The North Circular Road crosses the Lea Navigation in Edmonton, where there are now a whole series of six bridges over it, though I think there were fewer when I was taking these pictures in 1983. The street map I used shows the North Circular as just a single carriageway, Angel Road, which on the east side became the Lea Valley Viaduct, and I think this picture is taken across the whole of the roadway.
To the south of the North Circular there were industrial and commercial areas on both banks, with Clements International UPH, “Europe’s Largest Maker” on the west, a huge furniture showroom (I suppose the UPH stands for upholstery) and beyond it to the south a timber wharf.
On the east bank wasDorford Wharf and the extensive Lea Valley Trading Estate and Kingsway Industrial Estate, and another timber wharf, which I’ll post pictures from later.After re-instalapi-ms-wi-
On the east bank wasDorford Wharf and the extensive Lea Valley Trading Estate and Kingsway Industrial Estate, and another timber wharf, which I’ll post pictures from later.
I think all of the businesses by the navigation were closed, including the cafe here. Now the whole area has been cleared.
Although commercial traffic on the Lea Navigation had come to an end, there were still a number of lighters on it, including this one moored in front of a timber wharf. There were so many timber wharves on the Lea because the entrances to the Limehouse Cut and Bow Creek leading to the Lea Navigation were opposite the Surrey Docks, where ships brought in timber from the Baltic and elsewhere and which had large storage ponds where it was stored and seasoned.
There is still a timber merchant not far away, just to the north of the North Circular at Ash Wharf, but none of its timber comes in by barge.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
Today, 10th December is UN Human Rights Day. I think the 10th December 2016 may have set a personal record in that I covered seven events, although one was only a fleeting meeting with a Rhino as I passed through Parliament Square. But five were human rights protests.
My work began in Old Palace Yard, in front of the House of Lords and around the rather ugly statue of George V. On 10th December 1948 the UN General Assembly adopted the Universal Declaration of Human Rights (UDHR) and since then the day has been celebrated in countries around the world as Human Rights Day.
The UK was one of the countries that played a large part in both the establishment of the UN, whose first General Assembly was held in the early months of 1946 just a few hundred yards away in Methodist Central Hall, and in the UDHR, which “proclaims the inalienable rights which everyone is entitled to as a human being”.
But our current government finds some of its provisions inconvenient and one of the driving forces of Brexit is that it will provide the opportunity to weaken compliance with the UDHR, threatening our human rights including workers rights to paid holidays, maternity leave and fair treatment at work, disability rights and the right to freedom from discrimination.
Supporters of the UK remaining in Europe were protesting in silent chains in towns and cities across the country and several hundred had come to do so in the centre of London. I didn’t find it easy to produce interesting pictures of what was a rather static event. Silent Chain for Europe
As I walked across the front of Parliament towards Westminster tube station I came across two people in rather impressive rhinoceros costumes who were being photographed in front of the House of Commons, and paused briefly to take a couple of pictures.
What rather surprised me was the almost total lack of interest in them shown by the many tourists walking past. After all it isn’t every day you pass two rhinos on the street. Save the Rhino
People from various campaigns had come to Broadcasting House to protest and hand in a letter about the BBC’s failure to report on political prisoners held unjustly in jails around the world. They accuse the BBC of an institutional policy of ignoring such cases, including a hundred Irish Republican prisoners, former Black Panther Mumia Abu Jamal held on Death Row in the USA for over 30 years, many Palestinians held in Israeli jails, the victims of Erdogan’s purge in Turkey, the many hanged in Iran and other cases of illegal imprisonment around the world. BBC censors prison struggles
From the BBC I made my way north to Mornington Crescent, where I met one of the four groups of Santacon; the north London group had met up in Camden and were coming down into Central London and soon stopped in a small park.
I found it a little disappointing – as I wrote then,
“this year the event did seem rather more organised and tame, lacking some of the anarchic charm and chaos that brought much of London’s traffic to a halt in previous years – or perhaps I just took these pictures earlier in the day before the Christmas spirits, wine and beer had really kicked in. “
I think police had leaned rather heavily on the organisers and insisted that they move off the streets into areas such as this for much of the event. I didn’t stay with the Santas long because there were other Human Rights Day events to photograph.
