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Police Killing, No Borders, Malaysia & Dance of the Dead – 2010

Police Killing, NoBorders, Malaysia & Dance of the Dead: Saturday 30th October 2010 I went to the annual protest by United Friends and Families against deaths in custody, then a march by No Borders against surveillance and border control. At the Malaysian High Commission I photographed a protest against torture and other human rights abuses before finally going to photograph zombies in a Halloween Dance of the Dead Street Parade in Hoxton.

United Friends & Families March

Trafalgar Square to Downing St

Police Killing, No Borders, Malaysia & Dance of the Dead - 2010 — *Marcia Rigg-Samuel, sister of Sean Rigg, killed by police in Brixton, tries to deliver a letter at Downing St*

The annual march by United Friends and Families of those who have died in suspicious circumstances in police custody, prisons and secure mental institutions went in a slow, silent funeral march down Whitehall to Downing St, where they held a noisy rally.

Police refused to allow them entry to the street to deliver a letter to the Prime Minister, David Cameron and would not take it. Apparently nobody from No 10 was prepared to come and receive it.

This march has taken place every year since 1999 and in most years police have stood back and let it happen, even facilitating it by stopping traffic. This year they had decided to try to stop people marching on the road down Whitehall, but the protesters simply stood in the road blocking it and refusing to move and were eventually allowed to proceed.

On My London Diary you can read more about a few of the several thousands of deaths in police custody, often clearly at the hands of officers.

Among speakers at the rally were Stephanie, the twin sister of Leon Patterson, Rupert Sylvester, the father of Roger Sylvester, Ricky Bishop’s sister Rhonda and mother Doreen, Samantha, sister of Jason McPherson and his grandmother, Susan Alexander, the mother of Azelle Rodney, and finally the two sisters of Sean Rigg.

There were noisy scenes at the gates to Downing Street as the protesters tried to deliver a letter to the Prime Minister calling for justice, with police at the gate even refusing to accept the letter addressed to him. Eventually a few of the group were allowed to sellotape the flowers, a photo of Sean Rigg and the letter to the gates.

Much more at United Friends & Families March.

Life Is Too Short To Be Controlled

Piccadilly Circus, London

*Juliet speaks at Piccadilly Circus before the march*

London NoBorders had organised a march from the pavement above the London main CCTV control room at Piccadilly Circus to the UK border at St Pancras International, protesting about the obsession with surveillance and border control.

Westminster Council CCTV HQ, which controls many of London’s 10,000 CCTV cameras, able to follow our movement on almost every street in the capital was an obvious starting point for the second ‘Life is Too Short to Be Controlled’ protest organised by London NoBorders.

They point out that despite CCTV everywhere on our streets it had not been possible to show a link between it and crimes being sold and say the real purpose of spying on our every movement is its potential to control dissent.

The protesters also called out the deliberate racism inherent in the term “illegal imigrants“. No immigrants on reaching this country are illegal; they simply do not have the particular documents that give them the right to live here and only became illegal once their case to stay here has been turned down.

Until recently the free movement of people – like the free movement of money, goods and capital – was seen as normal and beneficial.Our immigration rules are explicitly racist and NoBorders say anyone should be able to move and live where they please.

The march was delayed and I had to leave for another event before it reached St Pancras International, where those taking the Eurostar enter of leave the country. The station has detention facilities run by the UK Border Agency.

I returned later to hear that they had briefly occupied the ‘border’ area there before being escorted out by police. One person had been arrested and apparently charged with aggravated trespass, but I was told he was shortly to be released by the Transport Police.

Life Is Too Short

Stop Torture in Malaysia

Belgrave Square

2010 was the 50th anniversary of the Malaysian Internal Security Act, ISA, under which more than 10,000 people have been detained without trial for up to two years – and this can then then renewed making it effectively indefinite.

Detainees can be held incommunicado in detention for up to 60 days, during which they are often tortured, mistreated and placed under severe psychological stress while being denied access to legal process.

In June 2010 the UN Working Group on Arbitrary Detention visited Malaysia and they called for the ISA to be immediately repealed, and the UK chapter of the Malaysian Abolish ISA Movement (AIM) was protesting outside the Malaysian High Commission.

The protest in October marked 23 years since ‘Operation Weed Out’ (Operasi Lalang) when the ISA was used to arrest over 100 Chinese educationalists, civil rights lawyers, opposition politicians and others.

More on My London Diary at Stop Torture in Malaysia.

Halloween In London & Dance of the Dead

West End & Hoxton Square

I’d met a few zombies stumbling around as I walked through the West End – and some of them had come to be photographed with the NoBorders ‘Life is too Short’ banner. But I went photograph the the Halloween Dance of the Dead Street Parade which started from Hoxton Square and was going on to end at a party in Gillett Square, Dalston.

Hoxton Square had by 2010 become a trendy area with art galleries such as White Cube moving in an area some years after furniture and other local trades had declined and it had been squatted or rented as cheap studios for artists since the 1980s or so. Below is what I wrote in 2010 about the parade.

“By 7pm, there were several hundred people ready for the procession to start, including a group of dancers, the ‘Corpse de Ballet’ and a group from Strangeworks with some very well designed costumes, along with many others dressed up for the occasion.”

“A samba band, led by a giant skeleton came along from Coronet Street and led the large group of revellers, many carrying bottles, around Hoxton Square and then on to Old Street. By this time I’d been out taking pictures for around 8 hours and was feeling tired and hungry, so I jumped on a bus to begin my journey home, leaving the procession, organised by StrangeWorks Theatre collective and [then} in its fifth year, to head on its way to a dance in Gillett Square.”

