Posts Tagged ‘black and white’

Marylebone Doors

Friday, August 7th, 2020
Duchess St, Marylebone, Westminster, 1987 87-3j-65-positive_2400
Duchess St, Marylebone, Westminster, 1987

This gem of a building is just around a corner from the BBC on a few yards down Duchess St, on the opposite side of Portland Place was built to the plans of Robert Adam in 1769-71 as the stable-coach house to Chandos House, Queen Anne Street, and was altered – according to its Grade II listing text “quite sympathetically” around 1924 by Arthur Bolton. The text states it is now part of the British Medical Association.

The lean of the lamp post emphasises the rectangular formality and symmetry of the building as does the man walking past. I’m not sure if I would have preferred not to have a taxi speeding into the picture. The 35mm shift lens enabled me to keep the verticals upright and get the whole building in frame from the opposite side of a fairly narrow street.

Mansfield St, Marylebone, Westminster, 1987 87-3j-56-positive_2400
Mansfield St, Marylebone, Westminster, 1987

Just around the corner from the previous picture is this magnificent fence with its baskets of flowers. I felt the out of focus bush made a suitable contrast between natural vegetation and its representation.

I think this is the garden screen mentioned in the listing text and probably like the house behind dates from 1914.

Hinde St,  Marylebone, Westminster, 1987 87-3j-22-positive_2400
Hinde St, Marylebone, Westminster, 1987

Doorways are one of the most important architectural features of buildings, and this one very clearly gives an impression of the luxury of the flats inside Hinde House.

Hinde St,  Marylebone, Westminster, 1987 87-3j-21-positive_2400
Hinde St, Marylebone, Westminster, 1987

A similar doorway next door (London streets sometime number in odd ways) is a little plainer, perhaps suggesting that inside are flats for less important people. Though it is certainly not a ‘poor door’ leading to any social housing in the block.

The Royal Society of Medicine, Henrietta Place, Marylebone, Westminster, 1987 87-3i-52-positive_2400
The Royal Society of Medicine, Henrietta Place, Marylebone, Westminster, 1987

My theme of doors continues with the grand entrance for The Royal Society of Medicine in Henrietta Place.

Marylebone Lane, Marylebone, Westminster, 1987 87-3i-42-positive_2400

And another door is a prominent feature in this building with its series of semi-circles on Marylebone Lane. It’s a building with the window at the centre of the picture set a little lower, so it seems to be winking at us.

Again a taxi has crept in. There are far too many of them, often simply cruising around empty in the centre of London, a significant cause of both pollution and congestion. They are slowly changing from diesel to electric which will help with the pollution, but wont ease the congestion. Ridiculously they are exempted from the congestion charge while minicabs have to pay it. We don’t need ‘ply for hire’ when cabs can be summoned by smartphone and its time for change.

Rimmel, Wigmore St, Marylebone,, Westminster, 1987 87-3i-25-positive_2400
Rimmel, Wigmore St, Marylebone, Westminster, 1987

There are a few more pictures of doors in the area in this section of my 1987 London Photos, but this at Bessborough House on the corner of Cavendish Square is perhaps the most impressive. According to the Grade II listing the house dates from 1770s with c.1800 and early C20 alterations. About this entrance it states “Blind return to Wigmore Street has neo-Adam style pilaster treatment to ground floor with shallow relief modelled “graces” between pairs of pilasters under entablature – all in stucco.”

When I took this picture it had the circular message at left that it was the premises of Rimmel, the cosmetics house founded in 1834 by French-born perfume chemist Eugène Rimmel and often known as Rimmel London. He put on sale a product for darkening eyelashes using the newly invented petroleum jelly and black pigment, marketed under the name mascara which was hugely successful both in the UK and internationally – and mascara is still called ‘Rimmel’ in a number of languages.

More pictures on page 3 of 1987 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

1987: More Soho

Sunday, August 2nd, 2020
Dance shop, Charing Cross Rd, Soho, 1987 787-2k-41-positive_2400
Dance shop, Charing Cross Rd, Soho, 1987

It’s always difficult to know where London’s districts begin and end, and sometimes it is rather a matter of personal opinion. There are some definite boundaries – postal districts and borough boundaries – though these seldom coincide with our perception of place, and most people – unless they actually live there are unaware that in central London you may be in Camden or Westminster etc. The City is a little more obvious, with its borders on some main streets clearly marked, but who would know when crossing the Charing Cross Road you might move from Westminster into Camden.

