Paul Baldesare | >Re-PHOTO

Surbiton Festival 2006

Surbiton Festival: On Saturday 30th September 2006 I went to Surbiton to photograph the annual Surbiton Festival for the second time.

As a part of my photography of London I attended quite a few local events across London in the first decade of this century – in September 2004 I had photographed the Surbiton Festival and also the Angel Canal Festival, Walthamstow Festival, the City of London Flower Show, Lady Somerset Road Street Party, Brick Lane Festival, Thames Day, the Shoreditch Car Free Festival and Leytonstone Car-Free Festival, as well as several political protests and other events. I found it interesting how some of these reflected the different population of these areas.

But in 2006 I had another reason to go back to Surbiton, in that I was to appear with two other photographers, Mike Seaborne and Paul Baldesare in the exhibition Another London, at Kingston Museum in January 2007 and I wanted to include some pictures from the local area in my section of the show.

You can still see all 26 of my pictures from that show (and those by the other two. My set included pictures from both the Surbiton Festivals I attended, as well as one from the July 2006 Kingston Regatta, two from the September 2006 Kingston Festival and one of Koreans watching the World Cup in nearby New Malden.

Surbiton is centred around Surbiton Station, a classic 1930s Southern Railway modernist structure and an important commuter station with an incredibly frequent service – around ten trains an hour to Waterloo, the faster taking around 20 minutes.

When it was first developed in the 1840s it was called ‘Kingston-upon-Railway‘, only getting its current name in 1869 – although this is a name with medieval roots, with Suth Bere-tun being Old English for an outlying farm – then part of the Royal Manor of Kingston (Norbiton was closer to the centre.)

*Only one military vehicle joined this year’s parade – unless you count the model held out in the driver’s hand.*

Kingston is an ancient town – it was the town where Anglo-Saxon kings were crowned – but the Surbiton Festival is a modern tradition, begun by the Rotary Club a little over 25 years ago. It seems to have grown considerably since I went in 2006. The 2025 festival was last Saturday and though I considered briefly whether to go, I decided I had other things to do. Perhaps next year…

*Beavers, Cubs, scouts and guides were all present*

You can see a few more of the pictures I took in 2006 on My London Diary. The short text I wrote is a little hidden, so here it is in full – though there is more information in the picture captions.

The Annual Surbiton Festival seems still to be very much a local community based affair, and takes over one of the main shopping streets, still mainly lined by small shops. This year it’s centre was the station car park, with room for a brass band, morris dancing and other activities.

The day started with driving rain, but fortunately it stopped in time for the festival to start, opened by the Mayor of Kingston. I followed her for a while as she visited the stalls along the street, taking a real interest in what was going on.

The 10 am start meant that at first the streets were rather empty, but things began to fill up later. The parade was a little thinner than in previous years, and we [Paul Baldesare and myself] were disappointed not to see more.

After the parade I went back to watch the morris dancers perform a second set, but as it came on to rain, I decided it was time to take a train elsewhere

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Kingston Carnival 2007

Kingston Carnival: On Sunday 2 September 2007 I went to Kingston to photograph the carnival.

Kingston is a town I’ve visited fairly often over the years, though mainly just going through it or changing buses to meet friends or go to meetings elsewhere, but I’ve never really got to know. Its an ancient town, where Saxon Kings were crowned and the street layout in its central pedestrianised areas still follows much of its complex medieval pattern. It includes several pubs worth a visit.

Kingston (officially Kingston-upon-Thames) also has a fine museum where I was pleased to be a part of a show, Another London, in January 2007 along with Mike Seaborne and Paul Baldesare – which you can still see online. Among my 26 pictures which featured in it were three made in Kingston including two from the 2006 Kingston Carnival, as well as two from adjoining Surbiton.

The museum also has a permanent exhibition of Kingston’s most famous son, photographer Eadweard Muybridge, (1830-1904) best known for his pioneering studies of animal movement beginning with pictures of the racehorse Occident owned by the former governor of California, Leland Stanford made in 1878 using a line of 12 cameras triggered by strings the horse ran through.

His work had been interrupted earlier in 1875 when he was on trial for murder after having shot his wife’s lover. His lawyer pleaded insanity presenting evidence that he had bouts of unstable behaviour caused by a severe head injury in a stagecoach accident in 1860 and the jury acquitted him recording a verdict of justifiable homicide.