More pictures at Halloween In London.

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Clock House to Olympic Site – 2005

Clock House to Olympic Site: Thursday October 27 2005 was a fine late autumn day and I decided to go for a bike ride, putting my folding bike on a couple of trains to my start point, Clock House station. This is in south east London, halfway between Penge and Beckenham and just inside the London Borough of Bromley.

The Chaffinch Brook runs close by and joins with the River Beck to form the River Pool (aka Pool River) a mile or so north and a footpath going north from there is now part of a national cycle route. Parts of the Pool River which were once culverted have now been restored to an open stream, which will help prevent flooding downstream. The river’s main claim to fame is that four years after my ride then London Mayor Boris Johnson fell into it on an official visit to encourage volunteers who were cleaning the river up.

The Pool River is a tributary of the River Ravensborne and I had planned to continue along this as closely as I could to Deptford Creek where it joins the Thames. But I ran out of time, so took the Docklands Light Railway at Lewisham rather than Greenwich to cross the river to Canning Town.

My ride then continued with a loop around Bow Creek and over the Lower Lea Crossing back through Canning Town and on to Stratford Marsh where work was then just beginning to turn this whole area into the Olympic site.

It wasn’t a long ride – probably around ten miles in all, perhaps a little longer with all the small diversions I took. All the pictures here were taken on this ride and there are more on My London Diary, along with the account below that I wrote back in 2005. As usual I’ve made a few small corrections.

*Pool River and Ravensbourne (left) join*

The Brompton folding bike is really an ideal form of transport for London, an essential tool for the urban photographer. It’s short wheelbase is great in slow-moving crowded traffic, and it can be folded in 15s to travel by tube, rail, taxi or even bus. [I’ve never put mine in a taxi.] The only problem is that they are highly prized by cycle thieves. [They are fairly expensive and slip easily into a car boot.]

*Bridges over Bow Creek, River Lea, Canning Town, London*

The weather forecast was for a fine summery day, so I took the opportunity to check up on a few things and fill in some little gaps, where I’d not quite managed to photograph things before. First I wanted to go along the footpath at Bell Green, next to Sainsbury’s, so I decided to make a slightly longer trip of it by starting at Clock House Station. There is a good, almost traffic-free route north from there along the Pool River, then the River Ravensbourne, at times surprisingly rural.

Taking photographs slows you down, as does stopping to sit in the sun and eat sandwiches, so at Lewisham I decided to get on the DLR with the bike to travel to Canning Town.

*DLR extension, Millenium Dome and Canary Wharf from Silvertown Way.*

Perhaps one day the riverside walkway by Bow Creek from the station will open [it did, but only to go across a new bridge to City Island – the route south still comes to a dead end], but it seems unlikely to be in our lifetime. I went round the creek, over the Lower Lea Crossing and on to Silvertown Way to see how the new stretch of DLR was progressing. [It opened north of the river at the end of 2005.]

Then I cycled up to Stratford to take a look at Stratford Marsh again before work starts in earnest to demolish the existing businesses and create the Olympic waste. It was getting later and noticeably darker by the time I was there, although the day felt like summer, it gets dark rather earlier at the end of October.

*The Greenway goes under the railway line on Stratford Marsh.*

What really makes no sense at all is to put our clocks back to make it even darker still, as we were going to do in a couple of days time. If I were in charge, we’d move to the same time as France and the rest of our neighbours across the channel. I don’t like dark mornings, but it would be much better than having it get dark in the middle of the afternoon in winter. Orcadians or even Scots would be welcome to have their own time zone if they really must, but its about time they stopped imposing it on the rest of us. The sun set around 5.30, and next week that means it will be 4.30pm.

More pictures start here on My London Diary.

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March Against Cuts & Bloomsbury Festival – 2010

March Against Cuts & Bloomsbury Festival: On Saturday 23rd October 2010 striking London firefighters led a march with other trade unionists against government cuts on spending on public services announced a few days earlier. After photographing the march I walked around Bloomsbury where Bloomsbury Festival was taking place over a week or so.

Trade Union March Against Cuts

Euston Rd to Bedford Square

March Against Cuts & Bloomsbury Festival - 2010

London’s firefighters were taking part in an 8-hour strike from 10am, called after the London Fire Brigade had in August begun firing 5,600 of them to bully them into agreeing a new contract. 79% of firefighters had voted in a ballot over strike action with 79% supporting the strike.

The Fire Brigade Union had been negotiating with the LFB over a new contract, but say that the Conservative chair of the London Fire and Emergency Planning Authority had pushed the LFB to adopt a more aggressive stance, firing the workers and then offering re-employment on a less favourable contract imposed without negotiation. Birmingham City Council were also attempting this for their 26,000 workers and Sheffield had also sent similar letters to their employees.

Many of us were astonished that any reputable employer could even consider this ‘fire and rehire’ approach, and doubted its legality. Surely every worker treated in this way must have a cast-iron case for unfair dismissal – or certainly should have. Though as usual the main thrust of our laws is to protect the interests of the rich and powerful against the rest of us, so perhaps they could get away with it despite the clear injustice.

If they could do it for firefighters, councils and other employers could do it for other workers and many other trade unionists had come out in support of the FBU, with the London march being called by the RMT, FBU, NUT, PCS and the National Shop Stewards Network.

The cuts announced by Chancellor George Osborne in the previous Wednesday’s Comprehensive Spending Review had been anticipated but still shocked. We – the country’s workers – were being made to pay for the greed of the wealthy bankers who had caused the crisis but were being given handouts. The London march and rally was just one of others across the country including in Cardiff, Manchester, Bristol, Lincoln and Wigan.

