Working Lives – Lower Marsh: Last Saturday, 14th August 2024, was an unusual day for me, which I’ll perhaps write more about in a later post. But I’d finished photographing a protest a little after 1pm, rather earlier than I’d expected and sat down on the riverside path by the Thames at Nine Elms to eat my sandwiches and wondered what to do next.
One of several things that came to mind was the Working Lives Retrospective Photography Exhibition, organised by International Arts and Pedalling Arts, “highlighting points of connection in the working lives of people in Britain and Ukraine from the 1960s to the 1980s” with a set of photographs “from London and Kyiv and Odesa providing fresh insights into street and theatre culture in both cities.”
The show continues until until next Sunday, September 22nd and the Street Photography section of this is located in a series of pictures in shop windows along Lower Marsh, a street close to Waterloo Station. It and features images taken in Lower Marsh in the 1970s and 1980s as well as some from Ukraine. The London pictures include three by me, and others by Paul Carter, Jini Rawlings and from unnamed photographers in the Lambeth Archives.
There is a map on the web site you can download (or pick up at the Walrus) with a list of the names of the 27 shops and offices taking part, mostly with one photograph, but a few with two. And the picture at the bottom of the web page is one of mine.
A few months ago an old friend who lives a few streets away from Lower Marsh had emailed me asking if I had taken any pictures on Lower Marsh, a busy market street back then. I did a search of my albums on Flickr and found a few pictures, mainly from 1992 and sent links to the exhibition organiser. Three were selected for the show and I supplied files for A1 prints to be made.
I’ve been out of London for some time and then busy with other things so I hadn’t found time to see the show. And until I walked onto Lower Marsh I hadn’t realised that one of my pictures was being used as the poster image.
Another part of the show was that the theatre photographs were to be screened on giant screens on a van parked in the street outside Cubana at the east end of the street where most people enter it from 2.30pm – 10.30pm on selected days. Walking towards it from the west in Saturday’s bright sunlight the images were almost invisible, but suddenly I found my poster picture appearing. I walked to the shaded side and everything became clear.
The same picture of a man carrying a rolled up carpet (and a walking stick) on the street also appears on a nicely printed postcards produced for the show which you can buy at the Walrus.
I found the show an interesting way to look at photographs. It’s now a vibrant street with cafés etc, rather different from the old market, but interesting to walk along and search for the pictures. And being spaced out as they are draws your attention to every picture and gives you more time to think about it than in a run on a gallery wall. At one or two places I felt a little uncomfortable when I had to peer at them over people sitting at cafe tables, but I don’t think they minded.
You can also see all square cropped versions of all of the street images on the web site accompanied by short audio clips of memories from English or Ukranian locals. You can also play these on your phone on the street from QR codes on the picture captions.
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All photographs on this page are copyright © Peter Marshall.
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