The centenary of Muybridge’s death in 2004 was celebrated in Kingston including by my late friend photographer Terry King whose re-enactment of Muybridge’s work using twelve 10×8 cameras at Ham Polo Club. Modern ponies apparently refuse to run through strings thinking they are an electric fence and a different method had to be found to trigger the special shutters attached to the cameras.

Kingston’s 25th Carnival takes place on Sunday 7th September 2025, and I might just go along again, though I don’t think I’ve been to it since 2007.

I didn’t write a great deal about it in 2007, but here it is:

“This year’s Kingston Carnival was a much more exciting event than last year’s but there was still a large rent-a-carnival aspect to it. Kingston is an ethnically rich borough, and although there was plenty of home-grown talent on display, particularly in the performances by youth from the borough, the procession was still dominated by out of town talent.

“It’s great to encourage diversity, but I think a borough carnival has a duty to promote its local expression rather more, even if it might mean – at least until it built up more – a rather less flashy display.

“Of course it was good to see a greater diversity among the ‘foreign’ talent that paraded past the rather dazed looking shoppers along Kingston’s pedestrian streets, including even some clog dancers from Croydon, along with Caribbean groups.

“Beeraahaar Sweet Combination, based in Stamford Hill enlivened the main parade, and the elaborate larger costumes from Paddington Arts arrived later to play their part.”

Many more pictures start here on My London Diary.

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Hayling Island Carnival – 2005

Hayling Island Carnival: On Wednesday 3rd August 2005 I went to photograph the carnival on Hayling Island with a couple of friends. I’d been there for the carnival a couple of times in earlier years, though it wasn’t really my kind of thing.

*Neptune’s court – he had plenty to keep him busy*

Two of my friends had in earlier years got money from the Arts Council to record English Carnivals and had persuaded me to go with them in earlier years and I was with one of them again in 2005.

There is an odd fascination about English carnivals, bringing out the eccentricities of the English, something that had been exploited by earlier photographers, perhaps the first being Sir Benjamin Stone (1838 – 1914), who as Wikipedia states made “an invaluable record of the folk customs and traditions of the British Isles, which influenced later photographers of note“. Notable among these, and one who inspired many before his tragic early death was Tony Ray-Jones (1941-72) and the posthumous book ‘A Day Off: An English Journal‘ published in 1974 was certainly the most influential British photographic publication of that era.

I never met Ray-Jones, who died before I was deeply involved in photography, but I did later become friends and worked with his friend, the Brooklyn-born photographer John Benton-Harris who printed much of his work, including the prints for ‘A Day Off’ and had occasionally photographed with him. And those two photographers who first took me to Canvey were ex-students and close friends of John too.

I worked with John on producing the images for what would have been his masterwork, ‘Mad Hatters – a diary of a secret people… as seen through the looking glass of – John Benton Harris‘ still unpublished, though a few of us treasure copies printed by Blurb but never made public. In mine he thanks me for my ‘Valued Technical Help‘, though we also had many discussions and arguments on the sequencing and very occasionally the selection of images, many of which I made significant improvements by some judicious dodging and burning – though always subject to his approval.

*The ladies from the Health centre were going on a booze cruise*

Actually with John virtually every discussion was a bitter argument – we were once asked to leave an event in Borough Market after a shouting match over a review I had written of a book by Homer Sykes (another of those influenced by Stone.) Sadly ‘Mad Hatters’ remains unpublished. It’s a fine body of work but a book greatly in need of an editor – something John would never tolerate.

*The Navy gets in on the act with HMS Hayling*

Back to 2005, here is the text I wrote for My London Diary about the day:

I went to Hayling Island for the carnival with Paul and Michael, and it was a nice day. Paul drove us down - it isn't too long a drive from London, really a Londoner's day out. Hayling seems full of people from London on holiday, some with second homes there, others hiring them, often from family and friends.

*A beach tableau, complete with seagull*

Despite a longer than usual hold-up at Haslemere, we arrived just in time for the official opening. Everything was happening on the day, and it started with the crowning of the Carnival Queen and her retinue, then on to the Fancy Dress.

Then came the Baby Show, after which we went down to the other end of the town, where the carnival formed up in previous years. It seemed dead there, with more housing and less shops than before, and nothing was happening. People up that end are apparently pretty fed up to lose the carnival, and we were sorry to miss another meeting with 'the King' whose playing had been a major feature of previous years.

We grabbed a meal at a restaurant and then made our way back for the Dog Show, After which it was time for the parade to form up near the sea front. There were more mermaids than you could ever imagine and everyone seemed to be having fun and I took a lot of pictures.