At the rally in a corner of Bedford Square there were calls for a much more positive approach from the TUC, and a demand that they bring forword the national demonstration which was planned for Spring 2011 but the TUC kept to its planned date of March 26th.

Some of those taking part in the march and rally went on to a TUC organised rally against the cuts in the nearby TUC HQ Congress House, organised by the South-East Region TUC, but I left to take a walk around the Bloomsbury Festival.

More pictures at Trade Union March Against Cuts.

Bloomsbury Festival

*Modern cloth strips at the Foundling Museum, where ‘Threads of Feeling’ was showing.*

The annual Bloomsbury Festival began in 2006, but this was the first year I had noticed it, and although there had been some events earlier in the week that sounded interesting I hadn’t had time to attend them.

*Paper birds in Russell Square where the main stage and stalls were*

On Saturday there were free events taking place across the area, in museums and galleries, parks and gardens, as well as various dance and film performances, exhibitions, walks and tours and workshops. I walked through the area, visiting most of the squares and parks in which there were artworks as well as some of the museums and exhibitions.

But much of what interested me on my walk were things I saw or found in the area itself, with some of the ‘found art‘ rather more interesting than the actual festival pieces. I was pleased to be able to go into the the charming private garden in Malet St – and the trees, leaves and the grass roller excited me considerably more than the work of photographic art strapped to a couple of trees.

It was good to go into the Foundling Museum for my first visit there, both to see its permanent exhibition with its incredibly moving special display the pieces of 18th century cloth, textile tokens left by mothers with the babies taken to the Foundling Hospital in the hope they could later be identified and reclaimed, along with a show Threads of Feeling, based on this.

More pictures at Bloomsbury Festival.

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Fonthill & Tollington – 1990

Fonthill & Tollington continues my walk on Sunday February 11th 1990 which began at Kings Cross with the post Kings Cross and Pentonville 1990. The previous post was Caledonian Road, Barnsbury & Lower Holloway – 1990.

*Tower House, 149, Fonthill Rd, Finsbury Park, Islington, 1990, 90-2c-32*

The Tower House it at the south end of a late Victorian terrace at 141-9 Fonthill Road close to the junction with Seven Sisters Road. This was the factory and showroom for Witton, Witton & Co. In an advertisement in Musical Opinion & Music Trade Review they describe it as ‘BRITAIN’S FINEST FACTORY’ producing ‘”THE IDEAL BRITISH PIANO” Specially made for Variable Climates’. According to the Pianoforte-makers in England web site the company was formed in 1874, although earlier Wittons had made pianos from 1838. They held two patents related to pianos. The name continued in use after production went abroad in the 1930s. Their grand pianos are said to be not well made.

By 1990 the tower had lost its top floor topped by a cupola. Like much of Fonthill Road the building was mainly in use by clothing manufacturers and wholesalers in 1990.

*Goodwin St, Finsbury Park, Islington, 1990, 90-2c-35*

The 3 storey house in this picture is still present on Goodwin Street, a turning off Fonthill Road which now leads through City North House to Finsbury Park Station. This is 11 Goodwin St, owned by the Trustees of Peace News and the home of CND, the Campaign Against Arms Trade as the hanging sign above the double door indicates, along with various other groups. I think the right hand door was number 13, though the numbering around here seems rather random.

*Shops, Fonthill Rd, Finsbury Park, Islington, 1990, 90-2c-36*

The rather strangely staggered roofline is still there at 138 Fonthill Road and all the shops are still in the clothing trade, though I think all the names are changed. Photographer Don McCullin grew up in the area in the 1940s and described the area as “a battlefield” and later he was to photograph on many real ones, including in Cyprus.

It was the Cyprus emergency with the UK fighting EOKA in the the late fifties and the later war between Greeks and Turks that led to many Cypriots to come to live in North London – and a number of them set up clothing factories and wholesale businesses here – and others from Turkey, the Caribbean and Africa came too. At first shops here were simply wholesale, but then many began to open on Saturdays for retail sales, and the street was crowded with people – mainly women – buying real bargains.

*Fonthill Metal Co, Fonthill Rd, Finsbury Park, Islington, 1990, 90-2c-21*

I don’t think any trace remains of the Fonthill Metal Co or the garage next door on Fonthill Road which were almost at the end of Fonthill Road close to Tollington Park. There used to be many similar small scrap metal dealers who would pay cash on the spot for non-ferrous metals – Copper, Brass, Lead, Zinc and Ali – aluminium.

BRAIZERY here means copper pipes and other material which has been soldered and so contains small amounts of other metals, particularly tin and lead. If you have a decent load of this you can probably get around £6 a kilo for it – but no longer on Fonthill Road.

*Velvet Touch, Fonthill Rd, Finsbury Park, Islington, 1990, 90-2c-22*

Later retail clothes shops elsewhere in the country found they could buy clothing cheaper abroad than garments made in the UK, and manufacturing here started to fall away. Slowly more and more wholesalers welcomed retail customers and many new wholly retail shops opened.

More recently the retail trade has fallen away too as the area becomes increasingly gentrified. Most of the clothes still on sale are now made abroad, particularly in Turkey.

Velvet Touch at 1 Fonthill Road was at the far end to the other clothing manufacturers, wholesalers and importers and although you can still read that line of their shopfront, (rather faded now) their name and the large sign on the side wall are long gone and I think the building is now residential. The very small window on the first floor is still bricked up.

