A Goddess, Doors, a Dodo and a Lion

Minerva House, North Crescent, Chenies St, Camden, 1987 87-7f-21-positive_2400

Grade II listed Minerva House on the North Crescent of Chenies St , architect George Vernon, was built in 1912-3 for the Minerva Motor company which had begun in Belgium making bicylces before moving on to motorbikes and cars. One of its English dealers in 1903 was Charles Rolls, who the following year joined up with Henry Royce to sell his cars. In 1910 he became the first Briton to be killed in a crash by a powered aircraft when his Wright Flyer lost its tail during an air display in Bournemouth.

When I took this picture Minerva House was the Combined Training School for University College Hospital, training around 300 nurses a year. Since Minerva was the Roman Goddess of poetry, medicine, wisdom, strategic warfare, commerce, weaving, and the crafts this seems appropriate. She was also supposed to have created the olive tree and invented the flute and numbers. Minerva House is now the London home of global media agency OMD.

At right is the bleak Chenies Street concrete blockhouse entrance to the deep-level air raid shelter built in 1942, currently called ‘The Eisenhower Centre’ though it had no real wartime connection to the General. Before the war Minerva House looked out onto gardens.

Pembridge Gardens, Notting Hill, Kensington & Chelsea, 1987 87-7f-24-positive_2400

19 Pembridge Gardens was obviously in rather poor condition in 1987 when I took this picture, with peeling paint and trees growing up in odd places. The house was empty, its front door secured by two padlocks. It had been Grade II listed three years before I photographed it.

It looks in rather better condition now, and it should be as it appears to be home to a firm of “well-established Expert decorators.” Though I think it a shame not to have retained what is I think an illuminated house number above the door.

Pembridge Gardens, Notting Hill, Kensington & Chelsea, 1987 87-7f-25-positive_2400

It’s hard to count the number of bells at the left of the door to this house just a couple of doors up from the house in previous picture, but then obviously in rather better condition. There are 15 of them on the five floors of this house. Built in the mid 19th century (with a later top floor) it was also Grade II listed in 1974.

A Davey, Builder, ghost sign, Portobello Rd, Notting Hill, Kensington & Chelsea, 1987 87-7f-52-positive_2400

A neatly aligned sign indented in the rendering on the wall of an end terrace house in Portobello road still informs us


A. DAVEY.
BUILDER.
M A N U F A C T U R E R O F
EVERY DESCRIPTION OF INSIDE
AND OUTSIDE WINDOW BLINDS.
UPHOLSTERER AND DECORATER
ESTABLISHED 1851.

though I’m sure he was well gone from the premises when I photographed them 136 years later.

Davey the builder was probably one of the original occupiers of this long purpose-built terrace of shops which were developed in 1848-9 by the Rev Brooke Edward Bridges and Thomas Pocock who had bought the land for ‘Portobello Terrace’ from Felix Ladbroke; they were built by various local builders to a similar plan, with a ground floor shop and two floors above for the shopkeeper and his family. More recently extra doors have been added and the upper floors are largely let as expensive flats.

Looking at the text of the sign I think the lettering was probably stamped out while the rendering was still damp rather than cut out. It has certainly lasted well and can hardly be called a ‘ghost sign’. Fitting in some of the longer text was obviously rather tricky and there are just a few places where the letter spacing seems not to be optimal. Though generally rather better than my crude attempt above.

Dodo, Westbourne Grove, Notting Hill, Kensington & Chelsea, 1987 87-7f-64-positive_2400

Dodo and this sign were at 185 Westbourne Grove, no longer something Antiques but now occupied by American Vintage, but Dodo is certainly no longer at 3 Denbigh Rd, a short distance to the west just off Westbourne Grove. You can see a picture of this row of shops with Dodo in place on the RBK Local Studies web site which takes a photographic stroll down Westbourn Grove and comments rather inaccurately “In the centre of the picture a shop called Dodo Designs, wholesalers of fancy goods.”

Dodo, set up by “London’s acknowledged queen of advertising ephemera” Liz Farrow has been “selling genuine vintage advertising posters since 1960” and is still doing so through the Dodo Posters web site.

Ledbury Rd, Notting Hill, Kensington & Chelsea, 1987 87-7f-65-positive_2400

Just around the corner in Ledbury Rd is this row of shops with an entry to Ledbury Mews North. This whole area had a large number of antique shops but now seems largely devoted to fashion.