I took the tube back to Westminster where I found Balochs protesting opposite Downing St, calling on Theresa May to speak up for the Baloch people and their freedom against the Pakistan regime which they claim has a policy of genocide against the Baloch people and has killed thousands of Baloch activists and abducted more than 25,000 of them.
They say those abducted are tortured and then killed, with their bodies being dumped in deserted areas. Balochistan was an autonomous kingdom on the border of Pakistan and Iran, and was merged with Pakistan in 1948, the year after Pakistan was created. Since then there have been various Baloch separatist movements which have been brutally repressed by both Pakistan and Iran. Balochs UN Human Rights Day protest.
I’d come to Whitehall to report on the Guantanamo Justice Campaign protest on UN Human Rights Day opposite Downing St calling for an end to torture, the closure of Guantanamo and an end to British complicity in torture.
It wasn’t a well attended protest probably because there had been relatively little publicity, but also reflecting the problem of keeping up interest in long running issues such as this which no longer attract much if any attention from our news media. They will argue that it is no longer news, but that is only because they choose not to cover it, instead filling pages and programmes with empty speculation and inconsequential affairs of insignificant so-called celebrities rather than matters of importance. Human Rights Day call close Guantanamo
Another issue which has slipped almost completely off the news agenda is the plight of the Yazidi women and girls targeted and captured by ISIS (Da’esh) in Iraq. According to UN reports, more than 5000 Yazidis had been murdered and 5-7,000 abducted. Over 3,400 are believed to be still held, the women subjected to physical and sexual violence, including systematic rape and sex slavery.
The visit to the UK by UN goodwill ambassador Nadia Murad Basee Taha for 16 days of action prompted little or no news coverage. Save Yazidi women and girls
More about all these events and more pictures on My London Diary.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
Three years ago December 9th was a Saturday and people were out on the streets in at least three protests which I photographed.
My day’s work began at the Ministry of Defence, where peace campaigners celebrated the award of the 2017 Nobel Peace Prize to ICAN, the International Campaign to Abolish Nuclear Weapons, with a die-in on the steps.
ICAN was awarded the prize for its role in pushing for a United Nations global nuclear ban treaty which was approved by 122 nations at the UN General Assembly in 2017. In October 2020 Honduras became the 50th country to ratify it and will come into force on 22 January 2021. The UK government refused to take and part in the negotiations and has refused to sign the treaty and the award of the Nobel prize hardly got a mention in the UK media.
None of the main nuclear powers has signed the accord, and the protesters including members of ICAN UK, CND, Medact and WILPF, the Women’s International League for Peace and Freedom, urged the UK to sign up and scrap Trident replacement. Bruce Kent made a presentation of a large cardboard Nobel Prize to ICAN UK, and handed out small ‘Nobels’ (gold-covered chocolate coins) to all who come up for them. After a few speeches there was then a die-in on the steps of the ministry.
A large crowd had gathered in Belgrave Square for the National Anti-Slavery March, organised by African Lives Matter after the news that African migants detained in Libya were being sold as slaves by Arab slave traders.
They marched to Knightsbridge and then along to Hyde Park Corner, going around the roundabout and then back along the other carriageway of Knightsbridge to the Libyan Embassy where there was a lengthy rally, including an African priest leading a libation ceremony in memory of the many Africans who have fought for their people against enslavement and colonialism; people in the crowd shouted out names for him to honour with pouring water onto the ground.
As well as demanding the closure of the Libyan detention centres, action by African governments to rescue people detained in the camps and condemnation of the slave trade and murders of migrants by all African leaders and the UN, calling on Libya to make and enforce laws that prevent these crimes against humanity, many also demanded reparations for the historic slave trade and the continuing despoliation of African resources by imperialist nations including the UK.
I had to leave before the rally ended as I was beginning to shake and feel unwell, weak and dizzy, the signs of an diabetic hypo, and I walked a short distance away to sit down eating one of the snacks I carry to give a rapid boost of my blood sugar. Soon I was feeling well enough to eat my lunch and take the tube to my final event of the day, a vigil outside Lambeth Town Hall in Brixton against the heartless policies of Lambeth Council.
