Whitechapel | >Re-PHOTO

Olympic Park, Barts and Food Poverty – 2014

Olympic Park, Barts and Food Poverty. On Wednesday 16 April 2014 there were two events in the evening I wanted to photograph, the first in Whitechapel and another in Westminster. It was a fine Spring day and I decided to go out much earlier and take a long walk around the former Olympic site, much of which had just been opened to the public ten days earlier.

Queen Elizabeth Olympic Park Panoramics – Stratford

Olympic Park, Barts and Food Poverty - 2014

My walk got of to a poor start, as I followed the large signs in Stratford Station to the park and found myself hopelessly lost.

I retraced my steps and went through where I thought I had probably missed a turning and walked though Stratford Westfield past many shops I would never feel any desire to enter.

Emerging on the other side I could still find no way into the Park, keeping coming up to areas still blocked by fencing.

Google Maps wasn’t much help. Streetview, claimed to work on some streets in the area, “but actually carries out what seems a fairly random translocation to some varied London locations. All of them seemed more interesting than the actual topography I had found myself facing on the ground.”

Eventually I managed to access the park, though it didn’t seem much like a park to me. As I wrote back then, “It gives the impression that as little has been spent and done as possible post the Olympics and it largely remains a series of routes to the Olympic stadium, ready for the mass tramping feet of West Ham fans, though some might favour more direct routes. It is a complete contrast to what might be expected of a new park for – and there is a good example of one just a couple of miles away in Thames Barrier Park.”

It has improved a little in the nine years since this visit, but still in many areas seems more desert than park, and my conclusion that it was “a rather bleak area, enlivened occasionally by the odd art work” still seems apt for much of the area.

Of course I was comparing it to the same area before the Olympics, which I had often wandered and enjoyed, and had been a more exciting and much wilder area. Of course a part of its attraction had been its relative isolation and the new park will attract hugely greater numbers to its various attractions. The local schools were on holiday and there were areas in which children were playing which for various reasons don’t feature in my pictures.

Many more at QE Olympic Park Panoramics

Barts cuts Health Advocacy & Interpreting – Royal London Hospital, Whitechapel

From Stratford Marsh and Pudding Mill Lane Station it was a short journey to Whitechapel, with just a short walk in the middle from Bow Church DLR to Bow Road on the District Line.

The Royal London Hospital at Whitechapel is run by the Barts Health trust, who were proposing to make drastic cuts in advocacy and interpreting services.

The hospital is in the centre of a multiethnic community of great deprivation and need, a community desperate for an increase in these services,with an ageing population many of whom speak and understand little English but are now in much greater need of health care.

I was there to photograph the handing over of a petition by GPs and other health professionals as well as members of various parts of the BME community, including Somalis, Bangladeshis and Chinese. The Mayor of Tower Hamlets backed the campaign and had sent apologies and a representative to express his support, and a Labour councillor gave support from the Labour group.

The removal of the services at GP surgeries and community and hospital services would mean the loss of around 11 full-time Bengali/Sylheti Health Advocates and the languages affected would include Somali, Punjabi, Urdu, Hindi, Tamil and French.

Bart’s Health Trust has huge financial problems because of the huge PFI debt incurred in the building of the sorely needed new hospital in front of which we were meeting, with continuing huge payments that mean that they have been unable to fully use the new building and have cut other vital services. PFI was always a mistake and the civil servants who negotiated the terms were no match for the skilled and highly paid operators for the developers who ended up with terms that were hugely favourable to them – and which changes in the financial conditions since then have made even more so.

The hospital tried to restrict the publicity for the event, although they had agreed to accept the petition, they wanted to do so in private. Hospital security staff tried to stop most of those present from witnessing the handover, and to prevent photography, but without success.

Barts cuts Health Advocacy & Interpreting

End Hunger Fast Vigil against Food Poverty – Old Palace Yard

Over 600 leaders from all major Christian denominations, including 47 bishops had earlier in the day called for urgent government action on food poverty, and earlier in the month thousands had taken part in a 24 hour day of fasting, praying and reflecting on the hunger in the one of the world’s richest countries came to the vigil.

On 16th April, ‘End Hunger Fast’ campaigners held a vigil outside Parliament, lighting candles and breaking bread together.

Earlier in the day figures from the Trussell Trust and independent food banks had been released showing that one million food parcels were handed out over the previoUs year as the safety net for the poor and vulnerable in Britain was crumbling.