No 38 to the right of the mews entrance is certainly an attractive building, but I think what particularly attracted me is the lion on the pavement in front of Lacy Gallery – which has of course gone with the Gallery, that shop now split back into two different businesses.

More from Page 5 of 1987 London Photos in another post.

Bodies & Urns

Charlotte St, Fitzrovia, Camden, 1987 87-7f-22-positive_2400

Apart from my obsession with doorways which will have become obvious to regular readers of my posts, there are various other sub-themes in my work on London, some explored in black and white, others in the colour work and some in both.

Charlotte St, Fitzrovia, Camden, 198787-7f-23-positive_2400

One of these was the various different representations of the human body, both two and three-dimensional, as in the robot, dress forms and corsetry advertising in these pictures.

Store St, Camden, 1987 87-7f-32-positive_2400

I think I also photographed two of these in colour, and certainly my colour pictures at the time include a remarkable number of shop windows containing heads without bodies.

Pembridge Gardens, Notting Hill, Kensington & Chelsea, 1987 87-7f-26-positive_2400

Urns and other sculptural detail and ornaments were also something I felt worth recording.

Garden, Holland Park,  Holland Park, Kensington & Chelsea, 1987 87-7f-41-positive_2400

One of the photographers whose work I greatly admire is Eugène Atget and his work contains many such images particularly those in grand gardens such as the Parc St Cloud, and in 1984 I had spent several weeks photographing Paris in a homage to his work which you can see in my book In Search Of Atget – the preview there includes many of the best images.

Garden, Holland Park,  Holland Park, Kensington & Chelsea, 1987 87-7f-56-positive_2400

These pictures are from page 5 of my Flickr album 1987 London Photos and clicking on any of them will take you to a larger version there which will also tell you where they were taken.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More Bayswater etc 1987

Bayswater, Westminster, 1987 87-7d-66-positive_2400
Greek Orthodox Cathedral of the Divine Wisdom (Hagia Sophia), Moscow Rd, Bayswater, Westminster, 1987

It’s hard to know where Paddington ends and Bayswater begins, or where Bayswater become Notting Hill. There are two Westminster borough wards called Bayswater and Lancaster Gate which I think most would consider Bayswater, and Notting Hill comes under Kensington & Chelsea, but popular perceptions usually don’t follow local government boundaries – and estate agents have remarkably elastic definitions of areas.

Brunel House, Westbourne Terrace, Orsett Terrace, Bayswater, Westminster 87-7e-22-positive_2400
Brunel House, Westbourne Terrace, Orsett Terrace, Bayswater, Westminster, 1987

My walks by 1987 were generally planned in advance, obviously with a starting point from some Underground or Rail station, but also with an intended destination, and places that looked to be of interest from maps and books marked on an enlarged copies of A-Z pages. But the actual routes I took were subject to considerable deviation from plan, with decisions made at crossroads as to which direction looked more interesting – and I didn’t always end up at the planned destination. I kept notebooks to record my routes and some details of what I photographed, transferring the route to the map copies when I got home and some details to the contact sheets after I developed the films.

Brunel House, Westbourne Terrace, Orsett Terrace, Bayswater, Westminster87-7e-55-positive_2400

When putting the pictures on-line I have tried where possible to verify the locations from the pictures themselves. Some include street names and or house numbers, shop names. My contact sheets usually also have street names and grid references and web searches and Google Streetview or Bing Maps usually enable me to positively identify buildings which are still standing.

Prince of Wales, pub, Cleveland Terrace, Bayswater, Westminster, 1987 87-7e-32-positive_2400
Prince of Wales pub, Cleveland Terrace, Bayswater, Westminster, 1987

But where my pictures show only small details, it has sometimes proved impossible to be sure of the exact location, and this is often also the case in those areas which have undergone extensive redevelopment. But for areas such as Bayswater, where many of the properties have been listed and relatively little has changed it is generally possible to find exact locations.

Bishops Bridge Rd,  Bayswater, Westminster, 1987 87-7e-52-positive_2400
Bishops Bridge Rd, Bayswater, Westminster, 1987

During the 80s and 90s I sold several hundred pictures to the National Building Record, including of a number of buildings that were either already listed when I took their pictures or had been listed after I photographed them. I think there were just a few that I brought to their attention which had previously been unnoticed, mainly in the outer suburbs.

Gloucester Terrace, Bayswater, Westminster, 1987  87-7e-66-positive_2400
Gloucester Terrace, Bayswater, Westminster, 1987

But my work in London came at a time when the worth of many buildings was being recognised both by me and those responsible for listings, which had previously largely concentrated on genuinely ancient structures and some public and ecclesiastical buildings, largely ignoring commercial buildings and those from late Victorian, Edwardian and more modern times. It was a prejudice even reflected in great works such as the many volumes of Pevsner’s The Buildings of England.