Poland St,  Soho, Westminster, 1987 87-2j-64-positive_2400
Poland St, Soho, Westminster, 1987

Names too change with the years. Fitzrovia for example only began to be used in the late 1930s, and other older area names are now seldom used. Building tube stations led to many of their names being used for areas which previously went under other names, and estate agents are notorious for promoting properties into nearby more salubrious areas – or inventing new area names, often by adding the word “village” to an existing name.

Never Park Here, Falconberg Mews, Soho, Westminster, 1987 87-2j-23-positive_2400
Never Park Here, Falconberg Mews, Soho, Westminster, 1987

Soho is perhaps one of the more clearly defined of all London areas, though some might quibble slightly at Googles definition, clearly bounded by major roads – Oxford St, Regent St, Shaftesbury Ave and Charing Cross Road. Many of us would also include Chinatown in its ambit, perhaps going south down Haymarket as far as Orange St to include Leicester Square. And perhaps some of the fringes just across Oxford St might qualify…

Carnaby St, Soho, Westminster, 1987 87-2i-21-positive_2400
Carnaby St, Soho, Westminster, 1987

On the streets themselves, the more modern street names – since the mid 1960s – include the borough name, but many London streets have proudly retained their older signs, sometimes with a postal district (though sometimes the earlier version.)

Taylors Buttons, Silver Place, Soho, Westminster, 1987 87-2h-35-positive_2400
Taylors Buttons, Silver Place, Soho, Westminster, 1987

Like all things, Soho is defined by what it isn’t. It isn’t Mayfair or Fizrovia or Bloomsbury or St Giles or Covent Garden or Westminster (the area not the Borough – which all or almost all of it is inside) or St James. And it’s not just a matter of geography, but also of character.

Walker's Court, Soho, Westminster, 1987 87-2h-25-positive_2400
Walker’s Court, Soho, Westminster, 1987

And it was that character which was uppermost in my mind as I made these pictures.

You can see more of them on page 2 of my Flickr album 1987 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


1987 Holborn

Saturday, August 1st, 2020
Star Yard, Holborn, Camden, 1987 87-2m-46-positive_2400
Star Yard, Holborn, Camden, 1987

After Bedford Park I turned my attention to Holborn, including the area around the Royal Courts of Justice where there are shops catering for legal necessities as well as premises meeting more general needs.

Urinal, Star Yard, Holborn, Camden, 1987 87-2m-32-positive_2400
Urinal, Star Yard, Holborn, Camden, 1987

The urinal is still in-situ but I think is permanently closed. Just along the street is a Wetherspoons which serves the same purpose. It’s actually one of their more pleasant locations and I’ve several times enjoyed a quick lunch there. The food may only be so-so, (though there are a few things they do quite well) but the service is fast and the price very reasonable for London. Of course they treat the staff badly, but so do most pubs, and if things get back to anything like normal I’ll follow the union advice and not boycott them but refuse to cross any picket line.

Lincolns Inn Fields, Holborn, Camden, 198787-2m-26-positive_2400
Lincolns Inn Fields, Holborn, Camden, 1987

Lincolns Inn fields has plenty of fine architecture and also London’s most intriguing museum, founded by Sir John Soane. Currently closed it hopes to open on October 1st, but with pre-booked timed tickets only. If you’ve never visited I’d advise you to book as soon as you can. You can get some idea of the museum through yhe amazing digital online https://www.soane.org/explore Explore Soane, but the real thing is rather more satisfying. Because of the space limitations in the museum bags have to be left at the door.