There were a number of speeches before a sharing of bread in a minute of silence before eating to reflect on the problem faced by those who cannot afford food. CanDles were then lit (with some difficulty because a a stiff breeze) for another period of silent contemplation before the final address by End Hunger Fast media spokesperson Keith Hebden. He was then going without food for 40 days and 40 nights to draw attention to food poverty, and stressed the importance of getting politicians to take action on the issue.

End Hunger Fast Vigil against Food Poverty

London Street Photography

Twelve years ago on 17th February 2011 I attended the opening of the show London Street Photography at the Museum of London, and I wrote about the opening here on >Re:PHOTO. Some of the same pictures there are also on My London Diary. The book of the show is long out of print but can be found cheaply secondhand with a little searching.

I was rather surprised to find this particular picture of mine, taken in Whitechapel in 1991 included in the book and show, and also one of the images used to promote the show. Not that I think it’s a bad picture, but to me it was just one of many that could have been chosen. I’ve never really put together a set of what I think are my best street photographs, but here are a few slightly random ones from about the same year.

I actually made two pictures of the shopkeeper standing outside the shop in Whitechapel, and the woman carrying a child walked across as I was talking to him and preparing to take his picture. I think I was just a little slow to react, and would have liked her to be just a fraction to the left, better outlined against the open doorway and for the child she was carrying to be more visible.

Perhaps important to the show was that most of the others from that era and before were in black and white – as most of photography still was. Only one earlier colour picture was featured, although most more recent work was in colour, including all of those taken in the current century.

Also important was that it reflected the changing population of London with a picture that could almost have been taken on the streets of Bangladesh – but so did some others that I took at the time.

Notting Hill Carnival, Notting Hill, Kensington & Chelsea, 1990, 90c8-03-51

I’ve recently re-digitised this and digitised many other colour and black and white images from my early work and made them available on Flickr, though so far I’ve only worked through all of the colour negatives up to the end of February 1991 and the black and white until the end of the following year.

Street scene, Green St, Upton Park, Newham, 1991, 91-31-31

Although almost all of these pictures were taken on the streets of London I don’t think many are really what I would consider ‘street photography’, though this is a category whose elasticity makes it of little use. But for me ‘street photography’ has to be about capturing fleeting moments, not about pictures that are posed or set up. The second picture without the woman walking by isn’t really street photography.

Class War Protest Jack The Ripper Opening

Class War and others protested on Wednesday 5th August 2015 outside the newly opened Jack The Ripper “museum” in Cable St days after it first opened. Class War had called this protest as soon as the news became public, and others had organised another protest the previous evening which I had been unable to attend. Class War later organised further protests outside the museum which I also photographed.

Unfortunately the Jack the Ripper tourist attraction in Cable Street is still open, pandering to a popular taste, particularly among tourists to the city, for the sensational and to wallow in the grisly details of this brutal and horrific series of murders in London of five working-class women on the streets of Victorian London.

The museum was set up according to its planning application as the “first women’s museum in the UK” which “will recognise and celebrate the women of the East End who have shaped history, telling the story of how they have been instrumental in changing society.” A number of people gave advice or worked for free or at cost because they supported the project on this basis, and felt disgusted at how they were duped.

As I commented in 2015, ‘People who have seen the museum have been revolted at its sensational presentation of violent crimes against women. One of the politer comments was to call it “salacious, misogynist rubbish.“‘

I’ve only seen the shop through the doors and windows, and there does seem to be a lot of merchandise for sale. The on-line reviews of the place are extremely polarised. There are many positive, even fawning examples, though some do seem to follow a very similar pattern.

*I think the window had been smashed earlier in the day*

Others are damning. One comments “The museum is pretty small. It’s effectively 5 small rooms. You could whizz round it in 10 minutes easily. In no way does it represent good value for money. One of the rooms was pure conjecture too (What Jack the Ripper’s living room might have looked like…!?). It’s rather light on any kind of detail. For people with anything more than a superficial interest in the history etc, this is a waste of your time and money.”

Another states “I have no idea how it got so many positive reviews… It’s £12 per person and we’ve basically seen everything after 10 minutes. There’s nothing in this museum that isn’t already in the Google images.” Others are far more negative about the exploitation of the sadistic murders of women for profit.

