Posts Tagged ‘Tube’

Climate Camp 2009

Thursday, August 26th, 2021

The Blue Group on the way to Blackheath

I’d been a little wary of photographing at earlier Climate Camps because of their published media policy, driven I think by a few individuals with paranoid ideas about privacy and a totally irrational fear of being photographed. It required press photographers visiting the site to sign the media policy and to be accompanied while on the site by a minder, and I’d not been prepared to do so.

Some made themselves comfortable on Blackheath Common

But in 2009 I was invited to attend by the late Mike Russell or ‘minimouse’ to be a part of the documentation team for Climate Camp and took up the offer. At the camp I was given a sash showing I was a part of the Climate Camp documentation team which made things a little easier, though there was still a “certain amount of hostility to photography. There were some ‘no media’ areas marked, and although strictly this did not apply to the documentation team, I largely steered clear of them. I was also asked not to photograph two particular events, and a few people declined my request to take their picture. But in general people were friendly, cooperative and helpful and some clearly enjoyed having their pictures taken.”

Capitalism IS Crisis’

I didn’t spend a great deal of time at the Climate Camp. I travelled down on the Wednesday on the tube and DLR with a group of campers who met at Stockwell Underground, a location chosen because of the murder by police there of Jean Charles de Menezes as he sat on a train on his way to work on 22 July 2005. The Blue Group was one of six groups meeting at different stations waiting for instructions of how to get to the then undisclosed site for the camp.

The Welcome tent for visitors

We left the DLR at Greenwich and made our way up the hill to Blackheath Common past an apparently deserted police station. The common is a large flat grass area that is home to several festivals during the year and is some distance from anywhere where a large gathering would cause any real nuisance. But though it was a very suitable site, it too was chosen for its history. As I wrote in 2009:

this was the site where radical cleric John Ball made what is described as the first speech against class oppression, with its famous “When Adam delved and Eve span, who was then the gentleman?” and urged his peasant audience to “cast off the yoke of bondage, and recover liberty.”

The Peasant’s Revolt of 1381 ended unhappily, and Ball was hung, drawn and quartered the following month while the teenage King Richard II looked on as the priest was bfirefly hung and then carefully kept alive to watch his genitals and bowels being removed and burnt before he was beheaded and his body hacked into four pieces. Ball’s fate didn’t stop Jack Cade leading a further popular revolt to also camp at Blackheath Common on its way to London in 1450, although Cade was fortunate to be killed in a battle before he could be hung, drawn and quartered; like Ball, his head was then displayed on London Bridge.

My London Diary

Ktichens around the site were preparing food

The Climate Camp hoped for rather more pleasant treatment by the authorities, and while they were setting up the police largely kept their distance. There was a minor incident when an anarchist group indulged in what they described as a ‘little anti-pig action’ hurling insults at two police officers who had come to talk to some of the organisers.

I was busy with other things on the Thursday and Friday, and returned to the Climate Camp on Saturday, and wearing my documentation team sash began to take pictures. I talked with a woman living in Catford who had come to visit the site and she was happy for me to follow her around in the Welcome tent and as she began to look around the site, then went to document some of the activities around the site.

Police surveillance cameras were covering the camp from just outside the fence and after I noticed one following my movements I walked closer outside the camp to photograph it, as I hadn’t brought a very long lens. I was then followed rather ineptly (perhaps deliberately so) by a young black man in plain clothes making notes in his notebook as I wandered around for the next 15 minutes.

Many talks and workshops were taking place

By then I thought I had covered all I could on the camp and it was time to go home. It wasn’t that exciting and the real events of Climate Camp took place whe groups left it to protest elsewhere around London, but I would have had to stay at the camp to take part in these.

In the set of pictures on My London Diary which I also supplied to the Climate Camp you can see something of the enormous amount of organisation that went into the camp. Those who came either to stay for several days or simply as day visitors will probably have learnt much about the climate crisis. Twelve years ago most people didn’t take it particularly seriously, and politicians were happy to ignore it. The Climate Camps were a call to action that was largely ignored and the mass media kept on giving at least as much air time and credence to climate deniers as to scientists and others aware of the impending disastrous consequences of man-made global warming. Now it has become rather difficult to ignore, but we are still not seeing the kinds of action by our government or other governments that will avert disaster.

Climate Camp: Saturday
Climate Camp: Setup
Climate Camp: Blue Group Swoop

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Notting Hill 1998

Wednesday, September 9th, 2020

1997 I again photographed Notting Hill in colour, and I have yet to digitise any of the roughly 600 frames I took over the two days. I also have some more colour work from previous years I have yet to add to my Flickr album, and I will share some of those also at a later date.

On the way to Notting Hill Carnival, 1998. Peter Marshall 98-817-46_2400
En route to carnival, 1988 Peter Marshall

But in 1988 I was busy with both black and white and colour – and again there are very few of the colour images I have yet printed or digitised, including some more colour panoramic work. I have so far only scanned or digitised around 15 of the several hundreds of black and white pictures I took, some of which have appeared in the several publications and exhibitions of my carnival pictures, including the ‘The English Carnival‘ exhibition in 2008. I’ve uploaded these to the Flickr album, Notting Hill Carnival – the 1990s, but I think there are probably quite a few more pictures worth digitising when I find time

Notting Hill Carnival, 1998. Peter Marshall 98-822-24_2400
Notting Hill Carnival, 1998. Peter Marshall 98-822-12_2400
Notting Hill Carnival, 1998. Peter Marshall 98-818-642_2400
Notting Hill Carnival, 1998. Peter Marshall 98-815-63_2400
Notting Hill Carnival, 1998. Peter Marshall 98-812-54_2400

More on page 3 of my Notting Hill album.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Underground Photography

Thursday, November 7th, 2019

Like many photographers who work in London I spend too much of my time underground, travelling around from place to place. Taking the Underground is usually the fastest way to get around London other than riding a bike as traffic congestion so often holds up buses and taxis (which are prohibitive unless you work in advertising or fashion.)

Taking my bike to London is possible, but adds complications like finding a safe place to lock it up (and nowhere in London is really safe from bicycle theives) and, particularly with marches where I may end up taking pictures a mile or more from where I started, having to walk back and find it. So usually I rely on buses when I’m not in any hurry or the tube when I am and the journey is too long to walk.

I decided to photograph on buses.

Back around 1990 I first saw the pictures taken on the Underground by Paul Baldesare, who became a friend and one I’ve shown work together with on numerous occasions. The first was a show at the Museum of London and as Paul already had some fine work on the tube, I decided to make a set of images for it of people on London’s buses. Paul’s early work was in black and white, but later he went on to photograph the tube in colour.

Another photographer who has photographed underground for a long period of time is Bob Mazzer, and you can find several features on his work on Spitalfields Life (there are links at the bottom of that page to the others.) His pictures are more varied than Baldesare’s and are the pictures of a regular daily traveller recording odd moments and unusual scenes.

Published now by Hoxton Mini Press. is a book of the work of photographer Mike Goldwater, London Underground 1970-1980, and you can see a fine selection of pictures on the BBC web site feature Candid moments on the London Underground.

And for a final mention, Stefan Rousseau, whose more recent pictures appeared in a Metro feature, Photographer secretly documents people’s sleepy commutes on London’s underground in April 2019.

Of course there are many other photographers who have photographed on the London Underground, including some well-known names, and several photographers I know whose projects I haven’t mentioned, along with the many thousands who have posted their phone images to Instagram and elsewhere. And of course there are other cities and underground networks. But the examples I’ve linked to are some that have particularly interested me and that I hope readers of this post will enjoy. Apologies to all those not mentioned!

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.