More pictures from Hayling Island Carnival 2005 on My London Diary.

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Jesse Jackson, Cuts & Paris • New York • London Opening 2010

Jesse Jackson, Cuts & Paris • New York • London Opening: Wednesday 20th October 2010 was an unusual day for me. I don’t often photograph conferences, but I started at one where Jesse Jackson was speaking and then went to lobby my MP over tax justice. Kwasi Kwarteng was seldom seen in the constituency but later became notorious when he helped Liz Truss crash the economy. From there I used to cover people marching to Downing Street against the government spending cuts before leaving to go to the Shoreditch Gallery for the opening of a show by three photographers I had organised, ‘Paris – New York – London’ (I was Paris.)

Jesse Jackson & Christian Aid Lobby – Westminster

Jesse Jackson, Cuts & Paris • New York • London Opening 2010

2,500 Christian Aid supporters including my wife had come to Westminster to lobby their MPs on 20.10.2010, asking them to press for transparency and fairness in the global tax system and for action on climate change.

According to campaigners for tax justice various forms of tax dodging by multinational companies was then robbing the global South of more than $160 billion a year. And our high dependence of fossil fuels had led to a climate crisis which impacts these countries far more severely despite their much lower per capita carbon footprints.

The rally took place in the vast Methodist Central Hall, opposite Westminster Abbey, and as we were reminded where the United Nations started. There was a huge ovation for US Civil Rights leader, activist and politician Jesse Jackson, a protégée of Martin Luther King president and founder of the Rainbow PUSH Coalition.

But there were also other distinguished speakers including the then new director of Christian Aid, Loretta Minghella, Suzanne Matale from Zambia and secretary of state for international development and MP for Sutton Coldfield, Rt. Hon Andrew Mitchell MP.

After the rally we met our local MP Kwasi Kwarteng and went with him into a pub opposite Parliament where he he listened to us and basically told us we didn’t understand global finance and climate change, before going outside to pose with for photographs.

Outside there was some street theatre by younger Christian Aid supporters as people queued to meet there MPs and I made a few pictures before rushing away to find people marching to protest against government cuts.

Jesse Jackson & Christian Aid Lobby

March Against Spending Cuts – Malet St & Lincolns Inn Fields

Earlier in the day the government had announced there would be considerable cuts in welfare benefits and the loss of many public sector jobs as services are cut following their comprehensive spending review.

The deficit left by New Labour had given the Tories in the Con-Dem coalition a perfect excuse to slash the public sector and privatise services in a way they would never have dared before. £83 billion to be cut from public services, in a move that the Coalition of Resistance pointed out will mean many workers with less to spend and cause a slump in the economy.

But as I commented “Big business must be rubbing its hands with glee at the thought of the profits it will be able to make in the health service, from so-called ‘free schools’ and elsewhere.”

But for the rest of us the prospect was bleak. More than a million jobs lost – and some would be replaced in the private sector with lower wages, fewer benefits, lower standards of delivery and safety and higher workloads. Profit will come before anything else in the kind of “efficiency” we’ve seen in hospital cleaning – where I found used needles and dressings under my hospital bed as cleaners were not allowed the time to do the job properly.

I went to photograph students setting off from outside the student union in Malet Street for the march to Downing Street, then went to Lincoln’s Inn Fields where trade unionists and more students gathering and there were speeches from an open top bus before they too set off.

But I went in the opposite direction to my opening at the Shoreditch Gallery.

March Against Spending Cuts

Paris • New York • London Opening – Shoreditch Gallery, Hoxton Market

*Me at the opening where I gave a speech – photograph © Paul Baldesare, 2010*

This show contained work by John Benton-Harris from New York, Paul Baldesare from London and myself from Paris and can still be seen online.

*Addicted To Jesus – Arthur Avenue, Bronx NYC – 14th March 2009 © John Benton-Harris*

John Benton Harris (1929-2023), one of the finest photographers to come out of New York, settled in London in 1965 but continued also to photograph his native city and elsewhere. He was long a personal friend and I worked with him on a number of his projects including his Café Royal Zines and his unpublished book on the English.

*Window dresser, Oxford Circus, London © Paul Baldesare, 2010*

Paul Baldesare, another friend of mine with whom I’ve often shown pictures and a former student of John Benton-Harris showed work from one of his many projects on London, He is probably best known for his pictures on the tube.

And I was showing a selection of images made in Paris in 1988 from a book I had also then recently published on Blurb.