So if you are someone who thinks we should celebrate the work of a serial killer who eviscerated five defenceless women – three of them mothers – on the streets of London and feel your holiday would not be complete without wallowing in more of the bloody details you may well enjoy this “museum”, even though it is in the wrong location and has little authentic content.

If you are not sure about the details of the killings and have a strong stomach you can read more, rather too much more, on Wikipedia; it isn’t pleasant reading. For once I’d advise you not to click on the link, or if you do to skip some parts of the entry.

Of course the whole Ripper industry is a tacky area, with many more imaginative and profitable books speculating on the identity of the deranged killer. Although the evidence is only circumstantial the most likely suspect remains Montague Druitt who committed suicide shortly after the last of the five murders, and was one of three named in a letter written five or six years later by a senior police officer who though not involved in the investigation will have had access to the officers and the – now largely destroyed – police records of the case.

More about the protest at Class War at Jack the Ripper ‘Museum’.

Docs Not Cops, Nigerian Girls, Fast Food Workers & Homeless Deaths

Docs Not Cops, Nigerian Girls, Fast Food Workers & Homeless Deaths – four quite different protests on Wednesday 15th April 2015, seven years ago today.

Checkpoint Care – Docs Not Cops – Royal London Hospital, Whitechapel

Docs Not Cops set up a mock border checkpoint at the entrance to the Royal London Hospital in a protest against plans to charge migrants for NHS treatment which will force doctors to check on the immigration status of those needing treatment. Hospital security staff came out and forced them to move off hospital owned land and the border, marked by shiny stainless steel posts, shifted a few yards away with the protest continuing there.

Most of those protesting were medical students or health service employees. The Royal London serves an area with a large immigrant population and health workers, including local GP Dr Anna Livingstone. Many of those entering and leaving the hospital both staff members and patients stopped to express support for the action.

Checkpoint Care – Docs Not Cops

Bring Back Our Girls – Nigerian Embassy, Northumberland Ave

The monthly protest outside the Nigerian Embassy was very polite and relatively quiet as men and women from the Nigerian Women In Diaspora Leadership Forum held up posters and photographs calling for the return of the over 200 Chibok girls abducted by Boko Haram – and they did it on the opposite side of the road from the Embassy rather than the wide pavement immediately in front of it.

They feel that the Nigerian government has done little to try to get the return of the girls who were abducted a year earlier and hopedd that the new Nigerian government would take a firmer line.

Bring Back Our Girls

Fast Food Rights at McDonald’s – Whitehall

Trade unionists protested outside McDonald’s in Whitehall in solidarity with US fast food workers on strike for higher pay, justice, dignity and respect. They also demanded union rights, a £10 minimum wage and an end to zero hours contracts for workers in UK fast food outlets.

Speakers at the protest included Ian Hodson, National President of the Bakers, Food & Allied Workers Union (BFAWU) who is one of the leaders of the Fast Food Rights campaign, and victimised National Gallery PCS rep Candy Udwin, one of the leaders of the strikes there against privatisation.

A manager from McDonald’s was clearly angry and came out to talk to police about the protest. They told him that people had a right to protest on the pavement.

Fast Food Rights at McDonald’s

No More Deaths on our Streets – Westminster

People from various groups, including those involved in day to day practical support of the homeless on the streets with food and shelter as well as charities, political groups and housing and homeless activists, squatters and more met at 6pm opposite Downing St to call for an end to homeless people dying on our streets. As one poster stated, ‘I want Change – ‘55% More Rough Sleepers since Cameron Became PM – Austerity is killing people paying debt of the 1%‘ The main banner stated ‘NO MORE DEATHS ON OUR STREETS‘.

Recent years had seen a dramatic rise in the number of homeless people on the streets of London in particular due to the removal of welfare support and increasing official persecution, with government cuts making it harder for local authorities to provide support.

Prominent among the groups taking part were supporters of Class War, including their parliamentary candidate for Westminster in the 2015 elections the following month, Adam Clifford.

After protesting for some time outside Downing St and going on to the road to block traffic, the protest moved on to Parliament Square, marching along the road and blocking traffic there before going into the back streets south of St James’s Park.

They seemed to be going around in a circle but finally decided they would head for Buckingham Palace. But by then I was getting tired and decided to go home.