Dawson Place, Notting Hill, Kensington & Chelsea, 1987 87-7f-13-positive_2400
Dawson Place, Notting Hill, Kensington & Chelsea, 1987

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Bayswater 1987

Westbourne Grove,Garway Rd, Bayswater, Westminster, 1987 87-7d-12-positive_2400

It isn’t clear now whether the first Dickie Dirts, named after Cockney slang for shirts, was in the former ABC Regal in Walham Green which had closed in 1972 or in the small shop opened by former photographer Nigel Wright in 1977 on Westbourne Grove in this picture. But it represented a revolution in fashion retailing, selling casual clothes at low, low prices. If you wanted genuine Levi jeans and lumberjack shirts cheaper than anywhere else it was the place to go, and the shop drove a coach and horses through laws restricting trading hours, opening seven days a week from 9am until 11pm, even on Sundays. The fines he had to pay were simply a business expense, more than made up by the Sunday sales. Dickie Dirts shops opened in Camberwell in 1981 and in Stratford. Dirts was the first UK clothing store to engage in ‘parallel importing’, buying jeans in overseas countries where they were cheaper and then selling these ‘grey imports’ at below the prices the manufacturer charged for ‘genuine’ goods it brought to the UK.

Dickie Dirts didn’t last, though it was still in business in 1987, as others learnt from their example but kept up better with the fashions, but although the building is still there all of the shops have changed hands; where Dirts was at No 58 now offers reflexology.

John p dennis and by the Grace of God his 8 Children, Westbourne Grove, Bayswater, Westminster, 1987 87-7d-13-positive_2400

‘John. p. dennis and by the Grace of God his 8 Children’ was on the shop front at 121 Westbourne Grove, though I think the shop was closed and empty. Dennis was a follower of Sir Oswald Mosley who ran a furniture and junk shop here and was interned for eleven months during the war. In 1931, 18 year old Miss Gladys Rogers moved in with him and remained living with him, apart from two short breaks, until 1949; they had 8 children together but he did not believe in marriage. As well as looking after the children she also helped in the shop.

While in internment, Dennis met Frederick Heyland who was interned for the whole of the war because his parents had been German. Heyland moved in with the couple after the war, and married Miss Rogers in 1947. She left Dennis in 1949 to live with Heyland who was then the owner of a café in Willesden Green. These details are given in from the report of an appeal she made in 1972 against a judgement against an order made against her in 1971 on behalf of Heyland.

Pembridge Square, Notting Hill, Kensington & Chelsea, 1987 87-7d-33-positive_2400

Kensington & Chelsea is a borough of extremes as has been shown very clearly by the council’s failures over Grenfell Tower. Pembridge Square was built between 1856 and 1864 and the architect was Francis Radford.

Linden Mews, Linden Gardens, Notting Hill, Kensington & Chelsea, 1987 87-7d-42-positive_2400

Linden Mews is also part of the Pembridge Estate, and is now a private gated mews of just 8 houses. Where I could simply walk in (and did, though I don’t think I found anything I felt worth photographing) there is now a locked gate with notices marking it as private and banning vans and lorries. In 2014 a 3-bed terraced house here sold for £4.6 million.

George William Joy and Florence His Wife built this house AD 1889, Red Lodge, Moscow Rd, Palace Court, Bayswater, Westminster, 1987  87-7d-53-positive_2400

On the wall of Red Lodge it recoreds that ‘George William Joy and Florence His Wife built this house AD 1889’ and I think the fine gate probably also dates from the same period. Joy (1844–1925) was an Irish painter and married Florence Isabel Mary Masterman, born in 1849 and, according to Google, now 171 years old. I think he painted her portrait before they were married and that she was the model in some of his other pictures.

Russian oligarch and friend of Putin Omar Murtuzaliev bought the £25million property around 2007 and had almost completed a massive six-year building project to make a home for his son. According to the Evening Standard report, “a marble swimming pool had already been fitted, and a basement excavation included a Turkish bath, plunge pool and gym, with a cinema and grand reception room being built in a two-storey roof extension” when a massive fire engulfed the property in January 2013.