Lambeth are one of the London Labour councils who are pursuing a policy of social cleansing under the guise of regeneration, realising the asset value of council estates by demolition and rebuilding with only small provision of social housing, resulting in many local council tenants and leaseholders being forced to move out of the area.
Lambeth have also made drastic cuts, shutting down community centres, cutting services for the disabled, those with mental health problems, young people and social services generally; although the Council claim these actions have been forced on them by Tory government cuts, the protester point out that Councillors’ expenses and allowances keep on growing and they have spent over £150m on a new Town Hall.
The vigil included a tribute to Cressingham Gardens resident and leading campaigner Ann Plant who died of cancer in December 2016, spending her final months continuing the fight to prevent the demolition of her home and her community by the council.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
The recent failure of the Arcadia group brought memories of UK Uncut back to mind. Formed in 2010 this “grassroots movement using direct action to fight the cuts and highlight alternatives to austerity” organised a number of peaceful direct actions against tax dodgers in the following couple of years, though more recently it seems to have largely confined itself to posts on Twitter and Facebook – including this on 1st December this year by Rob:
It is not ‘Topshop owner Arcadia group could collapse into administration within days’, it’s ‘billionaire tax exile Sir Philip Green will let company in his wife’s name fail, with massive hole in pension pot and risking thousands of jobs at Christmas time during a pandemic.’
I photographed a number of UK Uncut events, and their biggest day of action was 8 years ago today, on Saturday 8 Dec 2012 when there were over 45 protests at Starbucks shops across the UK with women, men and children transforming Starbucks stores into in refuges, crèches and homeless shelters in protest against the impact of the government’s cuts on women and their refusal to clamp down on tax avoidance.
While actions by UK Uncut and others have certainly done much to raise public awareness about the huge amount of tax evasion and tax avoidance by the rich and corporations in the UK it has led to very little action to cut it down. According to HMRC figures for 2018/9, quoted by Full Fact, the the ‘tax gap’ – money that should have been collected as tax but wasn’t – was around £35 billion, of which “£12 billion is attributed to tax evasion, avoidance and organised crime.” Full Fact suggest that tax evasion and avoidance is currently about 15 times greater than benefit fraud.
HMRC claim to have taken many measures to reduce this loss, but it continues to be huge, with far too many loopholes still remaining for the wealthy and companies to legally avoid paying tax on income generated in the UK. Much of the activity of the City of London is devoted to keeping things this way, along with laundering money from criminal enterprises – and the City has its own representative in our parliament – the City Remembrancer – to keep things that way.
Meanwhile, the newspapers and broadcast media plug away at the idea of ‘benefit scroungers’, creating a perception that this is far more widespread than is the case. A 2013 Ipsos Mori survey found that the general public thought that almost a quarter of benefits were fraudulently claimed – over 20 times the actual level. Of course it is still too high, as is the level of those who are underpaid benefits, which is almost as much.
I went with UK Uncut into two Starbucks just off Regent St, going into the Conduit St branch a few minutes before the widely advertised start time for the protest. Staff were denying entry to those they thought would be protesters but I walked in without any problem, and was standing in a long queue to the counter when the protest began. There were speeches and some chanting of slogans inside for around 10 minutes, along with a much larger and noisier group outside who had been refused entry before police arrived and ordered us out, falsely accusing the protesters of behaving in an intimidatory manner towards the staff and customers and threatening them with arrest. We all left quietly to join the large and loud protest outside.
I went down to the nearby Vigo St Starbucks where a similar protest was taking place but was not allowed in and had to take photographs through the windows. Eventually the crowd outside the shop was joined by the others from Conduit St and a rally began.
UK Uncut in Euston Rd Starbucks
I while the rally was continuing to photograph another of the London protests at the Euston Road branch of Starbucks, where the Labour Representation Committee was joining in with the UK Uncut day of action. By the time they arrived, rather later than the advertised time, other UK Uncut supporters had already decided to go inside and sit down, and the doors were locked. Police were rather more friendly here and came and discussed the situation with those sitting down inside, who agreed they would leave when they were requested to do so by the management and then continue the protest outside.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
I’m not sure why the name Ponders End so appeals to me. It has a rather down to earth quality (or perhaps down to water) which is apparently reflected in its etymology, stretching back over 600 years to the Ponder family, with a John Ponder being recorded as far back as 1373. He or his family apparently got their name because they kept or lived by a fishpond or mill pond on the River Lea. Ponders End was their end of Edmonton.