More at:

No More Deaths on our Streets
Fast Food Rights at McDonald’s
Bring Back Our Girls
Checkpoint Care – Docs Not Cops

Rich Door, Poor Door: 2014

I used the text for this protest on 30th July 2014 as the opening text for my ‘zine’ ‘Class War: Rich Door. Poor Door‘ published in 2015 and still available from Blurb. It was the first in a series of around 30 weekly protests (and a couple of special events, pictures from most of which are in the zine, by Class War at this block in Aldgate where the small proportion of social housing tenants have to use a door down a side alley rather than the plush entrance on the main road for those in the private flats.

Class War arrive for their first protest

The series of protests had some success – it had immediately resulted in the alley being cleaned up and later it was given much better lighting and it placed the whole idea of ‘poor doors’ firmly on the national and architectural agenda – but eventually failed to resolved the issue for this particular building.

Here’s that text, written on 30 July 2014:

Class War, including three of their candidates for the 2015 General Election, protested at 1 Commercial St in Aldgate against London’s new appartment blocks providing separate ‘poor doors’ for the affordable flats they have to include to gain planning permission for the development. Class War characterise this as ‘social apartheid.’

The front entrance on Whitechapel High St (One Commercial St is the name of the block) has a hotel-like reception desk, and is staffed. It leads to the lifts for the expensive flats, many owned by overseas investors. Like most such buildings, some of them are empty and seldom used, while others are short term holiday lets.

There is apparently no internal connection* between this part of the building and that containing the social housing, which has been given a different name and a separate door some way down the alley on the west side of the building. Their door, the ‘poor door’ has a card entry system which leads to a bare corridor with some mail boxes on one side.

The alley is dark at night, and even though today it was unusually clear of rubbish, it smelt strongly of urine. Certainly a far less friendly place than the well lit main street on which the ‘rich door’ opens. There seems to me to be no reason why all those who live in the building cannot share the same entrance even if their flats are on different floors or different sides of the building, and certainly no reason at all to hide the poor door down a mean alley like this.

Police try to persuade the protesters to move across the road

The protesters arrived with a banner carrying a quotation from the radical US labour activist Lucy Parsons (1853-1942) “We must devastate the avenues where the wealthy live“. The Class War posters – with their skull and crossbones – had the message “We have found new homes for the rich” and showed long rows of grave crosses stretching into the distance, and they were stuck on the windows around the poor door using Class War election stickers with their promise of a 50% mansion tax.

But the protesters are unmoved by the police arguments

A few people were still entering and leaving the building, with the protesters talking and shouting at them but not actually stopping them, and at one point the protesters grabbed the door when it was open. There followed a brief tug of war with several from inside the building, including one of the residents as well as those from the ‘concierge’ attempting without success to close it. The protesters made little attempt to enter the building but wanted those inside to be able to hear the protest through the open door.

The Poor Door. When I visited a few days earlier the alley was filthy

By the time a couple of police arrived and hurried into the building to talk to the people inside around a quarter of an hour the protesters had stopped holding the door. The police came out a few minutes later and tried with little success to get the protesters to move further away from the door.

The rubbish had gone but it still stank of urine and had no lighting

The protest continued until after an hour or so Class War decided they had made their point and left, some for the pub. I went around the building to find the poor door and photographed it and the alley it was in.

Class War – Rich Door, Poor Door

* This was a lie by the building manager. On a later occasion I was taken inside the building by one of the private residents, and after taking me to her flat we then went down and out through the ‘poor door’ which she told me she used when taking her dog for a walk.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

London 1986 – Page 11

Temple Bar, Royal Courts of Justice, Strand, Fleet St, City, Westminster 86-9h-34_2400 — Temple Bar, Strand

Page 11 of my album London 1986 has some of my favourite black and white pictures I took that year, at least in London, and is centred around the City of London, with pictures from its northen extremities in Moorgate, Smithfield and the Barbican and close to the City in the surrounding London Boroughs, particularly Islington, where my walks took me around Farringdon, Clerkenwell, Old St and Finsbury.

Atlas Paper Works, Newington Causeway, Newington, Southwark 86-9q-31_2400 — Atlas Paper Works, Newington Causeway, Newington, Southwark

I drifted into Camden around Kings Cross, Lambeth close to Waterloo, Southwark at Newington and The Borough, Covent Garden, Temple and Strand in Westminster and Whitechapel and Aldgate in Tower Hamlets.