Connock & Lockie, New Oxford St, Camden, 1987 87-2l-63-positive_2400
Connock & Lockie, New Oxford St, Camden, 1987

I can do no better than quote from the company’s web site:

A centenarian business

Connock and Lockie was established by cousins William Henry Connock and John Lockie in 1902 on 60 New Oxford Street. Over the years, we have relocated several times and settled at our current address, 33 Lamb’s Conduit Street, in 2004. Throughout our 110 years of trading, we have proudly catered to the bespoke tailoring needs of discerning ladies and gentlemen.

http://connockandlockie.com
Warwick House,Great Russell St, Holborn, Camden, 1987 87-2l-43-positive_2400
107-110 Great Russell Street,

‘Luxury hotel development, Completion 1987’ it states on the notice on the front of this building, and although in February 1987 when I made this picture it seemed unlikely, this is now the Cheshire Hotel, in London terms a budget hotel, with rooms around £70 per night. Quite why it changed its name from the Warwick Hotel to the Cheshire I don’t know, and the plain entrance has changed to a more pretentious one with four columns.

Space House, CAA House, Kemble St, WIld St, Holborn, Camden, 1987 Space House, CAA House, Kemble St, WIld St, Holborn, Camden, 198787-2l-15-positive_2400
Space House, CAA House, Kemble St, WIld St, Holborn, Camden, 1987

Grade II listed Space House was a speculative office development built 1964-8 by George Marsh of Richard Seifert & Partners for the developer Harry Hyams. It was technically innovative, using a precast concrete grid for rapid construction without the use of scaffolding, and remains visually arresting. As the listing text says, it’s assertive styling reflects “the confidence and dynamism associated with the period.”

This building and the connected building on Kingsway were to be vacated at the end of last year and ‘revamped’ for commercial letting.

Flitcroft St, St Giles, Camden, 1987 87-2k-66-positive_2400
Flitcroft St, St Giles, Camden, 1987

This bas-relief is above the old entrance gateway to St. Giles’s Church Yard where a bas-relief of The Resurrection was placed in 1687. It is a plaster copy of the original which is inside the church. The gateway was originally around the corner in the St Giles High St, but rebuilt in 1800 incorporating the old bas-relief and then moved to Flitcroft St in 1865. Flitcroft St gets its name from Henry Flitcroft who was the architect of the church, built in 1733.

The carving was originally in oak, and the carver, a man called Love was paid £27 for his work. The 1800 gate included a stone recreation of the work, now in plaster.

I occasionally used a photographic lab in Flitcroft St, which produced remarkable Cibachrome prints using a laser scanning technique on the transparencies which gave them an unbeatable contrast and clarity. They were also rather expensive!

You can find more from Holborn in my album 1987 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More 1987 – Mainly Soho

Saturday, July 25th, 2020
Camden Town Cemetery, St Martin's Gardens, Camden St, Camden, 1987 87-1k-46_2400
Camden Town Cemetery, St Martin’s Gardens, Camden St, Camden, 1987

The slow process of putting up my old black and white pictures is continuing, thanks to the lockdown leaving the time on my hands. Although I’m going out of the house for exercise, that only occupies around 50 minutes of the day – and perhaps another half hour to recover.

This picture of the piled up gravestones in Camden Town Cemetery was taken in January and is one of the last from that month I’ve put on line. Although I’ve always liked to wander in cemeteries, often the only real places of peace and quiet in cities, and often good places to rest and eat my sandwiches, I’ve generally tried hard to avoid taking too many pictures in them unless there is a very strong reason to do so.

Partly because as a teacher of photography I saw far too many pictures by students of gravestones and monuments. They were easy to photograph, didn’t move much or complain about being photographed and supposedly said something profound about the human condition. At the in-house moderation of student photography coursework from across the country it was never long before I or another assistant examiner would be exclaiming “Not another sodding angel!”.

Wardour St, Soho, Westminster, 1987 87-2f-55-positive_2400
Wardour St, Soho, Westminster, 1987

In February I turned my attention to Soho, where photography was not always welcomed, though I didn’t intend to emphasise its more sordid aspects. It was one of London’s most varied and interesting areas, and remains so despite the ravages of property developers and Westminster Council.

But I didn’t avoid photographing the frontages offering ‘Intimate Bed Show – No Extras‘ though I didn’t go inside and photographed them in the early mornings when there were few touts or barkers around and any workers who might have occupied them were at home in their own beds. Nor did I meet the ‘Very Sexy Busty Brunette Model‘ whose notice was by a door in D’Arblay St, not even to make my excuses and leave.