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Pancakes, A Farm & Another London – 2007

Pancakes, A Farm & Another London: My working day on Shrove Tuesday, 20th January 2007 began in Guildhall Yard in the City of London, where by permission of the Chief Commoner the Worshipful Company Of Poulters were holding their annual charity pancake races. The Poulters got their charter to regulate the sale of poultry and small game in 1368, but their pancake races are a rather more recent tradition, first run in 2005.

Music for the event came from the Worshipful Company Of Musicians (1500), time-keeping was by the Worshipful Company Of Clockmakers (1631) and a starting cannon for each of the many races was provided and fired by the Worshipful Company Of Gunmakers (1637.)

Although this is a charitable and fun event it fully demonstrates the competitive spirit at the heart of the city. More pictures on My London Diary.

From Guildhall I rushed to another pancake event on the edge of the City, the Great Spitalfields Pancake Race at the former Trumans Brewery, arriving very out of breath just in time to see the finish of the final race and to photograph some of those who had taken part in fancy dress and the prize-giving.

As I commented, “the atmosphere was considerably less restrained than in the City.” More pictures.

From there a short walk took me on a visit to Spitalfields Urban Farm, one of a number of urban farms set up in the 70s and 80s (1978 in this case) on waste land. This area had formerly been part of a railway goods depot next to the line out of Liverpool Street. It now provides an environmental education and a great deal of enjoyment to people of all ages in the local community.

I was meeting with other photographers later in the day, and still had time to stroll in a leisurely fashion through Spitalfields to Shoreditch to catch the bus, making a few photographs on the way. Back then there was relatively little graffiti on the walls around the disused Spitalfields station and Brick Lane, but now its hard to find a square inch of wall not covered with it. I was photographing in a dark alley leading through to Bishopsgate when a hooded figure strolled past me. Despite the media stereotyping of ‘hoodies’ I couldn’t feel he was in the least threatening; if anything rather more like a monk. More pictures on My London Diary.

I met a group of photographer friends for a meal at an Italian cafe in New Malden and then we went on together to Kingston Museum, where the show ‘Another London‘ including my work along with that of Paul Baldesare and Mike Seaborne was then showing. Of course it closed years ago, but the web site featuring work from it is still on-line.

As the introduction on the site states, the show features “the London of the suburbs, of its deprived areas and of its various ethnic groups” with work by myself an Paul “in the tradition of ‘street photography‘” and Mike’s panoramic urban landscapes some “using the viewpoint offered by the front seat of London buses.”

Another London

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Kwasi Kwarteng, Cuts & Paris, New York, London

Wednesday 20th October 2020 was a rather different day for me. I started photographing speakers at an indoor rally, something I rarely do, went off to meet with my MP in a pub, then photographed a march against cuts in welfare and the loss of public sector jobs, ending the day at the opening of a show featuring myself and two other photographers, one of whom, Paul Baldesare took two of the pictures in that section of today’s post.

Jesse Jackson & Christian Aid Lobby – Westminster, Wednesday 20 October 2010

I was one of the 2,500 or so Christian Aid supporters who came to Westminster to lobby their MPs on 20.10.2010, asking them to press for transparency and fairness in the global tax system and for action on climate change.

The day started with a rally in the Methodist palace of Westminster Central Hall, opposite Westminster Abbey, the hall where the inaugural meeting of the United Nations General Assembly took place in January 1946. The Methodists had then moved out for a few months to allow this to take place, and special seating, translation booths installed, along with extra lighting to allow the event to be photographed and televised. But I think that lighting must have been removed as it was pretty dim inside for me to photograph the speakers. But I and a small group from my constituency were fortunate to be inside as there wasn’t enough room for all who came.

*Supporters outside Methodist Central Hall*

There were speakers from this country and abroad, but the star of the event was undoubtedly the Rev Jesse Jackson, a noted US civil rights and political activist, president and founder of the Rainbow PUSH Coalition, a candidate for the Democratic presidential nomination in 1984 and 1988.

After the rally and a hurried lunch a small group of us from his Spelthorne constituency met with our then recently elected MP, Kwasi Kwarteng, who suggested we find a place in the St Stephen’s Tavern to talk rather than have to go through the tedious business of queueing to go through security to meet inside the parlimentary offices. Although he was still relatively unknown it was rather easy to find him, as there are relatively few extremely tall black male MPs. Though rather more share his educational background of prep school and Eton.