The River Lea was important for the movement of people and goods from the earliest times and was improved for navigation at various times in the middle ages; later the first modern gated lock on a river was built at Waltham Abbey in 1577 and the basis of the current Lea Navigation – including the Limehouse Cut – were laid in the 1770s, though there were further improvements well into the 20th century. You can read more on Wikipedia. In recent convention the spelling Lea is used for the river and natural features, and Lee for those man-made features such as the navigation but I tend to use Lea for both.
Because of its good transport links to London, industry began to arrive here in the 19th century, with wharves along the canal. Later with the growth of motorised transport development became centred along the Great Cambridge Road, the A10, a short distance to the west, particularly after its improvement in the 1930s. When I took these pictures back in 1983 the area was full of factories, but many were derelict, their demise accelerated by Thatcher’s national flight from manufacturing – something which was at the centre of my recording of out post-industrial landscape
The area had turned its back on the canal where all commercial traffic had ceased a couple of years earlier, but many of the structures were still present. Now almost all have been replaced by warehousing and some residential development. In later years I photographed around the little that remained, including Wright’s Flour Mill, parts of which date from the 18th century.
Back in 1983, there was no GPS and it was hard to determine the exact location of the pictures I took as I walked beside the navigation, and I made few records that would help. In a few pictures it is possible to see features which still exist, particularly the tall blocks of council flats close to Ponders End station.
The last two pictures are of one of Edmonton’s best known and largest industries, Thorn Lighting. Julius Thorn opened his Atlas Lamp Works Ltd in Edmonton in 1932, and later at the start of the war a second factory in Tottenham. The company is now part of the Austrian company Zumtobel. I think that these two pictures are part of their Angel Road site. The main production moved from here to Merthyr Tydfil soon after the Second Wolrd War, but speciality lamps were produced here until around the late 1960s.
More pictures in River Lea – Lea Navigation 1981-1992 on Flickr. Click on any of the pictures above to go to a larger version in that album, where you can also comment on the pictures.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
I’m still rather in denial over Christmas, kind of hoping it will go away. Not that I don’t enjoy most of the things we won’t be doing this year, meeting up with friends, visiting distant family and so on, but somehow I never manage to get myself organised over things like Christmas Cards and presents until the last minute.
This year I did try, and a few weeks ago pored over the many Christmas catalogues that I’d been sent, and then went on line to make some orders – only to find that everything I had chosen was already sold out. It rubbed salt into the wound to then get e-mails from a couple of the companies promoting items that I’d already tried to order without success.
Christmas decorations outside houses began going up early this year – already some were twinkling away in mid-November. Linda brought home a tree a week ago, and I should have photographed her coming home with the pot at its base wedged tightly in her cycle pannier, but couldn’t summon up the energy. I did help her in the difficult task of extracting it from the pannier, and for the moment it is sitting outside in our back garden. We always buy growing trees, and usually they last a couple of Christmases before getting too large to bring inside. We have two specimens now at over 50ft in our smallish back garden, and I’ve had to cut down a couple more over the years when it was beginning to get too crowded.
Although I’ve never myself dressed up as Santa (though I have the beard if I let it grow a bit) in past years I’ve often enjoyed photographing Santacon in London around this time of years. It began as a gloriously anarchic event with hundreds or thousands of Father and Mother Christmases, elves and reindeer spilling rather drunkenly across the city streets, but then the police stepped in as it was disrupting the spending festival on one of the busiest shopping days before Christmas.
These pictures of Santacon come from Dec 6th 2014 and I probably went as far as wearing a Santa hat to join in the festivities for an hour or so before retiring to a small pub a little off their route where a couple of friends were waiting for a rather quieter celebration.
Here’s my text from My London Diary where there are more pictures from Santacon:
Thousands in Santa suits and other Xmas deviations, police trying hard to keep smiling, cans of beer, doubtfully soft drinks, just a few Brussel sprouts in the air, crowded bars, sprawling mass of mainly young people having fun on the streets of London. Santacon
Of course this – and the extreme shopping were not the only things happening in London that day. After photographing the Santas at one of their three starting points I then joined the South London March for Free Education against tuition fees which was also starting just a few yards away on Clapham Common.