Shop WIndow, Berwick St, Soho, Westminster, 1987 87-2f-46-positive_2400

But Soho was remarkable for the variety of shops, a place were almost everything was on sale – and sometimes it was difficult to know exactly what was on offer.

Butterfly, Upper James St, Soho, Westminster, 1987 87-2g-14-positive_2400
Butterfly, Upper James St, Soho, Westminster, 1987

There is still a clothes shop on the corner of Upper James St and Beak St, but it is now larger and more corporate, with a bland plate glass frontage, and Butterfly proved to be as ephemeral as its name suggests. Many other Soho businesses were longer lasting, and Randall & Aubin, late Morin and Cavereau remains in place on Brewer St, though many of the older continental businesses have now gone.

Randall & Aubin, Charcuterie, Brewer St, Soho, Westminster, 1987 87-2e-62-positive_2400

If you look through my pictures of Soho from 1987 you will find some showing the increasing Chinese presence in the area, including one of a crowd watching the New Year celebrations, but far less than in my later pictures of the area.

Charles II, Cibber, Soho Square, Soho, Westminster, 1987 87-2e-24-positive_2400
Charles II, Soho Square, Soho, Westminster, 1987

Soho Square still looked much the same when I was last there a few months before the lockdown, though I do wonder if Cibber’s statue of Charles II looks rather more worn now. Though we may now regret the restoration of the monarchy and feel that the puritanical excesses of the Commonwealth would better have been ended without bringing back a king the so-called ‘Merry Monarch’ does sound in some respects an improvement on our present royal house. And a king with no legitimate children who acknowledged at least a dozen by various mistresses is perhaps a suitable character to be remembered in Soho.

Haverstock Hill, Chalk Farm, Camden, 1987 87-1a-12_2400
More at 1987 London Photos

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Goole 1983

Thursday, July 23rd, 2020

When I told my mother-in-law, a life-long Hull resident, that I was taking a day trip to photograph Goole she shook her head in disbelief, asking me whyever I would want to do that. She wasn’t a great fan of my pictures of Hull either, thinking I dwelt far too much on its less salubrious areas and on those old and dilapidated warehouses and derelict docks.

Goole 83goole168_2400

My only regret looking back is that I didn’t visit Goole more often. True its name isn’t inspiring – but then neither is Hull, perhaps why its more prosperous residents like to remind you it is really called Kingston upon Hull. For some reason the name Goole on Ouse has never been considered, though perhaps it should be Goole upon Dutch River or Don, which was diverted to meet the Ouse here in 1629 by Cornelius Vermuyden, not for the benefit of the few villagers of Goole, but to improve the hunting at Hatfield Chase for King Charlea I. But Goole got a bridge over the new river and barges could carry coal along it from the South Yorkshire coalfield at it could then be transferred to sea-going vessels.

Goole  83goole148_2400

In the 1820s the Aire and Calder Navigation opened a connection to the Dutch River and began the construction of docks and a new town at Goole. The canal opened in 1826 and in 1827 Goole became an official port with custom facilities, its docks able to handle vessels up to 400 tons. It’s main export remained coal until Thatcher closed the mines, with a system of compartment boats – the ‘Tom Puddings’ and special hoists giving a very efficient means to transfer the coal into seagoing ships. Timber was the main import, in part for use as pit props.

Goole 83goole161_2400

Railways first came to Goole in 1848 with a line to Pontefract and Wakefield, but it after the North Eastern Railway line from Doncaster to Hull was built in 1870 that the railway really became important. It was this route from Doncaster that I travelled on many times from and to the south between 1970 and now through Goole; sometimes the train stopped there, but more often travelled through at a leisurely pace, giving time to appreciate its landmark ‘salt an pepper’ water towers before swinging east to cross the River Ouse. But I never got off there until my first day trip in 1983.

The Victorian ‘New Goole’ seemed to have survived reasonably well, and gave a remarkable access to the docks (in those days they were a little less fettered by health and safety), and I spent a full day wandering around and taking pictures, particularly in black and white, but with some in colour too. I’ve returned more recently and it is still an interesting place to visit, though a little less so.

