I’ve just begun to add black and white pictures from 1987 to a new album in Flickr, and am rediscovering quite a few pictures I had forgotten, including most of those in this post, all from the January pages of my filing sheets.
Probably that means they were taken in January 1987, though a film I loaded into the camera in December might not be finished until the following month, and I suspect that the picture of Piccadilly Circus with boarding around Eros was probably made before Christmas. Some statues get regularly boarded up.
I’d been waiting to start this album for a few months, as I’d got fed up with using my film scanner (too slow and now with an unreliable Firewire interface), my flat bed scanner (not quite sharp enough) and a bellows and macro lens on a Nikon D810 where I couldn’t quite get even lighting across the frame. The Nikon film holder that comes with the bellows works with mounted slides which crop the frame, but try as I might I couldn’t get even lighting across the full 35mm frame.
While it was fast and easy to photograph negatives, every one needed to be worked on in Lightroom and Photoshop to try and correct the lighting fall off, and I couldn’t find a way to do so automatically. I experimented with different light sources and made some slight improvements, but couldn’t solve the issue.
I decided to buy Nikon’s more recent kit for digitising images, the ES-2, and ordered one in early March, but dealers were out of stock and I only received it a couple of weeks ago. Fortunately, although not perfect, it is a great improvement in several ways. The ES-2 connects to the front of the 60mm macro lens with a short tube, and one advantage is that unlike the bellows it retains auto-focus. With the bellows I had to focus in live-view at the start of each session and then firmly lock it it place, remembering to exit live-view as this crops the image.
But the main advantage is that the ES-2 is almost capable of giving even coverage across the whole 35mm frame and has a proper negative holder which takes a strip of up to 6 negatives, with click-stops to move from one to the next. It isn’t perfect and seems ridiculously overpriced but it is a great improvement, making the digitising of negatives easier and faster. For the moment I’m concentrating on black and white, but I think it should also make working with colour negatives much easier, and the workflow I’m using to batch process the files (more about that in a later post) should also work with them. Most images just need minor tweaks and fortunately most of my negatives from 1987 are quite clean.
Most of these pictures speak for themselves, though perhaps I should admit that the ‘cross’ is the shadow of a parking sign. You can see these and more in my album 1987 London Photos.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.