After marching with them through Clapham on their way to Brixton I took the tube to Westminster where there was a rather more Christmassy event taking place, a Fossil Free Nativity Play by Christian Climate Action, before leaving to join the North London Santas on the Euston Road.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
I’ve now put more photographs in my Flickr album River Lea – Lea Navigation 1981-1992 to add pictures from Broxbourne to the River Thames to my earlier uploads.
Enfield Lock
I’ve gone through the contact sheets from 1981-3 and selected and digitised a few more pictures I found of interest to add to those I’d scanned preparing for earlier shows, but I think there are pictures from some of the later years in that period I may add later.
But for the moment this album is complete – with 418 pictures. Because I made these on a number of different visits to the area, it was difficult to put them into sensible order – and a few are still obviously in the wrong place. But I’ve tried to put them at least largely in order as the valley leads down to the River Thames at Leamouth.
Back in 1981-3 I was not too concerned with the exact locations of the pictures, and my contact sheets seldom have little indication except for the contents of the pictures. I can no longer find the notebooks in which I wrote about the project, though a few of the vintage prints have locations on them and a couple even grid references. I’ve tried to give locations on Flickr, and already a few viewers have been able to help me on this, and correcting a few mistakes I made. Corrections and comments are always welcome, and clicking on any of the images in this post will take you to a larger version where you can post comments.
So, for example, this picture I’ve captioned simply ‘Broxbourne, Herts, 1983‘ but I could be quite wrong. It could be Cheshunt or somewhere else. And I’d be happy to be told exactly where it is. It’s easier to remember pictures further south as I’m more familiar with the area, though thanks to some who have already corrected a few of my confusions such as mistaking the Clapham Park flats for the Trowbridge Estate.
Most of the pictures in today’s post are from Enfield, Ponders End or Brimsdown, in the London Borough of Enfield, where a large industrial area is located to the west of the canal. I think most of the structures I photographed back then have since been replaced.
In a later post I’l post more selected pictures from Ponders End and Edmonton and then further south. But you can see them already at Flickr album River Lea – Lea Navigation 1981-1992.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
Around this time of year I’ve often been photographing marches for Climate Justice. I think the first at this time of year on My London Diary was probably on Dec 3rd 2005, when around 10,000 of us took part in a march through London led by the Campaign Against Climate Change as a part of an international day of climate protest.
2007
It wasn’t of course the first climate protest that I had photographed, and there are a number of earlier events covered in my diary which were also largely or entirely about the climate crisis:
I’d had a strong interest in environmental matters since my student days back in the 60’s, although then our main attention was on the problems of pollution, population growth, food supply and resource depletion. That was before I really began to take photographs, and I can’t remember any protests or direct action over these issues (we had other things on our minds too) though I did write and speak very embarrasingly in public on them. And I became a Friend of the Earth when the organisation only existed in California though I was living in the UK.
2011
Although I bought my first digital camera in 1999, it was only a fairly primitive model, and not useable for serious photography despite what was described in reviews at the time as a “huge 2.3 megapixels sensor“, and until the end of 2003 all my real work was on film. The camera that changed that was the Nikon D100, still only 6Mp, but with much higher quality.
2011
It was this camera that really brought ‘My London Diary‘ to life, though as soon as Nikon brought out the much improved D70 I bought on – and then the D200 and D300, finally moving to full-frame. But for several years I worked with both digital and film, continuing to work mainly with a Hexar F with Leica and Voigtlander wide angle lenses, with just a cheap mid-range Nikkor zoom permanently on the Nikon. For quite a while it was the only Nikon lens I owned, and not changing lenses when working avoided getting dust on the sensor, and I only bought a second lens – the Sigma 12-24 zoom when I had a second body. But after than lenses quickly multiplied!
2005
After I had two DSLR bodies I quickly abandoned film, except for working with the various panoramic cameras that I was using mainly for landscape work. Although I made some panoramas digitally combining multiple exposures it was a few years (and considerably larger image files) before I worked out how I no longer needed film or special cameras to produce the kind of panoramic results I wanted with a digital camera and was able to quit using film entirely. Of course it has become rather fashionable to work on film now, but although I’ve kept all my old film cameras, I can’t really see that I will ever use them again. Digital is just so much better.