*St Mellitus, RC, Church, Tollington Park, Finsbury Park, Islington,, 1990, 90-2c-23*

Built as the New Court Chapel in 1871 by Congregationalists from New Court, Carey St, Lincoln’s Inn Field after their chapel had been demolished to build the Royal Courts of Justice.

The Neo-classical church, designed by C G Searle seated 1,340 and in the early years was often full in the early years, but after the war congregations dropped away. It was sold to the Catholic Church in 1959, becoming St Mellitus RC Church. St Mellitus was the first Bishop of London in 604CE and later in 619CE became Archbishop of Canterbury.

*House, Tollington Park, Finsbury Park, Islington, 1990, 90-2c-24*

Tollington Park was one of the first streets in this northern part of Islington in Finsbury Park (estate agents like to call it Stroud Green, but that seems rather a stretch too far) to be laid out and its grand semi-detached villas date from the 1830’s and 40’s.

Before that cows had grazed its fields to supply milk to London across north Islington which had what was claimed to be the largest dairy farm in the country, run by Welsh dairy farmer Richard Laycock.

By WW2 the area had deteriorated and become a poor working-class area. It was heavily bombed in WW2 and much still remained in a mess twenty years later. By the 1970s it was home to many migrants from across the world, including “Welsh, Irish, Jamaican, and others from all over the world.”

*House, Tollington Park, Finsbury Park, Islington, 1990, 90-2c-26*

Many of the damaged properties and some others were demolished in 1970 to form a park, Wray Crescent, and gentrification of the area set in. The Friends of Wray Crescent history page contains a number of pictures of Tollington in the 1960s and 1970s, taken by Leslie William Blake when “local campaigners and the Tollington Park Action Group began to fight to preserve some of the buildings, including the creation of the local conservation zone.”

Houses like those in my picture are now all or almost all a number of flats. Only 4 houses in Tollington Park are Grade II listed (along with the two churches) but many are locally listed including these two at 104 and 106, thought to have been built in 1840.

St Pauls and around Guildhall – 1994

St Pauls and around Guildhall: More panoramas from my days wandering the City of London in July 1994. Most of these pictures are in my Flickr album 1994 London Colour.

Cathedral Steps, St Paul's Churchyard, City, 1994, 94-706-12 — *Cathedral Steps, St Paul’s Churchyard, City, 1994, 94-706-12*

I took relatively few pictures of St Paul’s Cathedral, and here it is only visible in deep shadow at right. In the centre are the rather bland blocks of Juxon House, built in 1963 rather a long time after much of the area was destroyed by German bombs and subject to a long campaign (with Royal support) for demolition along with others when Paternoster Square was redeveloped.

Unfortunately its replacement – and Juxon House was worse. Icannot better the description by Jonathan Glancey in The Guardian when the new block was completed in 2003 who called it “A mockery of the language of classical architecture, this Paternoster office block is kitsch writ gross, a kind of two fingers up to Wren and Hawksmoor, who worked so hard to create the peerless dome and west towers of St Paul’s.” In his article he also gives some of the reasons that led to this new carbuncle.

The area around the Guildhall was fascinating in many ways in the 1990s, in part for its contrasting architectural styles which you can see here. At left is One Love Lane, a 1989 building refurbished in 2015-6. In the centre is the back of One Aldermanbury Square, built for Standard Chartered Bank in 1990, but significantly remodelled after they left in 2013. The Insurance Hall, 20 Aldermanbury, has the inscription by its door ‘THIS BUILDING WAS OPENED BY HIS MAJESTY KING GEORGE V ACCOMPANIED BY HER MAJESTY QUEEN MANY ON THE TWENTY EIGHT DAY OF JUNE MCMXXXIV THE TWENTY FIFTH YEAR OF HIS MAJESTY’S REIGN’. It was home to the Chartered Insurance Institute until 2018.

*Guildhall Piazza, City, 1994, 94-707-32*

Looking towards the The North Wing (formerly known as the North Block) of the Guildhall, constructed in 1955-58 to a 1930s design by Sir Giles Gilbert Scott. At right is the back of the Insurance Hall. At left the 1972 sculpture ‘Beyond Tomorrow‘ by Karin Jonzen (1914-1998); her parents were Swedish but she was born in London and studied at the Slade.

The piazza was a pleasant place to sit on sunny days and I sometimes ate my sandwiches there. The back of the North Wing and that end of the piazza were modified around 2006 to improve access and create more office space.

*Beyond Tomorrow, Karin Jonzen, Guildhall Piazza, City, 1994, 94-707-31*

A closer view of Karin Jonzen’s sculpture and beyond it one of my favourite modern London buildings, the Grade II listed former exhibition hall, magistrates court and offices at 65 and 65a Basinghall Street designed by Richard Gilbert Scott (1923-2017) of Sir Giles Gilbert Scott, Son and Partner and built in 1966-69. He was the “fourth generation of Britain’s best-known architectural dynasty” according to the listing text, which for once is very informative about the architect and the building.

As the listing says, his “stylish use of pre-cast concrete shell vaulting at the Guildhall was a response to the existing Gothic architecture of the site” – where he had been involved with his father Sir Giles in rebuilding the bomb-damaged Gothic Guildhall.

*Bassishaw Highwalk, Basinghall St, City, 1994, 94-707-11*

Just to the north, seen from the Highwalk just as it emerges from under Richard Gilbert Scott’s building is one of my favourite views in the City, again showing different architectural styles.

At left is 55 Basinghall St, City Place House, a substantial post-modern building from 1988-1992 by Swanke Hayden Connell. Work began on its demolition in 2021 for the building of a 13-storey office block by Allies & Morrison, which also involved the “partial demolition, reconfiguration and refurbishment of the basement, lower ground, ground and mezzanine floors of 40 Basinghall Street” – City Tower in my picture.