More colour pictures of Goole on Page 3 of Hull Colour 1972-85.

More black and white pictures on Hull Photos.

From the Royals

Monday, July 13th, 2020

I find to my surprise that it is very nearly seven years since I self-published my book ‘The Deserted Royals‘ and wrote a little about it here. Some of you who follow me on Facebook may have seen the rather wider range of pictures from that project made back in 1984 that I’m currently posting daily as my ‘story’ there, though I find Facebook particularly adept in hiding those posts I’d like to see and instead feeding me cats and celebs.

The ‘Royals’ in question are of course the Royal Docks, and most of my work was on the Royal Albert and King George V Docks in North Woolwich, by then part of the London Borough of Newham. I’d tried to photograph them from publicly accessible locations (with the usual mild bit of trespassing) but had found this very limiting, and wrote to the Port of London Authority who still owned these two docks, requesting permission to photograph them from the inside. Rather to my surprise they replied and granted me the access I’d requested. A similar letter to the owners of the Royal Victoria Dock went unanswered.

As well as the daily release on Facebook I will shortly be adding these pictures, along with others I took of London in 1984 to my Flickr album London 1984. At the moment it has pictures I took earlier in the year, including some from the West India Docks. I decided at the start of this year to put pictures on Flickr at a relatively high resolution and high quality and to trust any commercial users to respect my copyright and contact me to pay for usage. Although it’s almost certainly over-idealistic, I don’t think I’m likely to lose any significant income. I’ve used these larger images in this post and if you right click and open them in a new tab you can see them larger than in the post.

Here are a few of the pictures I’ve recently posted on Facebook, along with the usually short texts which accompany them, beginning below with an introductory picture and ending with today’s picture, about which I wrote a little more than usual.


South Quay, King George V Dock, Newham 1984
84-7c-21.
I had obtained permission from the PLA to photograph inside the dock area they owned – the King George V and Royal Albert Docks two docks on two days, and made my first visit in July. The security men in the gate house were clearly surprised that anyone should want to come and take pictures, but not very interested in what I did. Once inside there was no security presence and I could wander freely on the south quay of the King George V dock and on the central peninsula between the two docks, though their was no access to the north side of Albert Dock.
I was not supposed to enter any of the buildings, which could be unsafe, but I did take a number of pictures through windows and doorways, and later did cautiously enter some of the smaller buildings that seemed safe. On my first visit I exposed around ten rolls of black and white film – 360 exposures as well as some colour transparencies over around six or seven hours of work.
Iason and Ion are the two ships which could be seen in the distance in some pictures posted earlier, at the west end of the north quay of the King George V dock. To the left is the dry or graving dock at the west end of the dock, full of water.

King George V Dock, Newham 1984
84-7e-63.
A bollard and a more substantial shed on the land between the two docks, now the runway for London City Airport, looking roughly east. The row of cranes is along the north side of the King George V Dock.

Office curtain, King George V Dock, Royal Albert Dock, Newham 1984
84-7l-53.
This was one of the few pictures, possibly the only picture, where I used flash to capture the curtain blowing in the wind and to balance the light inside the office with that outside. It was quite a pretty curtain, a landscape with trees and something of a Japanese feel, but it was the wall-paper that attracted me more with its groups of small fishing boats in front of a shore with what was probably meant to be a fortress but looked to me more like a cement works like those further down the Thames.
Obviously the scene outside the window with its cranes was vital to the picture, and balancing the light levels inside and outside was no simple matter. Nowadays modern cameras do this kind of thing automatically but back then it involved calculations using distance and the flash guide number, careful exposure measurements through the window and a great deal of luck. It was made more difficult by the slow flash sync speed of all SLR cameras of the time, limited by their focal plane shutters, in this case to 1/60th of a second. I think it was the first time I’d tried to do anything like this, though I had read about it in photographic magazines and I only took a single frame, so it was definitely a case of beginner’s luck

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Beginning 1987

Monday, July 6th, 2020
Forge Place, Malden Crescent, Kentish Town, Camden, 1987 87-1a-46_2400
Forge Place, Malden Crescent, Kentish Town, Camden, 1987

I’ve just begun to add black and white pictures from 1987 to a new album in Flickr, and am rediscovering quite a few pictures I had forgotten, including most of those in this post, all from the January pages of my filing sheets.