Wig & Pen Dining Club, Strand, Westminster 86-9h-35_2400 — Wig & Pen Club, Strand, Westminster

Those who have been following the colour work I’ve posted in the series of slices through London will recognise a number of the places in these pictures, particularly in the album TQ31- London Cross-section which I’ve written about recently. One of them is the Wigt & Pen club on the Strand, still very much in business back in 1986, but which closed in 2003.

Lloyd's Diary, Amwell St, Kings Cross, Islington 86-9o-55_2400 — Lloyd’s Diary, Amwell St, Kings Cross, Islington

Occasionally the black and white and colour versions show a similar viewpoint, but usually in black and white I was more concerned with documenting a building or place as a part of the city while the colour work was often more concerned with detail and particularly colour. The black and white is generally more of a document, more objective and the colour more personal, more of a response to the subject.

Frazier St, Lower Marsh, Waterloo, Lambeth 86-9r-11_2400 — LowerMarsh, Waterloo, Lambeth

The routes that I researched and plotted were determined by my desire to try to document the whole of London, and to photograph its significant and typical buildings, streets, squares etc. I think it was largely for practical reasons that I did this in black and white, partly because of cost, but more that black and white was able to handle a much higher dynamic range than colour film.

King James St, The Borough, Southwark 86-10a-21_2400 — King James St, The Borough, Southwark

But black and white back then was still the primary medium of photography, both in camera and in publication and exhibition. I’d worked for over 15 years primarily as a black and white photographer and almost all of my published work had been in black and white. Looking at the pictures now it is usually the black and white that still interests me most. Things have very much changed, particularly with the move to digital. I only work in colour and can’t ever see myself going back to black and white. And I seldom see black and white by other photographers – particularly not by younger photographers who have never really served their time with black and white – without thinking it would have been better in colour.

Page 11 of my album London 1986.

City, Whitechapel and Wapping 1986

Page 7 of my black and white work in 1986 London Photos begins in the City but then gravitates east to Aldgate, Whitechapel and Wapping.

Holborn Viaduct, Farringdon St, West Smithfield, City 86-7v-12_2400

Holborn Viaduct which carries the road over the Fleet valley – Farringdon St – is a remarkable piece of Victoriana, and a considerable feat of engineering at the time as well as well as a remarkable example of city planning. The scheme, which included the buildings at the four corners of the bridge as well as roads around including Holborn Circus, streets leading to Smithfield Market, as well as provision for gas, water, sewage and other services cost around £2 million in 1863-69 and has been described as “the most ambitious and costly improvement scheme of the [nineteenth] century” and as the world’s first flyover. You can read a detailed account of it at The Victorian Web.

What interested me most were the sculptures which adorn the bridge and I’ve photographed them on various occasions over the years. In 1986 I could only bring myself to stop taking pictures when I came to the end of a cassette of film and also photographed the bridge from below and the corner buildings. I’ve only put two of the 18 frames I took onto Flickr.

Smithfield Market, City 86-8r-45-Edit_2400

There are a number of pictures from the area around Smithfield Market, though I’ve never got up early enough to photograph the market truly in progress – and other photographers have done so pretty well so I didn’t feel I needed to make the effort.

Albion Buildings, Little Britain, City 86-8r-64-Edit_2400

Little Britain remains a fascinating street though now I think only the facades remain and the area behind has been destroyed. I came across it a little too late when demolition of much of it was already underway and by 1986 I think it was well advanced. These properties in Albion Place, for Overbury & Sons Limited at 7 and 8 and John Lovegrove & Co Ltd at 6 had long been closed.

Hessel St, Whitechapel, Tower Hamlets 86-8s-55-Edit_2400

Hessel St in Whitechapel was a remarkable street full of old shops, some now junk shops, others Bangladeshi grocers but with some still retaining the names and descriptions of their earlier Jewish shops. As well as these black and white picture I also photographed some of the shops in colour.

These pictures were made in August 1986 and I returned some time later hoping to take more but I think then most of the street had disappeared.

Prescot St, Aldgate, Tower Hamlets 86-8s-61-Edit_2400

Prescot St, Aldgate, Tower Hamlets 86-8s-64-Edit_2400

Prescott Street now looks a little different, though a number of the older buildings have survived, including a fine pub. But most are now in very different uses and in rather better condition than when I took these pictures in 1986.