Since then his rise to fame has been rapid, though after his recent sacking after only 38 days as Chancellor of the Exchequer, perhaps that should be notoriety. He has only visited his constituency on fairly rare occasions and I’ve yet to meet him again, though have seen him from a distance outside parliament.

He listened – or at least stayed fairly quiet – while my wife and others talked about the campaign for tax justice and the need for reforms to stop the various forms of tax dodging by major companies robs poor countries of more than $160bn a year, while climate change and the natural disasters it is bringing have a vastly greater impact on the poorer countries who are most vulnerable, despite their much lower per capita carbon footprints. They suffer from the results of our high dependence on fossil fuels.

But his response to the lobbying was perhaps best described as ‘mansplaining’; we were not at the time aware of his work as a consultant for the Odey Asset Management hedge fund or the recent allegations by Private Eye that he has continued to receive undeclared contributions from them. Certainly his activities as Chancellor have resulted in them and other hedge funds who bet against the pound making millions.

More at Jesse Jackson & Christian Aid Lobby.

March Against Spending Cuts – Malet St & Lincolns Inn Fields, Wed 20 Oct 2010

This was the day that the government announced the results of their comprenhensive spending review (CSR) which involved considerable cuts in welfare benefits and the loss of many public sector jobs as services are cut. The deficit left by the outgoing New Labour government had given the Tories in the Con-Dem coalition a perfect excuse to slash the public sector and privatise services in a way they would never have dared before.

More than a million public sector jobs were expected to be lost, with some being replaced by private sector workers on lower wages, fewer benefits, lower standards of delivery and safety and higher workloads. There will be more cases of people suffering as private companies expand into healthcare, putting profits before the needs of people, and similar changes in other areas.

The Coalition of Resistance who called the protest say the £83 billion to be cut from public services will plunge the economy into a slump. Rather than cutting jobs, pay, pensions, benefits, and public services that will hit the poor ten times harder than the rich, they urge the government to cut bank profits and bonuses, tax the rich and big business. Rather than contract out the NHS, they should axe Trident and withdraw from Afghanistan.

I had to leave before the rally at the end of the march at Downing Street to prepare for the opening of an exhibition I had organised in Hoxton.

March Against Spending Cuts

Paris • New York • London Opening – Shoreditch Gallery, Hoxton Market. Wed 20 Oct 2010

Together with two photographer friends I had put on the show Paris • New York • London at the Shoreditch Gallery which was attached to a cafe in Hoxton Market, a small street just off Great Eastern Street, close to Hoxton Square. Rather confusingly this is not where the actual Hoxton Market is now held which is in Hoxton St.

*Me in a red jumper at the opening © Paul Baldesare, 2010*

The show was a part of the East London Photomonth annual photography festival, and over the month it was on attracted a decent number of visitors and comments. My section was Paris, and I’d ordered a decent number of copies of my book, Photo Paris, still available at Blurb, most of which sold at the show. Unfortunately I think it now costs around twice as much as I was able to sell it for then.

*Jiro Osuga, Townly Cooke, my book and Me © Paul Baldesare, 2010*

Paul Baldesare’s pictures of London and pictures taken by John Benton-Harris in New York completed the show and you can still see the work online on a small web site I wrote for the event. Thanks to Paul for some pictures taken at the opening where I was too busy talking to use a camera.

Paris • New York • London Opening

Pancakes, a Farm and More From London

Pancakes, a Farm and More From London 2007. Fifteen years ago on Tuesday 20th February 2007 I had a long but enjoyable day.

Worshipful Company of Poulters Pancake Race

It was Shrove Tuesday, and my working day began in Guildhall Yard at the centre of the City of London, where some of its older institutions were enjoying letting their hair down a little in the Worshipful Company of Poulters Pancake Race.

I wrote then: ” it was first run in 2005, but as befits the city it has a serious set of classes and rules, music from the Worshipful Company Of Musicians (1500), time-keeping by the Worshipful Company Of Clockmakers (1631) and a starting cannon for each of the many races provided and fired by the Worshipful Company Of Gunmakers (1637.)

The guilds are now largely charitable organisations and the event each year supports the current Lord Mayor’s charity, which in 2005 was Voluntary Service Overseas, VSO. But although it is just a bit of fun, it also strongly showed the competitive nature of the the City.

Great Spitalfields Pancake Race

There was a very different feel to the Great Spitalfields Pancake Race at Trumans Brewery in Spitalfields, organised by Alternative Arts where teams from local businesses were competing in fancy dress on Dray Walk. Rules there were minimal and the emphasis was on fun.