Eros, Piccadilly Circus, Westminster, 1987 87-1a-55_2400
Eros, Piccadilly Circus, Westminster, 1986-7

Probably that means they were taken in January 1987, though a film I loaded into the camera in December might not be finished until the following month, and I suspect that the picture of Piccadilly Circus with boarding around Eros was probably made before Christmas. Some statues get regularly boarded up.

Window with cross, Mansfield Rd, Gospel Oak, Camden, 1987 87-1b-35_2400
Mansfield Rd, Gospel Oak, Camden, 1987

I’d been waiting to start this album for a few months, as I’d got fed up with using my film scanner (too slow and now with an unreliable Firewire interface), my flat bed scanner (not quite sharp enough) and a bellows and macro lens on a Nikon D810 where I couldn’t quite get even lighting across the frame. The Nikon film holder that comes with the bellows works with mounted slides which crop the frame, but try as I might I couldn’t get even lighting across the full 35mm frame.

Dove, Southampton Rd, Gospel Oak, Camden, 1987 87-1b-46_2400
Dove, Southampton Rd, Gospel Oak, Camden, 1987

While it was fast and easy to photograph negatives, every one needed to be worked on in Lightroom and Photoshop to try and correct the lighting fall off, and I couldn’t find a way to do so automatically. I experimented with different light sources and made some slight improvements, but couldn’t solve the issue.

Stairs, Malden Rd, Gospel Oak, Camden, 1987 87-1b-52_2400
Stairs, Malden Rd, Gospel Oak, Camden, 1987

I decided to buy Nikon’s more recent kit for digitising images, the ES-2, and ordered one in early March, but dealers were out of stock and I only received it a couple of weeks ago. Fortunately, although not perfect, it is a great improvement in several ways. The ES-2 connects to the front of the 60mm macro lens with a short tube, and one advantage is that unlike the bellows it retains auto-focus. With the bellows I had to focus in live-view at the start of each session and then firmly lock it it place, remembering to exit live-view as this crops the image.

Generations, Geoffrey Harris, sculpture, Maitland Park Villas, Kentish Town, Camden 87-1b-62_2400
Generations, Geoffrey Harris, sculpture, Maitland Park Villas, Kentish Town, Camden 1987

But the main advantage is that the ES-2 is almost capable of giving even coverage across the whole 35mm frame and has a proper negative holder which takes a strip of up to 6 negatives, with click-stops to move from one to the next. It isn’t perfect and seems ridiculously overpriced but it is a great improvement, making the digitising of negatives easier and faster. For the moment I’m concentrating on black and white, but I think it should also make working with colour negatives much easier, and the workflow I’m using to batch process the files (more about that in a later post) should also work with them. Most images just need minor tweaks and fortunately most of my negatives from 1987 are quite clean.

Most of these pictures speak for themselves, though perhaps I should admit that the ‘cross’ is the shadow of a parking sign. You can see these and more in my album 1987 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


London 1986 Page 10

Friday, June 12th, 2020
Institute of Chartered Accountants, Great Swan Alley, City 86-8ab-32-Edit_2400

Page 10 of London 1986 begins in the city of London, and strongly features a remarkable set of figures around the Institute of Chartered Accountants building from 1890-93 in Great Swan Alley, off Moorgate a little to the north of the Bank of England. Above its first floor windows is a long frieze of figures representing various trades and figures, some dating from the 1890s and others added in the 1930s and 1960s when the building was extended. Among them you can see Wren holding a model of St Pauls Cathedral.

Institute of Chartered Accountants, Great Swan Alley, City 86-8ab-34-Edit_2400

But apparently of more interest to me were what Pevsner describes as the “small very female termini caryatids” whose figures seemed very much at odds with my ideas both of the Victorians and of accountants and on whom I expended far to much film.