Discovery Walk, Wapping Lane, Wapping, Tower Hamlets Discovery Walk, Wapping Lane, Wapping, Tower Hamlets 86-8s-23-Edit_2400

My street map describes this as ‘Ornamental Canal’ and I think that the redevelopment of the London Docks in Wapping is perhaps the least successful of all docklands redevelopment in retaining any real impression of the former dock with the exception of just a small area at its southwest and Shadwell New Basin. Wapping outside the dock area has fared a little better too, though it is sometimes only skin deep.

Page 7 1986 London Photos.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Back to 1986: Page 4

Broadway Bakeries, Brougham Rd, Benjamin Close, Broadway Market, Hackney 86-6m-35_2400 — Borough Market

Returning to my London pictures for 1986, and to page 4 of my Flickr album 1986 London Photographs.

The Oval, Bethnal Green, Tower Hamlets 86-6m-65_2400 — The Oval, Bethnal Green

1986 was the year I began to photograph London in depth, and the album reflects this, with 1370 black and white photographs, a fraction of the number I took that year. The hundred on page 4 are from the boroughs of Hackney and Tower Hamlets and include pictures from Dalston, Shoreditch, Hackney, Bethnal Green, Wapping, Shadwell, Limehouse, Whitechapel and other parts east of the city. There is just the odd image from elsewhere in London.

War Memorial, Cyprus St, Bethnal Green, Tower Hamlets 86-6o-31_2400 — Cyprus St, Bethnal Green

Unlike in some earlier years the routes for my walks around the area were carefully planned, with research from a number of published sources, though information was much less readily available than now before the days of the world wide web. Of course I didn’t always stick to my planned routes, but I did carry a notebook to write down where I actually went and even sometimes some details of what I was photographing.

Hessel St, Whitechapel, Tower Hamlets — Hessel St, Whitechapel

One of my major resources was of course maps, both new and old, not just for the streets but also for the other information included on them. Some marked industrial areas in brown, most showed churches and public buildings and some gave names of various features. The invaluable series of reprints of old 1:2500 OS maps was begun by Alan Godfrey in 1983, but few were available in 1986. I now have a very large collection.

Kingsland Basin, Regent's Canal, Hackney 86-7c-26_2400 — Kingsland Basin

My aim was to not to walk along every street (as the woman who produced the London A-Z was sometimes said to have done) but at least to look down nearly all of them, and to photograph all buildings of interest as well as other things I found on my journeys. Later when I had bought a scanner I produced enlarged versions of the A-Z pages, printing them on a black and white laser printer and used highlighter pen after I came home to mark where I had walked. These both showed me any areas I had missed and helped me, together with the notebooks, to mark on the contact sheets where the pictures were taken.

Nuttal St, Hackney 86-7c-36_2400 — Nuttal St, Hackney

I mostly travelled by train or underground so often several walks started from a particular station, and perhaps along the same streets close to them. There were also some areas that particularly interested me, either for simple visual reasons or because they were obviously changing, to which I returned.

I’ve posted some of the pictures on this page previously on >Re:PHOTO and I’ve tried to find others to put on this post. You can see all of the pictures – 100 on page 4 – on Flickr – where you can view them larger than on here – by clicking on the link or the image below.

Russia Lane, Bethnal Green, Tower Hamlets 86-6l-66_2400

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Page 3

I hope it will not disappoint anyone that this is only a post about the third page of my pictures from 1986 on Flickr! Though rather more than usual for me at that time do include people, I think all of them are fully dressed.

All of the pictures on this page are from the East End – Bethnal Green, Stepney, Globe Town, Mile End, Whitechapel, Old Ford, and I think a few in Hackney, though when walking the streets it isn’t always clear which area or even which borough you are in, though the street signs often tell you this. Nearly all of these pictures were taken in Tower Hamlets in June 1986.

104 Mile End Rd, Stepney, Tower Hamlets 104 Mile End Rd, Stepney, Tower Hamlets86-6b-52_2400

I stopped to talk to this man fairly early on a Sunday morning, when he was sitting quite happily on the steps of a house, which I think was empty and derelict, though it did have an empty milk bottle on it, as well as his larger bottle of what I think was cider. He had taken his shoes off and it was a pleasantly warm morning and we had a short chat before I asked if he minded if I took his picture. I think he was actually quite pleased to be photographed, and I was pleased to take his picture, though I would have photographed the house without him.