*Basinghall St, Bassishaw Highwalk, City, 1994, 94-707-22*

A second view from another section of Highwalk shows the same corner looking along Basinghall Street.

More from this part of the City in a later post.

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Freedom to Film & World March for Peace – 2009

Freedom to Film & World March for Peace: On Sunday 18th October 2009 I went to Dalston to support a Hackney education charity whose students have been harassed when making films in public places and then joined a small march in the UK which was part of a worldwide humanist movement for peace.

Ridley Road Market: Worldbytes Defends Right to Film

Freedom to Film & World March for Peace - 2009 — *Halal butcher in Ridley Road market, Dalston*

Worldwrite is a Hackney-based education charity founded in 1994 which gives young people free film and media training supporting them to produce alternative programmes for broadcast on WORLDbytes, the charity’s online alternative Citizen TV channel Worldbytes.org. You can read more about them on the web site where you can also see a very wide range of their videos, though I couldn’t find anything now on this 2009 event.

In 2009 their teams were “finding it increasingly difficult to film in public places in Hackney: security guards, community wardens and self-appointed ‘jobsworths’ are refusing us ‘permission’ to film on many of our streets.”

As they stated, “There is in fact NO LAW against filming or taking photographs in public places and permission or a licence is NOT required for gathering news for news programmes in public spaces.“

They had called for photographers and film-makers to go along and take pictures in support of their protest and I went to do so at Ridley Road Market in Dalston, where Worldbytes crews had been told they can’t film there, not by the stall holders or other market users, but by employees of Hackney Council.

I went there to support them and the right to photograph in public places, but also because I wanted to photograph the market. I had previously taken a few pictures there but only as I was passing and had not seriously photographed the market.

After talking to the Worldwite protesters I set about walking up and down the market taking photographs of the buildings and people, particularly some of the stallholders. As well as my post on My London Diary, I wrote about the event at greater length here on >Re:PHOTO a few days later. Here’s a short section of text from that article:

“I took some general views without asking anyone for permission, but as usual, where I wanted to take pictures including stallholders or other people I asked if I might. Not because I need to, but out of politeness, and I shrugged my shoulders and moved on if they refused. Of course at times I photograph people who don’t want to be photographed, but this wasn’t appropriate here.”

“As I was using flash most of the time, it was clear that I was taking pictures and some people asked me to photograph them who I might otherwise have walked by. At one place I did stop to argue after having been refused – and eventually managed to get permission to take a picture; at another I got profuse apologies from an employee who was obviously sorry that the stall owner had decided not to cooperate with Worldbytes.“

“The council employees didn’t turn up to stop filming while I was there; probably Sunday is their day off. But it’s very hard to understand why Hackney Council should allow or instruct their employees in this way. They should know the law after all.”

My use of flash – generally as a fairly weak fill-in – was deliberate to make sure that people knew I was taking photographs, though in some cases it helped with the pictures. After I’d spent around twenty minutes obviously taking pictures I was interviewed by the Worldbytes crew, though I rather hoped they would cut that from their video of the day.

My London Diary : Ridley Rd Market: Worldbytes Film Protest

Re:PHOTO: Worldbytes Defend the Freedom to Film

World March For Peace and Nonviolence

The World March For Peace and Nonviolence had begun in New Zealand on the 140th anniversary of Ghandi’s birth, October 2, 2009. It involved events around the world which ended at Punta de Vacas in the Andes Mountains in Argentina on January 2, 2010, where Silo (Mario Luis Rodríguez Cobos) the founder of the Humanist Movement launched a new campaign for global nuclear disarmament in September 2006.

Volunteers from a base team of around a hundred went from New Zealand to Japan, Korea, Moscow, Rome, New York, and Costa Rica, attending events organised along the way to Argentina.

In London the march began with a vigil close to the Northwood Permanent Joint Forces / NATO Headquarters in Middlesex on Saturday morning, with speeches by World March UK co-ordinator Jon Swinden, Sonia Azad of Children Against War and organiser Daniel Viesnik, who also read out a message of support from John McDonnell MP.

Only around 50 people walked the whole way, but there were others around the world also marching. On the second day in London they began at Brent Town Hall in Wembley Park and I met them as they arrived at Marble Arch. They stopped for lunch at Speaker’s Corner where they then took part in the interactive play ‘Let The Artists Die’ on themes of peace, non-violence and the power of the imagination. It was written and directed by Charlie Wiseman who was also one of the three main actors.

They walked past the front of the US Embassy to the memorial to the British victims of 9/11 in Grosvenor Square, where it stopped to pay its respects. In Mayfair it was almost halted when a taxi driver deliberately drove into one of the marchers, but they continued to Trafalgar Square.

‘Heritage wardens’ stopped the march as it came down the steps in Trafalgar Square, telling them they could not walk through the square as they had not applied for permission.

After resting for a few minutes on the steps the march went around the side of the square and down Whitehall past “the Old War Office, and then the statues of famous generals outside the “Defence Ministry” (governments were more straightforward with language in the past)” and “the fortified gates of Downing Street and on to Parliament Square, where the march stopped at the permanent peace protest by Brian Haw there since 2 June 200l with the help of his supporters.”

I left the marchers there but they continued on to end at the Peace Pagoda in Battersea Park.

More pictures at World March For Peace and Nonviolence.