Petticoat Lane, City, Tower Hamlets86-9a-23_2400

I managed to drag myself away from the sirens of the ICA and out of the City into Petticoat Lane and the area around this, finding as well as a market a large group of Christians armed with muscial instruments.

Guildhall, Exhibition hall, Magistrates' court, Offices, Richard Gilbert Scott, 65 Basinghall Street, City 86-9b-14_2400

Later I returned to the City for more pictures, including some of one of my favourite modern buildings in the city, the Exhibition hall, Magistrates’ court and Offices by Richard Gilbert Scott at 65 Basinghall Street with its wonderful concrete roofs.

Highwalk, Wood St, City 86-9d-41_2400

The city’s Highwalks also attracted my attention, part of a post-war vision of separating pedestrians from traffic by visionary architects who perhaps failed to appreciate the tremendous residue of street-level development that anchored people to the ground. It worked for areas that had been largely obliterated by bombing, particularly the Barbican, but could never become sufficiently comprehensive elsewhere across the city to make sense. It did however provide photographers with some useful elevated viewpoints.

City Mill Lock, Bow Back Rivers, Stratford, Newham  86-9f-26_2400

At the end of the page are a few pictures from Bromley-by-Bow and Stratford back rivers, including some of the near derelict lock linking the City Mill River and St Thomas’s Creek with the tidal Waterworks River. I think this lock dated from the 1930s when the City Mill River was enlarged and other work done as a part of a flood relief plan for the area (and also to give work to the unemployed.) Because the Waterworks River was then tidal, the water level in it could be either above or below that in the City Mill river and there are two pairs of gates at this end of the lock. These were replaced by modern gates a few years ago, but a new lock was built at Three Mills as a part of the Olympic redevelopment, which probably makes the double gate redundant.

Page 10 of London 1986

Southwark & City – 1986 page 9

Monday, June 8th, 2020
Tower Bridge, River Thames, pier, Hays Wharf, Southwark 86-8z-21-Edit_2400


Page 9 of my album London 1986, black and white pictures taken of the city that year, begins briefly on familiar ground in Southwark, close to the OXO tower, before going on to Clerkenwell and Finsbury. Because of my rather odd filing system the two areas interweave before I return to Southwark and Bermondsey.

Laystall Street, Clerkenwell, Camden 86-8x-32-Edit_2400
A plaque above a hairdresser’s shop commemorates Guiseppe Mazzini, founder of Young Italy, a secret society formed to promote Italian unification. He lived in London at various times between 1840 and his death in 1872 to escape arrest on the continent.
Tower Bridge, River Thames, Hays Wharf, Southwark 86-8z-22-Edit_2400

I crossed Tower Bridge briefly and returned south of the river. The riverfront between Tower Bridge and Southwark Crown Court , opened in 1983, has changed completely since I took these pictures, though many of the pictures away from the river have altered relatively little – the George Inn was last rebuilt in after a fire in 1677.

Hays Wharf, Pickle Herring St, Southwark 86-8z-41-Edit_2400
Pickle Herring St, Southwark  86-8z-55-Edit_2400

Later I went to the City, wandering the area around Bank and towards the Tower with page 9 ending with a second picture of Pepys on Seething Lane.

Lombard St, City  86-8aa-21-Edit_2400

The City is also an area where many older buildings have been preserved, despite some notable losses, though most date from the nineteenth or early twentieth centuries, and most that I photographed are still recognisable. But the environment has been altered and many are now somewhat overwhelmed by gigantic towers.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More London 1986

Saturday, May 30th, 2020

The pictures on page 6 of my 1986 London Photographs were all taken in the City of London or close to its edges in Tower Hamlets and Finsbury and include a few of its better known buildings but are mainly less well-known streets and aspects that caught my attention.

P & O, St Botolph St, City 86-7o-45_2400

There is still a Beaufort House on St Botolph St, but it isn’t the same building. This one, dating from the 1950s with a nautical feel, was built as offices for the P & O shipping company. As I turned the corner and it hove into site it always gave me the impression of a huge liner with many deck levels that had somehow been marooned in the city.