2011
Back to the Climate. At last we are beginning to hear the kind of speeches from people such as the United Nations Secretary General António Guterres that they should have been making years ago. On Monday he stated “The way we are moving is a suicide” and that unless the US cuts carbon emissions to net zero by 2050 humanity’s survival will be impossible.
2010
I’m still unconvinced that governments around the world will heed calls such as this – and that movements such as Extinction Rebellion and Fridays For Future inspired by Greta Thunberg have been dramatising. With our own UK government it is clearly still window-dressing rather than a real committment to change. It still seems that it will be too little too late, and recent reports suggesting targets will be easier than expected to reach are likely to mislead. It certainly will not be easy, and will require truly drastic system changes.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
Gosheron Tapes, Kensington Church St, Kensington, Kensington & Chelsea
I’m often surprised by people who look at some of my photographs and say to me “ I never notice that”, but I think it’s true of all of us that we walk around without really noticing things. Even buildings like Vicarage House, home of Gosheron Tapes, whose frontage screams out onto the street. But Gosheron’s days – at least at this address – had clearly passed, as an estate agent’s sign and flyposts on the windows clearly show, though they seem to have continued making packaging materials elsewhere until at least 2005.
The building now has antiques on the ground floor and serviced offices elsewhere, including the Nicaraguan Embassy. I’ve failed to find any information about its exact date – somewhere around 1900 – or the monogram which appears to be CS on its frontage. Information is welcome.
Godfrey’s Model Bakery, Arlington Rd, Parkway, Camden, 1987
The ‘Tasty Corner’ on Arlington St and Parkway in Camden is now an estate agentss and its large sign with its baker for Godfrey’s Model Bakery has disappeared.
Palmers Pet Stores, Parkway, Camden, 1987
Many passed Palmer’s Regent Pet Store on their way to and from London Zoo from Camden Town Station. It was established by Mrs Florence Palmer around 1918 but was run from 1924 by George Palmer, who built up the business and expanded into a second neighbouring shop in the late 1930s. Perhaps surprisingly this shop was listed Grade II in 2007, largely for its shop front which the listing text suggests dates from around 1940, though the houses containing the shop were built in the 1820s.
The shop, which had sold Winston Churchill his cat Orlando as a kitten which later moved into Downing St, and a couple of Abyssinian kittens to Charlie Chaplain, stopped selling animals around 2005 and moved across the road. After being empty for several years it became a tea room.
Clarence Cottage, Albany St, Regent’s Park, Camden, 1987
On their way to the Zoo walkers might have walked down Albany St, or at least past its corner close to this hous, Clarence Cottage, which stii has its row of ornaments with a rather weather-beaten lion at its centre. Previously called Glenhaven, it isn’t clear to me why the mid-19th century house was Grade II listed in 1974, though it’s a pleasant enough building of its age, only really distinguished by this extension with a Ionic pedimented doorway onto the pavement outside and the ornaments above it – including that lion.
It’s in a area of London that has many fine buildings from that era and earlier – much of which is probably also listed.
Sussex St, Pimlico, Westminster, 1987
I came across two dogs in Westminster, looking to me rather snooty. But I’d failed to note down their exact location and it took me a long time to hunt them down again – but they are still there in Sussex St.
Perhaps the most surprising thing about the Romany Hotel is that it is still there as the Romany Hotel, though the signage has changed and now includes an e-mail address and a fairly discrete extra floor has been added on top.
But in keeping with today’s theme is the bird in flight at the top left corner. Although I’m no ornithologist at first glance it looked like some bird of prey, but I think it is really just a pigeon doing a good impression.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
Paula Peters of Disabled People Against Cuts speaks outside ATOS offices in National Day of Protest against mishandling of Work Capability Assessments. 19 Feb 2014
I am one of the very long list of artists taking part in the show currently at the Elysium Gallery in Swansea, Change Makers: Ways of Protest.