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Southwark Housing, Bermondsey Panoramas & Rembrandt Against Shell – 2014

Southwark Housing, Bermondsey Panoramas & Rembrandt Against Shell: On Thursday October 16th 2014 I went with housing campaigners on a march to Southwark Council Offices. They claimed that the council leader and other councillors and officers have accepted gifts and jobs from developers and were selling off council estates at knockdown prices. I had some time free after that and took a short walk along the Thames making some panoramas before rushing to the National Gallery where the Art Not Oil coalition were protesting outside a gala evening for special guests including unethical sponsors such as Shell.

CPOs for Southwark Councillors

Elephant to Southwark Council Offices

Southwark Housing, Bermondsey Panoramas & Rembrandt Against Shell

Housing campaigners from Southwark were joined by members of the Focus E15 Mums ‘Housing for All’ campaign at the base of the Strata Tower at Elephant and Castle, a tower nicknamed ‘The Razor’ for its three entirely decorative ‘greenwash’ rooftop wind turbines – which cannot be used as they generate unacceptable vibration for the upper floor flats.

Facing them was One The Elephant, then under construction, a 44 storey block of luxury flats with no social housing, being sold abroad, with ‘studio flats’ starting at around £320,000 or 640,000 Singapore dollars.

They marched to protest briefly at the Elephant Park Sales Office on the Walworth Rd before walking on through the Heygate council estate where over 1200 homes were demolished and the site sold to developers for a knock-down cost – apparently less than the costs of ‘decanting’ the tenants and far below its proper valuation. Despite this leaseholders were only given compensation of around half the true market value of property in the area, forcing them to move out into the suburbs to buy property in far less convenient areas giving them long and expensive work journeys.

The replacement by Elephant Park means a loss of over a thousand social housing units, with a small number of so-called affordable units at 80% of market rates, still well above what most Londoners can actually afford. The new flats were being sold to overseas buyers in Singapore and elsewhere as second homes, investment properties, homes for wealthy overseas students studying here, buy-to-let etc.

From there they walked through some of Southwark’s 1930’s and postwar council estates, now seen as prime targets for demolition of social housing. Its replacement with higher density high price ‘luxury’ flats would generate huge profits for the developers (and lucrative rewards for councillors and council officers.)

The march carried on to a similar area of council properties around Long Lane and Tennis Street where again similar changes – gentrification labelled as regeneration – seem likely, before going through Guy’s Hospital and London Bridge Station to Tooley St and the Southwark Council Offices.

There they held a short rally after which security stopped them entering to hand in letters for Southwark Council Leader Peter John and two other councillors containing ‘People’s Compulsory Purchase Orders‘ for their homes, but after much argument and the presence of police Liliana Dmitrovic of the ‘People’s Republic of Southwark’ and another protester were allowed in. As Southwark residents they argues they had a right to enter the council offices.

They went to reception and asked to see the three councillors and were told to take a seat and wait. They sat there for some time but eventually Stephen Douglas from Southwark Council came to tell them that all three named on the letters were in meetings and unavailable, but promised he would personally deliver the letters. They handed them in to him and left.

More on My London Diary at CPOs for Southwark Councillors.

Bermondsey Thames Panoramas

City Hall to Angel Wharf

I crosssed the road from the council offices and went through the gardens by City Hall to walk by the Thames, going briefly down Horselydown steps just downriver from Tower Bridge onto the foreshore.

I came back up to Shad Thames, a painful pastiche of its former industrial past. Quickly I made my way to the riverside path and walked on, stopping as usual at the footbridge across St Saviour’s Dock to take more pictures.

I walked on in some interesting lighting and got very involved in taking pictures, rather losing track of time. At West Lane I realised I was in danger of arriving late at Trafalgar Square and ran down to the bus stop on Jamaica Road.

Many more pictures – not all panoramic – at Bermondsey Thames Panoramas.

Art Not Oil – Rembrandt Against Shell

National Gallery

The Art Not Oil coalition had earlier gate-crashed the press launch of the Rembrandt exhibition at the National Gallery in a protest against oil company sponsorship of the arts and the privatisation of gallery staffing.

*Protesters with banners in front of the Sainsbury wing*

I arrived in time to meet them on the steps of St Martin-in-the-Fields just before they marched the few yards to the National Gallery where a gala evening was being held for special guests – including from the sponsors – and highly ranked staff.

They turned down a protest pen the police had set up some distance from the entrance the guests would be using where their protest would not be noticed (what the police call ‘facilitating’ but campaigners know is minimising) and instead protested close to the entrance. Here there were some speeches and a repeat performance of their earlier performance which included a short playlet as well as some specially written songs.

Some of those who appeared at the press launch were professional actors now on stage elsewhere and so there were some changes in the cast. But it was still a very professional performance.

Here is the Art Not Oil statement:

The presence of unethical sponsors like Shell and the contracting of external security firms shows the growing influence the private sector is having over our arts and culture. With its meagre contribution to the gallery, Shell is buying social legitimacy for its dodgy deeds worldwide, including:
- its failure to clean up its multiple spills in the Niger Delta
- its reckless plans to drill in the Arctic for yet more oil
- its tar sands projects in Canada that are undermining Indigenous people's      rights

More at Art Not Oil Rembrandt Against Shell.

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Land Mines and the Lea Valley – 2006

Land Mines and the Lea Valley: Fortunately these were two entirely separate events on October 14th 2006. The landmines were in Hyde Park in a display by Handicap International and after visiting this I took a walk across the Lea Valley from Holloway to Tottenham and Walthamstow where I was going to collect a set of my pictures which had been on show at Walthamstow Pumphouse Museum. Here is a slightly edited version of what I wrote in 2006 with a few of the pictures from the day – and a link to many more from the walk on My London Diary

Ban Landmines and Cluster Bombs

Handicap International, Hyde Park

Saturday in Hyde Park there were land mines. Fortunately they were mainly carefully marked as well as having been made harmless. For many people around the world they are daily hazard, the deadly and maiming residues of war.