Orme Lane, Bayswater, Westminster, 198787-7d-62-positive_2400

Edward Orme, (1775-1848) was a painter and etcher, and made etchings of around 700 paintings, becoming engraver to Geroge III and the Prince of Wales, as well as producing many books of aquatints and etchings. He opened several shops in Mayfair to make and sell prints from 1801-1824. In 1808 he began purchasing plots of land in Bayswater, developing this area on St Petersburgh Place and Moscow road from 1815, the year after a visit to London by Tsar Alexander I. In 1824-6 he developed Orme Square.

This small block on the corner of Orme Lane is clearly from a later century, almost certainly the 1930s, and I think a very interesting building. I think it is probably four flats and I think the plot was probably previously a part of the garden of 1 Orme Square.

You can view more of my pictures of London from 1987 on Flickr. There are also pictures from some earlier years on my Flickr site – and more to come.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill Carnival 2000

Notting Hill Carnival, 2000. Peter Marshall 00-814-55_2400

Some might think that pictures from 2000 have no place in an album called ‘Notting Hill Carnival – the 1990s‘, but the decade really starts with 1991 as when we move to labelling years as ‘anno Domini’ or AD the first year was 1 and not 0. It was only around 1200 that the idea of zero and ‘0’ as a number really came into European thought, though it had existed much earlier in other civilisations in Asia, the Middle East and South America. So while some celebrated the Millenium at the start of 2000, the more educated knew it really had another year to go.

Notting Hill Carnival, 2000. Peter Marshall 00-817-45_2400

But its actually just a matter of convenience and the result of a small mistake I made when I was putting together an exhibition of my first ten years at Carnival. For some reason I thought I had first taken pictures there in 1991, so this was to cover the years 1991-2000, but as I worked on the show I found I had also been there in 1990.

Notting Hill Carnival, 2000. Peter Marshall 00-819-34_2400

For the moment I’ll end this album at 2000, though probably I’ll come back later and change its name to include all those years I covered the carnival on film rather than digital, though I’m not quite sure when that was.

Notting Hill Carnival, 2000. Peter Marshall 00-805-32_2400

I’d also intended the album simply to be black and white pictures, but then I found a couple of years where I had taken few or no black and white pictures. So I’m now busily scanning colour negatives from the other years and adding them. Except for one year where I seem to have mislaid the file containing the negatives – which I’ve spend hours searching for, so far without success.

Notting Hill Carnival, 2000. Peter Marshall 00-805-66_2400
Notting Hill Carnival, 2000. Peter Marshall 00-808-52_2400
Notting Hill Carnival, 2000. Peter Marshall  Notting Hill Carnival, 2000. Peter Marshall 00-809-36_2400

See more pictures from 2000 on Page 3 of ‘Notting Hill Carnival – the 1990s‘.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill Carnival 1999

I’ve so far digitised only a small proportion of images that I took of Carnival in 1999, though I think that those I’ve put into the Flickr album Notting Hill Carnival in the 1990s are probably the best of those I took. But I’m sure there are some other pictures worth adding later from the 600 or so black and white pictures I took over the two days – and I also made around 250 in colour.

Notting Hill Carnival, 1999. Peter Marshall 99-807-15_2400
Notting Hill Carnival, 1999. Peter Marshall 99-808-34_2400
Notting Hill Carnival, 1999. Peter Marshall 99-808-56_2400
Notting Hill Carnival, 1999. Peter Marshall 99-810-31_2400
Notting Hill Carnival, 1999. Peter Marshall 99-817-35_2400
Notting Hill Carnival, 1999. Peter Marshall 99-817-61_2400
Notting Hill Carnival, 1999. Peter Marshall 99-821-63_2400

As usual, the pictures display rather small on this site, but clicking on them will take you to a larger version on Flickr. You can see all the pictures from 1999 in the album by clicking on this link to go to the first and then clicking to go to next picture to go through the other 18.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1998

1997 I again photographed Notting Hill in colour, and I have yet to digitise any of the roughly 600 frames I took over the two days. I also have some more colour work from previous years I have yet to add to my Flickr album, and I will share some of those also at a later date.