Here is the full list from the gallery web site:
Asim Ahmed | Phoebe Beckett | Nazma Botanica | Jason & Becky | Beltalowda | Frans Van Den Boogard | Bourdon Brindille | Ben Browton | Hazel Cardew | Louise Burston | Elsa Casanova | Philip Cheater | Michael Cheung | Jonah Brucker-Cohen & Mark Ramos | Lucy Donald | Judit Csobod, Marcela Echeverki & Stephen Donnelly | Plein Le Dos | Angus Eickhoff | Camila Espinoza | Gisela Ferreira | Mark Folds | Virginie Foloppe | Dawes Gray | Amy Goldring | Emily Grimble | Carol Harrison | Vinay Hathi | Hannah Jones | Paul Jones | Julia Justo | Ken Kamara | Tim Kelly | Shona Davies, David Monaghan & Jon Klein | Bob Bicknell-Knight | Hannah Lawson | Catherine Lewis | Laura Elisabeth Levick | Peter Lewis | Peter Marshall | Alice Mason | Steph Mastoris | Celia Mora | Karl Morgan | Sarah Poland | Jota Ramos | Euros Rowlands | Fiona Roberts | Si Sapsford | David Sladeck | Ekene Stanley | Ben Steiner | John Thomson | Daniel Trivedy | Vladimir Turner | Kenechi Unachukwu | Undercurrents | Natacha Voliakovsky | Eef Veldkamp | Aisling Ward | Thais DeMelo & Pedro H.C |Dawn Woolley & Davin Watne | Caroline Wilkins | Ian Wolter | Tess Wood
Elysium gallery in partnership with Swansea Museum, Swansea County Council and Fusion presents ‘Ways of Protest’, an extensive exhibition looking at how the arts can be used as a vehicle for protest, and how activism and a desire for social change can drive individual and collective creativity.
Contemporary artworks by Welsh and International artists will be accompanied by archival artefacts from the vast Swansea Museum collection as well as memorabilia, photographs, interviews, and artworks provided by members of the public and protest groups from Swansea and Wales.
If you are in Swansea you can book a free time slot to see the show which continues until Saturday 23 January. New lock-down restrictions announced for Wales this week means that the show will have to close from 6pm on Friday 4th December it but it will re-open in January.
But otherwise you can find out more about the show on the Change Makers Festival Facebook Group or Instagram feed.
My contribution to the show is six A2 prints of protests in London by DPAC (Disabled People Against Cuts) and I accompanied my submission with this short text:
Disabled People Against Cuts
When the Tories came to power (with the Lib-Dems) in 2010 and began their savage austerity programme they turned the screw hardest on the disabled, thinking they would be an easy target. DPAC soon proved them wrong.
Disabled People Against Cuts and supporters block Oxford Circus in protest against the Welfare Reform Bill, which will penalise the poor and disabled. 28 Jan 2012
Disabled People Against Cuts chain wheelchairs to block roadway at Trafalgar Square in protest against benefit cuts and unfair fitness assessments. 18 Apr 2010
Disabled People Against Cuts hang pants with messages outside the Dept of Work and Pensions at launch of UK Disabled People’s Manifesto. 4 Sep 2013
Disabled People Against Cuts protest at the Dept of Work and Pensions against plans to end the Independent Living Fund. 12 May 2014
Disabled People Against Cuts protest at Conservative Party HQ the day before the General Election against Tory policies which have killed and impoverished the disabled. 2 May 2017
Click on any of the pictures to go to see the group larger on Flickr.
There were several reasons for my choosing this set of pictures (there were four more in my original submission.) Foremost was my great admiration for the people in DPAC and the way they have stood up to the cuts, putting themselves on the line as these pictures attempt to show. I wanted to present something coherent rather than simply choosing my most striking images and while there were several groups and issues among the hundreds I have photographed I could have chosen, DPAC was one that stood out, and also one that I thought would have considerable public appeal. The government may have little concern about the disabled who it writes off as unproductive, but the great majority of the people have a heart.
Because the show was to be in Swansea I did briefly consider sending pictures of Class War – which had its origins in that city – as readers of Bash The Rich will know (if you’ve not read it, get your copy now.) But Class War are perhaps the Marmite of protest (and I do like Marmite.) Of course if anyone other gallery would like to invite me to show work on protest, other pictures are always available. After all I have several hundred thousand of them.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