Just as dangerous, if not more so, are cluster bombs. These are produced by the sophisticated weapons industries of many countries including Britain and America, and also used by our armies and air forces, dropped from aircraft or fired as artillery.

Each cluster bomb contains from a dozen to several hundred lethal bomblets, which are distributed over a wide area, intended to kill infantry or guerillas, but entirely indiscriminate in their action. Between 5-30% fail to explode on impact, usually getting buried in soil; those dropped over 30 years ago in Vietnam are still killing and maiming people, especially children, there. Almost 2,000,000 were scattered over Iraq in 2003-4.

I went to Hyde Park to sign the petition organised by Nobel peace prize-winning charity Handicap International to aim for a world-wide ban on these weapons.

Handicap International now has urgent appeals for Gaza, Ukraine and Sudan and invites you to join them in campaigning to “Fully implement the treaties banning landmines and cluster munitions without delay and encourage non-signatory states to sign their petition.”

Tottenham to Walthamstow

After my brief visit to Hyde Park, I was on my way to Walthamstow to collect some of my pictures of the Lea Valley that had been on show at the Pump House Museum, and as it was a nice day, decided to walk the last few miles across the Lea Valley and take a few more pictures.

I began my walk in Holloway, going post the Emirates Stadium and then across South Tottenham.

In King George V Park I found some graffiti artists at work, and took pictures of a few of the many murals, before heading down the Lea Navigation to Springfield and across to Walthamstow Marshes, a surprising area of open space so near to the centre of a major city.

Then I made my way between reservoir and waterworks to the Lea Flood Relief Channel and St James’s Park, surrounded with remarkably brooding lime trees.

There are many more pictures from the walk on My London Diary, but surprisingly I don’t appear to have taken a picture of the Walthamstow Pumphouse Museum on this occasion. I think I had stopped to take so many pictures on the way that I was in rather a hurry to collect my pictures which had been on show for Open Heritage Day there and get home.

More pictures from the walk on My London Diary

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Deforestation in Tasmania & a Walk in Bethnal Green – 2007

Deforestation in Tasmania & a Walk in Bethnal Green : Australians were protesting outside Australia House against plans for a wood pulp mill to use wood from Tasmania’s ancient forest which had become an election issue there. I left them to go to a guided walk around Bethnal Green led by a friend and author of a new book on the area for which I had provided sixteen photographs. The walk was among the last events arranged by the much missed London Arts Café which ceased activities at the end of 2007, though the web site is still online as a record of some of its life. Here with some small alterations is my 2007 account of the day with a few of the pictures I took.

No Pulp Mill – Save Tasmania’s Wild Forests

Australian High Commission, Strand

Deforestation in Tasmania & a Walk in Bethnal Green - 2007 — *Tasmanian premier Lennon and Australian PM Howard at Australia House*

The cutting down of ancient ‘old growth’ forests is a major political issue in Australia, and no more so than in Tasmania. With national elections announced for Australia on November 24th 2007, logging could play an important part.

Supported by liberal party (Conservative) Prime Minister John Howard and Tasmanian Premier Paul Lennon, a new pulp mill will speed the loss of the old forests, destroying valuable habitats and threatening extinction for unique species such as the Tasmanian Wedge Tailed Eagle.

Cutting down the forest will also remove a valuable sink that removes carbon dioxide from the atmosphere (and of course produces oxygen), and pulp processing in the new plant will emit 10 million tons of CO2 a year, as well as discharging 64,000 tons of toxic effluent into the ocean each day.

Ironically, part of the pressure for the cutting down of forests comes from the growing business of carbon offsetting. Much of the land currently occupied by the forests will, after the existing ancient forest is cleared, be replanted with trees that will be used to produce an income in carbon offset schemes.

more pictures – no pulp mill – save tasmania’s wild forests

The Romance of Bethnal Green

We had a fine day for our book-related walk around Bethnal Green and a good audience. Our meeting point was the Museum of Childhood, which features in two of my sixteen pictures in the book ‘The Romance of Bethnal Green‘ (ISBN 9781901992748), Cathy Ross, 2007). Our tour took in a number of art shows open in 2007 as well as the buildings in the area.

One of my pictures in the book shows the sculpture which was in the space at the front of the museum for many years, and I was surprised to find it now inside, at the rear of the café area, its bronze given a white coating (perhaps so the ice-cream won’t show), and another features some of the panels on the outside of the building about agriculture.

[The museum has since been revamped as Young V&A and was the Art Fund Museum of the Year 2024.]

Just down the road we stopped at St John’s Church, its frontage and tower still clearly the work of Sir John Soane, although the rest of the church was remodelled after a fire in the 1870s. Jane Prophet’s ‘heart’ then on show in the organ loft brought back too many memories of my own surgery for comfort, and I quickly left.

We went across the Roman Road and into the library where Foster Spragge is building a cylinder of thousands of used rail tickets. Unfortunately she was at lunch when we were there, and the cylinder was protected by a roll of corrugated paper, though this perhaps improved the photograph.

Down Roman Road we went into IAP Fine Art to look at the work of Maggi Hambling and Chris Gollon, who has been commissioned to produce Stations Of The Cross for St Johns and also a work on Henley for the 2012 Olympics.

Opposite the former site of Camerawork I talked a little about photography, the Half Moon Photography Workshop, and the work of Jo Spence and Paul Trevor, as well as the decline of Camerwork magazine into the quagmire of theory.

