Posts Tagged ‘Temple’

More London 1987

Friday, September 18th, 2020
Windsor Court, Moscow Road, Bayswater, Westminster, 1987 87-7c-13-positive_2400

Moscow Road and St Petersburg Place were probably named at the time of the visit by  Tsar Alexander I to England in 1814, when print seller Edward Orme was beginning to develop the area. I think that Windsor Court replaced Salem Gardens which had around 350 people living in 35 houses with many working-class families living in single rooms, and was built in or shortly before 1907. A large 4 bedroom flat here is currently on sale for £2.4 million and the there are doubtless high service charges for the portered block.

LSE, Houghton St, Westminster, 1987 87-7c-32-positive_2400

This view of the London School of Economics is from Clare Market looking towards Houghton St and the area has for some years been a building site. The LSE  Centre Buildings Redevelopment is re-shaping Houghton Street and Clare Market and this view may emerge rather differently.

Lincoln's Inn Fields, Holborn, Camden, 1987 87-7c-34-positive_2400

The original house on this site, built in 1638-9 was rebuilt after it was bought by then solicitor-general Charles Talbot in 1730, but this semi-circular porch was added to the designs ofSir John Soane in 1795. Among early visitors to the house was Samuel Pepys whose patron Edward Montagu, the Earl of Sandwich lived here in 1664-1666. Apart from apparently inventing a useful portable food, Montagu was also largely responsible for bringing back the monarchy to England, a yoke we are still suffering under 360 years later. Dickens made it the home of the lawyer Tulkinghorn who was found dead here, shot through the heart in his Bleak House. Having been for 96 years the home of patent agents Marks & Clerk, in 2004 it became part of Garden Court Chambers.

New Court, Temple, City, 1987 87-7c-44-positive_2400

Not far away and still in legal London this picture shows New Court and Devreux Chambers in the Temple, an unduly picturesque image.

Camdonian, Barry Flanagan, sculpture, Lincoln's Inn Fields, Holborn, Camden, 1987 87-7c-54-positive_2400

Sculptor Barry Flanagan exhibited a smaller version of this sculpture, Maquette for Camdonian, for the 1980 Camden Sculpture Competition and they commissioned its big brother, Camdonian, to put at the north-east corner of Lincoln’s Inn Fields. Its a site I often visited when photographing in this area of London, as a few yards to the south are one of London’s relatively few remaining public toilets. Camdonian is a structure that is different on every visit, changing with the lighting and with the graffiti which it regularly gathers.

It has its admirers (and I’m somewhat grudgingly one) but it has also probably attracted more negative comments than any other piece of public art in London.

An alley to its north, Great Turnstile, leads to High Holborn and to one of the better Wetherspoon’s pubs, Penderel’s Oak. Much though I abhor its owner’s politics and treatment of his staff this is a pub I’ve often visited in the past; one of my friends, now sadly deceased, used to add to his meagre earnings as an artist and photographer as a Wetherspoons Secret Diner, and recommended this as the best of their establishments. And although many have called for a boycott of ‘Spoons, my union friends advised against, well asking us not to cross any picket lines they may have, advice I was happily following until the Corona lockdown.

Kings Reach, Memorial, George V, Westminster, 1987 87-7c-56-positive_2400

It wasn’t enough just to have a mug and postage stamps, King George V’s silver jubilee was marked a by plaques under Temple Stairs Arch, part of Bazalgette’s 1868 Embankment plans on the bank of the River Thames and the Port of London Authority “renamed” this stretch of river between Westminster and London Bridges as Kings Reach. Although it’s always said to have been renamed, nobody appears to know any previous name for this part of the river.

There are two cherubs, one on each side of a large block at the centre of the arch. This one, on the upstream side has ripped out the mast and sail of a ship he is sitting on and is waving them in his right hand while his left points towards the river. A rather angry looking sea-god looks down over him. These are said to be by Charles Leighfield Jonah Doman (1884-1944) who also provided sculptures for Lloyd’s 1925 building in Leadenhall St and Liberty’s in Regent St and were presumably added in 1935.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


London 1986 – Page 11

Wednesday, June 24th, 2020
Temple Bar, Royal Courts of Justice, Strand, Fleet St, City, Westminster 86-9h-34_2400
Temple Bar, Strand

Page 11 of my album London 1986 has some of my favourite black and white pictures I took that year, at least in London, and is centred around the City of London, with pictures from its northen extremities in Moorgate, Smithfield and the Barbican and close to the City in the surrounding London Boroughs, particularly Islington, where my walks took me around Farringdon, Clerkenwell, Old St and Finsbury.

Atlas Paper Works, Newington Causeway, Newington, Southwark 86-9q-31_2400
Atlas Paper Works, Newington Causeway, Newington, Southwark

I drifted into Camden around Kings Cross, Lambeth close to Waterloo, Southwark at Newington and The Borough, Covent Garden, Temple and Strand in Westminster and Whitechapel and Aldgate in Tower Hamlets.

Wig & Pen Dining Club, Strand, Westminster 86-9h-35_2400
Wig & Pen Club, Strand, Westminster

Those who have been following the colour work I’ve posted in the series of slices through London will recognise a number of the places in these pictures, particularly in the album TQ31- London Cross-section which I’ve written about recently. One of them is the Wigt & Pen club on the Strand, still very much in business back in 1986, but which closed in 2003.

Lloyd's Diary, Amwell St, Kings Cross, Islington 86-9o-55_2400
Lloyd’s Diary, Amwell St, Kings Cross, Islington

Occasionally the black and white and colour versions show a similar viewpoint, but usually in black and white I was more concerned with documenting a building or place as a part of the city while the colour work was often more concerned with detail and particularly colour. The black and white is generally more of a document, more objective and the colour more personal, more of a response to the subject.

Frazier St, Lower Marsh, Waterloo, Lambeth 86-9r-11_2400
LowerMarsh, Waterloo, Lambeth

The routes that I researched and plotted were determined by my desire to try to document the whole of London, and to photograph its significant and typical buildings, streets, squares etc. I think it was largely for practical reasons that I did this in black and white, partly because of cost, but more that black and white was able to handle a much higher dynamic range than colour film.

King James St, The Borough, Southwark  86-10a-21_2400
King James St, The Borough, Southwark

But black and white back then was still the primary medium of photography, both in camera and in publication and exhibition. I’d worked for over 15 years primarily as a black and white photographer and almost all of my published work had been in black and white. Looking at the pictures now it is usually the black and white that still interests me most. Things have very much changed, particularly with the move to digital. I only work in colour and can’t ever see myself going back to black and white. And I seldom see black and white by other photographers – particularly not by younger photographers who have never really served their time with black and white – without thinking it would have been better in colour.

Page 11 of my album London 1986.