On the way to Notting Hill Carnival, 1998. Peter Marshall 98-817-46_2400
En route to carnival, 1988 Peter Marshall

But in 1988 I was busy with both black and white and colour – and again there are very few of the colour images I have yet printed or digitised, including some more colour panoramic work. I have so far only scanned or digitised around 15 of the several hundreds of black and white pictures I took, some of which have appeared in the several publications and exhibitions of my carnival pictures, including the ‘The English Carnival‘ exhibition in 2008. I’ve uploaded these to the Flickr album, Notting Hill Carnival – the 1990s, but I think there are probably quite a few more pictures worth digitising when I find time

Notting Hill Carnival, 1998. Peter Marshall 98-822-24_2400
Notting Hill Carnival, 1998. Peter Marshall 98-822-12_2400
Notting Hill Carnival, 1998. Peter Marshall 98-818-642_2400
Notting Hill Carnival, 1998. Peter Marshall 98-815-63_2400
Notting Hill Carnival, 1998. Peter Marshall 98-812-54_2400

More on page 3 of my Notting Hill album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1995

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-20-63_positive_2400

Notting Hill was in colour for me in 1995. Although I’d taken a few colour pictures in earlier years, this was the first year I decided to work entirely in colour – except for a few frames finishing a black and white film in one of my cameras.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-21-70_positive_2400

I’ve never really gone back to look at the colour pictures I took in earlier years – something now on my ‘to do list’, as the black and white interested me rather more. But I think I had been encouraged to cover the event in colour by one of my potential clients – not an actual commission, but a suggestion that they might be more interested in colour, and I’d thought it would be interesting to try and see if I could do the kind of things I’d already done in black and white.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-11-47-positive_2400
Notting Hill Carnival, London, 1995 Peter Marshall 95-8-11-37-positive_2400

It wasn’t of course the first time I’d worked in colour. I’d taken colour pictures for as long as I’d been involved in photography, alongside black and white, but generally of rather different subjects. I’d switched from using colour transparency to colour negative film ten years before I took these pictures, but still hadn’t really worked out a good system for dealing with the work. At first I’d had everything trade processed and getting enprints. It’s a good system for the occasional film such as holiday snaps, but when you get thousands of them it becomes a little difficult to organise.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-15-57-positive_2400

By 1985 I was developing my own colour films – along with the mainly chromogenic black and white films I was also using which could be developed in the same chemicals. Making contact sheets from colour negatives on colour paper was a little more difficult because I had to work in total darkness (or virtually so) and colour filters had to be used to expose them. The results were often not very useful, unlike those from black and white, and selecting images from them was rather hit and miss.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-18-55-positive_2400

Last week I digitised every frame of all 18 films I took at carnival in 1985 – around 670 pictures – batch processing the results to give a roughly balanced image, discovering quite a few pictures I had previously overlooked. Around a third were worth further processing, and after eliminating some near duplicates and a further round of culling I was left with around 140 I felt were worth adding to the album Notting Hill Carnival – the 1990s. The colour work begins on page 3.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-18-60-positive_2400

None are great pictures, though I think all have some interest. As a whole I felt they backed up my decision to work mainly in black and white in other years. But while some are similar to my black and white pictures, others do show another view of carnival.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1994

I had a good year at Carnival in 1994, taking some of the pictures of the event I like best, and I think rather more varied than some years, as these pictures show:

Notting Hill Carnival, 1994. Peter Marshall 94-8bj-65_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bk-46_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bl-62_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bl-63-8_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bn-43-16_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bc-51-16_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bf-43_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bf-52-16_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bh-36-16_2400

You can see more pictures from 1984 – and other years – in my Flickr album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1993

I’ve started, so I might as well finish. Here are a few of my pictures from Notting Hill Carnival in 1993, still in black and white. I did take a few in colour, probably using up a film already in the camera, but I’ve not really looked at them yet. Perhaps in a few days I’ll find time.

In the 1990s I was still working as a full-time teacher in a Sixth Form and Community College, and too often we seemed to start the term the Tuesday after carnival and I would go into work with ears still ringing part-deafened from the previous day. Carnival wasn’t just loud on the ears, the tarmac of the street vibrated with the beat, and so too did your internal organs, your whole body dancing to the music. It took me a few days to recover. Fortunately the first few days of term were mostly taken up with administration and not actual teaching.

It’s now around 20 years since I left full-time teaching to earn a living through writing and photography so even had I been able to go to carnival I wouldn’t be worried about going in to work today.

I seem to have taken rather fewer pictures than usual in 1993, or at least to have scanned rather fewer. I was in Notting Hill on both the Sunday and Monday and made almost 500 exposures, but there are only 17 in the album from that year. Looking at the contact sheets I think there are probably a few more worth adding when I have time.

Notting Hill Carnival, 1993. Peter Marshall 93-8bl-61_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bm-33_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bp-62_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bf-43_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bg-12_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bj-21-8_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bl-53_2400

More in the album Notting Hill Carnival – the 1990s


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.