Shortly after I took this and the other pictures on Page 6 it was demolished, with construction starting later in the year and completed in 1988 to an overblown postmodern design by RHWL Architects, a “distinctive office building” which many find hideous. In 2016 Amazon took around 47,000 square ft of its space in one of the largest office deals of that year.

Wentworth St, Aldgate, Tower Hamlets86-7q-64_2400

While many of these buildings are still there, often they have changed a little. Permutt Fashion Stores are no longer there at 11 Wentworth St in Petticoat Lane market, which is now ‘Queen of Textile’s’ with a rather curious apostrophe but without the advertising on the upper floors – though the rectangle above the first floor window with the name C PERMUTT when I took my picture is still there, but empty. A Permutt’s at number 13 is now a nameless Dry Cleaners and Tailors. The café at No. 9 is still a café and looks very similar but is now called Simply Tasty rather than being named for the Italian city of Vernasca, though it still appears to offer home-cooked food at reasonable prices.

Searching for more about A Permutt on the web reveals little other than that in 1934 there were bankruptcy proceedings at Carey St against an Abraham Permutt, trading as A Permutt & Co, a timber merchant in nearby Brick Lane. I don’t know if there was any connection with the A Permutt whose shop was in Wentworth St.

Nat West Tower, Tower 42, City86-7p-31_2400

The NatWest Tower is still there, though now longer called that, now known as Tower 42. Completed in 1980, it was the first skyscraper in the City, and still one of its taller buildings at 600ft. It has 47 floors, with 42 of them cantilevered out from a central core, and was renamed Tower 42 in 1995. The tower was extensively damaged by the IRA bomb in Bishopsgate in 1993 and required several years of work and after the refurb NatWest decided to sell it rather than move back in.

The picture shows two of the cantilevered sections. There are several walkways around the base of the building but all are private property and after I had taken several pictures I was approached by a very polite security officer who told me that photography was not permitted, showing me exactly where the boundary of the property was on the pavement and saying I could take as many pictures as I liked from there.

Worship St, Shoreditch, Hackney  86-7q-32_2400

Although much of the area has been destroyed, this fine row of properties on Worship St remains. The street was once called Hog Lane and there are at least two suggestions for the name change. One says it got its new name from a merchant tailor, John Worshop, who owned several acres of land in the area, while others suggest it was because the first houses on the street were built with stone from the old church of St Mary Islington.

This row of artisans workshops with living accommodation above replaced older slum properties on the site, possibly dating from before 1680. The area was owned from around 1740 by the Gillum Family and in 1862 Lieutenant-Colonel William Gillum commissioned leading Arts and Crafts architect Phillip Webb in 1862 to design this block as affordable properties for craftsmen in line with the ideas of honest handwork advanced by Webb and his colleague and friend William Morris. At the right of the row you can just see the V-shaped porch over a water fountain he incorporated into the design.

Finsbury Dairy, Sun St, Finsbury, Islington 86-7q-43_2400

13 Sun Street is now a part of the One Crown Place development which claims to have retained “the elegant row of Georgian terraces on Sun Street” as a boutique hotel and members’ club. It will perhaps have kept some elements of the facade, but I doubt if the diary will be recognisable. The whole length of the terrace which had been boarded up for years was covered with scaffolding in 2018.

Some London Dairies actually had cows in their backyards, but I think this one seems unlikely to have done so. More likely the milk would have come in churns from farms in the countryside, perhaps to the nearby Liverpool St station, on early morning milk trains.

Great St Thomas Apostle, City 86-7r-23_2400

Close to Mansion House station at the bottom of Garlick Hill is Skinners Lane. Skinners and their trade were important in London and the Worshipful Company of Skinners who have a hall in Dowgate Hill were one of the 12 great livery companies, getting their charter from Edward III in 1327. Back in 1986 there were still a number of fur companies still trading in the area, particularly in Great St Thomas Apostle, including Montreal Furs, just a few doors down from Queen St. Presumably its name indicates it was trading in fur skins from Canada, where trappers still operate cruelly supplying companies such as Canada Goose.

You can still see its rather finely decorated shopfront, now a part of Wagamama.

There are 100 pictures on Page 6 of my Flickr Album 1986 London Photographs


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.