[Camerawork merged in the early 2000s with cinema workshop Four Corners a few doors down the street and after a rebuilding project reopened in 2007 and continues to hold shows continuing the social documentary and community spirit of HMPW.]

Around the corner the Usk Street Estate is a real architectural gem by Denys Lasdun from 1952, looking more modern than many recent developments thanks to a recent refurbishment. Work on the Grade II Listed Sulkin and Trevelyan tower blocks cost £2.8m. These are buildings that perhaps deserve to be better known, certainly some of the more interesting of their era, and perhaps more radical than his later Keeling house (1959) a mile or so away.

I also find Usk Street rather more interesting than the Cranbrook Estate across the road, by Skinner Bailey & Lubetkin (1965) which proves that sticking bilious green rectangles on ugly blocks still leaves them as ugly blocks. At least it provided a refuge for Elizabeth Frink’s Blind Beggar of Bethnal Green when vandalism forced his move from his intended home in the market square.

We took the bus back along Bethnal Green Road to the top of brick lane and walked up to admire Arnold Circus, before visiting Nomoregrey in Redchurch Steet to look at Jock Mcfadyen’s work there – I particularly liked his images of the wide open spaces further east – such as Dagenham, River Road and Showcase Cinema, reminding me of my visits to these areas.

Finally I went to view a projection of photographs by Paul Trevor at Rich Mix, and as I wrote found his fine images were getting rather lost by a poor display – which we later got them to improve.

I first met Paul Trevor many years ago and have long admired his work. He is living evidence to the almost total lack of interest by major British galleries and museums to most British photography. He is a truly inspired photographer who has lived and worked in the east end for years, creating a fantastic stock of images from the area.

More on My London Diary at the romance of bethnal green.

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Caledonian Road, Barnsbury & Lower Holloway – 1990

Caledonian Road, Barnsbury & Lower Holloway continues my walk which began at Kings Cross on Sunday February 11th 1990 with the Kings Cross and Pentonville 1990. The previous post to this was Battlebridge, Canalside and Barnsbury – 1990.

*Used furniture, Caledonian Rd, Barnsbury, Islington, 1990, 90-2c-54*

From Thornhill Square I returned along Bridgeman Road to Caledonian Road, both sides of which are here lined with shops. Almost immediately on the east side of the road I saw this shop selling used furniture (I think it is now an estate agents) with the pavement in front having some of its stock – stacking tubular chairs – in front of a crude partition, at its left a phone card box and in front of that some cabinets used to support the shop’s sign.

The pavements along here are now cleared of clutter.

*Sandwich Bar, Fire Escape Specialists, Caledonian Rd, Barnsbury, Islington, 1990, 90-2c-56*

R Bleasdale & Co Ltd, Fire Escape Specialists had a splendid gate advertising their Victorian Metal Design. This was at 394 Caledonian Road where a similar business, The Cast Iron Shop, remained until around 2020, though the gate was long gone, together with the Sandwich Bar.

The sandwich shop also interested me with it with its striped awning and notices, incluind ‘DELICIOUS HOT SALT BEEF’ though I was unable to try it as like most shops then it was closed on Sundays.

*Chinese Chef, Restaurant, Caledonian Rd, Lower Holloway, Islington, 1990, 90-2c-42*

Another window I found of interest, divided into two halgs one of much had four shleves each with two spider plants and above them a net curtain. The left half mixes the reflection of the buildings opposite with the menu, a light fitting, plants and cans of soft drink under a counter inside.

Chinese Chef was on the corner with Roman Way until around 2019

*Romeo Trading Co Ltd, Roman Way, Lower Holloway, Islington, 1990, 90-2c-44*

I walked a few yards down Roman Way to photograph Romeo Trading Co Ltd, making several pictures both in black and white and in colour. I think this is the company founded in 1941 specialising in military surplus clothing and now operating online and in “an impressive 85,000 square foot warehouse“, Romeo House, in Tottenham.

Their former site and more of the street is now occupied by a large block of flats, Roman Court.

*Mallet Porter & Dowd, Caledonian Rd, Lower Holloway, Islington, 1990, 90-2c-45*

From Roman Way I photographerd Mallet Porter & Dowd on the west side of Caldedonina Road at 465 made hard-wearing fabric from horse-hair at their premises close to the Metropolitan Cattle Market, used for uniforms and textile products. This building inscribed with their name dates from 1874.

It was disgracefully converted into student housing for University College London by Mortar Developments in 2015, in a development that retained the facade a few feet in front of an unsympathetic modern development to the detriment of both. It was a worthy winner of the 2013 v awarded by Building Design for the year’s worst building. Islington Council had rejected the scheme but this was overturned on appeal.

*Salvo, Caledonian Rd, Lower Holloway, Islington, 1990, 90-2c-46*

Salvo C F S Ltd, Wine & Provision Importers occupied the building immediately south of Mallet Porter & Dowd until it was demolished around 2011. The company was set up by Salvatore Cumbo who owned a pizzeria in London to import Italian food and drink as wholesalers. The company moved here in 1975, and moved out in 2011 to larger premises in Hertfordshire.

The doorway between the two buildings had the number 465 and so was to the Mallet Porter & Dowd building; the free-standing ‘facade’ rather oddly retains its right hand edge of this door. It perhaps led to the offices and the building also had the wider doorway at the right of the picture.

At this point I think I decided to take a little rest and got on the tube. I’d planned to get to Finsbury Park and time was running out. The next in this series of posts will begin with tthe next frame I made which was in Finsbury Park.

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