Sima Tandoori, Mile End Rd, Stepney, Tower Hamlets 86-6b-34_2400

I was photographing this shopfront too when these two young men came out from inside to be in the picture too – and they do improve it, adding a little asymmetry. I think I may have gone back a few weeks later and posted a copy of the picture through the door, as I often did when I’d photographed people, but I’m not sure. If not, perhaps they will see it now on Flickr.

Globe International Autos, Cephas St, Globe Town, Tower Hamlets 86-6e-63_2400

Another business I photographed on several occasions was ‘Globe International Autos!’, whose frontage had some extensive painting, and again I was asked to take their picture by two men working there. There are four pictures of the business on this page, two at times when it was closed.

Print workers march to Wapping, Mile End Rd, Stepney, Tower Hamlets 86-6b-63_2400

Back in the 1980s I wasn’t photographing protests, or at least only those which I was taking part in against racism, South African apartheid and nuclear weapons. I didn’t go to Wapping to photograph the year long “Wapping dispute” by print workers after Murdoch moved printing from Fleet St to a new factory there, ending ‘hot-metal’ printing and replacing it by new computer-based offset litho. Murdoch sacked around 6000 printers after the union refused to accept redundancy for 90% of the workers with flexible working, a no-strike clause, the adoption of new technology and the end of the closed shop.

Although Murdoch had been both devious and brutal, I’d known some in the print and something of the “Spanish Practices” that were apparently widespread in Fleet St. While as a trade unionist (and at the time a trade union rep) I supported the workers who had been extremely badly treated it was clear that change was inevitable.

Bishops Way, Bethnal Green, Tower Hamlets 86-6g-66_2400

A rather more upbeat picture was I think of workers enjoying a lunch-break kick-about in an alley just off the Cambridge Heath Road in Bethnal Green.

"Woman and Fish", Frank Dobson, Cambridge Heath Road, Globe Town, Tower Hamlets 86-6e-43_2400

And the closest I came to a ‘Page 3’ picture were a couple of images of Frank Dobson’s “Woman and Fish” on the Cambridge Heath Road in Globe Town. The sculpture had been placed in Frank Dobson Square at the junction with Cephas St on the edge of the Cleveland Estate. Dobson (1886 – 1963) was born and worked extensively in London and the square to commemorate him was made by the London County Council the year he died, with the sculpture at its centre, one of several versions he made in 1951 (another rather uglier one is in Delapre Gardens, Northampton.)

Originally it was a fountain, with water emerging from the moth of the fish, but it was vandalised in 1977 and restored without water. It was restored again after various further vandalisations in 1979 and 1983 and had to be removed completely when restoration was impossible in 2002. A bronze replica by Antonio Lopez Reche in 2006 is now in Millwall Park, Isle of Dogs.

Unfortunately much of Dobson’s work remaining in his studio at the time of his death was destroyed by his widow because of its erotic content, but one of his finest works, London Pride is outside the National Theatre in London.

A Slice of London

What do the following have in common?

ANSWER

They all fall on the National Grid in the vertical column TQ34, and there are more pictures from all of them in the albums of colour enprints I put together from 1986 to 1992 as a project with the rather tentative title ‘Cross-section’. TQ34 is just one km wide and I have a row of A4 files covering around 20 such columns across the city, though those at the outer edges have fewer images.

The roughly A4 album pages could each hold four 6″ x 4″ enprints. I started by gluing the prints in place on scrap cartridge paper (unused from A level Art exams and cut down to size) but though that worked well it became tedious, and I moved on to purpose-designed plastic filing sheets, at first transparent and later black.

I tried at first to keep all four prints on any page either landscape or portrait format and from the same kilometre grid square, but as you will see on Flickr there are a few exceptions. The album TQ34 includes just over 70 pages and is shown on Flickr as in the album with most images having four prints.

These enprints were all trade processed and I sent the films off to various cheap consumer labs. The different colour casts they produced for each roll of 35mm film I felt added to the project, and I accepted some packets of pictures where I really should have demanded a reprint. A few of the worst I have done a little colour correction before posting online.

I finished – or rather abandoned – this project around 1992 when I installed a print processing line in my own darkroom and going over to bulk loading and home processing of my colour negative film. Producing enprints was too slow and fiddly, but I was able to make larger prints, and a small selection of these images where exhibited and sold over the years.

We are all stuck inside but you can take a virtual walk through London with me on Flickr.