfinder and was easy to use handheld.

Isle of Dogs and Poor Doors - 2014

However to make these on digital I needed to use a fisheye lens – the 16mm Nikon fisheye. Not the kind that gives a circular image, but a full-frame fisheye where the image circle goes through the corners of the frame. This gives a 180 degree image across the frame diagonal, but rather less horizontally and vertical, with considerable curvature of straight lines.

Software – I then used PTGUi for these – than comes to the rescue, converting the spherical perspective into a cylindrical one which rendered verticals upright (there are several ways this can be done with slightly different results.) Later I moved to simpler software.

With the 36Mp Nikon D800E there were far more pixels than necessary even after this stretching and this was no longer a problem. I could work with single exposures rather than stitching together several images as I had done earlier with digital cameras.

Many more pictures at Isle of Dogs Panoramas.


Isle of Dogs – Wideangle Images

Although I had mainly gone to make panoramas I also took a Nikon D700 body and made pictures with a 16-35mm Nikon zoom. Not everything is best suited by the panoramic treatment.

Again there are many more pictures at Isle of Dogs.


Class War ‘Poor Doors’ picket Week 6 – Aldgate

A police officer watches as people walk down the alley leading to the ‘poor door’ of the luxury development

Class War and friends held their sixth weekly protest outside 1 Commercial St in Aldgate and it was a relatively uneventful one.

As the protesters arrived, two police officers came out from the building and talked with the protesters making clear that they expected the protesters not to block the doorway for people entering or leaving the building. More officers soon arrived to police the event.

There were a few heated arguments between protesters and police but nothing of any consequence. The protesters held their banner well in front of the door.

They talked and handed out leaflets to people leaving and entering the ‘rich door’ as well as to people walking past – and to at least one cyclist stopped at the traffic lights.

After keeping up the picket for an hour as intended, Class War packed up and left – until the next week.

More pictures – Class War ‘Poor Doors’ picket Week 6.


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