I arrived rather out of breath and very late, having run most of the way from the Guildhall, and was only just in time to see the final race and the prize-giving.

Spitalfields Urban Farm

I had nothing particular to photograph for the rest of the day and decided to accompany a friend who was looking after a couple of his neighbours children and take a look at the Spitalfields Urban Farm. A late friend of mine had helped to set up and running an urban farm in Vauxhall in 1977 a year earlier than the Spitalfields farm, but part of the same movement in those years.

The farm was set on land which had previously been a part of a goods yard for the railway coming from East Anglia into Liverpool St. I imagine the only animals then would have been coming to slaughter in London markets, but now they had a happier future, providing environmental education and a great deal of enjoyment to people of all ages in the local community.

Art, Architecture and a Hoody

I said good goodbye to my friend and the children he was with at the farm and went for a short walk around Spitalfields on my way to catch a bus on Norton Folgate, one of those great historical names that we still have in London.

Norton Folgate, on the north edge of the City of London used to be an “extra-parochial liberty”. According to Wikipedia there are several theories about the name. Norton probably came from Old English words north and tun, the latter meaning farmstead. But Folgate is more of a mystery; possibly it came from the name of a Lord of the Manor or alternatively from the Saxon ‘foldweg’ meaning highway, but I think its derivation is probably a mystery lost in time.

Before the Reformation the area was occupied by the Priory and Hospital of St Mary Spital, and when the priory closed down it became Crown property, and was not included in the neighbouring parishes. Being a liberty meant the King surprisingly didn’t claim an income from it. In 1900 it became a civil parish and in 1921 it was divided in two the west part going to the borough of Shoreditch and the east to the borough of Stepney. Both these were abolished in 1965 with the formation of the London Boroughs of Hackney and Tower Hamlets. Finally in the 1990s parts of the area were transferred to the City of London, though my walk was streets of Tower Hamlets.

Another London

I was on my way to New Malden where I was meeting Paul Baldesare and a few other photographers in an Italian cafe before going on to give them a guided tour of our show (with Mike Seaborne), Another London, then taking place in Kingston Museum.

The website I think shows all of the photographs in the show by all three of us. My own contribution was on photographs of public events in London, concentrating on those “related to particular ethnic communities in the capital, while others are from very local events such as street parties and festivals.” It includes quite a few made with the show in mind in the London Borough of Kingston.

My photographs from 20th February 2007 are linked from the February 2007 page of My London Diary, but you will need to scroll down to find both the texts and links to the images, a problem with the site design which I improved the following year.

Underground Photography

Like many photographers who work in London I spend too much of my time underground, travelling around from place to place. Taking the Underground is usually the fastest way to get around London other than riding a bike as traffic congestion so often holds up buses and taxis (which are prohibitive unless you work in advertising or fashion.)

Taking my bike to London is possible, but adds complications like finding a safe place to lock it up (and nowhere in London is really safe from bicycle theives) and, particularly with marches where I may end up taking pictures a mile or more from where I started, having to walk back and find it. So usually I rely on buses when I’m not in any hurry or the tube when I am and the journey is too long to walk.

Back around 1990 I first saw the pictures taken on the Underground by Paul Baldesare, who became a friend and one I’ve shown work together with on numerous occasions. The first was a show at the Museum of London and as Paul already had some fine work on the tube, I decided to make a set of images for it of people on London’s buses. Paul’s early work was in black and white, but later he went on to photograph the tube in colour.

Another photographer who has photographed underground for a long period of time is Bob Mazzer, and you can find several features on his work on Spitalfields Life (there are links at the bottom of that page to the others.) His pictures are more varied than Baldesare’s and are the pictures of a regular daily traveller recording odd moments and unusual scenes.

Published now by Hoxton Mini Press. is a book of the work of photographer Mike Goldwater, London Underground 1970-1980, and you can see a fine selection of pictures on the BBC web site feature Candid moments on the London Underground.

And for a final mention, Stefan Rousseau, whose more recent pictures appeared in a Metro feature, Photographer secretly documents people’s sleepy commutes on London’s underground in April 2019.

Of course there are many other photographers who have photographed on the London Underground, including some well-known names, and several photographers I know whose projects I haven’t mentioned, along with the many thousands who have posted their phone images to Instagram and elsewhere. And of course there are other cities and underground networks. But the examples I’ve linked to are some that have particularly interested me and that I hope readers of this post will enjoy. Apologies to all those not mentioned!

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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